Evening Star Newspaper, March 17, 1929, Page 61

Photoplays PALACE—“Lady of the Pave! evening. EARLE—"“The Cohens and Kellys in Atlantic City.” This after- noon and evening. FOX—“The Sin Sister.” COLUMBIA—“The Bellamy Trial METROPOLITAN—"“Weary Rive LITTLE THEATER—"Loves of Casanova.” This afternoon and evening. PALACE—“Lady of the Pavements.” ‘ D. W. Griffith's United Artists' pic- ture, Palace this week. It is a synchronized | picture, with talking and singing se- | Feartured in the cast are Lupe | Valez, William Boyd and Jetta Goudal. | settings and spectacular display. | 1t opens at the court of Napoleon III, | countess (Jetta Goudal ives the idea of marrying a cabaret girl 1Luge 0 has scorned her. She succeeds, and the struggle of the cabaret girl to rectify | matters once she has learned of th:‘ plot forms the body of an interesting | On the stage Wesley Eddy as master of ceremonies leads the Palace Synco-| Charles Niggemeyer, “Bubbling Over,” deaturing Boyd Senter, saxophone and | Faun, eccentric dancers; Lilllan Roth. vocalist; Byal and Pring and the well| tractions include the M.-G.-M. News, | the Fox Movietone News, the Palace | quences. ! The production is marked for its lavish | with all its pomp and srlendor. where a | ) concel Valez) to the man (William Body) W and gripping swory. pators in the Loew-Publix unit by | clairnet virtuoso of note; Markell and| known Gamby-Hale Girls. Added at- Orchestra, Charles Gaige at the organ console and selected short subjects. | -— { EARLE—"The Cohens and Kellys in Atlantic City.” | he Cohens and Kellys in Atlantic | City,” Universal's latest picture reveal- | ing the adventures of the Cohen and| Kelly families, and the first to be made | as a talking picture, is the current fea- | tured screen offering at the Earle The- | ater. Mr. Cohen and Mr. Kelly are one of the greatest comedy teams ever in- vented by a film studio, as their comic arguments, their family squabbles and all the other incidents that characterize them seem to grow funnier with each| celluloid edition. The talking film especially develop this type of screen comedy. A fine cast appears, headed by George Sidney, Vera Gordon, Mack Swain and Kate Price. The romance is provided by Cornelius Keefe and Nora Lane, with | Virginia Sale and Tom Kennedy in| vivid roles. All register well on movie- | tone, Sidney especially, reminding one | of his former vogue as a stage comedian. Atlantic City. as the title suggests, is the locale. Cohen and Kelly, who are in the bathing suit business, have a line that was modern when Queen Vic- toria was alive. Their children send them off on a trip while they bring the bathing suit styles down to date and even a few years ahead. A bathing beauty parade is one of the big fea- ‘William Craft directed the story from an original by Jack Townley. FOX—"The Sin Sister. Pive persons of widely separated so- ecial standing marooned in a deserted hunter’s cabin in the Far North pre- sent the picture within a picture, now at the Fox «Theater, “The Sin Sister,” which stars Nancy Carroll, Lawrence Gray and Josephine Dunn. A small steamer is stuck fast in an {ce floe off the coast of Southern Alaska, where it is sure to remain all Winter. ©On board is the son of a welathy broker, an untutored daughter of the vaudeville | stage (Miss Carroll), an evangelist, feminine at that, and several others. It | is decided that an attempt will be made | to :fl back to the “States.” A tricky | guide and other circumstances land the party in.the deserted cabin. There the contact with nature in all its cruelty brings out the true character of the party and creates a motion picture that is reported to be unusual in its audience sppeal. Accompanying the feature is a Fox Movietone arranged by selected cast of Broadway favorites. The week marks the return of Joseph La Il WAling I Brookiyn to srt shs " in s the | new Fox Thn‘:‘r there. i * Leon Brusiloff, conducting the. Fox | Orchestra of 40 mulcl.lgg, will do honor to St. Patrick in the overture. A special arrangement of Irish airs and the Fox Movietone News, which “speaks | for itself,” will complete the program. COLUMBIA—“The Bellamy Trial” “The Bellamy Trial” a Metro-Gold- wyn-Mayer talking picture, is the eur- rent screen attraction at Loew's Colum- bia Theater. The cast includes Leatrice Joy, Betty Bronson, Edward Nugent and ret Livingston. Monta Bell, for- merly a Washington newspaper man, was the director. The story opens with an M-G-M | Newsreel subject, leading into the trial| scene of the picture, and for four reels the evidence is presented. It is in this sequence that Charles B. Middleton, a newcomer to the screen, distinguishes himself in the role of the district at- torney. The story gives a peek behind the scenes of the modern murder trial, and | brings the audience in close contact | with all the leading characters. As Sue Ives, the woman on trial, Leatrice Joy s said to effect a superb characteriza-. tion. George Barraud is the loyal hus- | band and Kenneth Thompson is the second defendant. After damaging evi- | dence has been offered against the a cused pair, indicted for slaying Mimi Belamy, wife of the man on trial, a surprise witness comes forward and the jury returns a verdict of not T,uuty.l ‘The murder is still a mystery, but a | L O E This afternoon and evening. | & thunderbolt c;]enrs the rrirlne. ik | " f " Van and Schenck, popular singing | Lady of the Pavements,” is the| .omedians, are presented in a_Metro | festure screen attraction at Loew's | Movietone act, and sing “Is She the | EMENTS. This Week| SCREEN- ATTRACTIONS OF THE WEEK ments.” This afternoon and 1.” This afternoon and evening. r.” This afternoon and evening. confession that strikes the audience like Girl Friend?” and “Whaisa Gonna Be Next?” Another Metro Movietone act will feature Elsa Ersi and Nai Ayres, composer and singer, in authentic ren- | ditions of “sSari” and “You Know You | Do. ” The M-G-M News, the Fox | Movietone News and the Columbia Or- chestra, under Claude Burrows, will | THE .SUNDAY STAR, WASHINGTON, D. C., MARCH 17. 1929—-PART 4. Next Week's Photoplays METROPOLITAN — Geqrge Jessel, in “Lucky Boy,” sound and dialogue. PALACE—Thomas Meighan, in “The Mating Call.” FOX—Edmund Lowe, “Making the Grade,” George Ade story. EARLE—Douglas MacLean, in “The Carnation Kid,” a Christie - Paramount talking comedy. COLUMBIA—"“The Broadway Melody,” Metro-Goldwyn- Mayer sound and dialogue picture. A Foot Reader. $QHOES,” says Jack Hunt, burlesque comedian of ‘Kewpie Dolls," at the Strand Theater, “are a fine indication of character to me. “Some folk read faces, others palms. and some claim to read minds, but I get in a complete the program. METROPOLITAN—"Weary River.” | Richard Barthelmess will be the fea- tured screen star again this week at| Crandall’s Metropoiitan in “Weary | River,” his first National Vitaphone | talking picture, which has been attract- ing unusual crowds to the Metropolitan, which compare in size to those that| saw “The Singing Fool.” This week’s | engagement will end positively on Fri- day night. “Weary River” is an exceptionally dramatic story that provides Barthel-| mess with a real, living, breathing char- | acter. Opposite Bartheimess 1in leading ieminine role is Betty Compson. | william Holden, George Stone and Louis Natheaux also are in the cast.| In “Weary River” Barthelmess is shown | playing the piano, and by means of (h?‘ newest developments in sound ss’n-‘ chronization it is now possible to hear | him as well as see him. | The story concerns Jerry Larrabee, a | singing convict, whose radio broadcast- ing from prison wins him a parole, a new chance at life, fame that takes him | to the stage and finally the love of a| girl who stood by him in his hour of | direst need. | ‘The short reel week's er;‘gaxex‘nm]\(d same. They include presentation of Jack Goldie, the “Ace 40f Spades,” whose chatter and songs will please, and the Pathe Sound News. will LITTLE THEATER—"Loves of Casa- nova.” The Little Theater film attraction this week reveals in the highlights of the life of the world's greatest lover. Giovanni Giacomo Casanova, Chevali de Steingalt. The title given his story is “Loves of Casanova.” The picturs, however, is heralded as one of the most beautiful pieces of film | work ever to reach America. The cos- tumes and natural settings have been hand-tinted on the film, the work hav- ing been done by the women and chil- dren of France. But that is as it should be with Casanova. From the days when his conquests were comparatively few to the latter part of his life when his merest glance set the hearts of Europe's queen and ladies-in-waiting on fire, the entire epic is beautifully done with an eye to the luxury-loving .social era of Europe and of which little is said in the history text books supplied to schoo! children. Not the. least of the assets of this| unusual film epic are the titles which have been written by Edwin Justes Mayer, famous playwright, whose stage production, “The Firebrand,” was a suc- cess several seasons ago. Authentic locations were used in many of the scenes, notably the*Carnival at | Venice. Ivan Mosjoukine; one of Europe's cele- brated stars, plays the title role. His excellent work may have been con- siderably aided by the fact that his supporting cast has been termed the “Glorification of Europe.” It includes Suzanne Bianchetti, Rina de Liguro, Diane Keranne and Jenny Jugo. A Max Davidson comedy and the do- ings in the New York Stock Exchange | are -dde'd attractions. my impression from the feet. of shoes means to me that the wearer is a fast-moving, quick-thinking indi- “For instance, a sharply pointed pair ' vidual—a hard man with whom to drive i a bargain. “Broad, flat shoes give me the im- pression of the phlegmatic type—the slow mover and thinker, usually a con- scientious person. “Shoes run down at the heel denote a slovenly character, while those which | tend to wear down in a slanting direc- | tion, from the outside, denote a listless, ambitionless chap. | “Cloth-top shoes impress me with the thought that the wearer is an ex- tremist. “I could go forever explaining what the various shoes mean to me. I may be all wrong, but there's a lot of fun doping them out, anyhow.” Columbia Players, Friday. ‘The Columbia Players, winners of the | city-wide play tournament, have an- nounced that “Ten Nights in a Bar-| room” will be presented on Friday and Saturday at the Columbia Heights Com- munity Center. This thriller of the early 90's is the 1 subjects for the final | “Uncle Tom's Cabin” of the temperance | remain the movement, and the Columbia Players | the Vitaphone will present it from an old script as nearly as possible in the manner of the original with the tableaux, parade of characters and interpolated songs fa- miliar in the days of the old “ten, twenty. thirties.” “Father, Dear Father, Come Home | With Me Now” will be sung in the fa- mous barroom scene. In “Master Skylark” MILDRED NATWICK, One of the featured players of the Junior Theéater production, “Master SkyLark,” at Wardman Park Friday and Saturday, March 22 and 23. “Acoustic Equivalents.” ’I‘O look more like a horse than a, horse is still a low form of humor, | but to sound more like a cow than a cow is altogether a possibility in the making of sound pictures. The science of “acoustic equivalents™ is a new and important offshoot of the new art of making talking pictures. Many sounds are not possible to secure naturally at & glven time in a given | place, as noted in the example of a cow’s call for its calf, and some noises do_not sound like themselves when strained through a microphone and re- produced on the discs. Consequently, & department for the development and reproduction of vari- | ous sounds has become a vital necessity in every studio, which is keeping step | with the current demand for talking | pictures, and this department is just now one of the most active places at First National. Starting with a trap drummer’s equip- ment and the well remembered stage | soundmakers, such as silk wind-ma- | chines, aeroplane propellers and coco- | nut horsehoofs, the noise experts have added daily to the odd machine and | freak equipment that will reproduce, | upon demand, any kind or quantity of sound. Almost every unusual sound must be | modified or amplified, or even changed entitrely, for use in talking pictures. A dog’s bark, even if properly timed in the picture, is too sharp to reproduce correctly. Shots near the microphone damage the reproducing equipment and have to be properly muffied and dis- tanced. An approaching train makes a distinct kind of sound which an ex- pert drummer can reproduce pe w8 COLUMBIA HOUSE OF SOUND HITS «F ST atTI12.™ fectly, but a real train passing a mi- crophone produces only a great roar. ‘The natural sounds of the great out- doors become distorted by distance and counter air-currents, and do not reg- ister like themselves. In talRing ple- tures, the reproduction of these unu- sual noises is actually more nearly cor- rect than the unusual noises themselves. Thus Nature is outdone by a trap- drummer and it is perfectly possible to sound more like a cow than a cow. Horses by Plane. SOME sort of an equine record was broken in Hollywood recently when First National transported a horse to a distant location by airplane. Joe, the equine in question, had registered in | studio shots during the filming of “The Squall” and consequently no other horse would do when it came time to film the exterior scenes. It was a rush job and the location was 80 miles by road and 38 miles by air. Glendale flying field by truck, then strapped to a plane and lifted over the Sierra Madres and set down on the Mojave Desert location within half an hour. Upon landing, Joe, like a true native sen, is alleged to have announced that the California climate is just as superb thousands of feet in the air as it is in the green pasture. “PFootlights and Fools,” Katherine Brush’s college humor story, has been | secured for Colleen Moore by First Na- | tional, to follow “When Irish Eyes Are Four reels of evidence in dialogue gives the full answer, every appeal of thyill, surprise. pathon, love interest. clash of legal aiants, NOW PLAYING A METNO- GOLDWVYN-MAYER TALKING PICTURE Directed by Monta Bell and written by a Wash The most sensational an former Washington mewspaper man inaton woman. Frances Noves Hart. id’ dramatic trial scenes ever filmed COMING—“BROADWAY MELODY”—TALKING—SINGING—DANCING HIT Joe was taken to the |= Ben at Hollywood. actor is a licensed airplane pilot. yon and Bebe Daniels, both photoplay stars, preparing for a flight Ben and Bebe announced their engagemet some time ago. 'The | Legal Procedure. “‘YOU'RE honor, I object!” | | ‘The fiery prosecutor is on his feet, snapping his protestations. The defense wishes to call a surprise witness who, has just come forward after the closing arguments have been made. Can the witness be called? That: is just one of the many ticklish logal questions that Monta Bell had to| enswer when he was filming “The Bellamy Trial” a Metro-Goldwyn- Mayer feature production. To obtain a’ N‘Ply to the question of the witness’ eligibility to testify after the taking of evidence nas ended, Bell sought the advice of a prominent Los Angeles criminal attorney, who ex-| pressed the opinion that the witness fll‘lfllll be called at the judge’s discre- | tion. The attorney declared that very few cases were to be found on record where such a situation arose, but stated that the court's discretionary powers are of sufficient latitude to permit him to over- | rule the prosecutor’s objection. In the filming of this magazine se- rial by Frances Noyes Hart Bell has taken pains to preserve the atmosphere of realism and the entire courtroom | action was filmed under the observa- tion of lawyers, law professors and Jjudges. Leatrice Joy plays the leading role in the murder drama. Too Much Sun. THERE are intervals during the day; when it is impossible to use a| camera in the desert. This curfous fact came to light dur- | ing the recent location trip to the great | American desert made by the company | producing the Warner Bros. operetta, “The Descrt Song.” It was found that in the middle of the day, with the sun straight overhead, no work could be | done, as the desert. could not_then be’ | photographed to advantage. The sun's | i direct rays entirely eliminated shadows, |and the desert photcgraphed merely as | a wide expanse of flat sand. | Before 10:30 in the morning and after 2:30 in the afternoon the sun’s slanting rays threw the rolling sand ‘T}E dictionary defines a revival as | a returning to conscious life after unconsclousness; also the act of bring- ing back to life | In the theater perhaps more than in | any other profession or business this habit of “bringing back to life” plays of other days persists in the face of frequent discouragements and more | frequent failure of the plays thus re- suscitated. George Tyler has made a great suc- cess with revivals during the past few years—"“Trelawney of the Wells,” “Di- plomacy” and more recently “Macbeth” being notable examples. There is some- | thing glamorous about these gallant old | plays, something very fine, especially | interesting to the older generation, | | which loves these revivals for the sake | of the memories that come trooping | along in their train. Although we never quite think of them in the nature of revivals, every | Shakespearean performance is just that. | Shakespeare crossed the river from Lon- {don to present his plays, and so did Christopher Morley and his associates cross the Hudson into that town long derided in song and story—Hoboken— with their revivals. | " But revivals can be noxious things if | handled ungently and unkindly. They |must be played in the true spirit in | which they were written, acted in the stilted manner of the year of their premier and directed with a keen under- standing of their real values. It was with this threefold under- standing, vision and subtlety that “After |Dark; or Neither Maid, Wife Nor ‘Widoy was unearthed by Morley from | the grime of the Public Library and brought forth to the light of day and | the applause of success at the old Rialto in Hoboken. This is not the first re- | vival of this delicious, perfectly written | old melodrama by Dion Boucicault. It | was first produced in New York in 1868 | and was revived in 1869, 1874, 1889, | 1890, 1891 and 1896. Willlam A. Brady, the eminent pro- ducer, gave it a rousing production and invested Old Tom, the leading sympa- thetic character, with a fine perform- ance as late as 1894. ‘The resuscitation of this play in Ho- boken December 10 evpked long ap- plause and loud cheers. Suddenly the Morley organization found itself with a success on its handse—success attained in the eighteenth week of its occupancy of the ole Encouraged by the success of this melodramatic revival, the four adven- | turers (as they are called along New | York's Rialto—Broadway) decided that | their next production would be another revival, quiie a spicy, naugthy one this time, that had caused the good ladies of 1866 to blush and hide their faces behind their fans. “The .Black Crook” was the initial | American “leg show,” the first produc- | tion in which woman's lower extremities | were displayed, and met with popular | favor. Tt had been tried ;- fore and failed. But “The Black Crook” succeeded— succeeded so well, in fact, that after 30 years or more a “Black Crook” re- { vival might be found playing somewhere, | for it became probably the most “re- | vived” play in the world. At legst 11 were seen in New York. JESSE THEATER %, Jgioe with NANCY D ARLEN. in’ “THE LITT COMEDY, s MAIDEN _VOY, bl SIDNEY LUST'S LEADER THEATER oth Street Near E Pirst_Showing in Washington Today and Tomorrow Official Pictures of Ed “Strangler” Lewis And “Dynamite Gus” Sonnenberg Wrestling_Bout for the World's Championship The best and most thrilling Pictures ever made of a Championship Wres- Today and Tomorrow, CLARA _BOW “THREE WEEK ENDS" 1419 N. Capitol St. Today & TOMOITOW, GARBO, _JOHN GILBERT, “A WOMAN OF AFFAIRS.” CAROLINA "2,&80::$ &% “NAUGHTY BABY, with ALICE WHITE and JACK MUL- HALL. NEW STANTO! BESSIE O BRI EN. __HERE BEEN K IRUXTON North Cap. and Fia. Ave. CHARLES MURRAY, YING ROMEOS." “Woman From _Moscow.” my H-Si NET LON CHANEY 'in nisear SUn EANG “CoMEDY " __SPANKING AGE” chroni: TAKOMA = “} DAY and TO] Shows today at 3 and 9:24. st Feature at 9:48) (Lay i The ALL-TALKING FARCE COMEDY, “THE GHOST TALKS" with HELEN TWELVETREES and CHARLES EATON (Youthful Stars of the Speaking Slage). “Chic” Sale in_“THEY ARE COMING TO ME, MOVIETONE SHORT TURE and PATHE SOUND NEW " 6th & C 8ts. N.E. Matinee, 3 P.M. b CE in ™, KELLY." LOVE. . KATE arking Troub) TOMORRQW. 00, 4:36, 6:11, GET FEA- 5. Hobol&en}}flvals. “After Dark" is still crowding the ol Hoboken Rialto and will undoubtedly for | many weeks to come. LOEW’S PALACE “THE_SHOW _WITHOUT EQUAL” F ST. AT 13TH ON THE STAGE WESLEY EDDY In a Loew-Publix Production Fun, Frolio and Frivolt, “BUIBLI“”? OVER" BOYD SENTER Bazaphone and Clarinet Virf MARKELL & FAUN The Pantomimics ARTHUR CAMP3ELL & RUTH The B'wy Juvenile and Dixis Nig BIL® “YKE” CARPENTER The Clever Chap THE GRMEY-HALE GIRLS &3 2K P AT FOURTEENTH ST. Lost in the great North, half a dozen persons find themselves Such Is the theme of zling passions of human beings marooned on the Alaskan wastes. There have b this is one with a totally fresh idea, superbly L Ty Starring act; Featuring a Greater Array of BERT F KING, KING & KING BUSTER BROWN AN Leon Brusil SEE—FOX MOVIE IT SPEAKS FOR ITSELF N SISTER A JOVIAL MASTER OF CEREMONIES GLORIOUS DANCING FOXETTES FOX GRAND ORCHESTRA dunes into bold relief; then the desert could be photographed in all its beauty. And so, although the location was es- tablished more than 20 miles from Yuma, Ariz,, there was no necessity for |the “box lunches” customarily used on d | motion picture location trips. The en- tire company, with four hours for lunch, were transported by automobiles into Yuma for the midday meal. NOW PLAYING SONGS tuoso ITMER ngale A Notable Event in Entertainment History! this drama of Arctic snows and siz- cen other films of the far North, but ed by a fine cast. WILLIAM FOX presents Broadway Entertainers, Including ROHMAN HORTENSE RAGLAND STANLEY & HEALY D THE off, Conducting TONE NEWS—HEAR | take place instead in Los Angeles, AMUSEMENTS IN THE SPOTLIGHT Notes of the Stage and Its People. A special “Dracula” company has| been organized by Horace Liveright to begin an indefinite engagement in Cleveland tonight. Frantisek Langer's play, “The Camel Through the Needle'’s Eye” has been placed in rehearsal. In the cast are Henry Travers, Helen Westley, Claude Rains, Maurice Carnovsky and Cath- erine Calhoun Doucet. George Romain has been engaged for “The Silver Swan.” This operetta is scheduled to open tomorrow night in Brooklyn. George Farren has been engaged to direct Lucille La Verne's forthcoming production of “The Merchant of Ven- ice.” Miss La Verne will play Shylock. Doris Keane's appearance in “The Pirate,” which had been tentatively an- nounced for New York this Spring, ‘l}l th Broadway to follow in the Fall. “The | Pirate” is a play of the seventeenth century, written by William Du Bois. April 1 Jane Cowl will begin a two- week engagement in New York in Stephen Phillip’s “Paolo and Francesca™ and will afterward take the play on a (road tour. Philip Merivale will be the Paolo and Guy Standing the Glovanni. Eddie Cantor, in association with Lew Cantor, is to’co-sponsor a new comedy about Jewish life called “Men- del, Inc..” by David Freeman, the au- thor of Eddie Cantor's “My Life Is in Your Hands.” ‘‘Mendel, Ing is sched- uled to appear in New York shortly after Easter. CO. The first of next month has been scheduled for the London production of “Little Accident,” in which Lynn Overman and Martha Lorber will have the main roles. It will try out in the English provinces, starting tomorrow. Next Friday night is the date set for the appearance of R. C. Sheriff's war play, “Journey's End,” in New York The company is due next Wednesday and will give one performance Thurs- day night at the Great Neck Playhouse. George S. Kaufman and Morris Rys- kind, authors of the current Marx brothers' show, “Animal Crackers," announca that their entertainment is the first of a trilogy. The others in which the Marx brothers will also appear will be called “Won't You Sit Down?” and “Did You Bring Any Gin?" Hamilton MacFadden presented Max- well Anderson's play, “Hell on Wheels," in Philadelphia icst Friday for a try out engagement before the piece goes into New York for an expected run. Vivian Martin, who last was seen in New York in st Married” and has since devoted her efforts to screen acting, is to be the principal player in “Companionate Marriage,” by Jean Archibald, which is listed for a Broad- way opening this week. The piece was on view in Chicago for five months. Barbara Stanwyck, the Bonnie of Arthur Hopkins' “Burlesque,” is leav- ing New York to star in an all-talking film called “The Locked Door.” It is an adaptation of Channing Pollock’s “The Sign on the Door” and will be directed by George Fitzmaurice, THEATER S of Perfeck Jalkies” Washington’s Amusement Headquarters “Always a at w»‘ N AY AoM. Presents for this wee comedy of high jin GEORGE Good Show” the ‘DAY Il L m?M. k only a side-splitting ks at Atlantic City SIDNEY RA GORDON MACK SWAIN KATE PRICE Nora Lane and Cornelius Keefe and a bril A Universal talking picture with musical accompaniment nt cast of funmakers in ATLANTIC" ary You've seen them in New York. You've seen them in Paris — Now see them in America’s playground. Features ary VITAPHONE PRESENTATIONS The Ryan Sist The O 1 ‘Mirth and Melody” Hillbillies Novelty Song Reel “Yankee Doodle Boy” Concert Overture d BIG The eple of & down-and - outer whose plaintive mus reaches WEEK/ Only 7 days left for you to see and hear! See the lovable, ro- mantic Barthelmess you've always known in dreatest acting role; hear the new and greater Barthelmess Vita. phone brings you when he talks for the first time. It doubles the drama! INAUGURATION TODA pow® .« AVENUE < P <A %‘g\o"" New s WY AMBASSADOR col™Ra"¥w. 4 TOMORROW--AUDREY TODAY an FERRIS in “FANCY BAGGAGE." —_(Bynchronized). ____ sl 624 H St APOLLO - (ORROW-— TODAY and TOM SON in 'THE SINGING FOOI __(Synchronized). _ AVENUE CRA Ave: S, -rovnn ‘and_TOMORROW~ CULLEN LANDIS, HELENE COSTELLO an: ARY CARR in “LIGHTS OF NEW (ALL-TALKIE). e 9th St. Bet. D and E and TOMORROW_PATSY M MILLER and LAWRENCE Y in "MARRIAGE BY CON- EHAS Conn. Ave. and MeKinley $t.D.C. and . TOMORROW-EMIL in “SINS OF THE __TRAC CHEVY TODAY. N JANNI FA Y Ga-Ave. & Farragut 6. COLON TODAY _and TOMORROW_EMIL JANNINGS ' in “SINS OF THE FATHERS." GRAND “Lights of York” 100% i EMPIRE ° M st NE TODAY and TOMORROW— ETTE LOFF and JOHN ___BROWN in_“ANNAP( HOME 1230 © S d _TOMORROW -BER’ LOIS WILSON FREDERICK in L-TALKIE). _ TODAY and TOMORROW-—ESTHER RALSTON in “THE CASE OF LENA 1 v U, 14th & Col. Rd. N.W. TODAY—GLENN TRYON in “THE GATE_CRASHER." 14th & Park Rd. N.W. TODAY __and TOMORROW—_GARY COOPER and NANCY CARROLL i “THE SHOPWORN ANGEL. (gynehronize Ga. Ave. & Quebee 5t. N.W. TODAY and TOMORROW-_VILMA BANKY in “THE AWAKENING.”