Evening Star Newspaper, May 24, 1931, Page 48

AMUSEMENTS." Flashes From the Screen News and Comment of the Photoplay. By C. E. ANY of the photoplay critics hail the screen version of “Front lumbus, Ohio, last Monday and, incidentally, I was in- to a new mef of censorship. If you remember— and how can you forget?—“Front Page” on the stage contained quite M a number of modern “wise eracks,” | several a bit on the wrong side of the line. Well, Ohio censorship rules are quite severe, and it was almost impossible to cut “Front Page” to pieces and yet retain the continuity of the story. There- fore, either the censorship officials or those who conduct the theater proceeded to operate sound d{‘sl.s m a “b‘dn'wd" appearcd in the dialegue, ‘was scratched out on the disk, thereby m‘fl:’ s b:uth t particular point [ a molse!—a 2 3 To cut the “wise ecracks” alto- gether, would have ruined the pictures. So the censors were kind enough to allow the blurs. The latter, I suppose, represent in sound pictures the same idea as a| row of asterisks in a modern novel.| And even at that, “Front Page” is| a splendid picture. Ohio, after many months, has| decided to allow residents of that/ State to view “The Big House.”| This movie story of a prison riot| was exhibited almost everywhere in the country except in Ohio. The censors had not forgotten the prison riot at the Ohio State Peni- tentiary, in Columbus, when 322 grlsoners lost their lives, and “The ig House,” in a way, seemed to be fashioned after the story of the Ohio riot. The announce- ment that the picture would be allowed in the State comes at the time when one of the prisoners is being tried for inciting the riot. One of the interesting exhibits at the trial is a movie reel taken by | an amateur during the burning of the prison. The picture was made Nelson. According to late news from the West Coast, the story will be “T Spy.” from a novel by Baroness Carla von Jenssen. The director will be Wilkelm Dieterle, from Germany. Frau Dagover is & brunette, quite tall—"“the world- type, the ultimate in ARTIN QUIGLEY, writing in his Motion Picture Herald, heads one of his interesting edi- | the Motion Picture torials: “Is Getting Anywhere?” Then, in 3 he says: “An examination the current state of affairs in the mo- tion picture industry reveals much | to be disturbed about. Standing bly first in the list of things t are currently wrong with the motion ture business is the/ 'k of common and gen- eral appeal to the established motion picture audiences of a large part of the recent product.| “The sophistication of Holl has brought great harm to the business. There is a strong indi- | cation that among the creative talent in Hollywood there has de- veloped a tendency to make pic-| tures for the entertainment of | each other. there seems to be no explanation | or reason for the selection of much of the story material that recently has been produced. Likewise, vari- ous of the screen personalities| that are now being pushed for- | ward may seem in Hollywood teo possess a very enviable subtlety and finesse, but as far as the great American public is concerned, they | are strange, unreal characters, too far removed from any known or knowable types. The smart say- ings of the dialogue go very well at a Hollywood first night, but 1if the authors and directors were to observe typical audiemnce reaction to these, they would be far from pleased with their efforts. There| are several cases like that of the very good actor, Ronald Colman. As far as the vast majority of the audiences of Americar motion If this is not true,|!am T'HE Young S;ar of “Skippy™ HEN Jackie Cooper, famous little 7-year-old star of *I ported for work in "‘Im..g"l'l ;:d"' he wasn't long in erienting him- f. “What kind of a restaurant have you on this lot?” he asked Pred Niblo, the director. Being assured that it was an excellent one, he furtker inquired: “When do we eat?” “It's eme of his “Yow win,” said Fitzmauriee, laugh- ing. “I haven't any arguments left.” Davis plays the role of the inter- rupting waiter in the picturization of the Ursala Parrott story. Belasco Play for Gloria ‘“J'ONIGHT ©OR NEVER" David Belasco's continental success that stars Helen 3 scquired by Samuel Goldwyn as a future screen vehicle for Gloria Swanson. It is the | work of Lili Hatvany, adapted by Fred- | eric and Fanny Hatton. Rogers St. John is performances of - 14 i comedy | (¢ SUNDAY STAR, WASHINGTO of The Man Who-Travels in Sardines in “Bird in Hand,” ‘Theater Players The Moving Picture cAlbum By Robert E. Sherwood. t This awful warning has thundered from many places. Recently it has been repeated with unprecedented vehe- HE movies are corrupting young America. If there is a D. €, MAY 24, 1931—PART FOUR. Mutual Explanations lege of choosing her own stories, which request is at variance with the policy which the producer has established. “Because of the prestige of Norma ‘Talmeadg= as an artist,” says Mr. Gold- , “I felt that it was a mark of es- teem due her long association with this rganization to grant her request for her release. Her desire for complete authority in choice of stories in which she was to star was entitled to consid™ amicably and that I hope she will be happy in whatever picture plans she dge “I do not intend to make a pictu until I find the story I want mnfi, l': have made no definite plans as yet, but have had several offers from producers here and in Europe. I feel that in the future I should be permitted to choose my own stories, and any new affiliation I make will depend cn this privilege.” —_— Screen Star Vnca;iom 2 few miles of Hollywood are ite resting places—Santa Mon- ings. Lake “Arrowhead and Agua Quring the week of June 1. ; Sessue Back Again AFTER & 12-year absence from the Japancse star of the’ memor moh-s" is 'z Wong and Warner Oland s picturization of Sax Roh- mer’s “Daughter of the Dragon.” the world | pro pro- from pie- Francisco tence on conspicuous outlaws. ‘The Little Caesdrs and the public enemies of the screen have met with singularly Hayakawa has been his own dramatic and | ductions since his retirement l‘!’ures.g He will asrive in San une 3. | in sionable enough to be incited to | crime by the sight of actors masquerad- | ing as gangsters would also be agpailed | and terrorized by the evidence of the Automobile Do;:ned AMUSEMENTS. Drama at Bargain Prices By Percy Hammond. are bargain days in the drama and needy playgoers may satisfy their wants at prices to de) treas- pleted uries. Entertainments of a kind there are signs nmew season can enjoy Miss proudest of the first actresses, perform- in the Wignified “Brass Ankle,” by | play night . of “Varlety’s” shrewdest scouts, how the managers could afford to preduce amusements this year at a charge less He told me tbat the actors, recog- | him wha nizing the desperate drama, have cut their upon the prosperity of The players are the martyrs current depression. While the unionised [ stage hands, electriciams, shifters continue to not ‘raj the actors copsent to & The unorganized news- is incomplete. The seats in paper critics also suffer. whish they sit at the Broadway mi used to be valued at from $33.50 | to $880; and now they are on sale at | busy ment prices. Next ysar Earl will barter one of his spectacies for litkle or nothing, and Mr. Ziegfeld, the of extravaganza, may exhibit bis females in postures beauti- ful thin dime. 4 *x w0 NEY, an up-and-doing dramatist, produced a “Old Man Murphy” last and vociferous farce hly with the inhabi- -America. It was 50 spu- to titiliate the moron in “Able’s Irish Rese” that the of Arthur Sinclair and Miss , late of the Abbey ‘Theater, in llt:"prtnclml roles, empha- sizes destructive influences of the ay show-shops. A shoddy contraption, cheaply counterfeit in most was redeemed from \ thrifty devotions O'Neill. Their ub reporter ‘hicago newspaper, a judge in Cook County's Superior Court, Hanecy by name, had me & nominee for mayor, and he was sup- ported by all the forces that strive for | improvements. It became brulted about, | however, that he had changed his name from Hennessy to Hanecy. When in his r in court I asked t his real name was, he said, “It doesn't matter” And so he was that followed, , i nOW a patriarch Mur- a lowly Murphy of the Although I admire the using antics of Mr. Sin- prank, I regret that artists so they are must descend to the Broadway burlesque, no mat- well they glorify the slums i from the roof a nearby build- picture theaters are now con- mence, Presh fuel has been fed to the | ugly fate that overtakes such shadowy £ g ing. It is termed an official ex- hibit and will be screened for the Jjury. * * % In the annual announcements of the film companies, not a great deal of attention is being paid gang pictures, and it is probable that this type of film has seen its best day. There has been a storm of pratest against the movie gangsters; the studios have turned to pic- tures out like a flivver factory’s endless chain, but the end may be in sight. Gang pictures will go the way of the screen musical comedies and the backstage dramas—gradually passing to B Speaiing in & Toros Janguage. speal a gn language because his typically English man- mner of delivery is simply not un- derstandable to ears which are not accustomed to his character of speech. It was a sad day for the picture business when Holly- wood became sensitive over being referred to in the smart magazines as ‘movie-minded.’ “The general character of mo- tion picture advertising has drop- ped several notches down the scale of correct showmanship. The sacredness of the screen and the need of protecting it against every type of propaganda were at one | ga time axioms in the business. The public is obviously resentful of | commercial advertising upon the screen. And, it may be noted, the amusement business has never yet succeeded in an attempt to run| counter to the public will.” * x % Helen Chandler is the “luck; 7l of the week” in Holl A ithin two days she was given two d roles—one as the daughter in ;Five Star Final” the Edward G. Robinson star- ring vehicle, and the other op- posite Richard Barthelmess in “Spent Bullets.” One hundred and fifty screen tests were made in t selection of a player in the Bartheimess picture. * * x % SHORT FLASHES. the things forgotten. * % x % OLLYWOOD is paying par- ticular attention right now to what it terms “an tnurm.mg triangle with no male menace.’ ‘The triangle 'is a struggle for supremacy between three stars, Greta Garbo, Marlene Dietrich and Pola Negri. ‘And the peculiar thing about this triangle is that the stars are all foreign born. Greta, up to the present writing, holds all honors, as far as the box office is concerned. She continues to be the mystery figure of Holly- wood, where there are few mys- teries. She refuses interviews, never dresses forb ub}lc a nkn nor a n or tI e P Yoesmpes e of , Garbo wears a $2 beret. a heavy coat | [JEBE DANIELS is one of Holly- brown brogues and a droopy frock. wood’s wealthiest women. She She never attracts the tourists on|OWns three fine houses and has the West Coast, but she reigns|been offered large sums for her ! supreme. Marlene Dietrich has blazed across| music is her real hobby. | the Hollywocd sky, and she is the| Walter Huston, long before his first opponent Greta has had. She success in *“Abraham Lincoln,” is said to possess more angles of | Was a member of a vaudeville personality than Greta, and her|team, Whipple and Huston. Also, pictures will, in all probability, be he was once a player with a To- given frez rein. ronto stock company. And now Pola enters the tri-| Charlie Chaplin’s London repre- angle—a lady girded for battle. A |sentative denies that the comedian ster of the old and glamorous| refused to appear at a command regime, she will seek the movie | performance for King George. spotlight. She is said to have a Charlie, the represertative says, pleasing, husky vciee which will|simply refused to take part in a reproduce well by means of the!benefit show for variety artists. sound disks. She wants a new King George had nothing to do and modern story as her first| with the matter, as the invitation sound picture—*“a story which will | came from a theater manager. set a new standard for the Negri| Lew Ayres has signed a five- name.” year contract with Universal. The Eugene O’'Neill play “Strange Interlude” will not be made into a movie until next year. Metro- Goldwyn-Mayer will produce. Conrad Veidt and Camille Horn have been signed by Paramount to play in foreign language pictures. Ramon Novarro, now working in “Son of India,” mey become an independent producer of English, French and Spanish sound pic- tures. He has been having con- siderable trouble with Metro- Goldwyn-Mayer over foreign ver- sions and is down on the com- forward Pany’s year program for only one cture. It is said that the next Charlie . ¥ Nk Nicholas M. Schenck, presi- dent of Loew’s Incorporated, tells in a yew words just what he thinks of films used for ad- vertising purposes. He an- nounces that Metro-Goldwyn- Mayer will not produce com- mercial films, and that the latter are unfair to audiences. He is making a determined effort to induce other producers and exhibitors to bar them from all first-class theaters. y % % % -K-O-RADIO comes with its annual production P! announcement, listing a number of important picture ?or the com- Chaplin picture will be a burlesque ing 12 months. For instance, we, 2 8ang affairs. However, Chi- are to have Dolores Del Rio in C380 may object if her strife 1s “The Dove,” Richard Dix and 1Ot considered seriously Irene Dunne in “Frontier,” Dix RO Duntis in “Mascneta’ Victer, plays the leading role in Damita_in “The Sphinx Ropes-ot Sand INNIE LIGHTNER will the star of the screen fe: ture, “Geld Dust Gertie,” at " g R Neil Hamilton will appear with Spoken,” Irene Dunne in “The 2 pear wi Other Passport,” Bert Wheeler and Helen Hayes in L““‘gy- Robert Woolsey in “Girl Crazy,” “Full of Notions” and “All at Sea”; Edna May Oliver in “Fanny Foley Herself,” Lily Damita in “The ‘Woman Between,” Lowell Sherman | i “Divorce Lawyer” and ‘“The Aristocrat,” Ina Claire in “Folly,” % Hope Williams in “Pent House, Richard Cortez in “Dance, Gigolo, Dance”; Dolores Del Rio in “The Warners' Earle, beginning Last Virtue,” Evelyn Brent in Saturday, with a fine stage “Traveling Husbands” and Chic|show for reinforcement. “Gold Dust Sale in a number of short reels. Gfirm nl:x w:mr.vmpl}om pm‘xl-. Fanule Hurst has been employed | Jo%. W0 & ":;7 ‘L’ l‘urg v A to concentrate upon a story to be * ‘ex-husband or his known as “Symphony of Six Mil-| wife. lion.” Louis Weitzenkorn, author | Elissa Landi's of “The Five Star Final,” is writ- | sscond pilcture, ing “Glamour,” and Lester Cohen, | “Always Goodby, author of the novel “Sweepings,” | ‘:::m_ ok "{av" is at work on “Exposed.” ‘e and 88 ““i"zlfl i " e forgets '~m, un Another German, this time one day 'Z"' strikes claimed to be her country's g8 masculire m'?‘ leading actress, has arrived in il be . Hollywood and signed a con- tract. She is Lil Dagover, and she negotiated with First Na- tional for jive months before signing her name on the dotted line. LUl was very particular in ing a contract clause which her to .select .her first nd her first dire s Winnle Lichtner, will follow Norma Shearer as the screen star of -the at- traction at Loew’s Columbia, in her new On the other hand,! sword and book collections. But;mlu an indication of his desertion of | feftif i d of b 8% i Hollywood _Bodlevard “country ywe wWas & road called Prospect avenue. Beresford, therefore, returned Mast| and Maude Adams’ troupe in | | Salt Lake City, because there were mo| miovies “to break into.” “Platinum Blonde Sell 'I¢™™ ALTBOVOH Jean Harlow is it to take her first vacation other two blondes in the latter film. . -t Cantor Sujl Retired FROM Hollywood “Eddie Cantor has again denled that he plans s Broadway stage appearance in August. “I retired,” Eddie says. “That still goes.” legitimate musical comedy stage | Cantor points out that he is already at work en the script of his second pic- !ture for this season, to follow “Palmy Days.” “Palmy Days” has just gone nt> production as a successor to “Whoopee.” | Arliss as "Hamihon" OHN ADOLFI, who is directing George Arliss' new Warner Bros. | picture, “Alexander Hamilton,” was se- |lectd by Mr. Arliss for the post. Aol directed “The Millionaire,” Mr. Arliss' current success, and fo_harmo- niously did the two min work together that when the subject of a director for | “Alexander Hamilton” came up, M Arliss cast his vote immediately repetition of the association “Alezander Hamilton” will be com- | | pleted by th> end of this month. r. for a | | | sary to prove that crime d furnaces of denunefation. While two hundred policemen were pouring bullets and gas bombs into the tiny apartment where he had taken refuge, Prancis J. (Two-Gun) Crowley scribbled what he believed was his final message to hu- manity. It contained the following confession: “I hadn't nothing els: to do. ‘That’s why I went around bumping off cops. IU's & new sensation of its own.” The following day r::r;dofh th':s‘mre journals printed the sen- :hm.dm “It’s the new sensation of the films.” Will H. Hays, ever jealous of his in- dustry’s honor, protested against this extraordinary ~misreprescntation and caused a correction to be made in the papers the following day. The correc- tion was accompanied by no convincing | explanation as to how such a mistake could have occurred. Had Crowley actually designated the screen as the principal souree of his in- spiration he would have provided the uplifters with the one final argument that they have long nseded. They | of would have sefzed upon that e: “The new sensation of the films,” and held it up as devastating proof of al their contentions relative to Holly- wood's degrading influence. Unfortu- mately, the fact that he didn't say it does not seem to deter them. They're using him as s case in point—just as | they have used another boy bandit, who, in his bumptious bravado, st self, “Little Caesar the Second.” Of course, not all the blame for these Ina | misearriages of divine justice is beaped upon the movies. Some of it has been put upon the press, which publishes re- ports of eriminal activities, and some of it has been put upon such diversified factors as the machine age, the Nevada divorce Jaws, the Red menace and Sun- day golf. But the movies have received more than a lion’s share of the preva- lent opprobrium. Most of the violent accusers are care- ful to explain that cur young people are inherently clean-minded and law- abiding—potential good citizens who would never descend to crime unless the suggestion was communicated to them by melodramatic movies or cheap fic- tion. The implicatiort in this optimistic assumption is that if all the media of public entertalnment and information could be rigorously censored, then all stimulous to lawlessness would be re- moved and the world would be at last a safe place to live in. To achieve this r:markable result the forces of righteousness would have to promote such a conspiracy of silence, such a wholesale suppression of truth, s mankind has never before known, not even in the enveloping darkness of the middle ages. It would not be encugh to emphasize the argument that crims does not pay. It would be neces- °s not exist. Certainly the movies have not bcen recreant in ijmposing the death sen- | An Interesting Recruit. UNTESS ELSIE CONDE, known, it is said, as “one of the greatest | woman adventurers of modern times.” has been engaged by Paramount to serve as technical adviser for the Euro- | pe’n scenes in “Let’s Play King." ‘This story, from Sinclair Lewis' novel, concerns the friendship between a child motion picture stqr and a boy Kking Countess Conde’s duties are to see thi the king and his officers are properly garbed and act according to the eti- quette of courts, A PFrench spy behind the German | lines, commander of a hospital unit Clifford McLaglen, brother of|in the Serban retrest, an ambulance | | driver, nurse, victim of a gas attack | and, after the war, & tschnical director | of motion pictures in Berlin, Russia and | London a Tull-fledged director, author | of & war book published in England and | HORIZON | picture “Indiscreet,” after “Strangers | May Kiss” has completed its run. | hit: Shoulders,” with three star: Mary Astor, Jack Holt and Ricard | Cortez, is announced for R-K-O Keith's next Priday. It is a Radio Pictures’ | | production of a Rex Beach story of | maritel maladjustments, directed by Melville Brown. | Loew's Palace announces for its new | week beginning next Saturday, Ramon | Novarro in “Daybreak,” supported by a | stage revue entitled ' Breezing Along” jand Hal Yates, in a personal appear- | ance. | Spencer Tracy in “Quick Millions.” & | Pox production, concerning an am- | | bitlous truck-driver who rises from the | tter to the heights of glory, will fol- | ! jow the Barrymore-“Svengall” picture | at Warners' Metropolitan. | DANCING. France and the possessor of Oxford de- grees—all this describes the Countess Conde, now technical director for Para- mount, who also is an American girl who was born in Boston, but has lived in Europe since she was 2 years old. Her huzband, Count Conde, one of | the first to enlist, fell in battle, and the "rnun ess immediately offered herself to | French secret service for any work sre could do. Her first assignment was | 1o go behind the Germ:en lines to re- | port the massing of troops and the gen- | eral psychology of the German soldier. At the end of six months she was called | back to Paris and assigned to counter- Suffering from the effect of poison &8s, she is in Hollywood for her health. ‘lhe served for the duration of the war. Lina Basquette returns to the screen in a Fox production, “Goldie.” on to Greater Glory RICHARD DX " hand in hand witk JACKIE COOPER the beloved 'Jls'qoy " n . o, DONOVAN'S KID" TJrom the Bex Beach Aovel AKO "BIG BROTHER" g A RADIO PICTURS. miscreants. | |~ The conselousness of retribution, how- | ever, is not enough to stop a *“Two-gun” | Crowley, any more than it stopped | Jonathan Wilde or Billy the Kid| | (neither of whom ever read a sensa- tional newspaper or saw George Ban- | eroft in “Underworld”). | | It is fantastic to assume that morons | would be cured by censorship of the movies, the stage, the press, or even of | | the advertisements that might tend | | to create in their dim minds a desire | for Juxuries that they could net afford. | However efectually they might be blindfolded, they would go on festering inwardly, and they would breed new | of morons more diseased and | more dangerous than themselves. ‘The truth of the matter is that the | sereen and the press are doing the has done for years. automobile industry Frances Starr and Chic Sale | JFRANCES STARR and Charles (Chic) Sals are cast for leading | public a service whenever they repre- S etaaco 'S realistic cers. he roles in “The Star Witness,” which will | play death did end the school of had a he led him- | esplonage behind the allied lines, where | | soon start production at the Warper I - sent these vicious elements in a graphic | West {Coass studion. | and honest manner. Excessive senti- | mentalizing and romanticizing of the | This picture is based upon a story by | gangster is futile and absurd, just as is Luclen Hubbard, and is described as | excessive sentimentalizing of the virtues | “an original bombshell dealing with a patriotism in time of war. But| Phase of big city life never before Xpression. | treating him with ruthless realism (as | Screened—a high-powered action story | he is treated in “The Public Enemy”) | totally fm‘:’l‘leke th: crook and gang pic- | noth! t good. It | tures of past season.” | St i amd e e hotgieay aber. | . Miss Stags has & prominent role in | rations, out into the % | “Pive Star Pinal” a st National pic- tccnymm,m.) | ture, In support of Edward G. Robinson. Silks, Satins and; Ruffles GEORGE ARLISS In his characterization of Alexander Hamilton for the movies. The new play, partly written by Arliss, carried the title of “Alexander Hamilton,” and many | famous men and women of Revclutionary days are pictured on the screen. NATIIJ‘AL MONL Q0 - ) SAT MAT offer the NATIONAL THEATRE PLAYERS 1se Simonson, is not so much for real- ism as for suggestivism. Their bookcases wui furnishings are not real, but mere- it to the audience what they be. For instance, in “Miracle at Verdun” Simomson made a cenotaph and a dozen crosses suggest a huge cemetery. A humorous vein hit Broadway with the two premieres of this week, the first being an Irish comedy and the other s musical revue. Arthur Sinclair and Malre O'Neill, sterling performers of the Dublin stage, returned to town in the comedy “Old Patrick ribble. I play probably not be overly popular with devout. and patriotic Irish folk. It takes stinging slaps at some of the religious and - habits of those who hail out his second revue night” of Rose’s previous “Sweet and | Low.” Weber and Fields, Broadway's fa- g the cast are Leon Janney, Junior Coghlan, Matt Moore, Zasu Pitts and Gertrude Howard. Decoration Dny_Mo‘nnng 10 AM. vill 3 P.M. Fletcher Henderson —and 'his Connie’s Inn Band, N. Y. Masonic Auditorium and UNW. MORGANTOWN ON-THE-POTOMAC Southern Maryland, Via Crain Highway Opens Decoration Day BEST SAL’ -IJ'X%T-'.AI G BEACH BOATINGFISHIN G Acres of Cedar-: Picnle Graunds With Hi of -l NORA FORD M LEW COSTELLO M RAGS RAGLAND M BIMBO DAVIS BETTER THAN EVER IS THE BIG FREE ADMISSION AMUSEMENT PARK ' . GLEN ECHO WITH ITS MORE THAN FIFTY FINE FEATURES, INCLUDING NEW NEW NEW GRAND CANYON OLD MILL FRONT WHEEL DRIVE DODGEM AUTO RIDE HEALTH BUILDING SKEE-BALL BOWLING PENNY ARCADE WITH 100 AMUSEMENTS in another OUTSTANDING N.Y. COMEDY SUCCESS NEXT WEEK—BEG. MON.—SEATS NOW John Drinkwater’s Charming Comedy “BIRD IN HAND"” - NEW NEW it IN ADDITION TO IMPROVED mw‘ Y WITH NEW ATTRACTIONS ADDED THIS YEAR co A sm THE MOST THRILLING RIDE OUTSIDE OF CONEY ISLAND AEROPLANE SWING, WHIP, FERRIS WHEEL, CARROUSEL AND SCORES OF SMALLER POPULAR RECREATIONAL ACTIVITIES OF A WHOLESOME CALIBER. Enlarged Picnic Groves and Ladies’ Rest Rooms D ANm TO McWILLIAMS' STAR BAND OF 12—WEEK NITES ONLY SPECIAL STUNTS EVERY NIGHT NEXT SATURDAY NEW $200,000 CRYSTAL POOL WILL BE READY FOR YOUR sm [ TAKE | : —— e e WASHINGTON RAILWAY & ELECTRIC CARS MARKED QHN OR GLEN ECHO, RUNNING EVERY FEW MIN- UTESWRIRECT TO ENTRANCE, OR AUTO VIA CONDUI RQAD. AMPLE FREE OR PAID PARKING