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-4 AMUSEMENTS. THE SUNDAY STAR, WASHINGTON, D. €, MAY 17, 1925—PART 3. AMUSEMENTS. 5 B B Natacha Rambova Launches. - 5 2 Photoplays This Week | [NextWeeks Phowplave | | [ vidaioh A Theater Namaciia rsmovs o o | | Music at Glen Eeho | | NI (o o et Fm M COLUMBIA—Alice Joyce, in “What Price Beauty,” her first ]——CMNDALL'S “The Little French Girl,” w |independent production.” Natacha is ued from Third Page.) Doris Kenyon and Ronald Colman, in a et Mrs. Rudolph Valentino. . Thief in Paradise,” and CHff Han e e diaginee Selly Miss Rambova has undertaken pro-| 1ot Gibson: Saturday, Harold Lloyd, ves, in *“Weak Knees"; Thursday, ck’s novel. duction for two interesting reasons, | i “Girl’ Shy., s Dean, in “The Siren of METROPOLITAN —Milton 4 :! is announced. Um; is ;hul sl:lr' '-vl' — 2 e Moran, in “His High See REP ey : ieves good pictures tan be producec CHEVY CHASE. riday, Charles Chaplin and Sills“ and Doris Kenyon, it . S at a figure much lower than that F ST. AT TENTH—— s oR e e etan * . in “The Kid,” and “I Want My Man.” usually expended on features, and the | 0 o e S 1 ght, d v : > ST, : s he impression WVidor, in “Barbara Frietchie”; Aesop's | SPortlight, “Brain and Brawn”; PALACE—Tom Moore and other is to . corpect & B Fanlcs And Nowa Bvenas: " ihiiceds Conway Tearle and s S Sy - : that she will supervise the United e e s, iaoiay: | perry, in *The Great fBiige, *iass Pauline Stark, in “Adven- i Artists' production _of her famous hfisat of Nithe Cantanr': Impe Aesop Fable. ture,” by Jack London. 3 lu.l and, llliv;m):::wlh \m.-,mlml)‘.m‘h‘oh‘.: e — e : : ¥ so busy with her own company tha R e s e LEADER. TIVOLI—Buster Keaton, in 2 she doesn’t have time for any move solden News | The Leader will feature “The Air “Seven Chances”; “Man and responsibility. " B’ " o £ Rudol i & verk for Jo- Jivents and Newspaper Fun.” Fri-| Mail.” and Our Gang, in “The Bue- Maid, ith Avenue Mod- I e anecton| day, Hoot Gibson, in “The Saddle |caneers,” today, and start the new 15" and “Slanderers” 4 B of C1 ce Brow suit Tiding Hood™; sixth chapter “Idaho.” | chapte; The ¢ of “The Air Mail” AMBA! DOR—"I Want My > " bl 1 5 { Saturday ; in *The |includes Warner Baxter, Mary Brian, | Man, The Mirage,” “A 2 L i W 5 S d comedy, | Douglas irbanks, jr, and Billie | At lal RSl e 1 1 3 . Dove. Each child attending the show Cafe in Cairo” and “Beyond . California Scenery Stale. today will be given free a “novelty ice the Border. HEN Marshall Neilan was handed | cream,” something new. | | CENTRAL—William Fair- 3 3 the manuscript of Gerald Bea: c 3 i mont’s story, “The Sporting Venus, 3 OLYMPLIC. tuntjf, in “The Fatal Mis- which features Blanche Sweet, the madge, in * e”; Tues-| - Today and tomorrow, Pola Negrl, in 3 Pacemakers,” United States for background and lo- | duy, Pola N “The Charmer”;| “The Gharmer. Tassder Fiorenrn Ma T ations for once failed this efferves. | Wednesday, Lois Wilson, Noah Be Vidor and Edmund Lowe, in “Barbara cent Irish genlu : | W Raymond Hatton, in “Contra-| Frietchie”; Wednesday, Patsy Ruth The story was 0 essentially foreign nd"; Thursd at 7 and 9| Miller, in “The Girl on the Stairs' in its atmosphere — including _scenes | S, Toearn T ke Thnratays Mines S hea i ot Cecule St . laid in the heart of Scotland, London Kerry, in “Butterfly”: F ;. Dana, in “As Man Desires' i a rlie Chase, in “Is Marriage and Paris—that Nellan urged the pro nald Denny, in “Oh 2 Tom Mix, in “Dick Turpin”; Saturday, | the Bunk?"”; Saturday, Charlle Chap- duction of the picture in its original PY WALKE ; £ P Y | : ha hat) ings abroad. Eventually he wc HAPPY WALKER, day, Hoot Gibson, in Betty Compson, in “Hamshackle |lin and Jackie Coogan, in “The Kid." e T e the il scene | Leader of dance orchestra this season. - | House. Pathe Review and “Screen Almanac. MAURICE SWARTZ, A e Nilar 21nd s com. | — - = DUMBARTON. e TAKOMA. Who directs play a Inlm- Shubert-Be-| a0 BSon, K veled a total of 14,000 | Today, Seena Owen, Gaston Glass AWH. e et g Imscoftonight miles—a record-breaker for Neilan, | Kissed During Eclipse. nd ¥Fiora Le Breton, in “I Am the| Today and tomorrow, Thomas|, Tode¥ and fomorrow. Constance the stay-at-home. | tomorrow, Adolphe Menjou, | Meighan and Lila Lee, in “Coming |Talma 3 edEping “to Loy A o “The whole trouble,” eilan, HIE th, the sun and the moon ancis Howard, Ricardo Cortez, in i Walter. Hiers, in "Good|Bathe _News, .qur_ Gang “corledy. Wants Fun in Films. by way of explanation n the Tu. re utilized by Director Frank Tut “The Swan”; Tuesday, Pola Negri and | SPIrits,” and Pathe News Events. o M Astor, in “Entice- growing familiarity of ifornia out- [ (le of the Famous < Adolphe Menjou, in “Forbidden Para-|T 1 don, Norma Went’; comedy. ~Wednesday, Marle| TOHNNY HINES, who ranks amoms | door scenery. It is true we can dupli- { Corporation to furnish - - dise’; Wednesday, Alice Terry and Or- | She: g ollier, jr., in st he Dark Swan'; Ben the comedy stars of the screen,| cate st any environment in the [ground for a kiss between Adolph homrer Collie i e Al ! ate almost ground for a kiss 1 ¥ ville Caldwell, in “Sackeloth and Scar- | | Pleasure M ind Ned Sparks, SR thinks there should be more comedy | world in California, but there is one | Menjou and Lillian Rich during the . T!mml.ul. e on and Alex- 'hlm lllmh ‘:‘llnr §xrang v 3 ;"‘ A . in the film output of the producing | thing that it is almost impossible 10 {recent total eclipse of the sun ander Carr, “In Hollywood With Pot- rsday, J @ 3 3 ~ s , companies. avoid. and that is the appearance of | The scene was taken during the} ash and Perlmutter”; Friday, Agnes rle, in nents,” | A€SOD'S | 7. SetrAay “I think the public could stand |the telltale eucalyptus, pepper and |production of Paramounts “A K yres, in “Tomorrow's Love': ck_Sennett comedy, “Cannon|No; T; comedy, Saturday, more comedy films, and 1 think ghe | live oak trees in your backgrounds, |in the Dark,” which iay, Deggy Shaw, in “Gold Heels. I E " Friday, Rex Beach's [In - i S S eRe ratio should be about th me tRAL|and these trees are almost exclusively of Cyril Maude's famc = The Teon Mralls/ana|tis{Conlay, du [IDISY, LEN. [ ilesy dCithe El it is in the legitimate theater, ap- [ California products. or, at least, are | p) We AllY oto p ouglas E comedy. ately - ! S il - e proximately ) or 60-40. In the| believed to be Realizing that such a kiss and tomorrow. “Smoldering | }‘«‘rvl':”n ; 1 “Whe nllll(- c 1 YORK. | movies now the ratio is about 50-20, — - - be mad welty that could ey and Wednesday, “The 521 “Riddls Ridens Ny, 10 (Satarday.| Today and tomorrow, Jackie Coogan, | 2 thi8 1= really too low S .__ v |dupiicated for Ghpobet by Higns Thursday: | S s trom S g v Seningd | In. The Ras Bans: 42d Beboser | morhere, f8 othing_people Calle§Ra dio stbinockicai] flanctiemats vy acanceionis, Bl A R ang comedy:|from 3 p.m:) zon in “Don't l;;’x_n h''; Tuesda: age motion picure patron THE vernacular of the day reters to | 411 N7 ¥ T that aaras ecret of the Night,” and | S e i his or her own individual cares tage plays as “speakies” and to|an," clectricians and others were RAPHAEL sire = s L e 1" Wedne : worries. They want to be amused.|Motion pictures as ovie { cal very e in the morning o 2 Dante’s “Inferno ad”: Wednesday, W. Griffith's| rpe heavily-atmosphered picture is |, (ieorge Arliss starring infang the r = i “The Reel Virginian® Isn't Life Wonderful” and Aesop|ai®right in its place, but it is my | “01d_Englis a A Tod: 1 < = ith Rot atsy Ruth Miller, ' 3 'il" Thursday, ; l'”"::f," (‘?“‘r;““ a”"i idea that unless a la r proportion which expres concept oday and te ITow, ith Roberts | rl on the Stairs";fcomedy s 'g | Juckie Coogan, in “The Kid,” anc comedy cture shown on the , radio bro. B It i and Tom Moore. in “On Plea: Tilesdiy: “Danhiers of e NIRSOY COuea) - Sin W Orr‘e'(:v:‘.L:hn‘ motion picture. will not| Mr. Arliss receutly made his fir gees; eomery, dtnger Ca Hiepslll; Fox News: also amateur con. | ter Raleigh”; Friday, Percy Marmont, | got much farther on. I, personally,|2nd possibly his last—appearance tesday sday, Beverl 1’8 o'cloc sday, William | i an I | \would u thousand times rather be the TODAY—Doors Open 2:30 P.M.—Daily 10:30 AM. to 11 P.M. s THIS WEEK®qa First National Presents the Most Fascinating Personality in Silent Drama in a Perfect Vehicle, ORINNE GRIFFITH LLOYD Huenssl comedy fore the microphe ding it Bayne, in > of Innocence,” | Desmond, in - W Tomt ! Howe “Hodge Podge Hox H harassing ¢ Tt was £ . smond, i ill Roy ge Podge™: Ot [ fun maker of a nation than its mati- ft harassing wa and o v, “A Nervous | in “High' Brow Stu Thursdas, | Gibson. in “Let ‘er Buck,” Sennett’s|pea {RFaT OF @ nation tha HAt Ronat uncanny,” declared the actor. Patsy Ruth Miller, | Corinne Griffith, in “Love's Wilder. | Honeymoon Hardships” and “Idah i b be talking into the microphone dtctated get.” comedy ness': comedy. “Smoked Out”; Friday, | NO- § ing that thou and mayt -l Gt Fills a Shortage.” and o . = 7 . lions of people over hailf t Bnnl Satii Ay Evck P1over Jetters, * &0‘112‘!"\1."“21‘!2‘ hdlt > . New Camera Invention. [lons of ve 4 r Hair the lang R th ters, “Sleeping Cutle” inot | Chegter Hale Returning. JFRANIE TUTTLL bas introduced | ecelet Home ot those subie curr1 Fox New Buck Jones, in “The Desert Outlaw : I 5 k s o saanto camér this coun- | Of reaction that Eoats” Mo b | abroad last February to appear B ised extensively for the| (EP¢ SIS ELLE | star with the Diaghileff 5 b Aimed witeh, if ne ‘arlo, will return to y - ARuEh it | channels into one 1y, Constance hatEel "o May 21, and will immed R ey et Man-| “Yes. to me, ra | “Her Night of R ne wud hysteri- | b eparations for a tour with| st et S = cal history comedy, “Ponce De Leon i i tomorrow, Norma Talmadge, in “Se. e, s the ballet |\ inuous m crets,” and Aesop F Tuesduy, Lon | numbers in the recent “Hassard Short { ©“ U RHPRS L‘ rose | A Chaney. in “He Who Gets Slapped.” | Ritz Revue,” also conducts a dancing | DPU¢ 10 the gyros b R . Shearer and Conrad |and Ned Sparks in “Low T t in_New York, where such | T tf A1 holdine It [cen W Starts and Hal| Wednesday, A Western Wallop,” pe, aa:Muriel: Siryker, Wirginiad 2V 10T 805 Seep BRIURE 10 DOR EO8 Shows T tagdad”; tom ; a: “ orry,” and | Beards Katherine ~Spencer and [Uf the camera wi 1y ppauliing od 1; ton | Wanda Wiley, in “Don’t Worry,” and dsley, Katherine ~Spencer —and [{f,(h¢ camera with i .7 -9 /8D ay * Harry Lango Rruce scenic; Thursday, Churles Ray, | Jackie Hurlbert are pupils. During S i sday, ay, | J are p jaoien the n & SUNDAY AT 3.00—WEF. : and Pathe I ; n ~Dynamite Smith,” and Fox gom- | his absence his school was conducted | (0T turns th 2, — A S Vidor, wrbara | edy, “Stolen Sweeties”; Friday, Buddy | by Amada Grassi, well known Sp an stmnly pauiion T e Y and cartoon: Wednes: 00 e 9 allopf ac X lunc 4 v see v = and cartoon; Wednesday, It, in “Walloping Walla duncer, recently seen with /" JOY VEEK 3] { <L . Ll il L LI LLLLLLLLLL IR I RN Film Feature MARSHALL NEILAN'S | B PRODUCTION | CNDER"A SPELLS 'And 1 Sifl after o Holf Contory af the Day - Day. _ - L Triumphs as America’s RAPHAEL 9th and 0 streets z ¥ Foremost Stage Comedi- o e ans Come to the Screen in e Their First Big Production CHEVYCHASE Copn e s, \ - CAROLINA 11th & N.C. Ave. S.E. 77 : : . A THIEF IN FAR. =l Based on the DISE." with DORIS YON und ne l s Red Book seral RONALD COLEMAN 4 by Gerald Beaumont PARK THEATER 618 1 x.w. || | From the Famous Stage TODAY and MON Success by Samuel Ship- DAY——TOM MEIGHAN and LILA WITH A CAST in “COMING THROUGH " ‘WALTER man znd Aaron Hoffman Directed by INCLUDING HIERS. in "G0OD SPIRITS " And GEORGE MELFORD BLANCHE SWEET [ | NEW STANTON s oo e LEW CODY---RONALD COLMAN “OH! DGCT()R."_ i "l_l 1:( v;alo_‘;‘]! ’TAN;! , A 47, ork, to Tremendous aw n the glittering night —Youll_Lauch Your B Enthustastic Audiences clubs of London, on the DLYMPIC Yeu 5¢. Bt bloulevards of Paris and i O along the beach at Deau- 2 A ville, they called her The CIRCLE Ample Girl Who Didn’t Care, but . LEARNINC they never guessed of the PRINCESS 1119 1 st ache in her heart for her i R RS o highland home and the Scotch laddie who waited her coming! LOEW’'S 5 y TO LOVE. P i COMPOSER , OFFERING PALACE ‘ IME i TED SNYDER I\ WEEK STARTING TODAY JELITE 46 and BoE ave IN_PERSON) Comeds AMERICA'S MOST POPULAR SONG_WRITER SUNDAY, MAY 17 s Supported_by Rockliffe Fellowes, Lilyan Tashman, Hedda Hopper. I Fazenda, Eddie Lyons and Many (/th rites in Robert Vignola's Lr Picturization of Zoe Akin's Stage Hit That Served as the ' Medwom of One of “th HIPPODROME Barrymore’s Notable Tr l The Poignantly Moving Sto Beautifu and tomorrow, *“Sackeloth and | Tuesday, *‘Family 2 ¥ and Thursday, Friday Sacial Arbiter Who, Through a Serie Baffing Circumstances, Pur 1 Descend ing Course Through t : Strata of London and Society Until' Confronted Crisis That Leads to a Climar of Unexampled Interest and Power EMBROIDERY .. = AL ST. JOHN--A HIT IN “FARES, PLEASE.” ' SPECIAL WORLD SURVEY Overture—Selections From “‘Faust” (Gounod) DANIEL BREESKIN = CONDUCTING WASAINGTON'S FINEST ORCHESTRA OO0 22T ———CRANDALL'S TIVOLI THEATER 14th ST. AND PARK RD. Sunday, 3 to 11 p. m. Daily, 1:30 to 11 p. m. SUNDAY—MONDAY 0 b First National Presents { NORMA TALMADGE Supported by Wallaci McDowaid, Brand MeDermott, Alf Goviding, Emily Fit u, Walter Lo George Hackathorne and Many More, Martin Br n THE LADY Neal Burns in Christie’s “Why Hesitate:” . Taes.-Wed.—VIRGINIA VALLI, “The Price of Pleasure” Lulph Graves in “The Belov+d Bozo Scre Almanac. Thars.-c ri—FLORENCE VIDOR ir “The Mirage” Geo. O’Hara and Alberta Vaughn, “Pacemakers,” No. 1 Aesop Fable. Satarday—ALL-STAR CAST in “Frivolons Sal” Hal Roach’s “Grief in Bagdad"—Mat. Only, “Idaho,” N. (i NN RNAINN \ PLAYING HIS OWN COMPOSITIONS 'S METROPOLITAN 'ASSISTED BY CM\N?‘?EI;\EASOM'\ L FRED HUGHES, Noted Radio Tenor GRIFF CLIVE - BROOK - and LoV R0 e SRl e S s | O TS T = 141 = v, CONDUCTING our Gang ———————————— d RO ’ IALTO CONCERT Comedy T j 4 | ORCHESTRA “SUNDOWN AMERRY TALE OF SCRAMBLED | L e Ao acturs: “Oyera Mirrer” LIMITED” I q MARRIAGES! ) | Loden SRR ; - . Q E D [CRANDALL'S = —————— TODAY AND 3 SR The Home of Perfect Entertainment | (1 z ? 3 AR T 27 B O S 7 ——CRANDALL’S ——— CENTRA = NINTH, BET. D AND E— ——CRANDALL'’S AMBASSADOR ~———18th AND COL. RD.— SUN.-MON.-TUES. SUN.-MON and a Distinguished Cast in Zoe Akin's DECLASSE Aesop Fable, “Echoes From the Alps.” bl it GE Varighn WITH A CAST Based on the st ADOI.I;iIIEmfiEH Jo" l"z":.'l,‘fl;,:’;},’;"f:z‘lf : 5 Ck:Ai'DALE's AVOY THE LINCOLN THEATER D Sat g mot o) RE. U STREET AT 121H RILEEN PRINGLE AND ' Aol i i LILLIAN RICH . ‘ awmissreeo| @ | ELINOR GLYN’S WED.-THURS. NORMA SHEARER in Monta Bell's Latest hit, LADY OF THE NIGHT * Harry Langdon in “The Sea Squawk —Bruce Scenic. D. W. GRIFFITH’S Latest Vrehicla for Carol Dempste ISN'T LIFE WONDERFUL Earl Hurd’s “Two Cats and « Bird A dainty, delicate and \ 645 Da. wholly delightful comedy- QDAY R oD TOMORR S o, oduction romance of an amorous AR DS TREC A nd A ; E b aad R voung bachelor and a flir- LA ! ammond and Rence Adorce tatious wife who yielded Rl ., | & % 66 1 X ] to the influence of soft (74 g ) E 2 ; \ N ' music and a Cuban moon N7 ERNON. 1 B an to steal one little kiss in the dark that starts a : AL Ben Turpin, in “The Wild Goose Chaser” . . - & Rha world of complications! _ in TRE RAG AAN X e WED.—THURS. Y LOEW’S CRANDALL’S Home Theater Jeraa FRL—SAT. ME.” " And HAL RO, ooy : i MOV LA BT WALKER McAVOY NIAL." RR DO: Supported by Gladys Huletts in WEEK STARTING TODAY \ __“FEET OF MUD." * And Review. " Tniversal's Jack e Myihall, George Faweorr . Francis and Myrile St SUNDAY, MAY 17 LEADER 9th Near ¥ Street “SLANDERERS” i . in the Gang, i HE BUCCANEER. NS LIGE CONLEY i . s el RSy D WL < Soml R I o e Bte s {Illllilllllllllllllh?._ for Metro-Goldwyn, Starring Lew Cod , Harrict FRIDAY VIOLA DANA Pat 0'Malley and Great Cast A - in Nina Wilcow Putnam’s _NORMA SHEARER C BEAUTY PRIZE | Bcdle. oot it ap conew in i | LADY OF THE NIGHT . Hollywood” — Hodge Podge. | puiph Graves in “Tae Be- T Toved Bozo.” SATURDAY. CLAIRE WINDSOR SATURDAY. With Bert Roach and Wm. CLAIRE WINDSOR Haines in Wm. Haines and Bert Roach THE DENIAL THE DENIAL Senmett's “Water Wagons”— Pathe Review—"Sunken Al St. John in “Red Pepper” Silver” No. 1. Sportlight. Kinograms. Review. T O OO Starting PARAMOUNT PICTURE THE P B