Evening Star Newspaper, December 5, 1934, Page 40

B—20 AMUSEM ENTS. THE EVENING STAR, WASHINGTON, D. Garbo and March to Star Georgetown Students in Play In Film “Anna Karenina” ‘Another Tolstoy Story on the \Vay, According to Hollywood—"The Pursuit of Happiness” Gives Lederer a Real Chance. BY E. de S ERE is the latest M-G-M March in * touchdown. Maybe two. winning at the Fox with “We Live Agam production of “Resurrection.” ‘Anna Karenina!” . MELCHER, bombshell: Garbo and Fredric Tolstoy thus makes another At any rate, he is currently Anna Sten and Mr. March in And if he can do it with a rather ponderous he should certainly be able to do it with the suddenly revived and grinning Miss Garbo. This ds the first time that March has played opposite Greta. And while it should be a most interesting com- bination, we can't but help remember | what both of these players will be receiving for putting “Anna Kare-| nina” on the cinema map. Between them they’ll be mopping up a nice little $200,000, something which nugm to make Christmas rather brighter | for them than usual | Other screen news of the day: Rob- ert Donat will be starred in the Para- ‘ mount production of “Peter Ibbetson”; | Bette Davis will play opposite Edward | G. Robinson in “Money Man": Clif- ton Webb has been signed by M-G-M but that won't prevent him from com- ing here in “As Thousands Cheer”: Donald Woods will have one of the leading roles in “While the Patient Slept” (due to his excellence in “Sweet Adeline”), and rumor has it that Rob- | ert Donat will be featured in a United Artist production of “Beau Brummel." (What's become of Jean Harlow?) * x I)ARA.\!OL‘NT has done a grand + job with “The Pursuit of Happi- | ness,” although “good” has been sub- stituted for “hot” in the tag line and one or two other inuendos have been softened. Nevertheless. vou'll like the film and vou'll like Francis Lederer better as a Hessian soldier than you did as an excited Eskimo. While Mr Lederer has yet to be given his per- fect role, he is most likable in this picture and, according to Dan Terrell, local Warner Bros. Apollo. “He al- ready has all the gals on their ear.” This is as it should be, as we have seen Mr. Lederer lionized in Holly- wood and know that he cannot even eat a hotdog in the back row of a movie theater without being ogled and so forth. “Bundling” comes into its own in this picture, too, something which should provide the local youths with many a snort. As performed by Lederer and pleasant Joan Bennett it is, of course, one of those things | | Troupers Glimpses of Stage Folk in Washington. AT THE Metropolitan Opera House in the 1880s two scholarly but warm-blooded gentlemen worked side by side in the orchestra cello section. One was a rotund. mus- tachioed young man with a flare for melody in his brain and fingers. His name was Victor Herbert. The other was taller, wore a full black beard and, despite the moderate severity of his Germanic mien, loved a joke extrava- gantly. When the opera score called for any manner of animal imitation, this latter gentleman delighted in popping up amidst the cellos and lossing a clarion | cock-a-doodle-do or a sullen moo-o. Since there were not many stray beasts | in grand opera, his imitative talent never overworked while at his busi- ness. He like to supplement it at home. The bearded fellow also had a trick which he had| emploved to| amaze his musi- cal colleagues | since the days when he played in German or- chestras under the masters, Wag- ner and Liszt. He could turn his music upside down and read it a feat much less simple than read- ing a reversed book, for the good reason that musical notes change their value when the position in relation to the top line is altered. Nevertheless the German fellow could do it. All his life, includ- ing the score of years he was first cellist of the Los Angeles Symphony. he continued to startle neophytes and oldsters alike. Some thought he merely knew the scores of everything written, which only partially have covered the case of Bernhardt Bier- lich, for that was the name of the gentleman, the grandfather of Ferde Grofe. It may seem somewhat odd to make a dilatory approach to the fulsome yarn of Ferde Grofe, now conceded to | be one of the greatest living American | composers, but we were deeply im- | pressed by the board and authentic musical background of his family. | This Bernhardt Bierlich, of course, was a man whose 86 years may well deserve more than a thumbnail sketch. So could the lives of his daughter, Ferde's mother, who was an accom- plished cellist and studied at lmpmz So also Jules Bierlich, a son, for years concert master of the Los An- | geles symphonic organization On his paternal side, Grofe had an- other tradition, that of the thespian. His father was a member of the old Bostonians company and knew enough | music to sing a good baritone when exigency required. Ferde Grofe was taught to write music before he was permitted to play. He began the study under his mother’s | tutelage at the age of 5, and when she | believed he understood the meaning of | notes (hundreds of musicians rend them merely as cabalistic signs, never ‘ recognizing that they are words in a | language) she started him on the | violin and piano. Ferde naturally was an apt pupil and soon took his place | in the family orchestra, a congenial | group dominated by the great wisdom | and playfulness of Grandfather Bier- | lich. When he had attained the age where some connection with his pro- | fession must be selected, Ferde took | the turning of two roads. He played | in honky-tonk joints. banging away | on a rattly piano while the boys and girls worked out their nickel-a-dance, and he doubled in the symphony. To | that combination of experience he | attributes the dual comprehension of jazz and classic. which later enabled him to depict the American scene in terms of its native spirit and the bor- rowed, sometimes modernized, forms of the past masters. And—the public | may consider this immediately more important—it also was responsible for his sensational career as arranger for | Paul Whiteman's Orchestra, as the brains behind the making of the acknowledged peer of all jazz bands. (Concluded Friday.) R. B. P, Jr. " PYUS ADAMS MARVELITE No_ Better Paint Sold {romvl Delivery Service asting “nlernronfi!r. $1 1119 9th clear, | house manager of Baltimore's | Leadeth Me” | liam Laird Dunlop, jr.: that even your Cousin Agatha wouldn't shy at. And, as a matter of fact, the only disappointment came when Mary Boland and Charlie Ruggles didn't bundle, too. (It is now time for you to reach for your dictionary and look “bundle” up. You are probably way ahead of the word.) * k% % TH'E Variety Club will give its first Christmas party at Friendship House, 326 Virginia avenue southeast, instead of at the Willard Hotel, as originally planned. This is being given as a benefit for poor children | and is a cause which every loyal Variety Club barker will want to aid. That this club should thus become a real Santa Claus is something which those who know little about the aims and purposes of this generous theatric organization will want to know, x P 00 bad—no Leslie Howard in Rob- ert Sherwood's “The Petrified For- est” after all. Gilbert Miller has an- nounced that he can't get the play ready in time for an opening at the National December 17. But don't forget that Ina Claire is coming here next week in “Ode to Liberty.” * x ox % JON'T forget that the Masque and Bauble Club of Georgetown Uni- versity will present “The Tavern” to- night at the Belasco Theater. In the cast will be Frank Miller, a lad who was formerly well known for his dra- matics at McKinley High. In the audience will be Emmett Lavery, author of the current Broadway suc- cess, “The First Legion.” i ENE FORD is in Baltimore. Dur- ing his absence Fred Greenway, Century Theater. is house managing the Fox. Mr. Ford is staging the annual “O. K. Baltimore” show. Shirley Ross is in Baltimore, too. “The White Parade” was previewed vesterday at the Fox exchange and pronounced to be excellent. Women wept. So did strong men. It's about nurses and said to be Jesse Lasky's best. MaX Gordon will attend the opening of the Charles Town race track to- | morrow. When Addie Hibbard gets to town she will be honored at a luncheon given her by the Women's City Club. * % ox X HE recently organized Little The- ater of Alexandria will hold try- outs tonight at 8 o'clock at Gadsby's Tavern for a group of one-act plays, including Booth Tarkington's “The Travelers,” which will be presented early in February. Mary Lindsay is president of the organization, and Marshall Baggett and Mrs. Richard S Ely directors of two of the plays 0 be produced. The group has started vuth a bang—over 100 members al- ready! NEGRO PASSION PLAY. The Negro concept of the life of Christ, and indeed their whole concept of Christianity, was shown last night at the Washington Auditorium when “Passion _and Triumph.” a passion play by Dr. Ralph Mark Gilbert, was presented by members of the Metro- politan A. M. E., Metropolitan, Mount Carmel and Shiloh Baptist Churches. The cast of over 300 characters was supported by a chorus of 250 voices from the various churches. This play shows Christ as the Mes- siah of an oppressed people, hounded and persecuted by the authorities, leading them from degradation and giving them promise of a better life His trial, crucifixion ard resurrection are interpreted as the history of the | Negro race and their hopes for a hap- pier day to come, as He promised so long ago. Interposed between the acts, Negro spirituals and hymns were sung by the chorus. Perhaps the best of these spirituals, some of America’s best contributions to the field of music, wa: “Lord, I Want to Be a Christian.” This song shows the religious Negro's prayer to have the blessing of Christi- anity. It contains all the pathos and hope of a race fighting its way up from slavery and persecution. Some of the other ‘songs presented were “Don’ Found My Los' Sheep,” “He and “Ev'ry Time I Feel the Spirit,” all showing their trust and belief in the Messiah. —G. E. H. INSPIRATIONAL MUSIC. Something of an innovation, “An Hour of Inspirational Music,” will be given Friday evening at Barker Hall, Seventeenth and K streets northwest, by Elizabeth Lambert Hebb assisted by Lavinia Darve of New York and Irene Wagner, sopranos; Kurt Ritter, bari- tone, and Seymour Amick, pianist, who | will sing and play compositions by Miss Hebb. The Howard University Quintet will | sing “Down Souf in de Cotton Field,” | which embodies an almost forgotten spiritual. Evelyn Scott, violinist, will be the guest-artist. The patronesses are Mrs. Charles S. Alden, Miss Maude Davidge, Mrs. Wil- Mrs. L. W.§ Glazebrook, Mrs. Louis Kingsley, Mrs. George Richards, Mrs. Walter Tuck- erman, Mme. Florian Vurpillot, Mrs. Willard Warner and Mrs. Walter Wc]]s 1935 DIARIES and calendars. A complete stock at popular prices. | E. Morrison Paper Co. | 1009 Pa. Ave. Phone NA. 2945 GUARANTEED SHERWOOD OIL BURNER | | Now 3285 With 550 Gallon ONLY Storage Tank. Complete, Installed, for Small Doun Payment— Terms as low as $7.90 a Month—3 Years to Pay Visit Our Showrooms at 17 23 Connecticut Ave.. N.W., or telephone Decatur 4181 for Complete Information Guaranteed By SHERWOOD IROS.. INC. BETHOI.INE & RICHFIELD C, ARTS CLUB PRODUCES PLAY “JOHN FERGUSON” Well Selected Cast Gives Good Performance of the St. John Ervine Drama. The Arts Club of Washington last night essayed to project upon their stage the sombre shades of St. John Ervine's effective bit of tragic dra- maturgy, “John Ferguson,” with highly commendable results. The players honor the drama which more or less “made” the Theater Guild with a serles of meticulous characteriza- tions which leave little to be desired. They inject a wealth of feeling into this realistic sector of life as Mr. Ervine saw it, and perform in such a uniformly commendable manner it would not be right to attempt lm select the “stars.” In fact, it would | be exceeding difficult. Miner Ellis, as John Ferguson, the farmer about to loose the farm on which he was born and raised; Edna Ellis Hilton, as his wife; Virginia True, as the daughter who almost married to save her home; | Henry Hartung, as the son who was forced back to the farm from his studies for the ministry: William | Austin Davis, as the weakling suitor, and James Otis Porter, as the bluster- ing villian who held the mortgage, are excellent. But so are the others —Andrew Dent, Benjamin Franklin Butler, Edwin H. Etz, Carl Bradley, Kirke Beord, Gertrude Ward, Emma Taylor, Mary Holmes and Anne Taylor, the entire cast. Of course, Edna Ellis Hilton deserves a large share of the praise for her effective and well-paced direction, which sustained the proper note of tragic realism throughout. The stage set designed by Hugo Iden also is excellent. | | | “The Tavern” will be presented tonight at the Belasco Theater by the Masque and Bauble Club of Georgetown University. Grace Cauliflower and Frank Miller are two of the leading players —Harris-Ewing Photo. “John Ferguson.” as done by the Arts Club, is well worth seeing. either tonight or tomorrow night at 8:30 at the club. i H. M. Kreisler’'s Art Impresses In His Brilliant Recita Violinist Attains Colorful Effects Without Sacr ficing the Composcr‘s Poetic Fecling. 1= Au&ience Dcmands EX‘ICOYCS. BY ALICE EVERSMAN, KREISLER recital is synonymous with the best in violin playing, beauty of tone and brilliant technical finish. Yes- terday's concert revealed Kreisler at his finest, which means that his usual perfection of form was emphasized by his own vital mood, a state of mind that is elusive and difficult to capture by even as experienced an artist as Fritz Kreisler. In general, it was a superb performance, with only an occasional technical slip which amounts to nothing when compared to the noble spirit that was present in each number on the interesting program. In considering Kreisler's art, one is | of the Mendelssohn period when the impressed anew with the perfect sym- | virtuosity of the present day was not metry in all that he does. No other | general. Without retarding the tempo, artist comes to mind at the moment he gave the first and third move- who possesses such a well-built frame ments with measured speed. thereby of rhythm and accent and such neat | bringing out many heretofore un- and well-established means of working ' stressed points. The second move- out an interpretation. One is often ment was imbued with the poetic conscious with other musicians that, | sentiment in which Kreisler can im- no matter how well every detail is | merse himself with complete abandon. worked out, the material often over- Combining all these qualities to a laps the edges and blurs the outline. | highly artistic degree was his reading A sort of poetic license, which they | of the Korngold “Suite” from the allow themselves, is accepted as neces- | music to “Much Ado About Nothing.” sary to artistic freedom and the re- | A lovely group of numbers, the music sult is considered to be amply satis- was aptly descriptive of the tubullee factory for what it has to give. ‘March Kreisler works out his results in “Garden Scene” and an entirely different manner. On | “Masquerade.” The concert con- a basis of exact rhythm and minute | cluded, as all Kreisler recitals do, accentuation he is able to evolve his | With numerous encores, among which interpretations without once stepping | Were his “Caprice Viennois,” out of the frame he has constructed | “Schoene Rosemarin” and “Liebes- for himself. Within what to another | freud.” would seem & narrow compass, he finds | sufficient room to attain the colorful | effects he desires without sacrificing either the composer’s or his own poetic feeling. In this he stands unique, far | surpassing the temperamental player, who considers himself hampered by attempting to be absolutely exact as to the little but important essentials of rhythm and accent. His own compositions and arrange- ments, such as the two Slavonic dances of Dvorak and the “Spanish Dance” from de Falla’s “La vida breve” on vesterday's program, have charmed audiences for many years with their lilting swing as Kreisler plays them. But not in such works alone is the | value of his style apparent, for one | felt the justness of it also in the classical Haendel “Sonata in A Major” and the Bach “Prelude and Gavotte.” from “Partita in E Major.” Clearcut and beautifully detailed. they repre- sented the finest artistry both in form and feeling. The major number on his program was the often heard Mendelssohn “Concerto in E Minor.” Most of the newcomers in the violinistic field give to the brilliant passages of this popu- | lar concerto a coloratura dash in| | AP Jravel Bureau 1410 H execution that sweeps along with || MERCHANTS & MINERSLINE whirlwind speed. As Kreisley played it, there was more of the atmosphere EX and —_— ENTERTAINS SCHOOL. One hundred and ten pupils of St. Rose’s Technical School, 1878 Phelps place northwest, will be entertained on Friday night by a complete magic show, in line with the | Ring's policy of entertaining at some orphan’s home each Friday night dur- ing the Winter, Kenneth H. Sheelor, president of the local ring. will present his silk act. Dr. Archie Engel will offer, for the first time, “The Human Pump.” Have You Holiday AT CHRISTMAS TIME? | Take this wonderful 9-day Personally Conducted Tour. Sailing from Baltimore to Florida, Fri., Dec. 21: S. S. DORCHESTER. Visit Day- tona Beach, Bok Tower, St. Augustine. All expense, only $75. Details on request. UNTIL THE END OF THE WE Save Our Regular 8c THRIFTY LAUNDRY SERVICE 5 EXTRA Features at NO Extra Cost L. HANDKERCHIEFS com- 4. NECESSARY PIECE pletely finished. Special STARCHED, no dampen- attention to monograms ing necessary, ready for and initials. ironing. 8. SOFT COLLARS COM- PLETELY FINISHED. Returned in glassine en- velopes. —and in addition Home Laundry finishes all flat work at NO EXTRA 2. EACH PIECE SHAKEN AND FOLDED, no knots or tangles to straighten out. 3. WRAPPED IN WAX PAPER, airtight to pre- CHARGE. vent mildew. Minimum Bundle, 7% * Shirts, Uniforms, House Dresses, ete. * Hand Finished for 10c Each Extra ohu;.lmplam = lke HOME .. " . | Magicians PUPILS’ RECITAL. A mid-season recital was given Monday night in the home of Mr. and Mrs. Phippeny in Saratoga avenue, Sligo Park Hills, by the young pupils of Mrs. Phippeny. The program was opened by Patsy Boyer, Louis and Betty Colomb and Harris Petree. Piano solos were rendered by Newton Magness, Ruth Killen, Jean Eastman, Esther Phippeny and Nancy Lee Co- lomb, and duets were played by Mrs Killen and Mrs. Colomb with their small daughters. Beulah and Reid Phippeny assisted during the recital with violin solos and Mrs. Phippeny gave two musical readings. . CHURCH CONCERT. ‘The Nordica Mandolin and Guitar Orchestra and Nordica Banjo Club will give a concert Friday evening at the Christ Lutheran Church, Sixteenth and Gallatin streets northwest.at 8:15 p.m. Solos will be played by Annabel Bird, Howard Moore, accompanied by Evelyn Wells; Albert and Ethel Selby, accompanied by Alice E. Hill; Cath- | erine Schofield Honse, with Emily Mann at the piano: Mildred Louise Sykes with guitar, accompaniment by Miss Hill and Walter T. Holt, who is director of the orchestra and club. RACHMANINOFE assian Pianist-Composer, slasing GAYETY BURLESK NOW PLAYING “NADJA” 'Edward Matthews Baritone, Boston, Mass. Will be presented by the 3 Men's League of Lincoln Congregational Temple Sunday Afternoon Dec. 9, at 4 At the Metropolitan A M.E. Church M St.. between 15th and 16th Sts. Edward Matthews—Premier Artist in Opera—Concert, Stage—and as a Radio Performer.’ Critics consider him to be one of the greatest bari- tone singers of all time. There will be nominal admission Reserved “The Search for Santa Claus” Exclusive Pictures of The Evening Star's Expedition to the Far North SEE SANTA CLAUS IN HIS OWN HOME This Current Week at The Metropolitan and at T’lt Ambn.nm{or Tonight, Thursday and Friday THE SECRET of READING PEOPLE at SIGHT! 9 FREE LECTURES HARRY H. BALKIN Famous Success-Scientist and Character-Analyst “The New Science of Analyzing Character” Sun., Dec. 9th; Mon., Dec. 10th 8:15P.M. ADMISSION FREE Masonic Auditorium 13th & New Yeork Ave. WEDNESDAY, DECEMBER 5, 1034, Current Theater Attractions and Time of Showing. National—“Gather Ye Rosebuds,” today at 2:20 and 8:20 p.m. Loew's Fox—"We Live Again” at 10:40 am, 1:25, 4:15, 7:05 and 9:55 p.m. Stage shows at 12:20, 3:10, 5:55 and 8:45 p.m. Earle—"The St. Louis Kid,” at 11 am., 1:35, 4:35, 7:35 and 10:15 p.m Stage shows at 12:35, 3:30, 6:35 and 9:10 pm. Columbia — “Student Tour." 11:25 am, 1:30, 3:35, 5:40, 140 lnd 9:45 pm. Metropolitan — “Flirtation Walk,” at 11:45 am, 2:10, 4:35, 6:55 and 9:20 pm. R-K-O Keith’s—"Imitation of Life,” at 11 am,, 1:08, 3:16, 5:24, 7:32 and 9:40 p.m, Palace—"Painted Veil” at 11 am, 1:05, 3:15, 5:25, 7:35 and 9:45 p.m. Tivoli—“The Last Gentleman, 3:35, 4:20, 6:05, 7:55 and 9:45 p.m, Ambassador — “Judge Priest,” 6:15, 8 and 9:45 p.m. at Drainage Project Hailed. Ttaly considers its project of drain- ing the Pontine Marshes to be highly | successful. 8 W ¥ s TODAY...l at| AMUSEMENTS. “NOBODY’S GIRL” CAST HAS MANY VETERANS In addition to Clare Tree Major, who, herself, will play the bit part of comes to the National Theater Sat- | urday morning, this second presenta- ! tion this season of the Children's Theater of New York will have a fine cast of professional grown-up actors. | Jewel Morse, who plays Perrine, | was fn the musical comedy success, | “Strike Me Pink.” She was originally a dancer, receiving her professional training from Fanchon and Marco. Betty Macdonald, who appears as Rosalie, has had a notable career as | Martha | a dancer. A protege of Graham, until recently a member of her concert trio, she appeared here | with the Lewisohn dancers a few years ago at the Spring Music Festival of the Library of Congress. | _Three newcomers to the Children's Theater are Oscar Stirling, Kenn Ran- dall and Richard Ellington. Mr. Stir- ling is an Englishman, whose father, grandfather and great-grandfather were all well known on the London stage. Kenn Randall plays the grand- father of “Nobody's Girl.” His first part was in “Chu-Chin-Chow.” He was leading man for May Robson with | “Helena's Boys” and “The Rejuvena- tion of Aunt Mary.” Richard Elling- ton has some little fame as a radio singer. AMUSEMENTS. A WASHINGTON INSTITUTION Opposite the U. S. Treasury on 15th S, THE PICTURE MAGNIFICENT] LAUDETTE in FANNIE HURSTS ...tremendous drama of a widowed mother and daugh:. ter who unkncwxng]y are rivals in love A UNIVERSAL PICTURE WITH WARREN WILLIAM ROCHELLE HUDSON NED SPARKS ALAN HALE HENRY ARMETTA . DIRECTED 8Y JOHN M.STAH I iast | oavs JACK STONEY TOM-DICK & HARRY ¢ DAVEY KRAFT «BETTY CHARLES "SLIM’ TIMBLIN REIS <./ DUNN Jhe WANDERING MINSTRELS of RADIO FRIDAY! Dimpled Darlings - ....prancing and romancing in a tuneful rhapsody " cf_lfin)lax‘ouAs mirth .--The All-America \\[\ - Musical LANNY BOSS JACK OAKI greater and more ot L |l tASI JANNA STEN « FREDRIC MARCH in*WE LIVE ACAIN* ..FERDE CROFE AND HIS ORCHESTRA = EAIRLAWN CL‘ THE BIC LITTLE SHOwW! EY SAMPLES ALKER SISTERS KEAN < ELSA GREENWELL Dke Southem Cyclone with VAL RUSiELL FIVE ELG!NS PHIL LAMPKIN OVERTURE MARY M‘;fi};fl HELEN MACK s/ LYDA ROBERTI . 4 Garamowsit- Cictare “La Rouquerie,” when “Nobody's Girl” | To ngh ATIONAL WALTER CONNOLLY w4 ERNEST TRUEX ‘GatherYe Rosebuds’ By Sidvey Howard & Robert Littell Next Week Bes. Mon. Seats Thurs GILBERT MILLER oresents America’s Foremost Comedienne INA CLAIRE ODE TO LIBERTY Adapted by Sidney Howard Michel Duran’s Nights, 55c to §2.75; W Mats.. 55¢ to $2.20 NATIONAL THEATER Saturday, Dec. R. 10:30 AM. THE CHILDREN'S THEATER “NOBODY'S' c.uu." Qrisinal New . $1.1 Constitution Hall Tomorrow or's “Hymn to the Sun'* OLGA AVERINO. Soprane as soloist TICKETS. to %230 Box Office, Garfinckel’s, 3 THE ST.LOUIS KID | . EoDIE PEABODY % PURSUIT OF HAPPINESS Posemoust Puture FRANCIS LEDERER JOAN BENNETT On Stass PAPPY, ZEKE, EIRA & ELTON. 'METROPOLITAN SCREENS FIRST MILITARY ROMANCE] FLIRTATION * WALK + Wearner Broe Musical Made at West Point vk WHOLE CADET CORPS Perm i L | ACADEMY ot l’e;llonrl:‘mgdll'ihmnnuy Lanr s Theatre ful p: JACKYE DY TRELLPE “ISLAND | ASHTON cEciL B e MILLE S CLEOPATRA CAROLINA “BLIND DATE"_ CIRCLE 33’ FRED ASTAIRE 11th & N. C. Ave. SE. Double Feature “HAPPY LANDING 3 Wisconsin Ave. RY GRANT and LADIES SHOULD KE NACOSTIA, AUDETTE COLBERT u;u'mnrm Ave, Siiver Spring. Md. NS and JOEL McCREA 1 in the World.” toon SECO MIRIAM HOPK! “Richest G STANTON 005 2¢,¢ 5 X e/ WALLACE _BEERY JACK!F COOPER “TREASURE '1SI STATE . he Modern Theater™ 6971 0“!“ Ave., Bethesda, Md. Open at ta: Ca “BELLE Popese _Com 4th and Batternut S No Parking Troubles GEORG “DUDE J\DuLPHF MEN. _ ot HUMAN SIDE” HlPPODROME K Near 0th Double Feature Oland Charlie Chan in ) ALEXANDRIA, RICHMON Jeanette MacDonald ow. ROCKV MD. ARCADE Tetes | vymer, otana 0 onariitenan i " |AMBASSADOR 75,4 WILL ROGERS in “JUDGE PRIEST.” SEARCH_FOR SANTA CLAUS" _ APOLLO i HAROLD LLOYD, _ “CATS PAW." AVALON Matinee. 2:00 P. MARLENE DIETRICH i __EMPRESS.” _ Cartoon. AVENUE GRAND Ave. ati JOE E BN AR DOYLE in IX-DAY BIKE RIDER.” CENTRAL *® N.W. 7] JACK BENNY in TRAVSATLANTI(‘ RY-GO-ROUND."Comedies & F:rr gut 624 H St. UNA MERKEL in Cartoon. %) o =) = B = DICK PO“ /ELL. JOSEPHIN! HUTCH- PPINESS AHEAD." 0 C St. CLAUDETTE COLFERT __WILLIAM__“CLEOPATR SAVOY “T4th St. & Col. Ba. NORMA SHEARER. 'BARRETTS OP _ WIMPOLE STREET N. WARREN A Matinee. 2: GEORGE _ ARLIS: “THE GENTLEMAN. " Misical Comedy be: YORK 2y NCE BENNETT. HER OO ARAHALL “OUTCAST LADE"‘RT JESSE THEATER b o LAST STLVAN ' &= NORMA SHEARER, FREDRI| “Barretts of Wimp, _______ Musical Cumedy PALM THEATER kgt JO! E. BROWN MAXIN! DOYL! e 1=l = & = = I [~} = -Day Bike Rider.” Comedy__Novelty. DANCIN EDW. F. MILLER STUDIO 814 17th St.—NA. 8003, W _it's danced we teach i JACK ROLLINS STUITT te Ballre Ballet nn._Ave. Cou asses, H onth Dee. 5370 T 161 PEYTON PENN 145 ¥ St MW 'Eut, 9561, T el altz, hu-. Rbumba, ete,