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Ensemble Will Form Foundation for Trousseau of Spring Bride Weight of a Piece of Glass. BY MARY MARSHALL. VERY frock in the trousseau of the Spring bride is short, even the formal white satin wed- ding gown. A season or more Aago many of the smartest gowns rather long and hut formality and of cersmony wive Spring for bridal draped, solemnity do mot long skirts. » To be sure there fonable women who disregard the present mandate for shorter skirts and appear at parties and dinners and receptions in frocks that touch th floor, but they have definitely set th backs on the accepted mode and have been brave enough and rich enough to attempt to make their own fash- A girl m planning her tr it, making lists have and frocks ware th wedding this the excuse few fash- are a spend years of her life au, thinking about frocks she must would like to of sh The Once Over. BY M. 1. PHILLIPS. The Traffic Policeman. traftic s his put policeman is a man who letting passing auto- calluses on his stomach trying to make reckless drivers believe that a bird In the police whistle is worth two in the bush. is a form ¢ surrounded \ wen mot perpetual motion by carelessness. He entirely of two words: “Stop swings 4 white glove you right into hoose- of the United States, judges of the Su- ey than the am a traffic cop has more thority. When he hands down an it ends the argument. a opinio No Pres t ¥ou of you can deprive constitutional rights, but R trafic policeman can ¢h away ¥ your touring privileges, Your peace of mind and your skill in Tebuttal with half trying. He is the Judge Landis of the delirlous flivver world, the grand commissioner of disorganized darting, the czar of ffiving tinware, the imperial kleagle of criss-cross cavorting lent or court ir liberty of the few men in the nip a debate In the before it has reached more than one person part. When he puts his means it. And when he puts his hand up he means it He one world that c bud and k a stage wh is taking down b an 1t He has a hard look that will flat- ten balloon tire, and can make faces that will make a Ford radiator bury its head in shame. A musical whistle and 2 white ®love are to him what a knife and fork are to the average man, and he leads a hend-to-mouth existence. He makes funny motions with his up- lifted hands and you get only one guess at the right answer to the puzzle “What are the wild waves saying?” Some men ars born tough, some achieve toughness and traffic cops have toughness thrust upon them. They have to be tough to slap medans into place With the palms of their bare hands, shunt fire engines into straight traffic with their elbows, kick auto trucks aside with one free foot and make trolley cars back up by merely wiggling their mustaches. (Copyright, 1925.) Sleepless Student. LDERSAN FRY, 21-year-old foot- less student at Marshall College, Huntington, W. Va., manages to get slong with only 30 minutes' sleep a day. He declares that he feels per- fectly normal in health and mental slertness. | ehine frock | used have—wraps, hats and accessories— but if she is wise she will spend only a short time in actually getting it to- gether. Though fashions do mot change quite so quickly or so dr: tically now as they once did, still seems more {mportant now to have one’s entire wardrobe up to date. OF course, there s to be an ensem- ble suit. That solves the problem of the going-away costume better than anything else could possibly do. Really the bride of this Spring is fortunate, for the shops now have ready for your choosing such co tumes at most reasonable prices. Once, you know, the frock with coat to matc was an expensive proposition, though it always provided the smartest pos- sible sort of going away costume. It is well to choose either beige or navy blue. Brown is rather t0o warm in appearance for Spring. Belge is the prevailing choice for the Spring ensemble, but if you find it does not become you then by all means go back to navy blue, for the French dre makers have revived this old favori this Spring and there is no doubt that it will Increase in favor as the season advances, The ensemble may be of the three- piece sort with a slip and tunic. You might choose a twill slip with a crepe de chine tunic, with twill coat. all in beige. Decoration of flowers in some becoming shade gives the needed touch of color £ ok ok X CLEVER iden for the bride who wants to make the best show on a modest expenditure is to have two ensembles fombined in Let suppose that vou have a beige twill | coat with beige twill and crepe de beneath. Then have the coat lined with some sort of figured silk crepe, and of the same silk have a simple little frock that may worn for all sorts of informal afte noon affairs. Thus the coat of your ensemble suit serves for twe pur-| poses | Several jumper frocks could be advan in the Spring| trousseau, and these are such sim- ple little affairs and depend so largely on the design of the print for deco- ration that a girl with a knack for sewing might make one or two at home. Chovse an attractively printed silk. The skirt is straight and short with fullness let in by way of side pleats, and is mounted on a thin wash-silk sleeveless bodice. The jumper itself may be long-sleeved or | very short-sleeved, with the sleeves and neck perhaps finished with plain | colored silk, to go with the figured | fabric. Usually these jumper blouses are for afternoon. For evening gold | or silver brocade or kid s a good all-round choice, kid being more com- fortable in warm weather than the brocade, which has no “give.” White doeskin opera pumps are well chosen | for the washable afternoon frock. If you like, you may choose a pair of black velvet slippers for evening or afternoon to be worn with very sheer | flesh-colored stockings. This is a fashion that was revived by a num- ber of well dressed young women at Palm Beach and other Southern Winter resorts. * % * % ane. us | OR many years we have been very much dominated in our ideas of design and decoration by the Orfent. All through history there have been periods when Occidental thought and taste have been under this influence. Hundreds of years ago the crusaders brought back Oriental id of deco- ration when they returned from the Holy Land. Napoleon's eastern cam- palgns brought about wave of Orientalism in French design and decoration. Dozens of other histori- cal events have similarly tinged our fashions in clothes, furniture, and decorations generally with the art of the East. Recently ws have been much pre- occupled with Orientalism. But there is no doubt that the reaction has set in. True, there is still an enormous demand for Orlental rugs, but here and there you will meet a discrimi- nating woman who feels that some other sort of floor covering better THE FROCK OF PRINTED VOILE. WITH SOLID WHITE BAND FORMING COLLAR AND TY- ING AT FRONT. suits her purpose. One young wom- an who is refurnishing her drawing room has decided to transfer the Orlental rugs from that room to the 20-year-old son’s sitting room-bed- room, using single-toned taupe Tugs in the drawing room instead. This floor covering is really in much bet- ter Kkeeping with the decorative scheme she has in mind. Perhaps & good many of us ars of one mind with Mr. Bakst, the well known designer of scenery, who said recently that he was “tired of the seraglio. I want fresh air, fresh inspiration, open spaces,” he is quot- ed as saying. "I am going to let in the out-of-doors in these new de- signs which I am doing: 1 am Koing to leave the hothouse atmosphere be- hind. * % o x €6 A LA POCAHONTAS" fs the term used to describe the feather trimming on some of the new Spring hats. The feathers of uncurled gly- cerined ostrich are placed so that the; stand facing upward and forward, like the feathers on an Indian mafden’s headdress. Prominent among hat shapes for the Spring are the sugar-loaf and the beehive—terms that were once self- SUNDAY RTAR, WASHINGTO! o of or the bt cut is not the weight of a pie glass that makes the price quality. according to experts in glass-cutting field Weight i= added to the glass by the addition of lead when it is melted In making glass a certaln amount of lead is necessary, but in the raw ma- terial for glass which is to be cut lead is added in some instances an for other kinds of glass When large quantities of lead are mixed with glass the finished product is less brittle and does not break so easxily as when lime is used. It is, of course, heavier. Many other materials ure added in the making of & for the purpose of giving weight, D. 0, MARCH 15 1925—PART 5 resonance or toughness and abllity to the product. The service- real criterion of quality in Your cut glass, however, is the sparkle and brilliancy of the glass and the angles of the deep cuts, as well as the symmetry of the cutting where the deep cuts cross one an- other. The making of cut glass is, from beginning to end, a hand process. From the time the glass sand and the chemicals are mixed until it leaves the last cork polishing wheel, it re- quires the greatest personal skill and the highest quality of workman- ship, so that there can never be “‘quality production.” explanatory to any woman who kept| her open Refined sugar formed into large loaves, which were | eyes was | regarded as delicacies even in homes | tha season is the Tyrolean, which is of the well-to-do. Loose, unrefined | taken, of course, from the soft felt sugar was used for ordinary purposes |hat worn by the peasants of the Tyrol and for cooking, while for tea and | \vatteau hats are spoken of, and coffee and special occasions bits of the | perhaps they need a word of explana- sugar loaf were broken off and used.|ijon. Antoine Watteau was a French very one knew the shape of the|painter who lived more than sugar-loaf and a hundred years and | years ago and became the interpreter more ago it was applied to a shape | of the elegance and love of pleasure of hat then In fashion. It is a Te-|of polite French society of his day. vival of this hat shape that has|He painted charmingly dressed French brought the old term into use again ladies with great delicacy and grace The beehive, though not so out of | and the graceful wide-brimmed straw date as the sugar-loaf, is not S0 hat that was affected by women of | familiar a sight as it once was. but | the day has borne his name at times it has been adopted by the milliners | ever since. this Spring. Another smart shape of (Copyright, 1925.) AT LEFT: AN UNUSUAL TWIL] AT THE TOP. 1T IS ENSEMBLE. . WITH A FLOUNCED SKIRT AND A BOLERO EFFECT TENED WITH BRASS BUTTONS, THE COAT 1S OF BEIGE THE FROCK AT THE RIGHT 1S A BEIGE CREPE DE CHINE TUNIC. EMBROIDERED AND APPLIQUED WITH A TWILL SLIP OF THE SAM FASTENED AT THE WAIST. WITH THE % SHADE. TWILL, WORN ORCHIDS ARE Rye Gems. One and two-thi cupfuls flour, four teaspoonfuis baking pow- der, one and one-fourth cupfuls milk three tablespoonfuls melted butter, one and one-third cupfuls white flour Things Which Are of Interest to Younger Yarns of the Big Woods. Sardines Fight Fish and Fishers. *The little tajnly has to weren't that sardine herring cer- fight for its life. If it the sardines raise such big families, they'd have passed out of existence vears ago” declared Cap'n White, as he helped his grand- =on Ted to another big sardine cov- ered with mustard, “Why, what's so hard about the sardine’s life?” asked Ted, who loved to hear the old fisherman tell about the different kinds of fishing he had scen or taken part in. “Well, the sardine happens to be The Irish of It. Timmy had forgotten it was St. Pat- ck’s day. He set oft for the office Without a single touch of green. It was not until he was on the street car that be noticed the green ties and the little wilk ehamrocks. His heart sank. His gmother hadn't called him as early as @mual, and in his excitement to get away time he had forgotten what day it as He considered buying a shamrock, but @emembered that all the money he had ‘with him, since he carried his lunch, wwas strest car fare home. Yet he eouldn’t let St. Patrick’s day pass with- out wearing some sort of decoration in 4ts honor. He came into the office early. He was office boy in &n advertising agency, wiilch employed @ number of artiets. He started to dust off some of their desks, when he was struck by an idea. He had often done sketching at home to amuse Bimself and loved to use paints. He sat down at one of the boards, ook a scrap of paper, sketched a sham- ock, painted it green and cut it out. en hie pinned it on his coat. Not satis- Iy that, and moved to do more mor to his native country, he decided paint & sign to put on the wall of the #tockroom over which he had charge. He took a larger sheet of paper and nted “Top o' the Morning” across e top. Underneath it he rapidly phetched a harp, a shamrock end an Erishman with & pipe in his mouth o was 8o busy at his work that he @1ab't hear any one come in. He looked wp suddenly to see the owner of the dlesk looking over hie shoulder. Timmy was horror-stricken. What would the of grinned the “MInd lstting me ses that scetch the favorite food of whales, sharks, porpoises, dogfish, cod, pollock, had- dock, hake and many other fish. Gulls and other seafowl, too, are very fond of dipping down into the water and securing a sardine dinner. fany's the time I've been around sardine fishing. It's quite & business now, though it was just 50 vears ago that the first American sardines were canned. They were canned in East- port, Me., the most easterly city in the United States, which is now the center of the canning industry. “The natural hang-out of the sar- dine herring is about Passamaquod- dy Bay and the Bay of Fundy, al- though large catches are made all along the Maine coast late in the Summer season after the big Eastern run has diminished. “The fish are caught in brush and net weirs placed among the many islands of eastern Maine waters, From 25 to 50 hogsheads are consid- ered a fair day's catch on one tide, while on various occasions 100 hogs- heads of herring have been taken in weirs near Eastport, bringing their owners from $6 to $20 a hogshead, according to market prices, for their night's work. “One queer thing fishermen have noticed about sardine herring—every three years there are quantities of fish, while during the two years be- tween the supply seems lighter. I can't explain this. It's just one of the things you run up against in fishing.” looked at it carefully. “Say, boy, wh didn’'t you tell us you liked to draw? This fsn't half bad. Really like to learn how to sketch?’ Oh, would T!" exclaimed Timmy. “Well, if you'd like to stay after work a couple of evenings a week I'd be glad to give you what lessons I can. You know my name's O'Callahan. “Oh, and haven't I the luck of the Trish!™ breathed Timmy. No “Ha’nts” for Him. An old Southern planter was dis- cussing the hereafter with one of the colored servants. “Sam,” he sald, “it you die first, I want you to come back and tell me what it's like over there. If I die first, I'll come back and tell you what it's like.” “Dat suits me, massa,” replied the old negro, “but if you dies first, Ah wants you to promise me dat youw'll come back in de daytime.” Answer to Yesterday's Puzzle. PUZZLE NO. 1. Acrons. 1. Girl's name. 5. To look slyl. 7. Lyric poemw 11. Variation of Alphonso, 12. To send out. 13. Canvas shelter. 14. To domesticate. 17. Touchy. 18. Night before an event. 19. To make certain. 20. To swab. 23. Sudden breaking. 25. Mislaid, 28, Depart. 29. Printed notice. 30. Proposed international 31. Negative. 32. To read metrically. 34, Formerly (archaic). 36. In what manner. 38. Articles of furniture. 43, Large snake. 45. Verbal. 47. Instead. 43. An eternity. 49. Republic of northwest South Amers fea. 50. To receive. 51. Killed. 52. Stem of tall grass. 53. Ancient Irish language. language. Following TIt. Proctor (entering the room)— You're crazy; I just saw you run- ning around here in a circle. Corey—No, sir, I'm. not crazy. 1 was just trying to read the name of a phonograph record while it was playing Tardy. Number. Not any. . Tnsect. Uteneils. An equal. Goddess of Plenty. . Fate. . Mistakes. Pace. Like. Greek letter, Implements for eating. Heavenly body. . Observes. A part of India. Smell. A short note or blast. Pertaining to & choir. Bends over. Leaps. To decrease. To listen to. Boy's nickname. Exists. Peruse, Fermented liquor. Before. . Statute. Particular playing card. Central Word Square. RBrilliant_performer. . A sax-horn. To border on. e Rodents. Bach word fn the ‘“central word | “He looks like a musical sort of square® may be read in four directions, | fish. across, down, from right ta left and up ' “Yeb, he's & piane tuna® Shrub with purplish flowers. Hasten. . Melted rock. A kind of tree. . Even. Objects mentioned with breastplates of high priest. Open. Crown. Only. xist. Burden of responsibility. Large bodies of water. River flowing to Elbe from Bohemia. Membranous pouch (plural). To read metrically. Card game. Printed notice. Verbal. Of little width, At present, To understand by observatien. Limb, Before. Domesticated. Lump of soft substance. Prophets. Chambers. Curious. Tim—Is there a hyphen bell? Jim—No. T don’t think so. Tim—What do they grab it by, then. in dumb- PUZZLE NO. 2. . Newspapers collectively. To regret. Tavern. Jewish month nearly corresponding to September, . Crippled. Inhabitant of the Laos states. Serpent. A game of skill. . Desert dweller. See (used for a reference), . Church official, Russian city. Mountain in Thessaly. Hero of a Shakespearean tragedy. Close, Roman liquid measure. Steamship (abbr.). Part to be. Pecuniary penalties. 32, Amount of surface. 33, Unit of weight, 35, Young sheep. 37. Branches of learning. 38. River in Germanw, 40. Native metal. 41. Small, 43. Confusion. 44. Male sheep. 20. 21 24, 27. 28. 31, Smallest Dictionary. M ES: OTTO FREDERICK of Minne- apolis, Minn., claims to have the smallest dictionary in the world. It is carried in a locket and contains nearly 15,000 definitions. It is one and one-eighth inches long, three- fourths of an inch wide and three- slzteenths of an inch BY ART CHILDS, The Sizzerbill. (Up in the great lonesome woods the North the old guides have made up many varns which they tell over and over to the tenderfeet from of the cities—their own way of explain- | ing the strange tracks and weird noises. Mr. Childs, who used to be a game warden in the woods of north- ern Wisconsin, collected these stories himself from the “oldtimers.”) Did you ever lose your hooks when you were fishing? Know how it feels to have a mighty tug on your line and think that it must be at least a whale who's taken a fancy to vour bait? Then you falt the line go limp, pulled it In, and found your hook gone big fish must have got It," you mourned. Well, up in the North Woods the old fishermen assure you that it fsn't Riddles. 272 What is it that rambles all over the hills and hollows in the daytime and #its in the corner at night, with its tongue hanging out?— INEZ CARDLE, Newberry, S. C. 373. When is base ball first men- tioned in the Bible? 374, Why didn’t Moses take a pair of bees In the ark?—AGNES KLING, York, Pa. 375, As round as a cup, as a cup, vet the whole Michigan couldn't fill DAVIS, Sharon, Wis. 376. How long is a Chinaman?— 1E DAVIES, Providence, R. I 377. Do you ever wear crocheted rubbers? 378. Why is the snow like a tree?— JOYE WRIGHT, Port Arthur, Tex. 379. Suppose a man was born in England, grew to manhood in Spain, maried in France and was buried in as deep of Lake it up?—H. A. | one-tourth | | t the 1 one Measu and Add the liq beaten eggs. tered mu r s any fish that got your hook. Not at all; it's the sizzerbill Now the sizzerbill is tomer. He's always b i the weeds and rushes and < places to the shore. He's mighty clever at keeping himself out of sight. When he sees a fish struggling t free himself he will dart out u the water and—snip, snip—with ¥ bill he cuts the line very neatly. And away goes the fish, free once more. And away goes the sizzerbill, off another hiding place to make trouble for some other fisherman. The sizzerbill really half bird and half animal. He's growing rare and rarer, and it is only every or so that some old guide up in northern Wisconsin or Minnesota re- ports that he caught a s of one of these tricky fe for one of his favorite among the reeds, mean cus- LYON HOLLAND, Eddyville, K 380. What is better than mone 381. What walks with 1ts downward? 882. When can o train pass over you and never hurt you?—RUTH EDGE and MARY WILKINSON, Sas- katoon, Saskatchewan, Canada. 383, The man that made it didn’t want it, the man that bought it didn't use it, the man that used It didn't know it: what is it?—MARY B CAMPBELL, Hermitage, Tenn nxwers. . When the pr home ru 74 the _ark A digal Moses coffee G shade, what shade Because it leaves in 378. Totally dead. 350 351. A shoe nail 382 under a bridge. 385 A son ma was not strainer. 376. Yes, they weren't crow were they? the Spring. More money. When you are ocoffin. in