Evening Star Newspaper, March 7, 1926, Page 61

THE SUNDAY DOROTHY = MACKAILT ~ Central News and Comment By W.H. Landvoryt. With a vengeanee during the week in the screen pro- Wa son of the patriarch who longed for the bright lights of the big aw them, with results that have pursued the notion even Whether vouth remains a problem. and It ABYLON duction of “The erer.” a reminder of the Rible story of the city, ane into the present day. did not Colleen the heart the of moderr At any cheek of enthusiasm rate, it rosy that Youth scems to have no time just now has been always will, no doubt. create flashing eve the Moore's * for And yet none can sa Irenc™ call serious ¢ n always 0 joy at the end of rainhow will not leave a memory that will spring to airpose. “The Big Parade,” that is still fresh in the mind. True, it had its ss and comedy, but its great force was its pic and heartaches of war. “Behind the Front” those who had been thrilled by its predecessor cartily. for the picture was made for laughter only son of “The Big Parade”? 1t is doubtful. “Stella mbered rather for Mary Philbin than for its Locke rry-Go-Round,” the little actress left an impress that her own. And so the week's output of picture It entertained—all that was expected of it. * * Memory Lane, Mothers,” with doubted as an improvement upon the play “His Jazz Bride.” which ought to prove a cus.” It is a strange assortment of titles, lies behind them. “A rose by any o eht e *but one takes chances on the names Such is the spirit of eccentricity that inspires the creation Tags do not always tell the truth—at least not the whole life later and ‘serve a good rid W d horrors of the W ts of light-hear story of the wed mo: quic laughed But does Maris Asiin M makes “Stella Man SonEnaan very comes and goes. D rin “Dancing hat 1 he the Devil’s € ay The ay calamity that ma what 1 as swe * %k | George Arli distinguished 3 in the bhe- radio nor the moving picture can ever take the ) represents an art complete. of which the photo- hd t the literature. But when yment of the masses it is doubtful if the radio play to match the charm of the movie. Not cven the theater <eems to he doing that. This is due not entirely to the fact that the sight invariahly i< attention and makes a deeper impression upon ind than the because the theater commands attention ongh and the ear. But the movie of today in the of 1finitely more than the theater could ever hope to offer « confines of the stage. Its scope in back- ground the the elements and their stupendous ef- fects ar hereas the stage is limited to artificial semblanc W EW I disagree lief hak wi wi . the T neither of the Theate v the place ] o play con car itsels & comman the 1se of hearing e the eye * of speech and perhaps the charm of | age of its own that is comprehensible to ture drama the charm of ctacle of the laggard mind with a_satisfy- he intellectuals, as a matter of course, ness and completion. But the masses me degree. And the movie has not intellectual and dallard. It is this o potent with humanity. It has a peculiar for the same picture will appeal to people of all grades A\l Tanguages. of ali races, making its pifrpose and its lesson | yie, even without the aid of speech. And there is this to be have thoughts and ideas are not able always to | mere language. Many emotions are felt that | n words, even to the most cultured | Wk ok Arliss’ recent discussion of the dramatic art of the radio play Dr 1 spite of its interesting specu- ed not aker nor the picture fan. The mov makes it a strong contender for supremacy with the theat 1 1, it may well be added. the movie's es- d of entertainment and its very virility de- ation by its makers at all times. ool kbl NASMUCH as Michael Arlen, with the abifity and the polish that Eng- lich ed 1o the humble product of an Armenian village, the movie for some time to come, picture 1terest in the stage presentation this week Washington. Tt will afford the opportunity of the methods of the stage producer with those of the make work of the same author. Mr. Arlen has risen from verty to affluence through the product of his mind, and it is a product that has found favor with latter-day audiences. It;might be we to become familiar with it of the powe HII he dul trent makes demand th failed fact i charm al understanda remembered adequately are difficult to express O that bef lations is here to <ta even tablished mand the most Mr is to he fans of 1 compa con. at presenting NOTHER finht » opera not con vet “La B tion pictu i From it supplant with genuity of the movie maker came to King Vidor's screen production of Puccini's grand given to the world. Puccini’'s publishers would | of his "immortal music” with a movie. And | music might scem a good deal like “Hamlet” | ing. Mr. Sherwood, however. in his mo- to be found elsewhere in these columns, says was found.” Mr. Sherwood's story tells the rest that the genius of the studio has undertaken to < that created the libretto of the grand opera also— ¢ hecoming far too common in the moving picture at- acknowledged masterpieces. Perhaps theré is too | who knows? Or perhaps producers are keep- ought to be permitted to flash in their mmon rivalry. One never can tell. The pain is felt; | As the old spiritual says, “All them that | to Heaven,” and, by the same token, all those | prove hlished literature are not competent to do it. * ok ok % I\ will he grat » the discriminating admirers of Yorma Shearer, one of the real heauties of the tcreen, as well as one of the rare beau- to have a talent for dramatic expression, to learn that | Metro-Goldwyn-Mayer, which also has a “vice president in charge of pro- dactior t like Famous Players-Lasky, has taken a lengthy option on Per services as a gicture siar, inasmuch as Mr. Louis B. Mayer, the “vice president i d her less than two veurs ago and believes he deve a person (probably a player) of “considerable La was Dan yday e mig esnlte ARat. ax th much genins in ing lights ndu own lanterns and the = talk ab, hit 1t He. ing ties eem has Jumino o Bobbed Hai SOWNE of things with i Melody mania James ¥ oped | into r for Movies. | More Realism. (GFORGE K. ARTHUR, the English | actor and a member of the cast of “Kiki,” Norma Talmadge's new picture, recently had to rehearse a for bobbed hair," declares | “knock-down, drag-out” fight with tzatrick. the producer. | the st He plays the role of | “I cannot understand why voung | Adolphe, valet de chambre to a Paris ladies who aspire to anything in the | theater manager, played by Ronald art of motion pictures will so willfully | Colman. eliminate one of the greatest assets| At first George was reluctant to fhat was ever allowed to the natural | “fight a lady.” but Director Clarence adornment of woman. When a girl | Brown assured him that Miss Tal- bobs her hair in this business she au- | madge, who portrays a Paris street tomatically classifies herself as a | gamin ‘bobbed hair type.' thereby limiting | ts herself to one characterization. It is difficult to associate bohbed hair with any other generation than this ohe the most exasp that 1 have he production of my series of Pathe pictures is the ating combat Famous e care of herself. Norma, entreated by Brown to for- get evervthing except that she was | living the part of a bugnacious “Of course, my criticism of hohbed | French girl, went at Az tooth and hair is entirely a professional one.| nail. \When the scene ended both What the modern young ladies may do | Arthur and the set were a wreck. the lesson of the story sank deeply into | 1at the romantic failure of the prodigal son to find | wonderful | | the. and all-around spitfire, could | Metropolitax | | The Moving Picture By Robert E. Sherwood exceedingly dressy little Em- | ssy Theater, in New York, | opened doors last week for the | world of King Vidor's pro- | duction of *“La Boheme,” with Lillian | Gish and John Gilbert in the stellar | positions. For the occasion a night audience turned out and the entrance to the theater, as usual, was bhlocked hy an excited mob of people who had come to feast their eyes on the celebrities. Ticket holders were compelled to force their way through these stalwart lines of defense, and more ‘than one orchid was crushed in the scufile John Gilbert was there, with Norma Shearer and Richard Dix. When the orchestra burst forth into the over. ture, 1 saw Mr. Dix lean over and shake Mr. Gilbert's hand: just what words accompanied this fraternal clagp T do not know, but i afe to assume that the ph e “hest of luck" came in somewhere Mae M ryv also present, as were Hope Hampton, Adolph Zuker, Samnel Goldwyn, Aileen Pringle, King | Vidor. Fleanor Boardman, Maver Walker, Gertrude Olmstead and prob | ably a great many other notabhles whom 1 did not happen to see. Not the least | conspicubus of the spectators was Mary Lewi: the voung American <oprano who recently made her debut A e e Opera House, Those who attended this movie opening expecting to hear Puccini’s score as accompaniment for the picture were dbomed to disappoint ment, The publishers who control the Puccini copyrizhts had withheld permission to use the music of “La Roheme”" in conjunction with the film, on the grounds that it might preju dice popularity of the opera itself. A satisfactory substitute was found. its premiere typical first is After the zeneral hullabaloo con- nected with the arrival of the audi ence had subsided, and when the cash coustomers had finally managed to struzgle to their seats, the picture itself burst forth from the profection machines, accompained by flurries of polite applause Gradually, as dense cloud of horedon settled over the generally festive scene, and long befort the unfortunate Mimi had coughed her last the realization dawned that another pretentious effort had flopped in its tracks. Viewed with all the most impartia muster, “La Boheme" ified as other than a falure. Equipped with a cast that fncludes such re. eformers as Lillian Gish, John Renee Adoree, Karl s toy D'Arcy and Edward Everett Horton (ali of whom have achieved outstanding preformances in their time), and directed by so expert craftsman Aas King Vidor, Hoheme" still manages to be almost painfully dull. Mr. Vidor has tried to emphasize the romantic aspect of the story to such an extent that his characters never, hy any chance, behave like legitimate human beings. Even his bhackgrounds are frankly unreal. Perhaps this method of treatment was sound in theory, but in practice it fails to come off. The romance of “La Boheme' appears phoney as its_scenery. There are moments when Miss Gish justifies reputation as the first tolerance that witness can cannot be class- |actress of the screen; there are other moments when she is downright ham. Mr. Gilbert, whose work in “The Merry Widow" and “The Big Parade’ was so flashily brilliant, is away off form in “La Boheme.” He I too strenuous, too blatantly emotfonal, to be convincing. Of the rest, manages to reputation. The producers of “La Boheme” have conrageously retained the unhappy ending. but that really makes little dif- ference. Fven with a happy ending it would still be a pretty dreary affair. Adoree previous Renee her only substain In passing I should like to utter a word for the previous tenant of the Em. hassy Theater, “The Merry Widow which opened that pretentious play house last September and remained there for some 300 performances. I saw “The Merry Widow" the night it opened, and again the night it closed, and- it remains one of the most thor- oughly delightful pictures fn my mem- ory Incidentally, it has meant a great deal to those who were most actively engaged in its produetion First of all, “The Merry Widow” saved Erich von Stroheim from the ash heap, toward which he had been head- ing since his disastrous experience with reed.” Metro-Goldwyn, his previous employers, had fired him and no other producer cared to give him a job. But the enormous success of “The Merry Widow” has restored his prestige and he is now about to prat duce two pictures for Famous Players. Widow” was similarly to Mae Murray, who had | been fading <o materially as a_popular |star that she had even decided to give up her career in this country entirel and go to work in Germany. Miss Murray has now signed a new contract with Metro-Goldwyn. As for John Gilbert, his performance as Prince Danilo in “The Merry | Widow |in his life. It caused him to be se- | bero in “The Biz Parade” and boosted him automatically to stardom. I have heard from many people who disagree violently with my favorable in other walks of life doesn't concern | Norma also had three black circles me. T merely wish to warn any as- | under one eye that did not come from pirants to the movies.” late hours! opinion of “The Merry Widow," but these protests cannot impel me to re. vise my original verdict. This picture, the reels unwound, a | presented the turning point | [lected for the important part of the ! | NORMA SHEARER Colurbia Ambassador™ STAR, WASHINGTO. photoplays COLUMBIA—"The Devil's Circus. ning. METROPOLITAN. evening. PALACE—"Dancing Mothers.” RIALTO—"His Jazz Bride.” TIVOLI—“The American Venus. AMBASSADOR—"Memory Lane. ning. CENTRAL—"Wages for Wive LINCOLN (Colored)—"Joanna.” “Memory METROPOLITAN—"Memor At Crandall's Metropolitan Theater this week, beginning this afternoon, the principal screen attraction will be John M. Stahl's picturization of his own story, “Memory Lane,” with Eleanor Boardman and Conrad Nagel in leading roles. The added feature will be Jack Smith, famous recording artist, known as the ‘“‘whispering baritone’; a_ Fox dramalet of the “Helen and Warren™ series, “A Bus ness Engagement,” the Metropolitan World Survey and a musical progr by the Metropolitan Symphony. “Memory Lane" is the story of beautiful girl wooed by two suitors, one of whom she loves more than the other, but, by a perverse fate, he was the one who seemed to desert her, and so she wed the other. Learning of | this, the supposed renegade returns | entirely metamorphosed in appear- ance, dress-and speech into a_type, simply to disillusion her, to insure her happine: Jack Smith, the “whispering bari- tone,” a thing apart from the custom- ary stage vocalist, appears first at the plano as his own accompanist, and sings his own records simultaneously with their rendition on the new ortho- phonic talking machines, and finally, accompanied by the full ensemble of the Metropolitan Symphony, Mr. Breeskin, as a brief concert pre- lude, will play “Memory Lane," the popular ballad, and the interpretative orchestral score will suggest Victor Herbert's “'Sweethearts.” The exit march will be “A Cup of Coffee, a sandwich and You.” P to my way of thinking, constitutes ideal entertainment. Douglas Fairbanks and Mary Pick- ford, having completed “The Black Pirate” and “Sparrows,” are packing their trunks (of which they have sev- eral) for a European trip. Carl Laemmle has arrived at Uni. versal City, bringing with him Andre Mattoni. whom he describes as “the blond Valentino”—as though such a thing were possible. Recent arrivals in New York include Joseph M. Schenck and wife (Norma Norma Talmadge's picture, “Kig is about ready for release. Two “Charleston” films are now on the market, emphasizing again the | value of the motion picture as an adu- | cational medium. John Barrymore and Gloria Swan- son have lately signed with United | Artists. Miss Swanson's salary, ac- cording to report, will be $20,0i0 a week and a percentage of the profits on her pictures. . (Cooyrizht. 1926.) Lane.” Talmadge) and sister-in-law, Constance. ! This Week At the p}lotnplay Houses This Week. Shown this afternoon and eve- Shown this afternoon and Shown this afternoon and evening. Shown this afternoon and evening. Shown this afternoon and evening. Shown this afternoon and eve- hown this afternoon and evening Shown this afternoon and evening. COLUMBIA—"The Devil's Circus, Norma Shearer, the heautiful Metro. 3 en star, will be pictured “The Devil's Circus,” the first pro duction of the Danish dramatist and director, Benjamin Christianson, in America, at Loew's Columbia this week, starting this afternoon. The supporting cast includes Charles Em mett Mack, former D. W. Griffith player; Carmel Myers, John Miljan, Claire MeDowell and Joyee Coad “The Devil's Circus™ revolves about the search for love and happiness of a voung girl, who, seeking her mother ‘with a circus troupe, is protected and guarded by a pickpocket until his ar- rest leaves her at the mercy of a vil- lainous lion tamer and an unscrupu lous woman who loves him Miss Shearer is said to offer an ap- pealing and romantic characterization of the girl. A Juvenile comedy. “Sea Scamp: the International news reel, Brusilof" music and other features will round out the bill RIALTO—"H “His Jazz Bride,” starring Marie Prevost, which is the attraction at the Riaito this week, is a screen ver- sion of Beatrice Burton's newspaper serial, “The Flapper Wife The story concerns a stenographer who marries a young lawyer and pro ceeds to run him into debt hy follow ing the advice of a friend who urges her to win the first battle, keep hub- nose the grindstone and to treat herself Juxuriously In the course of events she moves along at e, almost wrecks and only realizes her folly when she is nearly drowned after a mad party on a yacht Matt Moore, John Patrick, Julienne Scotf, George Irving, Alvarado, Margaret Seddon, Dunbar and Gayne Whitman plete the cast. The stage presentation features Peck-Mills Jazz Orchestra, playing the newest syncopated selections, and Kate Smith, Washington's singer of “hot hits,” in vocal numbers. “Artist’s Life” Wiltz (Strauss) is the overture, by the Rialto Concert Or- *hes'ra, Mischa Guterson conducting, azz Bride.” Mabel Don Helen com- bl o, " an Aesop Fable and the Interna. S, PALACE— Horbert Brenon’s sparkling screen (ous Broadway play by and Edmund Goulding | Mothers,” come to W Loew's Palace this afternoon ! week Forrest Halsey, who adapted ““Mme. Sans Gene,” “Monsieur Beaucaire’ and “Stage Struck,” also adapted “Dancing Mothers" to the screen. “Dancing Mothers" is a sophisticated comedy-drama of modern New York Edgar Selwy hington at ti.nal Newsreel complete the pro- and a Century comedy, “A¥s Trou- |Eugenia Ford, Frankie Darrow, Joan production for Paramount of the fam- | ning n |CHff Bowes “Dancing | Short for the |by the author. | | .Palace Magazine and LEwis S STONE TLincoln. Children's Program at Tivoli. AT the request of a number of the | juvenile patrons of the Saturday | morning selected programs at the | Tivoli Theater there will he a revival of Harold Lloyd’s “Hot Water” Sat- urday morning, March 13, at 10:15 o'clock. Severai additional short, sub- jects will lend unusual variety of entertainment Saturday, March 27, will he the | closing of this season of the selected programs. Rialto Symphony March 14. The Sunday Rialto symphony con- with an ensemble of 43 artis ed hy Mischa Guterson, will be inaugurated March 14 Carlson Hargrave will be the solo- ist. He is a pianist of splendid talent and technique and has concertized | ensively in Europe. He will play a major concerto of Liszt. The en- tire program, with the exception of the solo, will he devoted to compos tions of Richard Wagner. and its social whirl in which Alice Jovee appears as a youthful matron with a jazz-made flapper daughter and | a2 night-club-loving husband Unahle to win either aughter or husband from the lures of jazzmania, the mother decides to step out and is her- self swept into the vortex, suddenly awakening to find herself in love with the very man from whom she had tried to alienate the affections of her daughter, who is mpersonated hy Conway Teagle, and Clara Bow offers the part of Yhe daughte 1 Ralph Graves comedy. “Take Time.” the Pathe news reel, orchestral em the pro Your bellishment gram. will complete TIVOLI—"“The American Venus." Fay Lanphier, crowned “Miss Amer- ica” ‘at last season's beauty contest at Atlantic City, is featured in “The American Venus,” Paramount’s pro- duction, to be seen at Crandall’s oli Theater the first two day: i week. beginning this afternoon. Oth- ers in the cast are Esther Ralston Ford Sterling, Edna May Oliver, Wil- liam B. Mack, Ernest Torrence and William Collier, jr. The story is an amusing one of the rivalry that exists between two heauty cream manufac- turers and the love affairs of the sec- ond generation. Hal Roach's “The Only Son,” the Pathe Review and mu- sical embellishment will complete the bill Tuesday and Wednesday will | shown Cecil B. De Mille's spectac version of the play, “The Road to Y, terday,” with a cast including Vera Reynolds, William Boyd, Joseph Schildkraut 2 Goudal, Julia Faye | and Trixie Friganza, together with an Aesop Fable; Thursday and Friday, Fifth Avenue” with Marguerite de 1a Motte and Ailan Forrest, aiso Mack Sennett’s “That Gosh-Darn Mort- and “Topics of the Day": Sat- v. Norman Kerry and Patsy Rut Miller in “Lorraine of the Lions, augmented by Alice Day in Sennett “Hotsy-Totsy” and at the matinee b The Scarlet Streak” No. 10. AMBASSADOR—"“Memory Lane.” Conrad Nagel, Eleanor Boardman, William _Haines, John Steppling. Standing, Dot Farley and Kate Price are in the cast in First National's pro- duction, “Memory Lane,” an original story by John M. Stahl, to be shown at Crandall's Ambassador Theater the first three davs of this week, begin this afternoon, together with in Don’t Stop, other | and pipe organ music. Lane,” which was directed | depicts the romantic experiences of two youths who loved | the same girl. Wednesday and Thursday, “Dance | Madness,” with Conrad Nagel, Claire | Windsor, Douglas Gilmore, Hedda Hopper_and_Marfo_Carillo, together X (Continwed on Fourth Page.)” reels Memory Lane has played steadily in stock | within,” Judge Ben B. Lindsey’s recipe | recently N\, Opens Eas ASTER MONDAY, April 5, will bring the opening of the second Summer season of the National Thea ter Players. « Coupled with this news is announc ment that Leneta Lane will return to resume the position of leading lady opening play will be Avery Hop- | « striking comedy, “The Alarm | " whose original cast boasted Blanche Ring, Bruce McRae, Marion Coakley, and other; | Since leaving Washington, Leneta | in New Orleans and in San Francisco. | he is now in the latter eity at the President Theater, hut will terminate this engagement to be on hand for RALSTON Tivoli ter Monday. the National formance. Miss Lane's marks another sincere effort to season the played here last Miss Lane, Kathryr Tierney and RBilly tracted to return The National's stock reminds patrons that tions can be made phone or personal tional. Last Summer hu it convenfent to reserve seats weekly, and the will be followed this Players' opening per as leading lad 1 step in the for the new nnel which Thus far Dorothy have con returr suceessf P Givney Phelps same management season reserva by ma at the dreds Na found same same pract now Filmog’rams ARY PHILBIN is to star in ““Romeo and Juliet” for Universal M The Paramount Theater. now under construction in New York in Times Square, will have a “Stone Hall of Nations.” emhodying stones from 32 forejgn nations Constance Talmadge's next picture will he called “The Duchess From Buf. falo.” William_De Mille’s poetically picture, “The Flight to the Hill to be called just “The Runaway. titled s Ernst Lubitsch’s picture to follow “The Door Mat" is to be “Reveillon,’ with Monte Blue as its star, Now Doug_and_ Mary are abroad from New York April 3 Lya de Putti, the Hungarian actress who has just arrived in this country, = to have an important role in “The Sorrows of Satan.’ to sail Avery Hopwood's farce, “Naughty Cinderella,” has_been purchased by Famous Plavers.Lasky for Pola Negri, and Mal St. Clair is to direct its pro. duction, with Tom Moore in a leading ole Mabel Normand has been signed hy Hal Roach to appear in one comedy to bhe directed by Richard Wallace. “Three Nights of Don Juan" is he- | ing adapted by Clara Beranger for Hobart_Productions and for reiease by First National. An expedition to study the habits and to make motion pictures of Arctic | animals is announced by the American | Museum of Natural History and George Palmer Putnam. the publisher as its joint sponsors. It will sail from New York the latter part of June. George Bernard lured into the movies. Again he has refused, this time Harrv M. Warner, even refusing to see him hefore he left London. So savs Film Daily. aw is not to be Hollywood appears to he still hunt- ing for a real resemblance to Theodore Roosevelt Vilma Banky is to be pictured imme. diately with Rudolph Valentine in “A Son of Sheik.” then with Ronald Colman in “The Winning of Barbara Worth.” and then with Colman in “Beauty and the Reast.” Patsy Ruth Miller's new contract with Warner Bros. contemvlates the direction of one of her starring pie- tures by Ernst Lubitsch Rudolph Schildkraut placed under contract hy Mille. His first appearance under will be in “Young April.” Hur.” which is new being | shown in New York. Chicago. Thila- | adelphia and Bostdn, will not he shown elsewhere until next Fall “Daphne Grown Down" is to he a future production for Colleen Moore. has purchased the Be Good." | ¥ilm Daily, which appears to have canvassed the question, states that the average admission price to motion picture theaters, except in very large cities in first-run houses, is 30 cents has Cecil there. heen De | | “Ren First National rights to “Lady atalie Kingston, who In less than | two vears has gained screen recogni- | tion as a bheautiful woman, is a direet | descendant of Gen. M. G. Vallejo, the | first Governor of California. She ap. | pears in a blonde wig in “Wet Paint" | with Raymend Griffith. ah Reery—he’s the other Beery- has ah important role in Rex Beach's storv of the effects of repression, | “Padlocked.” Josephine D the laughable the. atrical hoarding house keeper of “The | Song and Dance Man." will be seer, in | a new role in Bebe Daniels’ “The Palm Beach 4 Gown scouts seeking to copy her | wardrobe actually frightened Mlle. Ar- lette Marchal, the French beauty re- cently brought from Paris to Holly wood to appear in Paramount pictures. \ gt Adolphe Menjou is said to be one of those raer birds who don't lose en- thusiasm with age. He gets as much of a thrill from each new picture | started as he did from his first. i a., Star gives the | movie credit for ing the first blow against the American saloon, for it gave a release from the world of reality and hecame the house of illu sion and rest. It is the people's insti- tution. The Orlando, F “Natural restraint that comes from for vouth, would help lots if adopted | by their elders of today. Strength of character beats all laws in preserving | American happines | Paramount was tempted to kidnap | when Crown Prince Paul of | Greece, 6 feet 6, blonde and an Oxford graduate. paid a visit to the-Long Is- lamd studio, his first to a motion pic- . N ture studio. hero he would make! What a movie Robert Edeson’s contract with Cecil De Mille has been renewed Anna pted Lambert Hillyer has sta on in “Miss Nobody from “Shebo,” the story of girl who hecomes a_hoho he near the one she loy actress had to shear adopt a he-garh for ed jer The bhlonde nd an her her role. Four Warner produc ched uled for release Little Irish Gir ture press,” “Other and “The Sap.” ions are s this nth-—*The Dolares Costello's he Honeymoon Ex Women's Husband has a The Rin-Tin-Tin, the screen do; thrilling fight with an eagle Night Cry,” his latest picture Leatrice Joy will star next for Cecil B. De Mille in “The Clinging Vine. an adaptation of the well known mu- al comedy * a suggestive title Toy Ex In “Eve's Leaves, by the way, Leatrice tomboy role in a pair garees, a annel shirt and a stock cap on her famous hob. There is mention of fig leave Paul Nicholson. Rod La Rocque in said to be the ce a motion pi American Mutosce graph companies. back ir with who appears Rachelor Brides fir ever to Cecil B. De Mille work in “Three Faces E. a star, for after the picture w the public ays Jetta Goudal's made her shown 1o fairly forced the Richard Wallace husiest directors graduated into screen of an undertaker ne of Hal Roach's i to have been from that work Vajda. noted now wr mount. | 1 a theater where he Hungarian ing sereen Ernest dramatist, who originals for Pa well he is planning to bui of his own in Los Angeles can produce and stage hi Remember? He the ata Morgana Gr Divoree.” and lat of “The Crown of Pola Negri's new pi and “The Cat's Pajamas,” for Betty Bron- son and Ricardo Cortez own play and ne Dix hed newspaper inamn Alyce Mills, pre tre who will be Richard “Take a Chance." world hy answerin for girls to take part logne in Pittshurgh ad wie pro- g the The Vigilantes the early We will be the thems of the next Fox ture of the old West, “The Wor Promise,” a story of the oper pie i of | the Indfan lands x “What its dir 11 cor In sereen Raoul Walsh Gen. Lejeune in a search to play the parts of soldiers, Capt. Flagg it men W Sergt. Quirt. Hollywor the santy balle No less than form the persor and spectacula of the ecirct Shearer’s “The Devil's Cire: headed by Norma § Myers, two of the on the silversheet 7. Leona ed Robert to annouy Sex Ol ment ntly \ ning probably he whether the bachelors, a waning A fasein New York has Director Herhert Mothers." Tt gives a pe of Broadway a night-clubs, transat Manhattan skyline and Greenwich vil beer it addition to the Crandall chain at seorgia avenue and Farragut sireet northwest, s nearing ¢ ra idly. ‘This theater seatir capacity of 200 on which forms part of a store house structure. wil the most beautiful of the 1all residential houses. Definite e ment of the formal oper he made in compar time Crandall's Col th a ind be one tanley-( Announcement that the | program for children will Crandall's Tivoli Theater has served to draw attentic fact that this has been the cessful year these programs, and supervised by Harr Locher, director of the publi and educational department Crandall Theaters, ever have date, the same may be said Americanization classes in vi al in- struction, conducted jointly w the Board of Education of the District, Maude Aiton, principal, with Mrs. Helen Kiernan actually in charge of the classes in the projection rnom of Crandall’s Metropolitan Theater. arch st Nues devised Hawley tHe To the of had of