Evening Star Newspaper, January 8, 1933, Page 75

THE SUNDAY STAR, WASHINGTON, D. C, JANUARY & 1933 13 — Sunday Morning Among the Cross-Words ACROSS. 1. Exonerate, 8. Comprehension. 13. Piece of needle- 2 work. 0. California red- wood. .In the future. 22. Terra cotta wind B30 09 o 09 © =1 w @ w 'S ©w 123 2] pe] SO AW instrument. . Speak hesitantly. . Diner. . Myths. Ages. . Famous English abbey. .To leap lightly over. . Cavalry weapon. . Discovery. A beef creature. . Orderliness. . Negative connec- tive. Droop. Machine for sell- ing goods. . Deride. . Holy person. . Surpass. .Make political speeches. . Officiating clergymen. . Celestials. . Duet. . Return salutation. . Desiring food. . Science of hy- gienic conditions. . Indian weight. . Fragment. . Plagiaristic. . Health retreat. . Frosting. . Indigenous. .Gulf of the Car- ibbean Sea. .To draw into wrinkles. 74.In no way. 75. A front leg. 7 6. Enigma. 77. Cupidity. 78. Mongolic race of 7 Cochin-China. 9. Devoid of aptitude or fitness. Scrutinize. Large variety of hazelnut. 5. Spherical body. Irascibility. . Implement for edging Coincide. . Inexperience. Overhead. . Ananias. . Apparatus for measuring force. Finials on church spires, ete. . Plane pilot. . Pinkish-red. New impression or edition. . Calcareous mate- rial of the teeth. . Liking. .Fine earthenware. . Early Jewish ascetics. .Show contempt for. . Conveyed on sleds. DOWN. .To tax. . To give up treacherously. . Young pigeons, . Outlying. . Share. . Opinion . Auriculated. . Jewish quarters of a town. . Boring tool. . Fantastic figure. . Perfumes. . Asiatic country. . The typical genus of razor clams. .Maple tree genus. . The magpie. . Giver. . Connected. . A salad herb. . Grater. . Caused to go. . Clothing; colloq. . Harvesting ma- chine. . Salutary. 36. Rumpled. 39. Small olive-color- ed bird. 41. Born, 43. Month. 44. Onomatopoeia. 45. Fond of ecclesi- astical forms. 46. Short-staple cot- ton fiber. . Terrifying. .Bird of the finch family. . Harmonizing. . Daytime per- formance. .An official proc- lamation. . Attached directly by the base, as a leaf. . Indian huts. . Bizarre. .Knight's title. . Hindu religious cymbals. .Sea anemone. .Way of approach. . Basque cap. . Benefactor. . Country in Southern Asia. . Bore in mind. . Travel on circuit. . Protracted. . Rent. . Nuisance. . Slope in a horse- training grounds. . Pointed arches. . Intellect. . Responds to a stimulus. . Lament. . Lodger. . A silk winder. . Apathetic, . Exhibit. . Refreshed. . Circular motions. . Scandinavians. . Thralls. . Over. . Authentic. . Metal. . Jumble. s Notes of Art and ArtiSts — — Continued From Twelfth Page service. His lithographs, paintings and draw- ings are in the leading public collections here and abroad. From the French government he received last year the decoration of ‘“Palmes d’Officier d’Academie.” -In collaboration with his wife, Amy Oakley, he has produced several illustrated books, among them “Hill Towns of the Pyrenees,” “Cloud-lands of France,” “En- chanted Brittany” and one on Provence. Mr. Oakley’s illustrations are for the most part in pen and ink, it being his conviction that this medium, better than any other, agrees with type. Mr. Oakley was trained as an architect; he has written verse and prose. He is secretary of the Philadeiphia Society of Water Color Painters and a successful water colorist, a trained teacher and speaker. ‘This year these lectures have been opened by the Washington Society of the Pine Arts to the public for a moderate fee, as well as to mem- bers. HERE is distinct local interest in the paint- ing, “Room at Arlington,” by Charles Bit- tinger, which was lately purchased from the Winter exhibition of the National Academy ot Design by the Ranger FPund. This represents a corner of the room in which Lee was mar- ried and has an intimacy and charm of its own. It is painted a little more broadly, per- haps, than is Mr. Bittinger's wont, but with his fine sense of fact and effect. From the long window with its dark drapery to the right, floods of light pour in and play across the wide doorway and plastered wall. Mr. Bittinger, who is deeply interested in the science of color and is freely and frankly called upon by the leading scientists for co-operation in this field, has made a specialty of painting interiors. He is represented by an interior of the Boston Athenaeum in the Metropolitan Museum'’s permanent collection. Another paint- ing of the main reading room in the athenaeum hangs at the present time in his mother’s home in this city—an exceptionally fine work, very elaborate, very satisfactory. He has also paint- ed rooms in the White House, the hallway ot the Library of Congress and in other public and semi-public buildings, finding such in this country of no less interest and charm than those which Walter Gay has found and inter- preted in Paris. NE of the principal exhibitors at the Sears, Roebuck and Co. galleries this month is Nicholas R. Brewer of New York City and St. Paul, Minn. Mr, Brewer, who has lately been holding af exhibition of his paintings in Lynch- burg, Va., includes among the 20 canvases which he is showing here at this time portraits or Paderewski, of Justice Butler, Miss Meta Glass, president of Sweet Briar College, and other well known persons. Mr. Brewer is a pupil of D. Y. Tryon ana Charles Noel Plagg; a member of the Chicago Society of Artists and of the Salmagundi Club of New York, the Arts Club of this city and the Mumicipal Art Soclety of New York. He has painted many official portraits, especially those of Governors of the various States, and is rep- resented in some of the leading art collections of the country. He shows here not only por- traits but also figures and subject pictures. He was himself present at the opening private view last week, AT the Art League of Washington, 2111 Ban- croft place, there opened on January 1, to continue to the 15th, exhibitions of oil paintings by Benson B. Moore of this city and of oil paintings and pencil drawings by Dorothy Loeb B of New York. Miss Loeb has studied with weli known masters in Paris and Munich, as well as in this country. She has held one-man exhi- bitions in New York, Boston, Chicago and other art centers in this country, also in Paris. OLLOWING the exhibition of water colors by Sewell Johnson, which opened at the Arts Club on January 4 to continue to the 10th, there will be an exhibition of posters submitted in the competition for the one-hundred-doliar prize for the best poster advertising the Arts Club Bal Boheme, to be held Pebruary 6. From January 8 to 21 photographs by Carroil Reviews of the New Books Consinued from Eleventh Page Edward Gordon Creig. New York: E. P. Dutton & Co. THE SAGA OF FRIDTJOF NANSEN. By Jon Sorensen. New York: W. W. Norton & Co. THE GENIUS OF LOUIS PASTEUR. By Piers Compton. New York: The Macmil- lan Co. / FRANCIS DANA—A PURITAN DIPLOMAT AT THE COURT OF CATHERINE THE GREAT. By W. P. Cresson. New York: Lincoln MacVeagh, The Dial Press. CYRUS HALL McCORMICK. By William T. Hutchinson. New York: The Century Co. HAYM SALOMON AND THE REVOLUTION. By Charles Edward Russell. New York: J. J. Little & Ives Co. ARCHIBALD CARY COOLIDGE—LIFE AND LETTERS. By Harold Jefferson Coolidge and Robert Howard Lord. Boston: Hough- ton Mifflin Co. THE LIFE OF GEORGE ELIOT. By Emilie and Georges Romieu. New York: E. P. Dut- ton & Co. THE SPEAKER OF THE HOUSE. The Ro- mantic Story of John N. Garner. By George Rothwell Brown. New York: Brewer, War- ren & Putnam. THIS DEMOCRATIC ROOSEVELT—THE LIFE STORY OF “F. D.” By Leland M. Ross and Allen W. Grobin. New York: E. P. Dutton & Co. MAN COMES OF AGE. By John Langdon- Davies. New York: Harper & Bros. GROVER CLEVELAND—-A MAN FOUR SQUARE. By Denis Tilden Lynch. New York: Horace Liveright, Inc. MORE LAY THOUGHTS OF A DEAN. By William Ralph Inge. New York: Putnam. ARTEMAS WARD—THE FIRST COMMAND- ER IN CHIEF-OF THE AMERICAN REVO- TION. By Charles Martyn. New York: Artemas Ward. FOCH—THE MAN OF ORLEANS. By Capt. B. H. Liddell Hart. Boston: Little, Brown & Co, THE PENNS OF PENNSYLVANIA. By Arthur Pond. New York: The Macmillan Co. ALBERT THE GOOD, AND THE VICTORIAN REIGN. By Hector Boiitho. New York: D. Appleton & Co. MARY GLADSTONE—MRS. DRE W—HER DIARIES AND LETTERS. Edited by Lucy Masterman. New York: E. P. Dutton & Co. JENNY LIND. By Edward Wagenknecht. Boston: Houghton Miffiin Co. FENIMORE COOPER—CRITIC OF HIS TIMES. By Robert E. Spiller, New York: Minton, Balch & Co. SHOULD PRISONERS WORK? Robinson. Philadelphia: Winston Co. BACKGROUND WITH FIGURES—REMINIS- CENCES OF A PAINTER. By Ceclilia Beaux. Boston: Houghton Mifflin Co. THE ELEGANT WOMAN. By Gertrude Arets. New York: Harcourt, Brace & Co. BROWNING—BACKGROUND AND CON- FLICT. By F. R. G. Duckworth. New York: E. P. Dutton & Co. GEORGE ELIOT. By J. Lewis May. Indian- apolis: The Bobbs-Merrill Co. PRINCE CONSORT. By Frank B. ChanceHor. Toronto: The Dial Press. LOOKING FORWARD. By Nicholas Murray Butler. New York: Charles Scribner’s Sons. RETROSPECT. By Arthur James, First Earl of Balfour. Boston: Houghton Mifflin Co. A ROVING COMMISSION. By Right Hon. Winston S. Churchill. New York: Charles Scribner’s Sons. A SCIENTIST AMONG THE SOVIETS. By Julian Huxley. New York: Harper & Bros. THE MOONEY-BILLINGS REPOR T—SUP- PRESSED BY THE WICKERSHAM COM- MISSION. New York: Gotham House, Inc. THE AMERICAN MIND. By Leon Samson. New York: Jonathan Cape and Harrison Smith. : LIFE IN NATURE. By James Hinton. New York: The Dial Press. THE STAGE IS SET. By Lee Simonson. New York: Harcourt, Brace & Oe. By Louis N. The Johr. C. Frey, a member of the Photographic Society of Philadelphia and the Philadelphia Art Alliance, will be shown at the Arts Club. Mr. Frey's works have been previously exhibited in 12 photographic salons in this country and abroad, twice receiving honorable mention. Camera work is his avocation. He is an editor and a writer and took up photography for illustrative purposes, but of late has used it freely as an in- terpretative medium. He specializes in light and atmospheric effects, and although he does chiefly outdoor subjects, he also makes studio portraits. “No Time for It” Condinued from Tenih Page know I'm going to fit on somewhere, just gs that nut did. “I've always been a nut, Dorothy. But when a nut finally finds his place, then he is of defi- nite use to society. And I've discovered a whole new world. I'm going to play. Yes, I'm going to play golf and swim and drive motor cars. And I'm going to do things well, I'm going to enjoy laughing, being alive.” “What in the world!” Dorothy was getting scared, yet there was a delightful little thrill chasing around through her. “I suppose,” rattled on Tom, it's all be- cause I've discovered I love you, Dorothy. I know it sounds silly, since you and I under- stood the plans our folks made. But I don't care. 3553 “And T know you love me, because you've shown it ever since I've been here. I could tell by the way you've acted. And now I'm going to show you just how a nut really can fat—" AN hour later they walked into the Wimple mansion hand-in-hand, but the family was too busy talking to notice them. Mr. Wimple apparently was recounting an amazing tale, pgrt of which came to the ears of Dorothy and Tom, causing them to stand still and listen. “It must have been wonderful,” Mr. Wim- ple was saying. “This Arnot person walked into the hotel with some friends and began to talk. He said a girl had asked him to beat up a guy. A guy—get that. Boasting, the scoundrel was. “Then the other man, who was setting at a table nearby, got up and walked over. There were three blows struck—with the result that Arnot had to be carried away. And they said Dorothy looked up at Tom with a merry lit- tle twinkle in her eye. “Tom Downey! IR “Aw,” grinned Tom. *“It was nothing. You see, I happened to be the at college.