Evening Star Newspaper, December 26, 1926, Page 60

AMUSEMENTS. How Murnau Directs. On other occasions Hr. Murnau has translated his script into three lan guages and given his direction in all three. “Sunrise,” the title of the cresn version of the story, is entering the twelfth week of production. Fox off cials believe it will be one of the big | gest and most unusual pictures ever | produced, 0., DECEMBER 26, 1926—PART 3. IT'S almost four times harder, physi- cally, to frown than it is to smile, points out a bulletin issued by the National Laugh Month Committee, which has designated January Na- tional “Laugh Month." The committee draws attention to the anatomical fact that it takes 47 muscles to produce a frown and only 13 muscles to produce a smile. ‘The committee admits itself unable to calculate the mental effort some- times necessary to produce a smile, but nevertheless urges everyone to give a thought to laughter and the people whose work is the production of mirth-provoking material during January. “Laugh and Grow Fit,"” slogan. THE SUNDAY STAR, WASHINGTON, D. plains Foreign Method HE foreign principle of interpret- ing emotion through the eyes of the characters rather than through the eyes of the camera has been util ized by Michael Curtiz in directing the Warner Bros. production of “The Third Degree.” “Make the audience tions of the characters, except when the viewpoint he spectator will bhe most That is the ex- planation of the extraordinary effects which Mr, Curtiz achieves in this pic- ture | Starting on_the premise that mov-| ing pictures appeal almost wholly to the emotions of the audience. Mr. SWHOW does F. W. Murnau, European director, direct Eng- lish-speaking actors?" The answer is quite simple. He di rects them in English from a German script. That is to say, Mr. Murnau's personal script, written by Dr. Carl Mayer from Herman Sudermann’s German novel, Trip to Tilsit,” was written in German. The director, studying this script, visualiz scenes in German, but the action into perfect b recting George O'Brien, Janet Gaynor and Ma ret Livingstone, the fea r in the story s is facilitated by the fact that Dr. Mayer's script, a beautiful accom noted Virginia V: in ““The Family Upstairs. Our Gang com¢ _|_Topics.” Variety Reel Viola_Dana_in “Kogher” Kitty Kelly. —_comedy. Teatrice Joy “For Almony Onl Tmperial_com¢ dolp) i “The Four Horsemen of the Apocalypse.” ws. Iy. y For Alimon. Mermaid o “Jeligfish On Twinklato d: Arsop Fable. wie |, Gilda Gray in | “Aloma of the South Seas, Aesop Fable Harrs_Langdon in “The_Strong Man," Neal Buris comedy.__ Ambassad’r l Apollo Ave. Grand ‘ Teatrice Joy in “'For_Alimony Onl; Billy Dooley _comedy. ___ Alma Rubens in. feel the emo. S . . Famous _Paintings reel. T Hoot Gibeon in n “The Buckaroo Kid." Sennett. comedy. Franeis in Whirlwind John Gilbert in “Bardelys the Mag- f ificent, Aesop Fable. Langdon in trong Man." Neal Burns y comedy. Gilda Gray in -Aloma | ‘of the South Seas.. Charley Chase comedy. T Pathe News. | “Peter the Great “King of the Pack. Whoever heard of a crook film in which no guns are displayed? And vet it can be done. For the first time in the history of either the stage or | motion pictures, dramatic super {crook story has been presented with single scene of bloodshed or gun This is the novel fact about l a Q. Nilseon in |- Mies Nobody." Dooley N{"fl!d} che Sweef Diplomacy." Mermaid_comed: Fox_News. Dark on Suaday. Grimm " comeds Cameo Charley Chase comedy. | the News. | T “in is their Peter the Great’ in in “King of the Pack.” Curtiz first interests it in them and firmly stablishes their character Thenceforth the spectator sees the various events of this interestipg melodrama almost altogether throush the eves of the vari characters. Rarely is he in the position of a dis- interested observer This means that the camera must take the place of a person and record the scenes, not just as a lifeless me chanical camera, but as a living per- sonality the moment the spec- tator projects himself into the char- Acter through whose eyes he is view- Ing the scene and feels the thrills and emotions that that character feels. Sometim he greater advan- ta a spectatos for instance during some phases of a fist fight. It is much th to see one fighter standing tly waiting for the other to n to be in his position watching the dazed man floor. or to see the opponent dazéd man's chaotic vision these subjective and objective viewpoints will be balanced to make | a good picture is, of course, up to the director's artistic taste. The ability to select the correct viewpoint is the test of a great director. | | 1s as ~more | Director irst assignment under his contract with Paramount, Lothar Mendez, young European director, will pilot Pola Negri through “Confes- sion Mendez is one of the most youthful of the outstanding megaphone wield- ers Europe has produced, but he has Iready scored distinctive ~success. Following the production of two pic- s for Ufa, “Love Brings Blind and “The Three Cuckoo Clocks,’ came to the United States last ruary. He made “The Prince of Tempters” in New York for Robert T. Kane with Lya de Putti and Lois Moran in leading feminine roles. “Confession,” from the story by Ernest Vajda. Hungarian author and playwright, is said to give Miss Negri another striking role commensurate with her brilliant portrayals in “Hotel Imperial” and ““Barbed Wire.” It will be made under the supervifion of Erich Pommer. * The Other Wise Man."” “The Other Wise Man," arranged by Bess Davis Schreiner from Dr. Henry Van Dyke's Christmas legend, will be presented at Luther Place Me- morial Church for three evenings, De- cember 26, 27 and 28, at 8:30 o'clock, under the direction of Miss Schreiner and Walter W. Beck, with the same cast of 50 players who last year made so great a success of this Yuletide piece, including Walter W. Beck as Artaban, Nina Norman as the Hebrew mother, Judy Lyeth as the Parthian slave girl. This season's presentation will fea- ture Doris Dalton Sonnekalb in the part of the Narrator. Mrs. Sonne- kalb, who has only recently come to Washington, has had considerable ex- perience on the stage, spent two sea- =one with the Gloucester School of the Little Theater and was prominent in dramatic work at Wellesley, where, in June, 1924, she appeared with success in the role of Juliet in the now-famous outdoor production of Shakespeare's “Romeo and Juliet.” The story will be presented in five scenes, following closely the lines penned by Dr. Van Dyke, with special incidental music. No admission is charged to the pres- entations, but an offering will be taken to cover the cost of producing this legend of Christmas. To Film “Wild Geese" A. T. YOUNGER, who adapted + “Brown of Harvard” for the screen and was the author of “Col- Jege Days,” is now busy writing the continuity for the Tiffany production “Wild Geese,” the novel by Martha Ostenso. This novel. which was the first seri- our effort of the young author, was a prize story which won fanie and for- tune for the young woman. Another, “The Dark Dawn.” has just been pub- lished, and also has met with favor with_the public “Wild Geese.” with its 11 editions and a sale of nearly 300,000 volumes, has been translated into seven lan- guages, including Czechoslovakian, Danish, Swedish, Norwegian, German, Dutch and Finnish. In addition, there has heen a great demand for it in England, Australia and Canada. Players are about to be engaged for leading roles in is screen production. It is planned that most of the action of the story will be filmed in the locale in which the scenes are laid—northern Minnesota and Winnipeg, Canada. “Wild Geese” {s scheduled for re- Jease in the Spring. “Kiss Me," adapted from the Vien. nese by Derrick Wulff, with scare b Winthrop Cortelyou. will have its first | Central ~ Chevy bhl‘ | Circle ’t;tlony fDl;;nbartbn‘i | Elite whi ;Hippodr'me (Homc 7 | Leader | Olympic Lincoln Princess ;voy Harold Lloyd in ch o T Leatrice Joy_in “For Alimony Only," Art Lake ‘Alo Harold Gilda in “The Quarterback," Lioy Mermaid_comedy “The Quarterback," ermuid Comeay. ““The, Flaming Fron- ma of the South z tier,” ‘Alice cartoon Seas, Aesop Fable Jean Hereholt in “The 0Old Soak, Charles Pufly comedy. era Reynolds {n “Risky Business,” Lige Conley Comedy. n “The Quarterback.” Cames omeds comed; n “Aloma of the South Gilda Gray “Red" Grange in | Do, e Minute to Play." % E rothy Mackaill in ‘Subway Sadie." Ford ‘Steppin’ Out,” Haroyd Liogd in T Do laine Hammerstein n ““The_Checkered Flag." _ Seas " _ Richard Dix in “The Quarterback,” - |_van Bibher comeds. Jean Hersholt in “The Old Soak.” Charles Puffy comedy Lillian Rich in Al he_Golden Web." Ay in he South Gilda Gi loma of “The Flaming Fron- tier." Aesop Fable. Olive Borden in a "T)l:‘: Country yon Sennett_comedy. | “Cameo comedy T pe Claire Windsor in Souls for Sale.” | Georze O'Brien and Olive Borden “Georze O'Brien and | Olive Borden in harles Ray in Louit+ Fazenda.in, ome Punkins. “Borrowed Finer: Grew Garbo in “The Temptress." Greta Garbo in “The Temptress." oh den George O'Brien in d “Fie_Leaves. in hree Bad M Marde Prevost in Buck_Jones in “Almost a Lady.¥ |“A Man Four Square.” willi Rin-Tin-Tin m “Hero of the Bif _Snows. Ruth Reynolds in “Dollar Down Milton Sille in am Ruesel] fiton it ull Alarm.” "Rudolph _ Ru in The_Son of the Sheik.’ | Tentrice Joy in For_Alimony Only. Charlie Chase comedy Virz Fi | Hel Through Hell and Back with the Allies. ~Adolph Menjou in 4 The Ace of Cade”” | “Th in “The_Son of the Throuzh Back with the Allics. Adolph, Menjou | i Sennett_comedy. Olive Borden and Valentino George G'Brien dolph “Sheilc.” Olive Borden and George G'Brien W_ C. Fields in “So's Your Old Man." in Three Bai Men. inia Valli in “The { amily Unstairs. len an Vi " comedy nud}?mn. Valentino n “The Four Horsemen |_of the_Apocalypse.” in “The Buckaroo Kid." Mermaid_comedy. Richard Dix in “The Quarterback," Neely Edwards comedy. Hoot Gibson Hell and |“Through Hell and (T} Back with the Allies.” Back with the Allie “Through = Hell Back with the Alli hrourh Hell and and Adolph Menjou | _ in “The Aco of Cads. n e Ace nf Cads.” Sennett comedy Bessi Joseph Bessie Love and Joseph Schildkraut in “Young_April." Harold Lioyd in *'f Do” Love and Schildkraut in “Young Apr 1d Liosd in Sennett_comeds. Richard Dix in “The Quarterback. Richard Dix in he Quarterback.” “Jobhn Hmiron and Marceline Day n “The Boy Fr Renea Adoree and Monte Blue ]lllllh, Graves n slarnes. Mary_Pickford in parTows. M ary Pickford in Marg Pickford in Mary Pickf: “Bparrows. Anna, Her Second “Through Back with the Allies.” Norma Shearer in | € W. C. Fields in . » | “'The Waning Sex 0's Your Old Man." a e Q. Nilason T Vera Res in i “Risky Business. s picture t Hell probabls and Milton Silis Paradise.” in Paradise.”” _Mermaid comeds. _ Mermaid comedy. | Douglas Fairbanks in “The Nut.” Betty Bronson in “The Cat's Pajamas." Our_Gang_comedsy ‘The Leavenworth Cage” and “The_Man in the Saddle. Gloria Swanson in *Fine Manners. “Our Gang’ comeds. “Our Gang” comedy. parrows. Beile Boonett in “The Recklcss Lady |_Glenn_Tryon comedy. a Swanson s News. Vera i‘\asnoli{ n “Sunny Side Up." Scenic_and_cartoon. Marie (Erevost {0 Mable's Room. Roach_comedy. Ralph_Graves comedy. No. 8 “Officer 444 Harry Langdon in, “Tha' S{rongman No. 4 "Bl Grim Progress.” Comedy. Ralph Ince in "’!'hepse. Wolf." o oNbwy Aima Rubens n, " “Marriage License. in “The Buckaroo Kid." Amnna Q. Nilsson in “Miss Nobody, Chariie Putty comedy. medy. Hoot_ Gibson “Th Richard in “Let's Get Married." Art_Lake comedy Glenn Hunter in e Broadway Boob," Buster Brown comedy. Bllph‘ Lewis he Block Sienal.” tandard_comedy. Marceline Day in. College Days."" Assop Fable: neo comedy. Renee Adoree . “Blarney. “‘Fearless Harry. Ernest Torrence in “Lady of the Harem. Marte Prevost n “Bobbed Hair." Comedy. I William_Fairbanks in “The Trene Rich Mile- in “Compromise. ls Con udolph Valentino in “The _Son of the s edy. Matt Moore in B Topics and Fable Colleen Moore in, “It Must Be Love. SASS The Flaming Frontier.” News. Hire a Circus For a Year ¢ a brisk, businesslike way, a group of men have decided to hire a huge circus for an entire year. Following an exchange of telegrams between B. P. Schulberk, associate Paramount producer in Hollywood, and Jesse L. Lasky. the former was authorized to employ expert film scouts to find the right circus. When the circus is signed to a contract, preparations will be made to quarter the great array of animals, equestrians, clowns, freaks and what- nots at the 1-000-acre Lasky Ranch in the North Hollywood region. The ranch will be ready to receive the circus for a year's engagement in’ 60 or 90 da: At that time work will begin on a colorful exposition of the life and showmanship exploits of P. T. Bar- num, with Wallace Beery impersonat- ing the colossus of the amusement ‘world. Benjamin Glazer, author, play- wright and scenarist, is preparing a treatment of an original story by Monte Katterjohn. Monta Bell, one of the best known directors in the film industry, has been assigned to direct. Milton E. Hoffman, executive manager of Famous' Players-Lasky West Coast studios, will assume the post of superintendent of production. “Reminiscing in Holly- wood” *4] THINK one of the most enjoyable things of all out in Hollywood.” says Blanche Sweet, “is the pow-wows the Biograph players have—talking about the old days. The old days date back to 1910.” continues Miss Sweet. “The Gish girls. Bessie Love, Miriam Cooper (now Mrs. Raoul Walsh) and Mary Pickford are,included in this coterie. Of course, there are others, such as Constance Talmadge, who be- longed to another era, having played in ‘Intolerance,’” which was at a much later period. Mabel Normand also belonged to the crowd, though she was identified with Keystone instead of Mutual. We now engage chiefly in recall- ing amusing incidents. Of course, there were many of them. Some of them seemed tragic at the time, but have grown humorous now that we have a perspective on them. “Among the men who occasionally reminisce with us are Marshall Neilan, Raoul Walsh, Henry Walthall, the Franklin brothers and several others,” Miss Sweet concludes. Blanche Sweet got her start in pic- tures under the direction of Grifiith. Her first outstanding success was in the title part of ‘“Judith of Be- thulia.” Moon Quan, a &hinaman, signed by William Nigh as a “consul ant” in the direction of “Mr. Wu igh is making for Metro-Gold- as heen showing in Philadelphia. January 17. NOwW PLAYING ON THE SCREEN Colleen Moore in, “Tt Must Be Love " John Gilbert in Charlie_Puffy com .. FILMOGRAMS .-, ~_Comedy. Richard Bartheimess n n “The Amateur o Gentleman. ra Reynolds in usiness. la Lioyd in e ‘Berdelss the Magnificent.” on Fable. Vera Reynolds in “Risky Business. " ;i Harold Lioyd in Olive Botden in ~Viola Dana_in g Kelly " Blanche Sweet Milton Sills in in “The_Far Crs." THE District of Columbia form of government has been adopted by United Artists, which- hereafter is to be operated by three commissioners, with Joseph M. Schenck as Congress. Al Lichtman, Arthur Kelly and Harry D. Buckley are the commissioners. The Los Angeles Boy Scouts have made “Silver,” the horse star of “A Regular Scout,” an honorary member of their organization, and it is said Comdr. James E. West, chief Scout executive, has approved the picture. F. W. Murnau, the German director of “Sunrise,”” which he describes as “a song of two humans,” says in it he is trying to “portray emotion as rhythm."” Los Angeles reports production halted on Chaplin's “The Circus,” and operations at the Chaplin studio sus- pended. Metro-Goldwyn-Mayer are to pro duce a picture called “The Dog of Mystery,” Chester Franklin directing, from an original story by Franklin and Al Kenyon. At Irvington, N. J., a scheduled conference between the Protestant clergymen and the theater managers, who are insisting upon rigid enforc ment of the so-called ‘“‘blue law: against every Sabbath activity, has been called off because of “the ridicu- lous situation” which a discussion of the subject produced. So reports Film Daily. Cleveland, Ohio, is the first to con- sider the enactment of a law prohibit- ing “straphanging” in movie houses, meaning the sale of admissions after the seats are filled, and also directed against packing the lobbies and the rear of theaters when there are no seats available. Fire marshals have been ordered to make nightly inspeec- tions and to report “if any fire hazard is being created by this stand 'em up and pack 'em in policy. It is a blow at standing room only sales. “Producers should keep ahead of their public in making ‘better pic- tures’ which will exert a better influ- ence on art and morals,” according to Miss Mary Shaw, an actress, at a meeting of the National Club for Bet- ter Movies recently. The South Dakota theater manag- ers are reporting difficulties in their endeavor to combat “hard times, many hank failures and general business de- pression” in South Dakota. Marcus Loew, September 19, 1919, prophesied that the industry could not &0 much beyond 25 cents a seat to see pictures without becoming prohibi- tive. Film Daily states that “the history of longrun pictures on Broadway shows conclusively that those very Based on mma-L Weston's Laughing “Saturday Evening Post” Story With EDWARD EVERETT HORTON ” q ARJAN NIXON ) productions do a tremendous business SPECIAL MIDNITE SHOW NEW YEAR'S EVE RIALTO GREATER ORCHESTEA, ROX ROMMELL, CONDUCTOR NOVELTY OVERTURE, 'BYE-BYE BLACKBIRD” WITH DUO PIANO DIGRESSIONS BY ROX ROMMELL AND CARLSON HARGRAVE NEWS—“SNOOKUM'S MERRY XMAS"—ORGANLOGUE e SRR ““The Country Beyond."" ay in South Snookum's ide Buegy when they reach the weekly-change houses, because the admission scale then falls within the range of the av- erage American income * * * g4 most significant observation.”, United Artists on January 1, it is announced, is to start on a $5,000,000 program of production for the new year. Universal theaters in Florida have dispensed with ‘“stage presentations" until next Spring, because business Is 80 good without them. William Morris is going to hook Brooke Johns and his orchestra for picture houses as well as for vaude- ville. “The Night of Love,"” George Fitz. maurice’s production for Sam Gold- wyn, ix characterized by Film Daily as “a splendid piece of film craftsman- ship—far better than its title would indicate.” Irvington, N has ducked the Sunday blue 1aw, which the theatrical managers insisted should be rigidly and impartially enforced, if at all, by finding another ancient law which permits performances of any plays or interludes which, in the opinion of three justices of the peace, are “inno- cent or useful.” Four bills are said to be pending in Congress which the Seventh Day Ad- ventists declare are being urged to force a “sour Sabbath" on the United States at large. A spécial “try-out” performance for vouthful and talented Washington boys and girls who have stage aspira- tions will be given by Gus Edwards at Loew's Palace Theater Wednesday night, December 29, at 11:15 p.m., im- inediately after the close of the regu- lar performance. The audience is in- vited to remain and witness the “try-ou BEGINNING TODAY---$ the Front” in BEERY Hit the deck, mates! Beery poop deck! A comedy of li gled amidships! T “Kosher Kitiy Kelly." “Collegians * No. 4. F STREET AT 12TH The famous stars of “Behind comedy of Nauy lifel c s s c» WALLACE RAYMOND HATTO WERE::NAYY NOW A Paromount Picture ton are in again!—this time as the most gullible gobs that ever trod a ocean wave with a prize ring forward and intrigue, love and the Navy tan- A laugh knockout! Pat O'Malley in “Perch of the Devil." “Don Juan T LT ST Viola_Dana_in arry_Langdon in “The Strong Man." Glenn _Tryon comedy. Snanshots. Rin-Tin-Tin in “Hero of the Big Snows.” n 014 Kentucky. elen and Warren <o A Little Bit of Truth "' ANY actor,” says Harold Lloyd, ‘who lets vanity get the better of him is bound to suffer for it. It leads him into the bellef that audi- ences are looking to him for their fun, when the fact is théy are looking rather to situations as he may con- trive them, express them or bring them out. The greatest mistake any one can make in this business is to think that the burdens are all on his shoulders or that he is repository for all the wit and wisdom on the lot.” So thoroughly cognizant is Lloyd of this situation that he always sur- rounds himself with the best directo- rial and writing talent he can obtain in the industry, and frequently he | reaches out and plucks a leading pur- | veyor of funny ideas from the musical } comedy, vaudeville or comedy-drama fields. “The Kid Brother" release. Youth Succeeds [ERNEST 6illen, the Pasadena boy, who has just played his first im- portant role as a motion picture actor, arrived in Los Angeles recently. Gillen, born of Spanish parents in Mexico City, moved to Pasadena as a youth. He appeared in a number of Red Cross shows as a boy during the war, and this taste of the stage turn- ed his career toward motion pictures. After attending California Tech, he went into pictures, and several months ago was signed on long-term contract by First National. He has just com- pleted his first picture in New York City, a Robert Kane production, ten- tatively titled “Song of the Dragon.” and so successful was he in the juve- nile role, it is said, that he is soon to be featured again in a picture made at the Burbank studios of the com-| i= his newest UNDAY, DECEMBER 26 a side-splitting w ADDED HrTS MABEL NORMAND COMEDY PATHE NEWS and Hat- fe on the M ¥ HIG featured Garte back with Mack Sennett, noted com- edy producer, and has been kept busy in the pictures ever since. Roach’s months’ added apprenticeship at the “hristie Cecil B. De Mille that little Sally was H diving is great sport, espe- clally when one comes up with nice motion picture contract. Sally Rand, now appearing in a role in “Getting Gertie's " took a awan dive a few years at Hal and four Eight months in stock studio followed, “fun foundry” convinced prospective starlet. She is under ontract as a De Mille-Metropolitan player. ‘While her “dive” up the ladder to creen fame has not heen of a sensa fonal nature. it has, nevertheless, been steady and consistent. Film Features PARK THEATER *°¢ 4t FOUR DAYS ONLY! MARY PICKFORD IN HER LATEST SUCCESS “SPARROWS” SIDNEY LUST'S LEADER 9th Street near E . Today and éll Week U. S. Official War Film “Through Hell and Back Again With the Allies” OLYMPIC U Bet. 1ith & 15th Today.Tomorrow RICHARD DIX “THE QUARTERBACK HIPPODROME ; near 9th Today-Tomorrow— Rudolph Valentino “The Son of the Sheik” TODAY _AND ALL WEEK _FRED FISHER IN ‘PERSON_WASHING- TON'S POPULAR BARITONE. 14TH AND R. I. AVE. Today-Tomorrow— GEO. O'BRIEN—OLIVE BORDEN, . . “THRSW BAD MEN." _____ DUMBARTON '3 e & CLAIRE WINDSOR and EUGENE_O'BRIEN in "SOULS FOR SABLES." CAMEO THEATER *- % —GILDA GRA’ NEW STANTON 6h & Cs6r. N2 Con, from & om. LAURA LA _PLANTE and PAT O'MAL- LEY in “THE MIDNIGHT SUN = H. OLIVE Presents 'S METROPOLITAN ¥ Street at 10th THIS WEFE—COLLEEN MOORE _in CTWINKLETOES *" ART FOWLER, THE_WIZARD OF THE UKULEL TODAY AND TOMORROW CRANDALL'S TivoLt 14th & ParkRd.N.W. JOHN GILBERT In a Film Version of Rafael Sabatini’s BARDELYS THE MAGNIFICENT 'SUN.-MON.-TUES. CRAND Au’s AMBASSADOR 18th&Col.RA.N.W. Hol. Mats. to Jan 1st, Inclusive COLLEEN MOORE In Thomas Burke's Tale of Limehouse TWINKLTOES plishment of translated Bing English supplied to the e Murnau sheots his pictures exactly ac cording to the scenario matter for actors, regard nationality into Mr. version: to blank ve @, has English by of the seript and, s follow his directio heen Herman Murnau's assistant director were since Mr. it is & simple s of their Columbia production. “Obey the Law,” starring Bert Lytell. Jackie Coogan's first hicla vnder his new Metro-Goldwyn-Mayer tons.” by starring contract with will bhe “But an original sea storv, written George Hill, the voung director Tell Tt to the arines.” ve- T TODAY AND TOMORROW — CRANDALL’S CENTRAL SthBet. D& B PETER THE GREAT The Famous Dog_Star, in KING OF THE PACK Harold Lloyd in a Revival of TODAY—ALMA _RUBENS RIAGE LICENSE." TOMORROW—HOOT GIBSON in * BUCKAROO_KID. S MAN "CRANDALL’S Avolio Theater CRANDA 24 1 86, N.¥. Holiday Mats. to_Jan AN, rONoRROW G TLD) Sovrh in "ALOMA OF THE SEAS " AESOP_FABLE. CRANDALL'S, York, Theater ING FRONTIER. X TOMORROW—BLANCHE SWEET _and JACK, MOULHALL in “THE FAR "CRANDALL'S LomoRY ~ = Ga.Ave.&Fartaen el.. 2 PM_ i CTHE NDALL’S Home Theater GOLD CRA 1230 C St. N.E. PM. Hol. Mats_ Tues. and Thurs TODAY—LEATRICE, JOY. . In ALIMONY ONLY." CHARLIE VIRGINIA S FAMILY ATPSTAT £ 'Q Chevy Chase, D. C. NDALL'S Chiexy; Chase . € Mate, to_Jan.. 30 P.) inel LEATRIC] JOY in ALIMONY ONLY. TOMORROW_—GILDA GRAY, “ALOMA OF THE SOUTH SEAS CRA| CRANDALL’S Uincoln Theater U 8t. Near 1 TODAY AND TOMORROW-—. MEXION tn TG ACE O 0. HE BRURTr ComEpy ACF OF CADS. AMERICAN 1stst. &R.1. Ave. Jo! 3 G RARRTIORE in “THE SEA North Cap. and P Sts. LIBERTY 4T gARRO It TAKOMA Takoma Park, D. C. No Traffic Troubles. Continuous today from 3 p.m. COLLEEN MOORE’ in “It Must Be Love” PATHE NEWS and COMEDY | CIRCLE 2105 Pa. Ave. Ph. W. 953 v “THE SHOW PLACE OF WASHINGTON" W PALACE WEEK STARTING TODAY--- SUNDAY, DEC. 26 Wiwi - \ ‘ “an pEQSON and His Newest Proteges His Afllm Success "RITZ CARLTON ===ON THE SCREEN=—= ELINOR GLYN'S Latest Triumph! A METRO- GOLDWYN.. MAYER PICTURE A brilllant drama of love and mar- riage plaved against a'background of wealth and fashion. ADDED PROGRAM HITS PALACE CONCERT ORCHESTRA Overture, “Recollections of Bayes™ LOEW'S PALACE MAGAZINE Cther DeLuxe Featur e RO, =5 L e L e L “Wisard o Phonograpi = = m = :; ° = US! Hearticst Holida CRANDALL’S ; F'ST. AT TENT! SUNDAY—Doors Open 2:30 P. M.—Daily 10:30 A.M. to 11 P.M. @ WEEK OF DEC. 26 mqg FIRST NATIONAL PRESENTS COLLEEN and : : g — = LT T Its most versatile and most vivaclous star in the greatest role she has ever visualized WITH KENNETH HARLAN TULLY MARSHALL GLADYS BROCKWELL WARNER OLAND a distinguished su; U semble in Charles Brabin's amusing and intensely turization of Thos. B of the damecing waif of limehouse. SPECIAL ART FOWLER the Ukulele’’—Muaical Comedy. Star—Sunday at 8$:15, 5:15, 7:15 and 9:25. WORLD SURVEY---AESOP FABLE Overture, “Dance of the Hours” (PomoMielli) DANIEL BREESKIN, conoucting WASHINGTON’S FINEST ORCHESTRA ENGAGEMENT Radio and IR