Evening Star Newspaper, May 31, 1925, Page 61

AMUSEMENTS. THE SUNDAY STAR, W nor Boardman and Peter the Great in “The Silent Accuser”: Saturda: Willlam Desmond in “Ridin’ Pretty.” DUMBARTON. Today, Lionel Barrymore in “Med- dling Wome; tomorrow, May Allison and Richard Bennett in “Youth for Tuesday, Agnes Ayres in “Worldly Gopds"; Wednesday, Thomas Meighan 'and Iila Lee in “Coming Through™; Thursday, Betty Compson in “Locked Doors"; Friday, June Marlowe and Beverly Bayne in “The Tenth Woman''; Saturday, Tom Mix in “'Dick Turpin. ELITE. Today and tomorrow, Conway Tearle in “The Great Divide"; Twes- K “The Wise Virgin"; Wednesday, Welcome Strange: Thursday, “Trouping with Eileen"; Friday, Ray mond Griffith in “The Night Club™; Saturday, “Prince of Pleasure.” EMPIRE. Today and tomorrow, Pola Negri in “The " Charmer”; comedy {brandt”; Tuesday and tobert Agnew and Peggy '‘Gold Heel: comedy, Trouble Thursday and | bart Bosworth and Pauline | “Hearts of Oak”; comedy, “All Is Lost”; Saturday, B. Warner in “Behind Two Guns'; comedy, “Grief in Bagdad,” and Fox News HIPPODROME. Today and tomorrow, John Gilbert |in “The Wife of the Centaur'; Tues. |day and Wednesday, Reginald Denny “Oh, Doctor”; Thursday and Fri v, Marion Davies in nice Mere- Saturday, Norma Shearer in Excuse Me." i 1 photopl_a_y_s This Week INCOLN—"Sally." i sally,” First National's photoplay believes the world will come to an|version of the musical comedy - pro- end September 1 | duced by Flo Ziegfeld, will be the - {attraction the first three days of this TIVOLI—New To |Weeld at the Lincoln Theater, with Richard Barthelmess, supported by | Colleen Moore in the title role and Mary Hay (Mr thelm will be | Leon Errol portraying the character Seen at Crandall's Tivoli Theaier the | of the noble waiter, which he created t two days of this week in N ot o 3 e the cast ar an Mason, Lioy Netimata fim versio (ol ] Hughes and Myrtle Stedman. The SnE At oa added feature will be an Aesop Fa- Bortoa b . At the Zoo.” Wednesday and Witson Thursday will bring Eleanor Board- “Ome ¢ man, Pat_ O'Malley and Harrison the Pathe Review Ford in “Proud Flesh,” Sennett's =R e e {“Fleet of Mud,” starring Harr; "Werry fn' Vietor Seast don and the Pathe Review; Of - Bonteeaonn of man and Saturday, “Fifth Avenue Mod- Sth Balph Graves i ° els,” a drama of the Greenwich Vil- and a Grantland Ric ge studios and New York's smart Pt el ops, featuring Mary Philbin and BT ot o tth Norman Kerry: “Our Gang” in Hal ardman, Pat O'Malley and Roach’s “High Socie 1d a Lyman ‘also the third of “The Pace. | H. Howe “Hodge Podge Series, with George O'Hara and | the second installment Vaughn, and Walter Hiers Silver” will be shown. ‘Tenderfeet”"; Saturday, “Stop Flirt with W Hawley: Cliff Bowes in W me Dang nd the first ins ment ¢ S ver. AMBASSADOR— Mme. Alla Nazimova Hobart Bosworth, CT Const: ce Bennett, Dc Akin and 1 Keith are of First National's film Martha Stanley’s play andall thre: (Continued from First Page.) mpany Tuesday and Wed one” and Alice n's production n,” together 3ashful Jim™ Sportlight and Fri anor Harri ot nken APOLLO. , Buster Kea es,” sportlight ; or Crook,” song reel, “Listen- and Pathe Review: Tuesday and Wednesday, Mary Philbin and Nor- Kerry in fth Avenue Mod- * and “Our Gang” in Limited”; Thursday. S and Hal Roac Claire Windsor in | he Pacemakers,” | va Novak and Wil s in “The Fearless | John in “Red Pepper Sunken Silver,” No. 1 k Pickford, Murray, ey, Mary in the cast version of Son, liam Love! and * added short pipe organ music. Wednesday and Thursday, Univer sal's production of “Fifth Avenue Mod. Mary Philbin, Norma Kerry, Josef Swickard, = Rosemary Theby and Willia Conklin Hal Roach comedy, Mike" and : sscopik subject t Hammond, ctte Duval in and Maid. “The s, Bowes in Pathe Re: Keaton _in 1 Burns Why Rice Sports third install ken Silver” chapter HOME. Today, Jackie Coogan in “The Rag Man” and Cliff Bowes in “Inside | Out”; tomorrow, Viola Dana in “The | Beauty Prize” and XNeal Burns in a Legs": Tuesday, Evelyn Brent in “Forbidden Cargo” and Mack Sen- | nett’s “Love's Sweet Piffle”’; Wednes. in|day, Renee Adoree and Pedro De y | Cordoba in “The Bandolero” and Hal toach’s “'Sure, Mike"; Thursday, “The of a Gir | “Don’t Pinch”; |son in “Ram: with Today and tomorrow, Mary Philbin and Norman Kerry in “Fifth Avenue Mode! Hal Roach's ure, Mike and stereoscopik, “Zowie";: Tuesday and Wednesday, Buster Keaton “Seven Chances.” spo Hook or Crook,” song reel. and Pathe Review | Windsor in “The Denial Conley in “Wide Awak William Fairbanks and ss_ Lover,’ . and Cliff Bowe: Saturday, Har “Beyond the Border,” 's | 3iddap” and Lyman ‘Hodge Podge.” CAROLINA. and tomorrow The Lady’ The Charmer 1i in “The and Bobby Vernon in Friday, Betty Comp ckle House” and Lige Conley in “Motor Mad': Satur day, Richard Talmadge in “Youth and Adventure” and Mack Sennett's “The | Cannonball Expres: | iturday Seven Chances ment of t piay in OLYMPIC. Today and tomorrow, Gloria Swan- son in M me Sans Gene' Tues: day, Louise I'azenda in “Listen Lest er’; Wednesday and Thursday, Betty Compson in “New Lives for Old Frid: Viola Dana in “The Beauty ; Satu ¥, Norma Shearer in “Lady of the Night.” CENTRAL—"Beyond the Border.” ler A thrillin starring shown t at oday in i in - rginia Vi Thursday Norma Tal- Tuesday, Pola Wednesday K—The Unknown'; City that Never Sleeps’ Locked Door: Betty Compson; Saturday, Coogan in “The Rag Man."” CHEVY CHASE. Today and tomorrow, Gloria Sw. son in “Madame Sans Gene,” Aesop his week Harris pporting emalkers and Al with itschi ir The third of with ughn Geor v | Swanson in “Madame Sar | comedy and Pathe News: Wednesd and Thursday, Dougla rbanks in | “The Thief of Bagdad": Friday, Lau ibles and News Lvents; Tuesday. |rette Taylor, Pat O'Malley and Hedda Shearer in “Lady of the, Hopper in “Happiness” and Lige and Pete and Moritz, “The | Conley in “Step Lightly”; Saturday man Monkeys Stolen Sweet- | Tom Moore and Edith Roberts in “On and Thursday, Pola | Thin Ice.” and Bobby Vernon. in : e ' the Go-Get- | “Don't Pinch,” and chapter 12, “The ters in “The Knicker Time,” and News | Riddle Rider.” (Saturdays, centinu and Newspaper Fun; Friday, Tom Mix |ous from 2, and Sunda 2: {in “Dick Turpin,” and eighth chapter, | p.m.; other days. daho'’; Saturday, Viola Dana “The Beauty Prize,” Hysterical | edy. ““Nero,” ana second chapter, | | Circus Mystery and dge in “The Hurst, Wa McDermott and W n Aesop Fable, “The Fast Worker': Thursday and riday. Mae Busch and O'Brien and National's Saturday, Viola Dana in_ Metro-Goldwyn's production of ““The Beauty Prize,"” Nina Wilcox Putnam, also Madeline Hurlock and a huge lion in ck Sennett’s “The Lion's Whisker: Wednesday Lady,” with B Sunday and Monday, Syd Chaplin “Charley’s Aunt,” Ben Turpin, “Wild | Sunday only. episode International News | day. Mary | Enticement, \ 0 Mad"; Thur day. Jame: Kirkwood and Madge | . “Secrets of the Night, amateur night; Friday, “A Rider of | Mystery »Ranch,” Go Getters, “Ain't ove Grand," Holige-Podg: | Saturday, Fred Thompson, GAYETY—"Some Wild Oats.” ome Wild Oats,” a propaganda P re made, it is claimed. at the| Today instigation of health and reformatory |of Yout tomorrow, Betty Comp- authorities, will be shown at the|son in ew Lives for Old”; Tues- Gayety Theater this week, beginning |day, Blanche Sweet in “Tess of todal William Jefferson, son of the | the D'Urbervill Wednesday, Ra famous comedian, heads the cast. Men | mon Novarro and Enid Bennett in and women will not be admitted at the | “The Red Lily": Thursday, #howing same time, but special showings will [7 and 9 p.m., Aileen Pringle and John be arranged for each. Gilbert in “His Hour™: Friday, Elea CIRCLE Eleanor Boardman, in ““Wine stor and The Spat Family, ** 30 A R G Paramount Presents THOMAS, WITH LILA LEE IN “OLD HOME WEEK” AD! Remember that other famous George Ade story BY GEORG! for Meighay, ‘“Back Home and Broke?” Here's another Ade hit that's even finer, with Tom in his favorite role of the village boy who comes back home =& fallure just in time to outwit two swindlers who have trimmed the town to a finish! And there’s a real girl in the story, too. That's Lila Tte g 2 ADDED FEATURES. MERMAID COMEDY, “HELLO, GDODBY!" — PATHE NEWS —- TOPICS ——- GANNON'S MUSIC LOEW’S PALACE F STREET AT 13TH. WEEK STARTING TODAY, SUNDAY, DOORS OPEN THIS AFTER- I Present That Dainty Beauty! earer United Artists charming and becutiful star of “Lady of the N(flhl.”’"l'selue Me/” and al!lwr l'val' : The § victurps, in her latest hit! WITH A GREAT CAST, INCLUDING JACK PICKFORD - CLAIRE McDOWELL -— ANN MAY ALEC FRANCIS — HERBERT PRYOR The stately, fascinating Norma was never so allur- ing as she appears in this delightful comedy of small- town romance and a dreaming youth’s ambition to , startle the powers of Wall Street! And with such a girl to inspire him, how could any one fail? Don’t miss it! It’s one of her greatest pictures! ADDED HITS AL ST. JOHN COMEDY “The Iron Mule" INTERNATIONAL NEWS REEL OVERTURE—ETC, WEEK STARTING TODAY --- SUNDAY, MAY 31 | Borde: I walker LOEW’S COLUMBIA THEATER il il G Next Week's Photoplays PALACE—Betty Bronson, in “Are Parents People?” COLUMBIA—Zane Grey's “Code of the West.” METROPOLITAN — Barbara LaMarr and Conway Tearle, in “The Heart of a Siren.” R[A[,'I:O—Regmald Dcuny,‘ in “I'll Show You the Town.’ TIVOLI—Colleen Moore, in Sally,’ ne Year to Live” “The Way of a Girl” and “Riders of the Purple Sage.” AMBASSADOR—“The Hear of a Siren,” “Idle Tongue: “Proud Flesh” and “The Way of a Girl.” CENTRAL—Evelyn “Forbidden Cargo.” *“The Price of Pleasure,” “Seven Chances” and “The Way of a Girl” Brent, in comedy, “The dit's Baby,” Our Gang uccaneers,” episode No. 7, us Mystery.” RAPHAEL. Today and tomorrow, Jackie Coogan in “The Rag Man,” comedy; Tuesday, Claire Windsor and Bert Lytell in “Born Rich,” Fox News; Wednesday, Anna Q. Nilsson in “Inez from Hol- Iywood, comedy Thursday, Astor in “Enticement,” Friday, Johnny Walker in Slanderer,” the letters, Love Grand,” and surprise Saturday, lLefty Flynn in “Breed.of the Border,” comedy, also “Galloping Hoofs,” No. 8. VoY. v, Raymond Griffith, in “Forty i hysterical history com ro”; tomorrow, Pauline Starke Devil's Cargo” and Aesop Fable, “S. 0. S.”; Tuesday, “Daughters of the Night' and Lloyd Hamiiton in ““Hooked" Wednesday, Fred Thom- son in hat Devil Quemado” and Edna Marion in *“Powdered Chick ens”; Thursday, Tom Mix in “Teeth’ and comedy, “The House of Flickers" Friday, Harry Carey in * Cliff Bowes in and 'he Great Circus M No. 8; Saturday, Reed Ho ' eared to Go” and Ralph Graves he Plumber TAKOMA. Today and tomorrow, Jackie Coogan. in “The Rag Man,~ Pathe News, omedy: matinee at 3:30 p.m. Mon day: Tuesday, Ramon Novarro and Alice Terry in “The Arab.” comedy; Wednesday, Bliss Electrical School commencement exercises: no pictures shown: Thursday. Alma Rubens and James Kirkwood in “Ger- ald Cranston’s Lady.” comedy: Fri day. Tom Moore in “On Thin Ice.” Aesop’s Fables: “The Go-Getters.” No. 9: comedy: Satur George O'Brien in “The Roughneck,” Aesop’s Fables; “Riders of the Plains. 13: comedy’ YORK. tomorrow. The Lady Mike Today and madge In Roach’s “'Sure ence Vidor in “The age.” Hal Roach's “Wages of Tin" and stereo scopik. “Zowle”: Wednesday. Johnny and Gladys Hulette in “The Al St. John in “Dyna mite Doggie” and Lyman H. Howe ‘Hodge Podge’: Thursday Phil in and Norman Kerry in “Fifth Ave nue_AModels.” _and_Sunshine comedy. Hal Flor- anderer. Film Features CRANDALL’S .‘I’FAT ROPOLITAN Ntreet at _1nh THIS WEEK — NAZIMOVA. HOBART BOSWORTH and JACK PICKFORD in “MY SON." And JIMMIE ADAMS in CHRISTIE'S “SIT TIGHT CRANDALL’S TIvort 14th & Park RA. N W TODAY AND TOMORROW-—RICHARD BARTHELMESS and MARY HAY, s W TOVS OUR GANG n _“PAST COMPANY. ' And “Review CRANDALL’S AMB: SADOR - 1811 818 Col RA. N W. TODAY. TOMORROW ANTI TT FSDAY-- NAZIMOVA. HOBART BOSWORTH and JACK PICKVORD. in “MY SON And "TTMMIE ADAMS. in “SIT TIGHT. CRANDALL'S ¢ TODAY AND TOMORROW CAREY. TN CREYOND THE DER.” GEOPGE O'HARA and RERTA VAUGHN. in “THE MWAKERS. And WALTER TENDER FRET CRANDALL’S SAVOY THEATER AND GARDEN reae, A . Columbia ‘R, L i U TODAT-—RAYMOND GRIFFITH VIOLA PANA i THEODORE RORERTS. i PRORTY WINKC . And. Eomedy TOMORROW — PAULINE STARKE “THE DEVIL'S CARGO." " And A CRANDALL’S AVEXUE GRAND 645 Pa. 2 pm. dafle: 3 nm Sondas TODAY_AND TOMORROW—NORMAN KERRY RY PHILRIN. in ¥ 2 MODELS.” HAL and Stereoscopik NTRAL nRet. M€ B HARRY BOR. AL PACE HIERS GRAND > 0 CRANDALL’S Apolio Theater And Garden 624 A SE N B TODAY_AND TOMORROW — RUSTER KEATON. in “SEVEN CHANCES. Sportlizl ocl and Review CRANDALL'S TODAY. ORK THEATER Arn & Quohar &, romaRrow S PR ‘THE LADY And 1000 (S NF 00G in “THE RAG MAN." And Comndc TOMORROW—VIOLA DANA_ in *GHE REAUTY PRIZE. And NEAL nn. Ave. & BUR! TeKintey St 1. “MADAME SANS Fahles and News 11th & N.C. A OLINA 1 e “THE _LADY." IHEA TER 4618 14th N.W. PARK R GLORTA ‘swnn SON. in “MADAME_SANS GENE." _ Comedy and New. NEW STANTON h&C Sts. N-E. Cantin, from POLI NEGRT. WALLACE _MacDONALD, GERTRUDE ASTOR. “THE CHARMER OLYMPIC You St. Bet. 14th&15th GLORIA_ SWANSON- in “MADAME SANS vE. enir photos. taken in Paris, oday. LS Home Theater in CIRCLE 2105 Pa. Ave. Ph. W. 953 Amnle Parkine Soare ELEANOR BOARDMAN. PAU! 3 RON, JAMES MORRISO! H- TON' HALE_ JOHNNIE ' WALKER. “WINE OF YOUTH PRINCESS Mo M St NE. “CHARLIE'S AUNT™ Wisconsin Ave. L_ _BARR’ MORE._in WOMEN." TAKOMA Takoma Park, D. C. JACKIE COOGAN, in “THE RAG MAX Pathe 'News. Comedy. HIPPODROME CENTAUR." ELITE 14th St. and R. I. Ave. ELITE M8 s e k. e “THE GREAT DIVIDI EMPIRE 911 U Street N POLT NEGRI in “THE_CHARMER." Comeds. “REM- BRANT." _And Topics of the Day. RAPHAEL 9th and O Streets N.W. JACKIE DOG AN, “THE RAQ *SAN. T Comeds." 1st St. and R. I. i AMERICAN 15t St and & 1. Ave RIE PREVOST. in “DAUGHTERS OF PLEASURE. North CapitolandP Sts. HNEN.YAV.N.W. CHE WIFE OF THE ar cast. ASHINGTON, D. C, Turpin | | “The Butterfly | spectacles or pageants tl 9 o4, MAY 1925 PART James Cruze Talks. “All the world loves a good story- teller. The screen is the best story- teller the world has ever known and that is why it has surpassed books and the stage in popularity with the publie.” Defily rolling a Bull Durham ciga- rette and borrowing a match—these fellows who roll their own smokes always borrow matches—James Cruze canceled his reputation as a sphinx and became the oracle. Cruze is the toughest proposition in pictures when it comes to talking about himself or his art. The bait that coaxed him out of his silence was a discussion of “Beggar on Horseback,” his latest production, and the biggest thing he has done, it is claimed, since “The Covered Wa- gon.” “A fiveletter word meaning space or unlimited opportunity made me decide to leave the stage for screen work,” he said. “The answer i3 ‘scope,’ and scope is spectacular scenes and the advantage effects the screen has given ‘Beggar on Horse- back’ over its stage presentation. “I believed that motion pictures were the evolution of the art of story-telling. “First, we the rough gutturals of the cave man holding his hairy neighbors spellbound around the for- est camp fire while the dinosaur steak led. And thousands and thou- nds of years later came outdoor developed to a high, classical type with the ancient Greeks. Books eventually zrew to a wide criculation, but only within the last hundred years. The stage developed correspondingly. “The films, born almost yvesterday, vou might say, have wrought to- gether two great means of story telling—the nearest approach to real- ism the drama has ever known and n amazing facility for illusion that makes the stunts of the great con- of the fables look like the s of kindergarten kids “The charge of some envious out- iders that the screen player is only pantomimist is a lot of bunk. He is a real actor. He has more aids and also more handicaps than an actor on the legitimate stage—on the one hand, scope of setting: on the | other, lack of personal touch or| speech provided by a flesh and blood | uudience. We try to give him some- thing of the personal atmosphere through music. The scenery con- | sists of mountains, forests, rivers, ghiine Heeep Sl haiscion, ”‘5“““‘~;;reey| two vears from now. While . e SR : s, |the eternal triangle will always be a Scope comes in again by permit- | topic of dramatic interest, | Schenck, the reign of the vampire is ver and the screen will lose much of Man"; Friday, Jack |the sex frankness which has alarmed Hoxie in “A Western Wallop,” first |and offended installment of “The Pacemakers” Costume dramas also have had Cliff Bowes in hip Shape™ their day, he thin! although many day, William airbanks and romantic period stories will be mod ovak in “The Fearless Lover ernized and brought down to date. mley Wide Awake” and The romance will be retained; the cos- ho,” No. tumes discarded. B ting us in pictures to run parallel stories, like the love story that flits through the dream sequence in ‘Beg- sar on Horseback.’ There is scope in doing away with time. A film can flash backward a thousand years and forward another thousand in a few feet of negative, eliminating time as a factor, The stage presents the problem of getting the actors into # room. The screen can throw 50,000 Dlayers into one scene with the turn of a crank, “I enjoyed making ‘Beggar on Horseback’ in the same way that one would enjoy playing magician. It was an opportunity to achieve something in the way of illusion, of fantastic effects, of wizardry, beauty, satire, pathos, love and life. It was a big job—but 1 had scope, little word with a big meaning. “I said to myself, ‘Here's where you've got to go into the science of comedy, and on the serious pursuit of humor’ I don’t know whether T've done it, but here’s hoping. I tried to cage that elusive thing called love, carefully to nurse effects and situations, and to catch the fleeting elements of surprise before they socked me unexpectedly in the back of the neck. The story was a large order. It was novel, breath-taking and appeal- ing. It had to be made harmonious and flexible because its spirit had @ weird glamour which would show any flaws and rough spots when put on the screen. “The contrasts in the play appealed to me on up from the little human incldents in the love story to the exaggerations of the dream sequen and from the nerve-shattering ja mania to the delightful, romant beauty of the pantomime scene.” Triangles and Vamps Are Doomed. THE screen is going back to ro mance, realism and thrilling ac tion. In the next two years the American theatergoer will witness a gradual reversion to the old-time melodrama, tempered and refined to meet modern customs uch is the opinion of Joseph M. Schenck, producer of pictures star ng Norma and Constance Talmadge |and Buster Keaton Mr. Schenck prophesied the begin ng of an era of World War dramas which will virtually monopolize the Starts TODAY SUNDAY AT 3 WEERK DAYS AT 11 DE LUXE SHOWS AT 3-7.9 DAILY A PROGRAM OF REAL ENTERTAIN. MENT AND CHARM IT WILL THRILL AND DELIGHT MONTE BLUE 22t ¢ Aty By Com Sntntng- JOHN PATRICK JOHN ROCHE ETTA LEE ‘Wm. C. DAVIDSON Merod 1 the Smees by~ DOROTHY MANM. ety HARRY BEAUMONT ON DE LUXE SHAOWS ENGAGEMENT EXTRAORDINARY George Washington University GLEE CLUB A Chorus of 80 Voices in Varied Song Selections HEREFORD and LYOF A DANCE SYMPHONY MISCHA GUTERSON, Conducting RIALTO CONCERT ORCHESTRA OVERTURE..... ceese “VIOLETS” LINCOLN THEATER U STREET AT 12TH, N.—MON.—TUES. FIR! TIONAL PRESENTS COLLEEN MOORE Leon_Errol, Lloyd Hughes and Myrile Stedman in a Perfect Picturization of Flo Zeigfeld's Greatest Musical Comedy SALLY AESOP FABLE “AT THE Z0O” ‘WED.—THURS. ELEANOR BOARDMAN PAT O'MALLEY, HARRISON FORD AND PRISCILLA BONNER IN EING VIDOR'S PROUD FLESH HARRY LANGDON, in “FEET OF MUD” FRI.—SAT. NORMAN KERRY MARY PHILBIN LOUISE FAZENDA, T. ROY BARNES AND JAMES BARROWS IN UNIVERSAL'S FIFTH AVE. MODELS oUR GATS Sy R poorerT DG Talent Show Fri , 7 and ® p.m. S ¢ P Supper Show Saturdsy, e e ey | AT 0 AMUSEMENTS. 3 R0 oo Recogeed Preeminence ML [METROPOLITAN| - TODAY—Doors Open 2:30 P.M.—Daily 10:30 A.M. to 11 P.M. pr-THIS WEEK-®a First National Presents the Peerless Emotional Drama, NAZIMOV JACK PI Star of Both Articulate and Silent CKFORD OO SO 1AL Supported by Hobart Bosworth, Iam Keith, Constance Bennett, Charles Murray, Dot Farley and Mary Akin in Edwin Carewe’s exception- ally realistic film version of Martha Stanley's stage success Wi The picturesqusly environed story of a little mother of a quaint Portuguese fishing village who adopted drastic means to save her boy from the allurements of a sophisticated city siren and hiz own weak self. EMBROIDERY JIMMY ADAMS IN CHRISTIE'S “SIT TIGHT" World Survey—Added Auxiliaries Prelude—"To a Wild Rose” (McDoweil) Metropolitan String Quartet Overture—"Orpheus” (Offenbach) DANIEL BREESKIN CONDUCTING WASHINGTON'S FINEST ORCHESTRA T e ez e IO Sunday, 3 to 11 p. m. Daily, 1:30 to 11 p. m. SUNDAY—MONDAY. First National Presents RICHARD BARTHELMESS Supported by Mary Hay (Mrs. Barthelmess), Bijou Fer- nendez, Clifton Webh and Katherine Wilson in a sprightly picturization of the successful comedy NEW TOYS “Our Gang” in “Fast Company”—Pathe Revisw. Otto F. Beck, Solo Organist—Harold T. Pease, Assistant. Taes.-Wed.—Alice Terry, “Confessions of a Queen Ralph Graves in “Bashful Jim”—Sportlight, “Action.” Thars.-Fri—ELEANOR BOARDMAN in “Proud Flesh” “Pacemakers” No. 3—Walter Hiers in “Tender Satarday—WANDA. HAWLEY in “STOP FLIRTING” Cliff Bowes in “Welcome Danger”—"“Sunken Silver,” No. 1. Feet.” 000 RSSO i TR T IIII|||||||IllllllllllllllINIlIIllIIIIIlIfiI o ~—— CRANDALL’S |CENTRAL | ——NINTH, BET. D AND E— ——CRANDALL’S AMBASSADOR 1—— 180k 4ND cOL. RD.— SUN.—MON. HARRY CAREY Mildred _Harris and Tom Santschi in BEYOND THE BORDER “Pacemakers” No. 3—Wol‘sr Hiers in “Tender Feet.” BUN.—MON.—TUES. Jack Pickford, Hobart Bos- worth, Tan Keith, Constance Eonnstt and Chas. Murray in a gripping _and picturesqie drama. Y SON “Sit Tight” Timmie Adams in “Sit Tig| O NORMA TALMADGE Supported by Wallace Mc- Donald, Marc McDermott, Emily Fitzroy and a distin- guished ensemble in Martin Brown’s THE LADY Aesop Fable, “A Fast Worker.” WED.—THURS. MARY PHILBIN NORMAN KERRY Stars of “The Merry-Go- Round” in a mew hit. 5th AVE. MODELS Comedy, “Sure, Mi Stereoacopic, “Zowie.” FRIDAY _ STAR CAST Led by Lew Cody and Har- ret Hammond in, Blinor Glyw's “Pacemakers” No. 2—CIiff Bowes in “Rock Bottom”— Review. THURS.—FRI. ALL STAR CAST Including Mae Buack, Eu- ene O'Brien, Ben Alezander, dred Harris, Mitchell Lewis and Tom Santachi ‘n FRIVOLOUS SAL Cliff Bowes in “Wild Waves” SATURDAY BUSTER KEATON Ruth Dwyer and Star Cast in SEVEN CHANCES N ‘eql Burne in “Why Heel- tate”—Bportlight, “Action” —~Sunken Silver’ No. 8. N TR meeaes g e I SATURDAY VIOLA DANA in Nina Wileoz Putnam’s ht, BEAUTY PRIZE Madeline Hurlock in Sen- nett's “The Lion's Whiskers” 00O RO SRR = fi N