Evening Star Newspaper, September 19, 1926, Page 65

MUSIC By Helen Fetter. SALZBURG, Austria, August 17, 1926. FTER the great wealth of operatic heauty gven in the Wagner- Mozart festival, in Munich, it seemed hardly possitle that another equally fine “festspiel” could be presented within so short a distance as two hours’ ride on a continental train, whch even when “ex- press” is npt ncarly so speedy as at home. Nevertheless, in accordance with the Avarm interest shown by European critics in the Austrian fes- tival, we feit it would be well worth whle to see what Salzburg had to offer, It proved to be an artistic experience of a lifetime, both musically ang dramatically Where the Wagner “Ring” and “Tristan” offered operatic fare of rich- nese and religious quality, and the Mozart operas g'ven in Munich had charmed the eye and ear with the finesse of their production, in Salzburg there was the bubbling gayety of “Die Fledermaus,” ballets by Mozart and Gluck. the 'mclodiousness of an old Pergolesi opera, concerts by the Vienna Philharmone Orchestra, znd, dem nating everything® else. the beauty of Max Reinhardt's spectacular produetions, “Jedermann” (Everyman), ¢Diener Zweier Herren™ (The Servant With Two Masters). and. as the supreme novelty of the present season, “Turandot.” * ok Xk Kk i HIS “Turandot” is not the Puccini opera, which was given its premiere at La Scala. in Milan, in June. The theme of Max Reinhardt’s “Turan- is the same, but the treatment of the story is very different. Where Puccini stressed the love interest and made a reguiar ancra ¢ f the story. Mr. Reinhardt has made a gorgeous, spectacular fairy tale of ancient China, with four extremely talented Vicnnese comed: the purveyors of some of the cleverest satire lines that have ever been written. Mr. Renhardt calls the work a “Chinesisches maerchenspiel in funf akten.” The original text, by Gozzi, was translated into German by Karl Vollmoeller. The in- cidenta! music, which plays quite an important, yet unobtrusive, part in the production, was written by Bernhard Paumgartner, an authority on oriental music. He took a number of ancient Chincse melcdies as the basis of his work, interweaving with them charming elusive love strans that are used as the motiis of the hero and heroine, and other strains not so romantic, which intensify the amusing quality of the comed:ans’ merry pranks and chatter. Mr. Paumgartner personally admitted to a keen pleasure in the compiling of this music. He was the conductor of the orchestra at the premiere, Saturday, August 14. The general 1ausical director of the Rein- lardt productions is Einar Nilson. The orchestra used was the Mozarteums- Orchgster, a fine organzation. In “Turandot.” which, incidentally, 3 ,“)'fl” ago with different settings and costumes, jade green and gold are he principal colors of the present production. An unusually graceiul drop vurtain of oriental lines, with g gold tasseis hanging from either side and decorated in the center with a huge green dragon, is the principal curtain used. lts original color ic # deep-sea blue, but most of the tinie during the performance it is so changed by lighting efiects that it is jade areen e Over the first section of seats in this huge’ festspicl housc. with its balcony along three sides of the building decorated with gayly barbaric pennants and emblems, a runway was placed for this production. The lines of this runway were suggestive of the style of Chinese bridges and were brilhantly outlined with lacquer red paint. Any one who knows what a wizard Max Reinhardt has proved himself over and over again. and most recently in America in “The Miracle,” can imagine what the costumes and back drops were like. \With the vast opportunities that China offered in richness of textures and the unusual in colorings, Mr. Reinhardt was obviously in his element. The subtleties of fabrics and color combinations, to say nothing of designs and embroideries, that are u<ed in this production are indescribably beautiful. ; { Later, at a party after the premiere. given at Mr. Reinhardt’s castle. when music and dramatic critics from all over the world were present, Morris Gest, who had been, as usual, at a Reinhardt premiere, a most attentive spectator, was asked whether or not he would bring this work to America. He shrugged his shoulders in typical Morris Gest fashion and said, "I could never ‘cast it' in America!” Which, of course, means nothing, as it is not customary to attempt to “cast” these spectacles entirely in the United States. The leading parts are too often_filled by jamous foreign artists, even including comedians, to make this excuse plausible. America will probably see “Turandot” sooner or later. Here's hoping that Poli's or some new theater perhaps with a sufficiently large sage to put on such a remarkable production will offer this work to \Washingtonians. a ns as Mr. Re‘nhardt produced some s * ok kK MONG the many lovely scencs in this work. one which has specia appeal musically is a hali-lighted scene in the Princess Turandot houdoir, when a group of girls in Chinese costumes and using the pic- ruresque Chinese musical instruments sing softly at the opening of an act. The dancing, too. is unusual. Harald Kreuzberg, as master of ceremonies and prime solo dancer, did work of a caliber only seen in Washington W the work of the Japanese dancer, Michio lto, and in the ' Ballet Russe he Adolf Bohm. Anny Gerzer and five other dancers, in a group of Vhich she was the solo dancer, also did effective work. They were members of the Munich State Opera Ballet. The comedians who were o Uever were Richard Romanowsky, Hans Moser, Oskar Homolka and \ax Pallenberg. The vocal music contributed was all sung by invisible persone, greatly enhancing its efectiveness. ol g X It was amazing to watch the smoothness with which this produc- tion was given when one knew that the final rehearsal had been held till 5 a.m. the morning of the premiere at Mr. Reinhardt's castle and that a whole hour of action had been cut during that rehearsal to make the play come within the time of 7 until 11 o'clock for a performance. * Kk Kk ¥ MR REINHARDT has a beautiful feudal castle type of home, nesllcfl in the mountains at a distance of about 15 minutes’ fast auto riding from <alzburg. It was originally the Summe; hurg, who governed the exquisite little home of the Archbishops of Salz- alt City” in the days of religious rosincial government. The great entrance hail. with its huge fireplace Ind the high walls, prond’s bearing ancestral portraiti, still has the coat A arms of the old archbishops emblazoned on those walls. A quaint equip- “ge. <leigh or paladin of difierent periods, is placed in cach of the four re- mote corners of this expansive apartment, and the rug in the center of the Hrenr between two beautiful old tables ‘s made of multi-colored pieces and designs. Mr. Reinhardt telis a fascinating story of its history. Upstairs ‘n the equally spacious dining salon. where elaborate go'd and glass chan- icliers illuminate the paintings that cover the high walls and look down upon crowds of folk from many lands who are gayly at supper. again the religious touch of the original owners emerges in the themes used in the paintings. Any mention of this hospitable home does not seem com- plete without stating that much of the success of these parties at the home of the great impresario it due to the nntiring and diplomatic efforts of his secretary and chief assistant. Rudolph Kommer. 3 i But 1o return to the music of Salzburg. We landed in that charming nittle capital of the Austrian Alps late in the afternoon of the first festival performance of "Die Fledermaus.” under that clever and genial con- Muctor, Bruno Walter. Seats were at a premium. all space having been so'd olidly for severa! davs. Through great good fortune two were secured at the last moment from the office of the director of the Stadttheater. Probably never was this ioyous comic opera given more effective presenta- tion, and the audience was quite as jovous as the performers in response to the latter's efforts, After he had finished the overture, Mr. Walter was given a genuine ovation. Although each singer and comedian also did his or her best and was generously awarded appreciation by the audience. it was Mr. Walter who had the laurels pi‘ed high at his feet. His orchestra responded to cach direction he gave the men with true musicianly tempera. ment and brisk spirit. The ballet dancers in the quaint ballet to Strauss Geschichten aus dem Wiener Wald™ also appeared to be keyed to each .uggestion from the conductor’s baton. Mr. Walter himself seemed sat- wrated with the buoyant gayety of the music and occasion and smiled con- \inuously as he conducted. After the final curtain he was called out time and time again, both by appiause from a standing audience and by vocal calling of his name. It was a truly festive occasion. ok o OTHER program, also given in the Stadttheater. includes the un- usual combination of a very early Italian opera, listed as “Intermezzo Zwer Akten.” Pergolests comic opera, “La Serva Padrona.” and two hallets. Gluck's “Don Juan" preceding the opera. and Mozart's “Les Petits Rien<” following it. Frgnz Schalk, noted conductor, conducted all three works in a thoroughly sympathetic and charming manner. Richard Mayr, Norld-famous ~mger. sang the leading role of the opera and was ably sup- ported by Elizabeth Schumann. w hom we had heard the previous week as Despina in Mozart's "Cosi fan Tutte.” in Munich. The characters in the rwo works are quite similar. although the music. naturally. has marked dif- onves. and both opportunities to hear and see this fascinating voung cinger who is highly torsstng. : é - . The Gluck ballet was delightiully costumed and danced. The music. hawever. seemed inconsequential heside the sparkling vivacity and subtlety i Mozart's clever score of the other ballet. “Les Petits Riens.” which was cented in a manner verging on perfection. The great Woligang Ama- in_his “home » deue was duly honored by this production of his work given town,” which is so completely exquisite in setting. scener. populace that it seems the absolute answer to why the great "l was inspired to write music as beautifully and finely as he did. Mozart also was honored in the first of the series of orchestral con- certs given in the Festspiclhaus By the Vienna Philh; under Clemens Kraus. Maria Gerhardt. soprano. sa o Vorrei Spiegarvi, oh Dio,” and “Ne. No Che non Sci Capace.” She showed sine coloratura quality and well keved sense of Mozart's intent in reading fis songs. The orchestra played his “Serenata Notturna” for two little archestras in delightful style, with the minuet pafticularly beautiful. Prof. Stiegler. horn solosit, presented Mozart's “Concerto for Horn, Opus | with string orchestra, two clarinets and two fagottes. The latter part of the program was devoted to works of Josei Haydn. | The orchestra played his "Symphony. No. 13. in G Sharp” and “Concerio ( Sharp for Orchestra and Violoncello.” with Roszi Varady, young Hun- carian cellist, as soloist. Miss Varady i¢ a lovely person to look at and her | She was a pupil of David Popper and the ! She completed her studies with | America she was invited by During tone showed graceful artistry. irst woman tofwin his artist's diploma Huge Recker in Berlin. In her first <ca<on in President and Mrs. Harding to play at a White House reception ‘he Salzburg concert Miss Varady uscd ane of the most famous vio cellos 1 the world. an instrument that was made for the royal family of Saxoun v 181¢ by Antonio Amakh The young cellist will return to the United ' THE SUNDAY STAR, WA SHINGTON, LEADERS AND MASCOT OF BOYS’ INDEPENDENT BAND OF “Sounding Brass.” D. C., SEPTEMBER 19, 1926—PART 3. WASHINGTON CLINTON J.BROWN ) Symphony Seats Sell. EVEN the large Auditorium’'s capac- ity is being tested by the demand MUSIGRAPHS ROMINENT among the carliest programs of the Fall is the Festival of Chamber Music to be held at the Library of Congress October 7 to 10, inclusive. in the little Elizabeth Sprague Coolidge aud: torium. This festiva® which was transported to Washington fron the mountains of New England, where Mrs. Coolidge had her original “Temple of Music” programs, last ycar for the first local programs, is a national event. Becausc of this broagd aspect of the festival, leading critics and musicians from all over the United States are the honor guests at the | festival, even as they were in the days of the South Mountain programs .| Therefore, the number of scats for Washington musical folk is even more | restricted than usual. As there arc only 511 seats in the auditorium, it i obvious that this number must be small indeed. However, Mr. Carl Engel | chief of the music division of the Library and general supervisor of all | programs presented there, wishes that announgement be made here at this time to the effect that all tickets for the differnt concerts that car | possibly be sccured for local distribution will be given to Washington musi | cians. He also suggests that this festival is mercly the preliminary group of a number of concerts by leading singers and musicians, who will present unusual programs in this auditorium during the coming Winter and Spring. in simi‘ar fashion to the programs given there last year between the open ing festival programs last Fall and the final concert in July in the seric. | featuring the National String Quartet of this city. The program of the festival in Octo- | duties at the First Congregation:l | ber will include Church last Sunday, after an abs | .. Thursday. October 7. at 8:45 p.m.—Bach, | f six weeks spent in Maine vacation “Brandentburs.” concerto No. 3, for string |ing and singing at the Samos Shruments: “Hioch. ' Canceria Grosto.. for | Rockland, and the Mount Ki hestra and piano: Mr. Ernest Bloch, | House, Kineo. Rehearsals of the cholr began la-* ight and, since the seating spac will be larger this year, it will he possible to somewhat enlarge the or- sanization. Those interested in seri ous work are invited to get in touch ;v;“(;n Mrs. Stahl by telephone, North The other members of the quarte! Dorothy Wilson Halbach, contralto: W. Madison Taylor, tenor, and Joh: Chandler Smith, bass, with Charle T. Ferry at the organ, began thei vear's work September 5. ‘The Columbian Male Quartet—Paul October 8. at 11 a.m.—Joseph Jon- | Alhert Huy. | nl and_piano s | <ar Franck e String Quartet of bert Schmitz t 4:10 p.m.— <tic var for clarinet. string quartet and b A Goedicke, five Russian folk songs [or voice. violin. violongello and piano: S. 1. Tanieev, auintét. on. 30. for strings and piano: the Stringwood Ensemble of New York and Mr. Borie Sasiawaky. haritone. Saturday. October . at 8:45 p.m.—A pro- { zram played by the Fionzaley Quartet. Sunday. Octoher 10, at 4:30 p.m.—“Pro Arte” Quartet of Brussels: Beethoven. string ynartef. on. 135: Faure. piano quariet. op. 45" (With "Ernest Hutcheson: Huybrechte. string quartet. Jauded by the European audiences, proved very in- | 'HIS week will bring to Washington eight of the leading Vic:or artists. They are: Henry Burr and Carl Ma- thieu, tenors:; Billy Murray, tenor- comedian: Monroe Silver, monologist; James Stanley and Stanley Gaugh- man, baritones; Sam Herman xylo- phonist; Frank Banta, pianist. The group’includes the Peerless Quartet. David Rubinoff, guest conductor of Tom Gannon's concert orchestra, will continue his engagement at the Pal- ace this week. The appearance of 8pencer Tupman and his Mayflower Orchestra at the tialto this week as the special pres- entation feature recalls a peculiar in- cident. It was through the persua- sion of Corbin Shield, first came to Washington. Mr. Tupman play in other citles, recog- nized his musical abilities and ad- vised him to come to this city. Tup- man is the director and also arranges the jazz music for his orchestra. ‘Wanted—A new name for jazz. It is claimed to ‘he one of the needs of the hour. The melodies of today are not similar to the ragtime jazz of a few years ago. but have more rhythm and are decidedly dif- ferent In tone. In other words, it is rot jazz at all. One of these days George Gershwin. composer of syn- copated music, and Paul Whiteman, conductor, will get their heads togeth- er and devise a real mame for this American mu: which = best ex now of the| Rialto managerial staff, that Tupman | Shield had known and heard | | officers and instructors Washington Boys' Band Is Unique Institution| HE Washington Boys' Independent Band is the only organization of its kind in the entire country. It has no affiliations and is supported by do- nations received for its services and proceeds from its semi-annual con- certs. It was organized by James L. Kidwell, who is at present the or- ganization’s chief instructor. In June, 1925, the services of C. J. Brown were secured as manager and director. The other officers of the band are William E. Sands, president, and Loretta R. Brown, secretary-treasurer. The first appearance of Washington's girl drum major, Ethel K. Brown, was on the occasion of the Knights Templar fleld day last October. The membership has been increased from 28 to 84. The services of the are voluntary. nplified in the compositions of shwin, Friml and a few other: & concert tour of Mr. Ge and Mme. d'Alvarez next Fall should | be a mighuy interesting affair, for composer will play two or three new jazz predudes on which he is now at work, and the famous Peruvian con tralto will sing a number of jazz songs suited to concert purposes, Some of Gershwin's j; 1i that he selected for Mme. d’Alvarez's use are: *“The Siren Song’ (Kern), “Jap-| anese Sandman” (Whiting-Egan), Louis Blues” (Handy), “Jaz (Souvaine), “International Rag’ Berlin), “I Want to Be Happ: mans), “Carolina in the Morning” (Donaldson), “They Didn't Believe Me” (Kern) and three of Gershwin's own compositions, ‘‘Stairway to Para | dise,” “Suanee” and “Nashville Night- ingale.” Collins’ jazz orchestra, talent and much it during the coming Washingtonians, popular shows considerable is expected from ason. Quill Grist, local jazz dancer, and formerly with the National Capital Players, is endeavoring to organize a small local company. Quill has| gained popularity by his eccentric dance specialty, Ted Newall's Jazz Orchestra return- ed to Washington vesterday after a | successful season at Herald Harbor. Md. They will probably play with the St. Patrick Playera the coming season. "llast 10 months 66 | who | Joy This is what Placide de Montolliu, | former director of the Paris Ope House and at the present time danc- ing director at the Curtis Institute of | Music, in Philadelphia, has to say abont jazz: “Better dance jazz than nothing at | all, and if you can dance the tango or the Charleston to perfection you have accomplished something. Best of all is the systematic ‘rhythmic tuning’ of the nervous system, which develops in the dancer the ability to find com- plex and beautiful forms to express a | rhythmic sense: this can be achieved by every normally developed indi- vidual. The term ‘dancing should not scare serious-minded people. Dancing, based on true rhythmic expression, should be the main factor of our edu- cation from the momept we are able to stand on our feet. “To those who condemn ballroom ! dancing 1 say: What have you done to prevent it? Can You propose any- thing to take its place—any sort of recreation more relaxing and pleasant than you can get with less expend- iture of time, effort and money? Office men and other people of sedentary professions take to jazz as the best | means to relax their nerves from the strain of their daily work. The steps can be learned in a short time, th remain much the same and once learned they are mastered for all | time." No one in any way connected with the ranlzation re ives any compensa- tion. Rehea 1= are held weekly. Boys who can quallfy are accepted into membership in the band upon payment of a small application fee and $1 per month while under instruc- tion. This fee is reduced to 15 cents per week when the member is finally entered in the band personnel. [ 3 boy 18 given individual instruction. In addition to teaching the music they are in many c nished with instruments. During the instruments have purchased and issued to boys have proved themselves to he The strictest discipline is ed at all times. The merit_system of the band pro- vides awards for abllity, discipline and attendance. The band also en- the distinction of being the only boys' band in the country that has been directed by Capt. William Santel- mann, leader of the United States Ma. rine Band. Last May Capt. Santel mann was the guest of the Boys' Band and directed several numbe; He also presented a_handsome loving cup to the Brown Trio (all members of the Boys' Band) and complimented been Reappointed Soloist MARIE C. DEAL, Dramatic soprano, who is well known as an active member of local music circles, has_just heen mrlwlntell to serve her eighth consecutive year as soprano soloist of Calvary Methodist Episcopal Church. Mrs. Deal also has recently opened her residence-studic at 816 H street northeast. i States for the Winter season. and gi i) ves her first concert of the year in New York in joint recital with Emilio de Gogorza, famous baritone. * % iIT seems appropriate that the final glimpse at Salzburg should be in the 11" Tlate evening dusk, hefore the facade of St. Peter's dome—the great ca- thedral on whose steps Mr. Reinhardt, with instinctive artistic feeling. has placed his | statues, of which St. Peter, holding in buildings and |is the most prominent. greet the visitor. ttle Mozart” | melodious greeting is extended by the mellow-toned organ, on which works | by Johann Sebastian Bach and other master writers for this players of the famous old miracle play. “Everyman.” Heroic his hand the keys to heaven's gates. Inside the cathedral a more strument |are played by a talented musician. It is inspirational to hear a concert | terpreter, but also by armonic Orchestra, itherc—-during_lht festival concerts are given from 10 to 12 in the morning ng two of his airs, | —ior the inspiration is provided not alone by the music played and the in- the attitude of rcal understandingness on the part of - | funds Clinton J, Brown, jv., after the young man played a saxophone solo. At the Winchester apple blossom festival in May. 1926, this organiza- tion, in competition with numerous bands, won second prize in the band | contest, first prize being won by a | professional band of adults that had vears, whereas some of the boys who played in the local band on that occa- sion had been members of the or- ganization for less than two months. Every effort is made on the part of the officers to furnish clean recrea- ‘ll(m and teach patriotism to these young musicians. The feature event in the history of the band was the recent trip to Ni- agara Falls. Seventy-eight boys and a nfimber of parents w The band was entertained by Frank X. Schwah, mayor of Buffalo, three days A concert was played at the J. N. Adams Memorial Hosplial at Perryshurg, N. Y., 40 miles from Buffalo. and the transportation was afforded through the courtesy of the mayor The hoys also plaved at the Buffalo- Baltimore base ball game and were accorded enthusiastic applause. manager at Crystal Beach, Omtar Canada, and they played their fi concert on foreign seil. A pleasant stay was_afforded the boys at Fort Niagara, N. Y., through the courtesy of Col. Ingram, com manding officer of that post. Col. In- gram was enthusiastic over the ap- pearance and musical ability of these boys. 7 Ort their return from Buffalo a stop over was made at Philadetphia to give the boys an cpportunity of seeing the Sesquicentennial. | “This vacation was provided for by received for playing at car lawn fetes. etc.. and it wa corded any hoys' wrgani in the District of Columbia. The s cess of this outing was due, in a large measure. to the aplendid interest and | co-operation of J. J. Laughlin, city | passenger agent of the Raltimore and Ohio Raflroad, Syracuse Conductor LADIMIR SHAVITCH, conductor of the Syracuse Symphony Orches tra. returned from Kurope recently to begin his third season with that organization. He was a guest con ductor of the London Symphony Or chestra in the series with Weingart- ner. Furtwangler, Koussevitzky, Sir Thomas Beecham and Sir Edward Elgar. His reading of the “Faust Symphony,” with male chorus and Tudor Daws, the Welsh tenor, as soloist, resulted in an ovation, led by Sir George Henschel, who was i the audience. Mr. Shavitch also led the Pasdeloup Orchestra in Paris at the Mogador. There he gave Respighi's “The Pines of Rome,” followed by Strauss’ ‘Death and Transfiguration.” Among musicians present at this concert were Prokofieff, Messager, Godowsky, Koussivitzky. Yvette Guilbert, Tita Schipa and Rhene-Baton. Writes New Song been organized for .more than 25| Honored Abroad ! ve in the party, | Bruno Zwintscher, for ' They were also guests of Carl Hayes, | ¢ the largest and, finest outing | | the management of the Auditorium to | concerning the Summer music of the | HAMLINE for seats for the Philadelphia Orches- | tra series of “ve concerts to be given | on Tuesday afternoons, October 26, November 23, January 18, March 1 and March 29. T. Arthur Smith has arranged with Poeme”_(Ojar prize. 10 The music section of the Arts Club of Washington will celebrate the | opening of the music season with a ecial program following dinner at o'clock next Thursday evening. Helen Fetter will give a few’ remarks | past season in Europe. and plano selections will be played by Frances Gutelius. extend the division curtain back sev- eral rows, permitting a much larger capacity on the floor, to meet the de-| Miss Gutelius' numbers will include mand for $10 season tickets. |in the first group: ‘Prelude in E The balcony reservations for $10 | Minor” (Mendelssohn). “Intermezzo in i - 3 Major” (Brahms), and “Un Sostiro™ and $7.50 seats are now practically | (Liszt): second group, “Prelude” | gone, but the extra large allotment | (Blanchet), “Etude” (Arensky) and| of §5 tickets in the balcony will en-|"Fountain of the Aqua Paola” able the many who were turned away | | (Griffes). 6 retota Ace ity Lol A1ERAN VHESR) e e e e e department Arts , wil concerts. Tickets are now being sold Sids MER ORI &N eTC AT at the Concert Bureau, 1330 G street preside. northwest, in Kitt's Music House. Ruby Smith Stahl returned to her G. Ledig, W. E. Braithwaite, Ray mond G. Moore and John C. Smith opened its Fall activities with a varied program at a dinner of the Washinz ton Chamber of Commerce Tuesda evening at the Congressional Countr Club. Tomorrow night the quarte assisted by Alice Sigworth Mors reader, will entertain the B. B. Frenc Lodge at the Masonic Temple. Jerome Willlams, planist, announc: the opening of his new studio Dupont cirele for the coming s son. Mr. Willlams is teaching limited number of students Eva. Whitford Lovette, mezzo.-= prano, planist and teacher, will retur to Washington Wednesday and ope her studios at 1731 Connecticut av nue, preparatory to starting her so: son’s work October 1. Mrs. Lovett (Continued on Eleventh Page.) STUDIOS SOPHOCLES T. PAPAS Teacher of Fretted Instruments. 1 Conn._Ave A\ MASTER VOCAL TEACHE N. Y. ay BeThere Ot - tor soeral dure. VAN ne infarsstod Narth 1921, Ant. INT LEAVITT D HARMONY sing ANO., Coa .96 _Eleventh ment_53 S B | BEATRICE CUNRADI 10 17th st ne. Phone Potomac | PR | Teacher of Piano and Harmony Studio 2 _Telephone Main 3313 BESSIE N. WILD Volce Culture. Piano and Harmon, Studio. 6821 Bth t.. Takoma Park. s (= _Phone_Adama_ 5540 _SAXOPHONE ano, Tenor Bavjo. Guitar. Drums, Ete. In 10 to 20 Lessons | | [ codpecial Fall course. $12 for 10 lessons. | | write or ookl | lenmame e oni b i T MRS, HAMILTO —pypil Xaver Scharwenka. B Leipziz: piano lessons reasonable: beginners or advanced pupils graded Address 1 531-W. | MARIE C. DEAL Dramatic Soprano Vocal Teaching . 816 HSt.N.E. Lincoln 8200 . SCUDO-RAGLAND Concert Pianist * PIANO PUPILS Honor Graduate of Roval Comservatory of . ; L _d ASHINGTON JEROME WILLIAMS TEACHER OF PIANO 1 [ OLD_ i ITALIAN | METHOD ar. Mme. Lucia Borderl, Teacher Diploma-graduate and formerly assistant 1o Lamperti. Ital Unexcelled voice huilding Studio, 24 1%ih n.w. For booklet Ph. M HELEN CORBIN HEINL Teacher and Concert Pianist 2400 _California St. North_3800. * Leipzig (diploma) Letchestesky Method Cleve. Park Home Stu; 30 Highland P1. | one Cleve 6 r ~ KATHRYN JEAN | Studios Established 1804 TENOR-BANJO. MANDOL CUITAR, HAWATAN 61 AND UKULEL gnsemble vractice with ica Cliba Sole agency for the famous Bacon banjos | «ndStahl mandolins and guita; PHONE COL. 046. 1801 COLUMBIA RD ,M-aCNEA..L |KARL HOLER ianist an eacher COMPOSER-TEACHER ! 1913 Eye St. NW. v soiniing] | Franklin 3718 J bR HELEN WARE Internationally Known Vie Starts her fourth weason of teachi Washington, October Tut. Studio 1121 Harvard St. N.W. Telephone Columbia 8899-4. W. G. OWST Late Head of the Harmony and Composition Departmen Wash. College of Music nnd BENJAMIN RATNER Formerly of the Piano Faculty Will Accept a Limited Number of Pupils at Their Studio 805 O St. N.W. For appointment call North 7168, . TAR | 2222222277772, “An Established OF A serious institution. of over thirty-five. Dormitory fa servatory of Music. Graded Courses Main 7858 22T 777200, L L 2 22T T2 T 7 27l School of Music | Hamline M. E. Church 16th Street at Allison Voice—Piano—Harmony John H. Marville Organ—Edith B. Athey Free practice accommodations for voice and piano pupils Col. 818 KING-SMITH STUDIOS 1751 New Hampshire Ave. Voice—AUGUST KING-SMITH. Piano~EMMANUEL WAD, Including Prep FALL TERM PIANO Dovatny MeCastes Mart e 2 by McCadley Ma S Fthel Hicks Ethel Payne European Lines” WASHINGTON CONSERVATORY 1408 New Hampshire Ave. Adjoining No. 1 Dupont Circle No student teachers. Ten years in present building. notable music instiuctors have been or are Students’ Orchestra 2 2 e P00 —_— T s | DA S S A A A e T T TR R 2 S Washington College of Music, Inc. Seventeenth Street at Pa. Ave. Elementary and advanced courses leading to CERTIFICATES—DIPLOMAS—DEGREES FACULTY VIOLIN E. Christiani wuerite Carter Henry Christiani EVA WHITFORD LOVETTE The Art of Singing Classes Resumed Lovette Studios 1731 Connecticut Ave. N.W. October 1 _For Appointments Phane N. 7015 Mrs. Elizabeth Carpenter Teacher of Piano Certificate Peahady Raltimore. Teachers’ Conservate . Pupil of Ernest Hutcheson, New York Thorough Individual Training for Rezinne and Advance Students. Phone Columbia 8632-W. Residence-Studio 1816 Kilbourne Place Northwest. 2772772 2RO T T 2 ZZTT 7777 77, Conservatory on MUSIC Augmented faculty The majority of Washington's connected with the Con- in All Branches Now Open - I R T P27 Z % aratory School Franklin 4491 NOW OPEN PUBLIC SCHOOL MUSIC Fdwin N. C. Barnes Evel; Bu B Nyl the audience that fills the elaborately carved pews in that huge cathedrai They are simple folk for the most part. In one way it seems really for- tunate that many of the typical tourists have not included Salzburg so far in their itmerary. Many of the men and women from the Alpine counir: wear the queer abbreviated costumes and hob-nailed boots necessary tc conquer the paths in the original land of “hiking.” Others in the audience have come in simple dress, on their way to or from market, and not a few | have brought little children, who are quietly attentive and seem instinctive- 1y to know how to behave and why. Then, at high noon, when the great hell rings the hoar, the tall doors are thrown open and the pecople turn from the,organ music hour into the streets, to pursue their daily duties again. At niaht the hugh arches of the square hefore the cathedral hecome mysterious in the bl cloaks of shadows that wa'k the cabbled pavements in lonzer and longer sivides. untd the moen annhilates tham with ber ox.ching spotlight high in the hcavens above even the giant fortress schloss, to which the odd little finicula gives access. EDITH DAWKIN'S, TON. Violin—HELEN WARE. Dancing—PAUL T CH E RNIK- OFF, ELIZABETH GARD- INER. (Private Studios) Languagcs—Native Teachers. Dramatic Art— CAROLINE McKINLEY Mrsic and Dancing— Fletcher Music Mathod Write for Volder aud Rates Teleplione N wta luon KARL HOLER, ‘Washington composer, has just had ! a mew song, “Triumph of the Dance,” | accepted for publication by a leading music house of New York. The song | was written especially for a chorus of | women’s voices amd ix dedicated t ythe Chaminade Glee CTub and iis 4 | rector, Miss Esther Linkins, 1t will be featured on the eclub's programs this | seasuidy GENEVIEVE WESTER- |fi MAN, ELIZABETH WINS. |f | B. Athey HARP Viola Taubert Abrams Fritz Malle | VOICE Hugh R Togh Rowland Roberts Barbara Ca Savona Peters Griest Elizabeth Stewart HISTORY OF MUSIC EAR TRAINING Fanny A. Roberts PEDAGOGY Marguerite Cart ACCOMPANYING v Becker—Durrns Williams Write or Phoie for 19 Yearbook Tamara Dm! Emille Mann Burrus Willias CELLO Ludwig Manoly HARMONY Faony Amstutz Roberts ORGAN Lewin C. Atwater LANGUAGES Marey B. Humphrey Margarette Root Zahler CORNET AND BRASS L. 7. Phillips ORCHESTRAL RE. ING €. K. Christiuni N N N R N S R R A A A A S s AR SRR A R R A X " o M T T R LT T LT CERN TR T R T R TR RO E RN U T U RRYRY i