Evening Star Newspaper, June 14, 1925, Page 63

Photoplays uper Speed,” featuring Reed and the leading feminine role by Mildred Harris; H. 'The Pacemakers,” No. . Lige Conley in “Hello, Hollywood, with pipe organ music; Tuesday and Wednesday, Richard Barthelmess and Mary Hay (Mrs. Barthelmess) in an musing comedy of the first years of married life, and a Lyman H. Howe “‘Hodge-Podge’’: Thursday and Friday, Lew Cody, Harriet Hammond and Renee Adoree in Metro-Goldwyn's pic- ture of Elinor Glyn": Man and Maid, Ben Turpin in A Raspberry Ro- mance” and the Pathe Review; Satur day, Universal's production of “Fifth Avenue Models,” featuring Mary Phil- bin and Norman Kerry, and Al St. John in “Dynamite Dogxie. - Howes, is played Earle Roof—*Declasse.” Corrinne Griffith in declasse,” Douglas MacLean's “Introduce Me. Edmound Lowe in “Marriage in Tran sit,” a Fox production. LINCOLN “I Want M first three da ‘I Want My Man." Man,” to be shown the of this week at the cofeatures Milton s Kenyo supported by May Allison, Phyllis Haver, Paul Nicholson, Kate Bruce and Charles Lane. Ben Turpin in “A Raspberry Romance” and a new issue of the Kinograms also will be shown Wednesday and Thursday, Lewis S, Stone and Alice Terry will be seen in | Metro-Goldwyn's ‘onfessions ¢ Queen,” wether with Lize Conle: in Mermaid's “Hello, Hollywood, “Zowie,” the stereoscopik novelty, and a Lyman H. Howe “Hodge Podge’ Friday and Saturday, Aileen Pringlc Dorothy Mac no | in “One Year to Live,” a | tional attraction, with | Theby, Leo White and < gour in the supporting cast: St. John in “Red Pepper.” the ¥ Review, and Saturday, the fourth in stallment of “Sunken Silver” will Le | added. . APOLLO. Today, tomorrow and Tuesd; leen Moore in Howe in and Thursday, O'Malley and Har Flesh,” Hal Roach’ Kitchen Range” and Friday, Pedro De Cordoba and Renee Adoree in “The Bandolero™” ““Pacemakers,” No. Saturday. Howes in “Geared to Go,' John in “Dynamite Doggi “Sunken Silver,” No. 3 Wednesday | man, Pat | on Ford in “Riders of the Pathe Review: Reed 1 St AVENUE GRAND. Today and temorrow, Eleanor Boar man O'Malley "and H Ford in “Proud lesh” and Our Gang in “Sundown, Ltd.”; Tuesday and| Wednes: Alice Terry and Lewis § Stone in_‘‘Confessior and Al St. John in Thursday, lorence Hrl of Gold” and He Who Gel macked”: Friday, | Johnny Walker and Gladys Hulette in “The Slanderer.” “Pacemaker No. 4, and {odge-Podge” Pedro De Cordoba and Renee Ado i Bandolero.” Hal Roach’ of the Kitchen Range” and Sunken Silver,” No. 4 CAROLINA. and tomorrow, “The Lasi Man on Earth”; Tuesday, Betty Comp- son in “New Lives for Old": Wednes- day and Thursda Swanson in “Madame S: B) Jones in “The 'l “Gold Heels.” Ralph Graves In Today CHEVY CH Today and tomorrow and Dorothy Mackaill with the lron Door, and Aesop's Fabl i d America, “The P s Mary Philbin in Imperial comedy, ers”; Wedn James Cruze High,” Go-Getters John Bowers | The Sleep Wi and The Goose Han in “A_Kick for and_ Newspaper ;P in North of Nev in “Behind the of “Idaho”; and Louise F: Century fourth « last chapte: Harr: “Listen, CIRCLE. ; and_tomorrow, Lon Cha and Norma Shearer in “He Who Gets | Slapped”; Tuesd Adolphe Me: and_ Lillian Rich in Kiss in ! Dark”; Wednesday, Percy Marmot and | Marguerite De La Motte in “The Clex Heart": Thursday and . Harold Lloyd in “Hot Water,” Gang comedy, | “*High Society turday, James Kirk- | wood’ and Madge Bellamy in * of the Night.” DUMBARTON. Marie Pre Lives for | ainted Lady™ lay, G Swanson ans Friday, Constance Bennett and George | Irving in “The Goose Hangs High': Saturday, Id Denny in “The Fast Worker EMPIR ¢ and tomorrow, Tom Mix in the Purple Sage': com- ( z a_Husband,” and Top- | of the Day; Tuesday and Wednesday, Myrtle Stedman in “The Goose Hangs High"; comedy, “The Comeback,” with Benny Leonard; Thursday and Friday, Robert Ellis. | Gertrude Olmstead and Crauford Kent | in “Lover comedy Yourself’ and y in s comedy, “When Dumbells Fox News. ES i LINCOLN SUN.—MO! A FIRST NATION DORIS KENYON—MILTON SILLS May Allison, Phyllis H distinction, in Lambert Hiliy KINOG WED.—THUR LEWIS STONE ALICE TERRY John Bowers, Joseph Dowling and others in a film version of Alphonse _ Daudet’s novel, “King’s In Exile.” “CONFESSIONS OF A QUEEN” Stereoscopik Novelty “ZOWIE" Lige Conley in “HELLO, HOLLYWO0OD" ston in day, Anna Q. Nilsson and James Kirk- {in | ships ho,” Proud | yyesday nett and | [ ines Cullen’Landis in comedy bles Go Getters, Thompson in “That Devil Quemado™; | Prevost and Monte Blue in { Swan’ in “The Mine | Tenth Thursday, | 7 | Dove in | Great Circus M urday, Rin-Tin- Chaplin |of the Kitchen Range.” S| comedy ; |and “l Want M&‘Man” BEN TURPIN in “A RASPBERRY ROMANCE” THE SUNDAY STAR, WASHINGTOX, D. C, JUNE 14 Next Week's Photoplays COLUMBIA—Florence Vidor and Matt Moore, in “Grounds for Divorce.” METROPOLITAN—D or othy Mackaill in “Chickie.” PALACE—Ricardo Cortez and Jetta Goudal in “The Span- iard.” RIALTO—Virginia “Up the~hadder.” TIVOLI--Doris Kenyon in “I Want My Man,” “Zander the Great,” = “The Sporting Venus” and “New Lives for (0){. Fei4 AMBASSADOR—“Chickie,” ime. Sans Gene,” “The Girl of Gold” and “Intro- duce Me.” This Week HOME. Today, Douglas MacLean in “In- troduce Me” and Cliff Bowes in “Wild Wavy tomorrow, Margaret Living- “The Chorus Lady” and Wal- ter Hiers in “Good Spirits”; Tuesday, Alice Terry and Lewis S. Stone in “Confessions of a Queen,” Hal Roach's ‘Riders of the Kitchen Range,” and stereoscoplk, ‘“Zowie’ Wednesday, Jack Holt and Lois Wilson in *“The Thundering Herd,” and hysterical his- tory comedy, “Paul Revere”; Thu Valli in of the World” and should Husbands v, Wanda Haw- and Lige Con. wood in “Top Charlte Chas Be Watched?" ley in “Stop Flirting' ley in “Step Lightl mond % Mack “Sunken Silver, Beautiful ‘One Year to Live,” Crimson Runner,” “Friéndly ‘nemies” and “Proud Flesh.” Fame Bows to Youth. ERHAPS never before in the his tory of the screen has a girl of 17 had honors heaped upon her as has Betty Bronson. An unknown when she applied for the role of Peter Pan, she is today better known all over the world than many actresses With years of experfence. Less than three vears ago Betty made her first appearance in a Para mount picture called “Anna Ascends She had “bits” in “His Children’s Children” and one or two more before she and her family moved to Cali- fornia. When the discussion first arose as to who should play Peter Pan, Betty decided that she wanted to play the role. So she took her courage in both hands and one day walked into the West Coast studio and asked to have a test made. More to humor her than anythng else, the test was taken. It was among the large number of tests that Herbert Brenon took to England to show Barrie, a number of which included many fa- mous screen actre: Barrie’s un- erring judgment selected her almost at once, and the result proved his wisdom. Her preferment has made no change in Betty. Many girls of 17 would have had thelr heads turned by the honors that were showered upon her, but not Betty. She accepted it all gracefully, a little nervous and a lit tle surprised to find herself famous, but her wise little head was not upset the least bit. And now that Barrie has chosen her star of “A Kiss for Cinderella" she will be the same as Cinderella She has the power to lose herself in any role that appeals to her; she has the ability, and she responds mar- velously to direction. Also she has that wistful, appealing quality so nec essary for - the successful po i of the leading role in this second of Barrfe’s plays which added so much to the fame of Maude Adams. With the coming of the Christmas seasor there is another treat in store the fans in “A Kiss for Cinderella ‘Water Wagons” and No. 1. OLYMPIC. and tomorrow, Adolphe in “A Kiss in the Dark"; Bebe Daniels in ‘“Daring ‘Wednesday, Edith Roberts in ; Thursday, Weber and FFriendly 3 Richard Barthelmess in : Saturday, Wanda Hawley “Reckless Romance.” ARK. Today and tomorrow, Jackle Coogan The Ragman,” Jimmie Adams in “Love Goofy” and Pathe News; Tues- day, John Barrymore in “Dr. Jekyll nd Mr. I nd Bobby Vernon in : Wednesday and Thurs- gnes Ayres and Adolphe Menjou Kiss in _the Dark” and Mack comedy, ““Honeymoon Hard- Friday, Marguerite De La in Beloved Brute,” Oddities” and Lon Chaney n “The Mon- Today Menjou Tuesday, Youth™ “Three Key in A Sennett’ Motte The Howe's “Earth’s Graphic News; Saturday, and Gertrude Olmstead * Larry Semon in “‘Trouble Brew- and chapter 14, “The Riddie (Saturdays continuous from 2, Sundays from 3 p.m.) PRINCESS. ¢ and tomorrow, Conway Tearle e Terry in “The Great Divide n Laurel in “The Wide Open today (only), Episode 5, “Ida- and International News reel; and Wednesday, Pauline and Laura La Plante in Fires,” and Mack Sen- Wandering Walste Ben Alexander an Pampered Youth “Girl Problem”; Aesop's Fa- : Friday, Douglas MacLean and Madge Bellamy in “The Hottentot The Way of a Maid"; Saturday, Free derick Smouldering comedy, Hodge-Podge scenic; - Gang comedy, “Dog Da Epi- The Great Circus My RAPHAEL. and tomerrow, Thomas Mei ‘oming Through,” Charlie Hard _Boiled”; Tuesday in “The Beauty Prize, 1so amateur contest at § “It Is' the Law" Heeza Liar in “The Lion Thursday, Mae Busch ugene O'Brien in rivolous comedy, “Sleeping Sickness”; Friday ay. Lon Chaney in “The Friday chapter of of a Today in Owen Moore has been engaged to play opposite Peggy Hopkins Joyce untess Morner) in “The Sky Rock Adela Rogers St. Johns' story, which is the first of the Marshall Neilan productions. o'clock Col. LJ E of the world's greatest geniuses” is the compliment be- stowed upon modest little Mary Philbin' by Svend Gade, the Danish photo play director. Fred Niblo says, after months of research for the filming of “Ben Hur,” it was decided that Tisset's descrip- tion of the Madonna is the best from the standpoint of authority. Tissot describes the Virgin as slight and a very young girl with blue eyes. Film Dally, which has furnished much information for this column, contains the statement that “for many years Vitagraph had its pick of the O. Henry's (stories) for $100 apiece.” Somebody has stated that during his short stay with Vitagraph the noted director, Rex Ingram, was known as Rex Hitchcock, a bright young man whose mind ran_ to Poe, Zola and Greek tragedy. He also was among the first to twist a story to suit himself. Heywood Broun has been quoted as saying that every director drama- tizes himself subconsciously, visualiz- ing himself as playing every role in his story: he's a cross between a spendthrift and a miser; an actor and a Simon Legre; a slave driver and a prodigal, and 'withal, more to be pitied than envied. Willlam C. DeMille, said in an ad- dress at the annual luncheon of the national board of review, that the public doesn’t go to the theater for art, but for entertainment. Charlie Chaplin was born at Fon- tainebleau, France, in 1889, of Eng- lish parents and came to the United States in 1910. He entered the movie fleld in 1913 with Essanay, then went to Mutual and, in 1918, made his famous $1,000,000 contract with First National, according to Film Daily Willlam C. DeMille was born in Washington, D. C., 46 years ago and before going into the movies was an author and also an artist. Charlie Chaplin has financial men as well as genius. He is to make ‘personal appearances” the “key cities” in this count; his picture, “The Gold Rush then in the same way will seek to con quer the cities of the continent abroad. American women have finer plexions, better teeth, better nd nicer hands than those | decades ago. according to the York Mirre And the American movies did it," according to the authority rriage In “The Revolt of the Marionettes, upon which Henri Diamant Berger has started, with Hope Hampton as its star, a new contribution will be made to pictures made in natural colors. Experts have pronounced the seats at Clark Griffith’s stadium, where the | Nationals always -efeat their “arch ster of “Gal- chapter of Today, Anna Q. Nilsson and James kwood in “Top of the World v s; tomorrow, Mar; The Dark Sennett's “Love's Sweet Irene Rich in “The Worr ind Lige Conley in Lightly™; Wednesday, Leatrice “The Dressmaker From Pa in “Big Red Riding Hood": Thursday, “Pampered Youth” ind Ben Turpin in “A Raspberry Ro- ance’: Friday, Jack Holt and Billie “The Air Mail” and “The No. 10; Sat- in in “The Lighthouse “Riders and Piffle’; T n tep Joy in and Charlie Chas ALICE TERRY The famous and beautiful. star of “The Four Horse- man” and “‘Scaramouche,” supported by a brilllant cast in a superb picturiza tion of Arthur Somers Roche’s fascinating tale of a beautiful woman and modern business, splendid- ly produced by that noted screen dramatist, HENRY KING Director of “ToPable David” and “The White Sister” by the and Hal Roach’s TAKOMA. tomorrow, Norma Tal- v." Pathe New Mae M v comedy: Today and madge ‘in he ning Ri Richard Bar- (Mrs. Bar- ys” and Hal the Kitchen Lew Cody, Harriet ilammond. Renee Adoree and Paul ette Duval in “Man and comedy, “The House of Flicker . Matt Moore and Eleanor 10 in ““The Way of a Girl” and Turpin in “A Raspberry Ro- mance; Thursday Bronson in “Peter Pan” Hoot Gibson in * “Pacemakers,” No. Jack Holt and Lois Wil Thundering Herd, venile comedy ind_tomorrow, i F STREET AT 13TH WEEK BEGINNING TODAY — SUNDAY, JUNE 14 4 Paramount Piloture ADDED HITS HARRY LANGDON COMEDY - “HIS MARRIAGE WOW" ITHE NEWS—-TOPICS OF THE DAY--GANNON'S MUSIC Filmograms of two | enemies” sometimes, as the most com- fortable Summer seats yet devised. Julian Brylawski, general manager of the Stanley enterprises in Washing- ton, was impressed with their com- fort and so the same type of seats is now on the roof of the Earle. Paramount has landed Noah Reery for some years to come with a new contract. Richard Dix is soon to start making a new picture called “The Vanishing American.” It will be a Hollywood product. Marion Davles has purchased rights to “The Red Mill"” for future produc- tion. Clara Beranger has adapted “New Brooms,” by Frank _Craven, for screen production by William C. De Mille. John Roche is simultancously ap- pearing In “Scandal Proof,” a Fox picture; “The Fast Mail” and Bobbed Halr” for the Warners, and “Marry Me” for Paramount. John ought to be good, that is to say, a good picture actor. Constance Talmadge has about com- pleted “Her Sister From Paris,” which will present her in two distinct roles, as a meek housewife, and also as a madeap Parisian dancer, and is ex- pected to prove a greater sensati than even “Her Night of Romarce. “Horse opera,” as the term goes among some directors, is to receive an acquisition in Marilyn Mills, lead- ing horsewoman of the West, and her two famous steeds, “‘Star” and ‘‘Bev- erly,” signed for a series of De Luxe Features. “Bread and Potatoes.” **EVERYBODY likes bread and pota toes.” Clark and McCullough have been funny in circuses, in minstrel shows, in burlesque, in vaudeville and in the smartest of Broadway musical com edies. They have been funny in Lon don, in Paris and New York. For years, since they were boys togeth er 'in Springfield, Ohio, they have traveled the world as laugh getter And their only answer is, “Everybody likes bread and potatoes. Elaborated by Paul McCullough, th cryptis statement appears as follows. ‘There are certain staples of food, and there are certaln staples of laugh ter. The man in the dress suit and the man in overalls eats bread and potatoes every day of his life, no mat ter hoiw far apart the rest of his menu m: be. ‘Certain situations were funny the day the world was created. They got a laugh out of the first cave man they got a laugh out of the lates product of an effete civilization. Bob 1 try to pick just such situations, When we were in Parls we found that we could laugh at many in the theater without understs : word that was said, because the hu sor was of just this basic sort. We are students of human nature. and we reproduce what we see. We have written and playved hundreds of sketches— have been on bread and based po. Film Features (‘AROLINA 11th & \( A\A\P. S. E STHE 1AST EARTH." with siar cafn. 618 14 V. PARK THEATER j¢18 1ith N.w. in “THE RAG MAN." Comedy. "LOVE GOOFY." And News NEW STANTON 6th&C Sts. N. Contin_from 3 BETTY VALLACE DONALD £0. KOSLOFF_in : TVES FOR OLD" Also WIL- LIAM FOX'S “THE BULL FIGHT." You St. Bet. 14th & 15th ADOLPH NJOU. LI RINGLE Paramount’s DARK." EARL Novelty. CIRCLE 2105 Pa. Ave. Ph. W. 953 mole_Porking Space LON_CHANEY. NORMA SHEARER. JOHN GILBERT, TULLY MARSHALI FORD_STERL 3 in “HE WHO GETS SLAPPED 1119 H St PRINCESS &0 M, St & “rizk GREAT DIVIGR DUMBARTON '3!3, Wisen MARIE_ PREVOS: an ONTE in “THE DARI W, TAKOMA Takoma Park, D. C. NORMA TALMADGE _“THE LADY." Pathe' News._ Comedy. HIPPODROME, #ths W 9th& . MAE_MURRAY in __“CIRCE. THE _ENCHANTRESS.” T BLU K St. and R. I. Ave. 1 H Street TOM_ MIX in AEL 9th and 0 Streets N.W. RAPHAEL 2-}‘\‘..’,1;:.""6 TRROUGH. AMERICA N1t g:lt". and R. 1. Ave, W\ episode RANGERS ‘Dragon Alley,” and “‘Sunken Silver, No. 2 (AT I T (TR Federal Employees Unions’ CARNIVAL at Chevy Chase Lake cing to Meyer PARAMOUNT PREBENTS WILLIAM DeMILLE'S LATEST THEATER | £ U STREET AT 12TH N —TUES. L AT¥RACTION r, Kate Bruce and Others of touching drama RAMS FRL—SA' ANTONIO MORENO DOROTHY MACKAILL AILEEN PRINGLE Theby. Leo White and Joseph Kilgour in Irving Camming “ONE YEAR TO LIVE” AL ST. JOHN in “RED PEPPER"” PATHE REVIEW Roxemary luxury ? set the path of a couple F STREET AT 12TH WEEK STARTING TODAY—SUNDAY, JUNE 1. A powerful, vivid picturization of the noted David Belasco stage hit! WITH RICHARD DIX—GLAIRE ADAMS-—NEIL HAMILTON How far should a man go to satisfy his wife’s desire for See the answer in this amazing, dynamic drama of modern New York &nd of the pitfalls that be- INTERNATIONAL NEWS REEL- u living beyond thefr means! ADDED HITS A GREAT JUVENILE COMEDY--BABY BLUE” . OVERTURE---ETC. CRANDALL'S VERNM TIGHT.” RANDALL'S TIVOLI 1c‘onu' D«A\'lx‘»l"rsmv'(‘»;zhku R SR o0 LOND M GHS ETROPOLITAN HE N in E. ST CRANDALL'S AMBas : TODAY. ’I‘OMORRGW‘I'{ D‘T U] BLANCHE SWEET and RONALD €O AN in “HIS SUPREME MO- N RANGE S LL’S g CENTRAL HOWES " and E| “SUPER SP and ALBERT ED HARRIS in . GEORGE O'HARA AUGHN in “THE JGE CONLEY CRANDALL’S SAVOY THEATER AND GARDI 14th and Columbia Rd. Mats.—2 n.m. Sat., TODAY—ANNA ° Q. "N JAMES KTRKWOOD in E TOP OF THE ~WORLD.” ~SPORTLIGHT and NEWS TOMORROW-—MARIE EV MONTE " BLUE. in | FTHE ) SW. And ] CRANDALL'S AVESTE GRAND 645 Pa. Ave. S.E. 2 pm. daily: 3 e TODAY OR COMEDY. el CRANDALL’S Avollo Theater And Gy 024 11 s, Nopd Garden TODAY. TOMORROW ‘A TUESDAY— COLLEEX MOORE D/ HODGE PoDaR. " SALLY." And TRANDALL’S YORK THERTER . G, Ave. & Quebec St. TODAY AND TOMORROW—RICHARD BARTHELM and MARY HAY in “NEW TOYS.” And ROACH COM- SON TH I said Olcott, 1 going out of the picture in each case. and all the successful ones | 1925—PART 3 Origin of the Cut-Back HE story of the orlgin of sequence cutting was told recently by Direc- tor Sidney Olcott and borne out by Joe Harrington, character actor, who, in the early days, was manager, director, scenario writer and sceae painter of the Elograph studio in New York Ci o aredlt for i aotie “David Wark Griffith had just joined | cate the general publ the Blograph company as a director,” | MUsic lhu’n many of our in discussing the se - big concert quence. *“He was directing a picture on a small river up in New York State. In the story a convict was sup- posed to have concealed himself in a barrel, and was making his getaws by fioating down the river, while various people along the bank were | of to-| motion b and_dramatic picture like | 1 prom- | ¢ may be | to edu- | ste for good | movie exhibitors andall, to mention a 1 exhibitor, wore 1 symphon : them, notably of the tan Theater, are very close approxi- | mations, and they may always be de- | pended upon to furnish good musi classic as well as “modern . | l T which are vital parts of the artistic|C n possible , | prom “Der Handswurst.” HE a German version of pon “Der st German e The term slang to vend; for the title. is American 1 impossible n a foreign I olloquialism ex ess ability was *olution Handwurst,” meaning a It is of comparatively aving come into tence sin - because of numerous swin ulting from the unsettled bu -omditions nt it e: G Kk of as th La Plante sa ing star i »blivion 1 Laur: been plunge: director and jt translators who are preparing “The Fall iands quiva- “fall xactly erman busi e hest recent origin, ce the les re siness s that man d i innocently watching the progress of the cask, and some men in a boat | were trying to bring it to shore. The | barrel was acting rather qeerly, | ‘Now up to this time there was no | such thing as a cut-back or flashes | back and forth between different se- | quences.” Action was all long-shot stuff, and once a scene was started, | you carried through with it until the people in the scene actually di: peared off the stage. Then you pic them right up as they entered the next scene. We all knew something was the matter with the technique, but we hadn’t discovered what it was “On this particular day Griffith called for action, and the barrel came floating down. The cameraman, for some unknown reason, quit cranking about half way through, before the barrel had floated out of the picture although the barrel eventually was to go over the falls, break and reveal the convict. “Two or three scenes of the barrel floating along were taken, and the same thing happened each time, al- though Griffith did not know it. “The cameraman also cut short the shots of the crowd along the bank watching with excitement. “When the film was developed, iffith was in despair. The barrei was left right in the middle, without STARTS TODAY SONGS, DANCES, SYNCO- PATION “About that time a chap named John Moore, a salesman for Biograph pictures, who also acted as film cut ter, suggested that he might be able to patch the picture together, and, each time the barrel was left in mid stream, to cut over to the scene of the crowd, and then back again to the next scene, when the barrel floated into the picture again. “No one had any faith, but Moore went ahead and cut the film and put it together that way. When it was shown on the screen it revealed more real action than had ever been seen in motion pictures before. “Griffith jumped up with a cry of ‘We're made! That's what we've been looking for all these vears! We can do anything with motion pictures now “That quence ON THE SCREEN \ of the se ‘cut-back.’ was cutting the origin s and the . U BOTH THE Steamer ST. JOHNS Leaves ith St. Wharf for 10. g COLONIALBEACH | MOONLIGHT 9 AM. TODAY | FREE DANCI G Sokolov Musie —— Steamer stops at Alexandria Phone Main 502. Ample pa wharf, with caretaker in OROTHY DE OHN ROCH VORE LILYAN 1.0 every ng space :u} - ze. RANDALL’S -F Street at Tent First National Presents George Fitzmaurice's Beautiful Actress and an Intrepid Young Mining E: Flawlessly Impersonated by twoof the Screen’s Clev BLANCHE SWEET AND RONALD COLMAN Supported by Jane Winton, Belle Ben- nett, Cyril Chadwick, Ned Sparks, Nick De Ruiz and Hundreds of Others in a Love Story of Tremendous Appeal. A ing Adventurous Hardships Fillip of Novelty Af BOBBY VERNON IN “AIR TIGHT"---SYMPHONY---WORLD SURVEY---SCENIC IO the Glitter of the Stage, the Sumptousness A of Smart in the g 'RANDALL'S. TIVOLI 14th and Park Rd. SUN.-MON. CORINNE GRIFFITH Supported by Lloyd/ Hughes Rockiitfe. eliowes, uBhen Brook, Hedda Hopper and Im- pressive Enmsemble in Zoc Aking’ DECLASSE Al 8t. John in “Fares, Please” -—Pathe Review. TUES.-WED. DORIS KENYON PERCY MARMONT Admiradly Supported in a Fils Version of Jos. C. Lincoln's “Dr. Nye,” IDLE TONGUES Ben Turpin in “The Marria, Circus”—Hodge Podge. = THURS.-FRI. DOUGLAS MACLEAN 'In the Most Amusing of Al His Lively Cnmtdvfl?n!mu. INTRODUCE Mi Pacemakers” No. §— News. 'RANDALL’S. [AMBASSADOR 18th and Col. Rd.—— SUN.-MON.-TUES. BLANCHE SWEET RONALD COLMAN Supported by an excelient First National Cast in Geo. Fitzmanrice’s HIS SUPREME MOMENT Hal Roach’s “Riders of the Kitchen Range.” WED.-THURS. LEWIS §. STONE ALICE TERRY And Ezceptional Cast in a Film Version of Alphonse Daudet’s “Kings in Exile.”” CONFESSIONS PEDRO DE CORDOBA RENEE ADOREE In @ Romantic Drama of Old Spain, The D L w L; A “The EDY CRANDALL’S Home Theater 30 € St N, N Harold Bell Wricht's = M WITH "'THE IRON DOOR. Another Tale. chrosicine o " Amanlen: e’ chronic STRE PURITANG. o O Ameriea. BARDOLERD “The Pacemak SATURDAY. WANDA HAWLEY John T. Murray, Hallam Cooley and Others of Note in a Clever Comedy, STOP FLIRTING Mack Sennett's “Giddap”— “Sumken Silver,” No. 5. SATURDAY. [3 FLORENCE VIDOR And o Briliant S Cast in a Drama of Heor 'l 5 terest, The GIRL OF GOLD Walter ~ Hiers in_“A Rarin' Romeo"—Sunken Silver” No. 5 o. O TR R AR OO NI Capital’s U't'ma_Thule in_Entertal RIALTO METROPOLITAN K Picturization Samuel Goldwyn of May Edginton’s Fascinating Romance of With and Others Ben Turpin In YANKEE PRINCE Assisted by His OKLAHOMA COLLEGIANS a00DE MONTGOMERY Dancer MISCHA GUTERSON Conducting RIALTO CONCERT ORCHESTRA FELIX CARTOON De Luxe Shows 3—1—9 NED THE NDE_AND INEVITABLE CANDLE AT SHE PAID PRICE F. ZANUCK TASHMAN WILLARD LOU FAZE N crl LAND Daily Perfo ances, Cont: wous, 11:00 A. M. to 11 P. M. —Sunday— Doors Open At 2:30 h P& WEEK BEGINNING TOMORROW = for 7 a ngineer, Both erest Players. UPREME MOMEN Stirring Drama Based on the Strangest Love Pact Ever Made and Reflect- Society Life and Wilds of South America, With an Added orded by Many Scenes in Magnificent Natural Colors. —~CRANDALL'’S. CENTRAL Ninth, Bet. D and E’ SUN.-MON REED HOWES Supporting Cast of istinction in a New High- Power Action-Drama. SUPER SPEE Pacemakers.” No. - in “Hello, Good- Bye. TUES.-WED. RICHARD BARTHELMESS yith Mary Hay, Clifton of ' Note in First Feature Comedy, NEW TOYS H. Howe Podge.” THURS.-FRI. LEW CODY RENEE ADOREE nd a Noteworthy Supporting Ensemble in Elinor Glyn's MAN AND MAID in “A Raspberry Romance”—Pathe Review. SATURDAY MARY PHILBIN NORMAN KERRY Universal's Romantic Hit, 5th AVE. MODELS Al St. John in “Dynamite Doggie.” The ige Conley Webb His yman “Hodge neot [LIUALERHSERERRRERALAREE AR RO Washington’s R W T dway Butterlly STORY OF PACE THAT KILLS, BY DARRYL WITH 1s 8 IS S e e HUEEEEEOEARRERT RO PR RS AR I IRy T e &l