Evening Star Newspaper, March 7, 1926, Page 60

AMUSEMENTS.’ i VER since his first appearance in New York, In November, 1913, Cyril Maude has been assured of the favor and aftection of the American public. He has heen a frequent and almost continuous visitor to these shores, and the announcement of his retirement at the end of the season will be received with regret. Mr. Maude no desire to lag sur- plus on the stage, and he looks for- ward to the life of a country gentle- man with the greatest satisfaction. Cyril Maude is the great-grandson of Sir Cornwallis Maude, the first Viscount Hawarden His grand- father was the Hon. Francis Maude, R. N., and_his father was Capt. Charles H. Maude, an army officer, while his mother's father was an earl. As a youth he had the desire to become an actor and studied with the best teachers with that end in view but il heaith compelled him to go to Canada. At the age of 20 the English made his debut on the stage at ver, Colo.. as the servant in Lynne” with the Daniel E. mann ‘company in 1884 Two vears iater Mr. first nce in London as in “The Great Divorce * and played with the usual lack of luck of the heginner until he made quite a hit the Duke of Courtland in “Racing,” in 1887. He again scored & few months later as Austin Wood- ville in “Handfast.” He joined Sir lad sast Band Maude Charles Wyndham's support in November. 1588, as Cool in “London Assurance” and Sir Ben- jamin Backbite in “The School for Scandal As a member of Hen Arthur Jones company he played in a number of the plays of that ener getic dramatist, and 10 yvears after his Denver debut Cyril Maude hecame town talk by his masterly perform- ance of Cayley Drummie in “The Sec. ond Mrs. Tanqueray.” Success has followed him ever since. In 1896 Maude entered into nership with Frederic Harrison, and their association at the historic Hay- market Theater lasted for nine vears. which are numbered as among the most brilliant of the London stage He introduced Barrie a dr tist with part- as ma and | present | den- | made An Eventful Career. one of his greatest successes was in “The Second in Command,” by Capt. Robert Marshall. Maude played “Un |der the Red Robe,” “Reauty and the Barge,” ‘“Cousin Kate” and many other plays familiar to American au- diences, Acquiring the Avenue Theater for | himeelf, Mr. Maude made over the | house to fit his ideas of what a thea- | ter should he, and just as the altera- | tions were completed they roof of the adjoining Charing Cross Railway Sta- tion collapsed and , wrecked his theater. An early adjustment with the rail- way company enabled Mr. Maude to inaugurate his new venture under the name of The Playhouse in January, 1907. Here he ‘played “The Flag Lieutenant,” “The Earl of Paw- | tucket,” ““Tantalizing Tomm: and “Pomander Walk." Before sailing for New York on his first trip to America, Mr. Maude produced a new play in | Glasgow for a weex's trial. This was | the famous “Grumpy,” which a_few weeks later established Mr. Maude as an actor in the United States for all time, and by which he will best be remembered in this country. During the last 12 years he has | played in the United States even more than in London, and in 1917-18 he toured Australia. On his return here he was seen in “The Saving Grace,” and during the last two seasons he played Frederick Lonsdale’s comedy “Aren't We AllI?" Mr. Maude's favorite role is not Grumpy. but Sir Peter Teazle in “The | School for Scandal.” He has been par- tial 1o the English classic comedies |and he plaved them in his London theaters with great zest and personal pleasure. | + He married Winifred Emory, daugh- ter of a long line of eminent English actors, and she played with her hus. band for many vears. She died ahout 18 months ago. His daughter Marjorie | married Joseph Warren Burden of | New York C'ity, and Mr. Maude boasts | of two sturdy American grandchil dren. There is another daughter, Pa- mela, while Mr. Maude's only son, | John. is a London barrister. On h | retiement from the stage Cyril | Maude will make his home at | 1ap,” his picturesque estate south of England. in Laemmle Annlversary INCE all the world seems to be included in the celebration of Carl| his pic Laemmle's twentieth anniversary, accomplishments in the moving ture husiness may he of interest. It is said to be doubtfu] if any man in the motion picture business has more friends and less enemies, but that doesn’t_make for moving picture his tory. The strange thing is that a man of such wide and genuine friend ships should have heen the focal point about which so many battles of the moving picture business have been fought Among the hundreds and hundreds of testimonials and expressions of con- gratulations which Mr. Laemmle heen recefving, one of the most re- markable is an entire issue of the Film Daity (which is called “the Bradstreet of Filmdom"), devoted to the life and accomplishments of Carl Laemmle, and issued on the very date of the anniversary which the entire Industry seems to be celebrating. It consists ¢ over two hundred pages devoted ex clusively to Carl Laemmle, his start in iness, his stormy and em! carveer and the place he occupies the international film world today One of the most interesting pages in that book is the reproduction of letter from the > iopal Poard of view, from which the following para graph is quoted as heing siznificant Fou alone, among the present heads of the great producing and dis tributing companies, remain as_one | who directed a company showing films | to the hoard at that time—a decade and a half ago. When recalling that of all those who in the heginning were identified with motion pictures and their development. you personally and as the head of Universal have so signally endured the many changes and vicissitudes that have taken place | in the industry, the pleasant knowl edge is borne in upon us that you have reached that solid ground, in this new day in motion pictures. that = only attained as a result of charac ter, vision and courage.” ttled | in| | Laemmle started in the film busi ness hecause he was unable to climb any higher in the mercantile husiness |in ‘which he had been engaged for 11 vears. On February 1908, he opened his first moving picture thea- ter in Chicago. It called the White Front. 8o successful was this that within several months he had a | small string of theaters But Laemmle was never one to he satisfied with things as they were. To bim standing still was going back- ward. In order to progress any fur ther it became necessary to go into the exchange business. The same thing happened over again in that line, and the very necessity of prog- ress made it necessary for him to be- come a producer of moving pictures in order to supply his exchanges, and through them the theaters, Every step of his way was carved out of the stiffest kind of opposition, arried on with the abandoned and law less forces which has been of almost every new rt. In 1912 Larmmle combined with other independent manufacturers in the formation of the Universal Film nufacturing Company. This name " “was chosen because looking out of a window at saw it on the Laemmle, a psychological moment, wagon of the Universal Pipe Fitting | Company. It fitted. Eventually the idea of manufacturing hecame disso | ciated in the minds of the industry with production, and the company changed its name to the Universal Pletures Corporation. days the idea of manufacturing plc | tures was so essential that it was in corporated in the names of a number of companies. It is rather interesting to note how in 14 years the company has grown | from a struggling concern, hardly able to pay its first annual dividend, to one whose statement, issued last week, showed it did a business of over $24, 000,000 during 1925. Important HE task of photographing the blue eves of an actress to make them appear other than f= a problem that has long haffled the optical engineers of the pictur stu dlos No actress has suffered more from this technical defect of photo- play production than Norma Shearer, whose appealing violet eves the words of studio executive, have been really the publie. It has remained, for Ren- jamin Christianson, Dan- ish screen dramatist to solve much of troubles on the Amy an picture, “"With the help df Ben Reynolds, one of the high-ranking camera men on the West coast, it is claimed, Chris. tianson developed # new esquely ever one seen by however, the famous and director, Shearer's in his Devil's first Miss reen The whife | L in | Clr- | type of light | Discovery. filter which is said to he a variation lof the magenta shade, previously used | with some success in overcoming the tendenc of blue to photograph as white. Its exact composition is kept | meeret, but the realistic effects of fts use are sald to be startling. | Christianson explains that blue ob- | jects possess an even greater actinic ue than white. It is the actinic | property of light which impresses it- self or burns itself into the silver { emulsion of all photographic film. | Colors of high actinie value naturally register very dark on the negative | ilm and when printed, appear very | lizht or white. It is to reduce the actinie value of hlue helow that of | white which has long engrossed the attention of studio eptical engineers, and Christianson is credited with the greatest advance so far in solving the difficulty Mammoth New Studlos. IRST NATIONAL PICTURES has announced the purchase of a tract acres on which will he erected cost of £1.500000 the finest studio in the world Next June the First National stars and players will all be comfortably “hungalowed” within the walls of the new film plant The new studios will house eight of the world's higgest Inclosed stages. Other ftems will Include a water tower electrically illuminated that can he seen for 20 miles, trackless trains to haul workers. plavers and propertles, a swimming pool in which a battle he. tween two shipe can he staged and which will hold any type of explo. sive. The finest restaurant In the West is also scheduled for a secluded part of the hiz plot of land. and a corps of landscape gardeners has been engaged o lax out the gardens and flower beds, with hothouses to grow rare plants and ferns to he used dressing the sets of 75 at a equipped I A ACH Tt __Ciasses Mon.. Wed.. Fri.. & Priv. lesso) 1600 F M 11 10th st. n.w by l!‘flfl”\lm’"l Fr. 8567 & l‘l PRIVATE DA firkfll\flktll ‘l' “(H;, T ‘n's‘nfk'r\' Hiltmora 8. Bhone Col: 2 CING single 993 Studin, DAVISON’S Teach you to dance cor- rectly in a_few lesson BOF MRS, firicty private-any hou 1320 M ST. N.W. Main 17 evening with Charleston, Foxtrot. Tango, Waltz. Conservatory NEW YORK -7 7 LESSONS VE ACH YOU TO DANCE Por arot, Walta: Tangor_Charieston D-A-N-C-E TONIGHT 30 to 12 Music, Excellent Dance Floor enna. Ave. and fth Street, \.) ¥el. Fr. 2766. Open Sundavs 0% orchestra, Danzon. 7 in | lass and dance Saturday | | Five powerful generators will help light the studio and heating will be regulated through an electric switch {hoard that will have contact with every corner of the area covering the studio buildings. Forty separate | buildings will rise on the property, | each resplendent in latest Spanish architecture and design. Wardrobe and properties covering | every period of history will he found |in the buildings erected for this pur- pose. Enough uniforms to dress any larmy and representing any nation will {be found on the racks. Hydraulic elevators will be installed in all build |ings and the telephone switchboard will have six expert operators on duty at all times and with 100 outgo. g and Incoming trunk lines for the wire communications. A special tele- graph station will be created on the studio grounds with a separate wire leading to all parts of the land. Streets will be paved throughout and all wir- ing will he underground In fact. the new First? National Studios will ba the finest equipped. most modern and largest in the entire world, it is claimed. . Fred Jackman, who has been direct- ing the pictures starring Rex. the won- derful horse, has purchased the animal from Hal Roach. STARTING TODAY ¢ FRENCH MODELS with THE LITTLE VENUS VIOLA ELLIOTT The Youngest, Prettiest Chorus In Burlesk POEEVD But in the old | | 1 understood THE SUNDAY STAR, WASHINGTON, LEAD! LADY RETURNS Harpis EWiNG Capital Side Shows MAYFLOWER GARDENS. ' Dance rhythms that twinkle with |8ions of the “Charleston;” the weekly on at the | ‘Pattle of music” Wednesday brin syncopation are the attraction a | the Swanee Syncopators in competi- rdens each evening by | tion with a Richmond aggregation, Mayflower Gardens Or- [ and the “juevnile revue” Thursday | will present a half-dozen clever chil- | dren in a smart little revue and singers and several unusual ver- Mayflower the Tupman chestra. At tea, dinner the gardens are entertaining of The daily tea lar the get, with prominent and supper sessions the scene of much | he informal variety \cos are in particu- | of the younger | and collegiates throng LE A collegiate promised at Le day evening on with dancing u versions of the PARADIS. three-ring circus is Paradis next Tues- | pllegiate night," a.m. to jazzed-up college songs, and specially drafted vaudeville acts will | feature comedy stunts, dances and | ditties, all in the collegiate manner. Harry Albert, director, with the Le Paradis Band: F ari, with his banjo. and Kolk, dancer- drummer, will provide specialties Tea dances are Et‘hfidnlmi for Wed- nesda rendezvous debutantes in the gay SWANEE. dance music is the magnet nights in the Syncopator of elect the Swanee hy the by Al Jazz tempo seven anee Kamons. Vaudeville night,” hooked for next Tuesday, will feature a group of Washington's brightest young dancers | With Warner Until 1927. OHN BARRYMORE'S screen serv ices are contracted for by Warner Bros. for 1926. This is contained in a statement from Warner Bros. in answer to inquiries following a print ed report that the star had signed | with another company. The full statement issued by Albert | Warner follows We are not aware that Mr. Barry- more has signed with any other com pany. So that exhibitors may not get the impression from reading printed reports that Mr. Barrymore has left Warner Bros., I would like it clearly that he is still with us and will remain with us until the completion of three special produc tions for which he has contracted. “The Beast.”” his first picture, is now playi hroughout the coun try; “Don Juan,” his second, iz com- pleted sufficiently to reach the editing stage, and it is of such magnitude that we expect to release it next sea son as a road show: his third picture is in preparation and Mr. Barrymore will be engaged in thaking it until early in the Summer. This also will be released first as a road production. “I would lfke to emphasize the state- ment that he will be seen this season only in pictures produced by our com- pan. Open Door policy in Films. THE oven déor policy of the mo- tion picture industry is one year old this month. And the first year has been a success Last March the committee on pub- lic relations, which was organized by Wil H. Hays shortly after he became president of the Motion Picture Pro- ducers and Distributors of America, developed into the department of pub- lic relations. All interested groups and individuals everywhere were in- vited to co-operate with the industry by offering helpful suggestions and constructive eriticism _The response has heen tremendous, EARI. CARROLL Presents The New York Cast and Original Pro- duction That Made the Play Famous. “WHITE CARGO” The Talk of Two Centinent The Vigorous and Exciting Drama. A Love Play of the Troples at weelk led according to Mr. Hays. The motion | picture industry, incidentally, it is pointed out, has gone farther than any other industry in enlisting the | co-operation of thoughtful groups H. D'Abadie D'Arrast, who served his directorial apprenticeship under Charles Chaplin during the making of “A Woman of Paris” and “The Gold Rush,” has signed a contract to direct for Metro-Goldwyn-Mayer. William Nigh, who, it is claimed, in the past 10 years has heen the chief reason why producers have insisted that it is possible to make good pic tures in the East, also has been an- nexed. JANET RICHARDS Morning at 10:40 Home and Foreign. Masonic Temple, h St. & N. Y. Ave. Admission, 65 Every Monday Publie Questions: ‘THEATER! wOMman Park Hotel LENTRANCE THROUGH HOTEL LG Thomas Herbert Stock Company Presents “Lulu Bett” Comedy in 3 Acts Week of March 7th Evenings, 8:30; Sat- urday Matinee, 2:30. Prices, $1.00 and $1.50; Matinee, 75c. Box Office phone, 1N Columbla 2000 Tonight :uumr Mat. Wed, l| L n e .50 Wed., March 17, 4: Grgene's Concert Bureau, reane's & Mumx ALL WEEK Except Sunday Matinees 2 P.M. Nights 8P.M. D. C, MARCH 17, 1926—PART 3. What a Director Says ERE seems to be no end to the conflicting appraisements by motion picture directors of what the function of the director in the studio, or on the lot, really is. “A director is a person who keeps actors from acting.” This paradoxical statement comes from John M. Stahl. film director- pfoducer, whose latet release for First National is “Memory Lane." According to Stahl, the ability to act is universal. But the most con- summate screen and stage stars do not act, the director maintains. They are natural. “The person who comes before a camera and uses a lot of gestures hurts his own performance,” says Stahl. “I have found,” however, “that most artists have a few little personal mechanics which they will use with- out rhyme or reason. If a director does not interfere they will do the same pieces of business over and over again. “It I8 the duty of a director to see that these gestures are eliminated e cept, of course, where they are essen- | tial to the action of the film “T recommend, however, ¢ training in the use of the eves. They are the most expressive features of the human body and without knowing it the audience is constantly watch- Ing the eyes of !hp actor: reful Preparing an English Story. AROLD GRIEVE, art director | with Marshall Neilan, is contem- | plating a brief trip to England in the interest of a coming Neflan pro- duction, a story of old England. The journey will cover a period of only | 8ix weeks and the art and technical | director will be back in his studio | office early in April. Grieve has been with erganization for the past During that time he has designed sets and costumes for “Tess of the D'Ubervilles,” “The Sporting \enus,” “The Skyrocket.” “Mike,” “The Great Love” and “Wild Oats Lane." He was loaned by Neilan to Metro-Gold- | wyn-Mayer and was sent hy that or- ganization to Rome to take charge | of the costumes on “Ben Hur, He was also loaned to Ernest Lubitsch and for him designed the sets for “Lady Windemere's Fan." the Neilan | two years. Who has learned the secret of perpet Wor;13n's Nig}\t Court. T#© Woman's Night Court, one of the most interesting | stitutions in New York and only | abandoned within the past few vea 1s brought to attention again in Ma hall Neilan's screen production, Wild Oats Lane.” The night court down in Tenth ave. nue went intn session at 7 p.m. and would last all through the night into the early hours of the morning. Here |arresting officers brought their vie | tims, perhaps taken in a raid on Lex 4 : " | ington avenue or picked up in the Nemirovitch-Dentchenke co-founder | iy oy the avente, Pitiful stories with Stanislavsky of the Moscow Art |PATK or on the avenie. T b Theater, has gathered together an ex- | wost SOr0ed O )_h,',,,;','.“ S iagene ecutive 'staff of distinguished musi ; cians in his development of the Musi- | cal Studio as a synthetic theater | Viadimir Lossky, assistant seur to Dantchenke, was formerly tector of the Great State Theater Moscow, the Russian Metropolitan. The two conductors of the M Studio orchestra, Viadimir Bakaleyni- | Koff and Constantin Shvodoff, are hoth | composers. Bakalevnikoff has con- | ducted the great ballet at the great | State Theater. Shvedoff still ma ‘ tains his position as professor of m ‘ | once Moscow Art “Carmencita” in- | Here March 22. HE Moscow Art Theater's Musical | Studio will bring its own orchestra conductors, musical directors and chorus masters for its Washington | engagement, that he, nh March 22 at Poli's Theafer with ~Carmencita and the Soldier,” a special version of | Bizet's ‘‘Carmen.” The director of the studio, Viadimir | ramas of life were enacted om hetween the hours dawn lin that court Tesle: |of 7 p.m. and | NEW YORK SYMPHONY ORCHESTRA Otto Klemperer, Guest Conductor POLIS—Tues.. March 16, 4:30 SOLOIST LAWRENCE TIBBETTS The chorus master. Yelena Skatkina, 5 enjovs a Furopean reputation In the | g, ritone, Met, Opera, =~ field of chorus training 1 3 it . w "al th¢ory at the Moscow Consery WASHINGTON OPERA CO. EDOUARD ALRION, General Director, LOHENGRIN MONDAY EVENING, MARCH 22, AT 8:15 WITH Presents INA BORUSAKAYA IVAN IVANTZOFF ANNA FITZIU PAUL ALTHOUSE SIGURD NILSS Orchestra of 60—Chorus of 120 Jacques Samossoud, Conductor Seats Tomorrow. 13th &' G- Maln 487 GAY ET NINTH NEAR F MAIN IMK) THE ORIGINAL With the Biggest and Best Array of Talent, Including Bernie Green David London Madeli WHITE & NOIR WHIRLWIND 4 WASHINGTON AUDITORIUM And Woodward & Lothrap (Vietroln Dept.) 2:15 - TWICE DAILY - 8:15 LADIES' CLUB THEATER "SLIDING" BILLY WATSON Little Anna Propp Alfaretta Symonds Frank Mallahan and a Rolls-Royce Chorus R A T T | LADIES’ MATINEE DAILY, 25¢ Nita Bernard Sylvia Noir Fred Ford NEXT WEEK—"LET'S GO." V2777777 77000 7 7 WE PLAY LOEW’S VAUDEVILLE STRAN] seanning TODAY A week A SUPER.PLEASING BILL WILLIE CREAGER and His ENTERTAINERS 10—Snappy Scintillating Syncopators—10 22 7 2 % Following the Longest Run _of Any Dramatic Play in New York. A Popularity Record 8 YEABS IN NEW YORK 2 YEARS IN LONDON 1 YEAR IN CHICAGO 1_SFASON _IN BOSTON arch 15th. Seats Thurs. AN 'EPOCHAL EVENT EARL CARROLL Presents COUNTESS CATHCART World's Most Famous International Figure in Her Own Dramatic Version “ASHES OF LOVE” A Truoe-to-Lite Romanee of Startling Frankness—A Superiative Alle Loglish Cast I»\\Hl\(:l}()N' AI‘UIIQRIU" 100—EXHIBITORS—100 Sensational Demonstrations FREE Souvenirs Nightly Entertainment Admission 28c tmi-CASPER & MORRISEY-0oi> In “Sugar” ECLAIR TWINS & BILLY WELLS ¥rom the Alhambra, Paris, and the Ambassador, Londoen, in “Mirth, Modes & Melodies” Aten war—HOWARD & BENNETT—sesnia PAUL NOLAN & cO. “Feminine Harmon. “The Jesting Swede" PHOTOPLAY—FIIST TIME SHOWN-3gg GI.ARA BOW & DONALD KEITH In a Thrilling, Melodramatic Romance “FREE TO LOVE” ALWAYS THE BEST FOR LESS Wi EDNA WALLACE HOPPER, AMUSEMENTS. Smnlleui Screen Player.’ H, BABY,” Al Lichtman's first production for Universal, will :hrlnl to the screen another new play- | er—Little Billy, a diminutive actor, | who is filmdom's tinfest star. Billy is known to the audience in most vaudevilla houses from coast to coast, as a headliner on Keith time for several seasons. He was born in | Lynn, Mass.. 25 vears ago, but after his eighth birthday forgot to grow any more. When he was 12 years of age he | went on the stage, where his engage | ments have covered a wide range of | work Including a role with George M Cohan, several musical comedy parts | and vaudeville tours. “Oh, Baby" tra. Rilly's adven |tures as a prize ficht manager who | consents to help his pal win a_for | tune by posing as his little daughter Featured with htm in the cast are Madge Jennedy, Creighton Hale | Flora Finch, Ethel Shannon and David Butler. New Faces in Pictures. FTEN it has been sald that youth wins out in the movies Marshall Neflan's production. “Wild Oats Lane,” seems to prove the ax- ception, for three of its leading roles |are depicted by men over 0. Twn are men new to the screen, who are making their initfal bows, while the third, a man over 80, has heen con | nected with pictures for more than | 15 years. George Barnum and John P. Mac Sweeney are the newcomers. Bar num is a recognized stage actor and | director and at one time directed a | stage production in which Marshall | Neilan, then an actor, appeared MacSweeney has heen on the stage | for years, and Robsrt Brower, the | third member of the trio, when the old Edeson Company first came intn being, was one of the first players engaged for the stock company. He has watched the great growth of the motion picture and has added his knowledge gained therehy to almost a half century of stage acting ABSOLUTELY FIREPROOF MAT. WED. NIGHT FARFWFLL AMERICAN APPEARANCE uth, at the Earle next week. Theater 1n W N xelusively Amer) AND SAT. CHARLES DILLINGHAM AND A. H. WOODS ANNOUNCE ENGLAND'S DISTINGUISHED COMEDIAN In the Hilarions Comady by Winchent Smith Sat. Mat., B0 to $2.50 Staged Fres. §$1 to $3: Wed. Mat., 50c to $2: Week Starting Next Sunday, March 14--Seats Thursday Mait Nights—Oreh., $3. Bal., 52 2nd_ Bal., $1.10. Wed Mat.—Orch. E $1.65." $1.10; Bal. 50c. Sat. Mat.—Orch., $2.35: $1.65. $1.10: 2nd Bal. Boc, | Fnclose aelf-addressed enveiope for return of tickets. A GUARANTEE OF 1,001 LAUGHS ED. WYNN - Perfect IN HIS SPECTACULAR MUSICAL “THE GRAB BAG” REVLE In Two Acta and 15 Gloom-Chasing Scencs BOOK, MUSIC AND STAGED BY LYRICS BY ED WYNN LIAN MITCHELL Original New Vork ‘Globe Theater Supporting Cast, Beauty Chorua and Production ZIEGFELD creatent EDDIE CANTOR w “KID BOOTS” wirs MARY EATON .. $4.40; Bal., $3.80. $2.20: tnd Ral., $2.20, $1 2nd $1.10. Sb. and, Bal. $1.10. including tax envelope for return of tieke Ord MAIL ORDERS NOW WEEK MARCH 22 PRICFS: Mat.—Ore 23.30: Bal, addressed . ' $1.65; mmped Fnelo LAST CONCERT PHILHARMONIC ... WILHELM FURTWAE Program—~Brahms Symphony. No. overture, Meictersinge T. ARTHUR SMITH BURKAU, TUESDAY, 4:30 Orchestra FR. Canductor Till_Eulensplegel. $1.00. Soclety Wagner THF (‘4PIT4I',S FMORITF' PLAYH()USE N Groat Artists nl‘tlu Borld Exclusively Beginning Sunday Matinee, March 7 THREE SUPER-STARS HEADLINE From THE DRAM* LESLIE Extra Added Attraction Ethel Eugene Parker & Costello with the Ph:hppme Sextette its_of Personal Bobby Randall “Just a Nice Boy' The Erfords “Mid the Pyramids’ A Novelty Stuart Girls Songs. Personality and Curle Paul Gordon ke Wizard_of the Wire ESOP'S FABLE. TOPICS OF THE DAY Orchestre Seats: Nites $1, Mats 50¢ Baleony Seats: Nites, 35¢; Mats., 256; Bargain Mats., Sun. and Mon. Shows Daily 2:15 and 8:15 Sunday Mat 8:15 ————— PHONES : Main 4484, 4485, 652