Evening Star Newspaper, March 16, 1924, Page 60

AMUS \..aomlng A ! itzi in "The Magic Ring P’iquant, provocative Mitzi, in “The igic Rin the late: Henry W, vage musical production, is coming the National Theater for one week, +zinning Sunday, March 23. he newest Mitzian gayety ribed by its author, Miss irs, and its composer, the yi irold Lev as a “fantastic comedy- ith-mus The story begins 3,000 ars ago, in the orient, and ends in New York antique shop of the sent y. Enlivening these scenes the dynamic Mitzi, who has a repu- tion all her own as a singer, a °r and an actress. \ real cast of celebrities js prom- d in_ her support; besides, he agic Ring” is sald to be beautifully sunted. is de- Irene. ‘Irene,” the charming musical com- ¥ which entertained theatergoers a ttle more than a year ago, will come ¢k 10 Poli's next week, commencing March This year “Irene,” Jumes Montgom- ry’s biggest money maker, will be iesented by a cast headed by Dale Winter. in her old part. Others in- iude Howard Freeman, jere Delaney inry Coote, George Collins, 3 Mantell, Flo Trw ladys Nagle, Doro- Mar, Henrletia Housen, Doro- Kan a chorus of Singing n s and girls, by by “The River's End.” Shubert-Belasco b March attraction will be “The River's End, dramatized for the stage by Daniel Kusell ames Oliver Curwood. End” is a Zripping story of the Canadian north- West, with an outlaw and the northwe: polic. playing le, , roles. Theater 24, the “The Ri th, wanted by is finally c hase of three while bringing his pr These two men, the b hunter, bear more than a striking re- to vach other. The hunted man impersonates the officer and re- turns to civilization and the post to which the officer belongs, and reports his own death. He passes the in- Spector's vigilant eye. Shan Tung. a Chinaman, from his own count masquerader, but keeps secret. The Chinaman Is in love with a white girl and holds a strange in- fluence over her and hopes to per- Keith to help him win her hand of the dead officer arriv post after a for her brother. man masking as her brother is reall he. He falls in love with her, fre the white girl from the hold of the Chinaman and. sceing detection is im- minent, returns (o the sHOWS W of the Arctic Circle, afraid to te! the truth. What he finds awaiting him at “The Rivers End" gives the play an unusual and startling climax. Nance O'Neil and Frank Crumit. Excellent contrast is offered by twin headliners. Nance O'Neil and Frank Crumit, at L. F. Keith's The ater next week, commencing March 24, Miss O'Neil will be seen in a comedy drama, “All the Werld's a| ported by Alfred Hickman el selected cast. Frank thor of “Sweet Lady™” and th Julia Sanderson in “Tan- . will ‘bring what he calls the ,®Onc-Man Glee Club.” Other acts will include O'Hanlon and Zambuni. Iuropean character dancers: Maker and Redford, runa way four; Harry Holl manrikins and the R the pol ptured after a fugitive recognizes th his identity a her the | Humperdinc SEMENTS. ttractions ‘Youth,’ a Spectacu.lnr Revue enter the spectacular revue field with a beautiful production in four scene: featuring Maude Daniels and nine tal ented performers of the younger gen- eration of stage life, among them Carol Chappel, an inimitable boy im- personator, and Domonic Pelumbo, a |, vest-pocket comedian. The "tion has its comedy, its songs, dances and its climax in a West Point military drill. Marry Miller and Pegey Frears— Peggy used to dance with Donald Brian, and was one of the featured beauties of the Ziegfield Follies, while Harry is a rising comedian who al- ready has hit a high mark of popu- larity—will be seen in “An Episode of Modern Youth,” by Russell Mack, whose entertaining power and man- agement guarante Others will be Jack Sidney, one of Gus Edwards’ school boys, but now £rown to greater heights in an act of his own; Eddie Furman and Olive Evans, who are scoring Leavily over the circuit with their songs, and Bronson and Edwards, two clever chaps with-a very funny pantomime. The photoplay will be William C. De Mille’s “Don’t Call It Love,” in which Jack Holt and Agnes Ayres share honors with Nita Naldi, Theo- dore Kosloff and Rod La Roque. Myers and Hanford. A few seasons back the Ziegfeld Follies announced that a new act Was to_be brought from somewhere from a New York debut. Two “hicks” from the farm, rubes that proved a sensa- tion from their opening act, proved to be Myers and Hanford, the head- liners the Strand Theater next week. They taught the big town something about dancing, melody and how to play a saw, and will do the sume thing he; number ionally diverting verest's monkey hippodrome, simian actors and come- dians, in a vaudeville revue. | " Bobbie Carbone, in laughter, music and | song, an dother casts of high caliber will plete the bill. T photopla; | Fox’s production, s bert, in “Just Off Broadway.” Black and White Revue. Next the Gayety will offer Jimmie Black and _White Revue, company of play ers on the burlesque wheel venty in mumber, thirty-five whi d thirty red. ~The entire half will be offered by white rs and the entire second part by he colored members. Jimmie Cooper sprints through the whol» show, pepping up the choruses, ing the principals how to get and displaying his youthful m » white Tarzan, Rita Rose, in el will be William week Coope the cast includes Fred Har- the wrestling W Midgis (iibbons, | Lew, Josh " Delano, Blossom and Cowboy Bill Pruit, with { youth and beauty. The colored delegation includes ten icians to inspire Bessie De avia Sumler. and Reuben . wlso a chorus to make this half as complete as the first part. Jazz, pep, ginger and zipp With speed and action—that's_the big idea of Jimmie Cooper’s Black and White Revue. Marx Is Not Dumb. RTHUR MARX that be understood here Arthur is the red-headed harp play and comedian in “I'll Say She Is, which is to play at the Poli's Theater the week of March 30. Arthur is a he does not entire per- per, abel Sisters a chorus is not dumb. Let and now. vears. He used to say then they grew Now he gets gestures, 1 are simple— the stage for a few lines an er_season after season. 11 his laughs with hi; imple grins—and they 1 f his k’S score Of “The Miracle” been written In, ion of the dramatic values | Miracle,” the marvelous spectacular pantomime, staged by the | world-famous Max Reinhardt at the | Century Theater in New York, under | the direction of the indomitable Mor- ris Gest, the celebritics who interpret it and the production’s many stupen- ‘dous features. Outside of New York, however, little has been about the magnificent score which the famous composer, Tbert Humper- dinck, especially wrote for it. “The fame of Humperdinck in Am Sca had, until the presentation of “The Miracle,” rested upon the beautiful melodies of “Hanscl which many noted 1 suns. including the belo Heink, and “Koenigskinder." whi Geraldine Farrar created at the Met- ropolitan Opera House several years @ago. Since the production of ““The Miracle” in New York, critics and -public alike have discovered a new phase of the art of the gifted com- Actors and 1'!‘ is the common protest of actors: “[ never read criticisms.” No one believes this, but players think everyone does. lidward H. Sothern considers such an attitude an affec- tation. “We have to take the Llows of eritics, just as we take the caresses— but especially the blows,” says Mr. Sothern. “I come of an acting fam- jly, and T know that ever it has been ®0. I've seen my father come away - from the newspapers pummeled. But he always went back for more. It was his idea. I think. and it is mine, that we actors are like prizefighters $n that much depends on how much punishment we can take.” One of the first duties of the Soth- ern butler when he arrives in advance ©f the stars to prepare the house which the Sotherns lease in each city they visit, is to call at all the vari- ©us newspaper offices to subscribe for ‘the papers. With the appearance of the ~Sothern-Marlowe company of 1ifty people the circulation of news- papers increases just that many eopies. Everyone in the organization w—save one—buys the papers. France Bendtsen, one of the come- Clml'.\L\'s have Three “R's” of Movies. ®THE three ‘r's’ of motion pictures are the rehearsal, the retake and Che recut,” says Herbert Brenon. - “Just as ‘reading, 'riting and 'rith- gmetic’ are the basis of education, 0 the rehearsal, the retake and the recut are the basis of perfection in the motion picture,” declares the di- rector. “Every scenc is carefully rehearsed by the director as a preliminary. When the scene is filmed it is shown to the producer and the players in * the projection room. The actors are then able to study their work closely and observe wherein they are suc- ceding or falling short. If the scene not satisfactory it is retaken, the players taking advantage of what thoy have learned through observing themselves actually in action. Motion picture players enjoy this * mnique advantage aloge among pro- fossional performers,” ®ays Herbert Brenon. “All the old-time terrors of missing funu forgotten lines, false notes and acecidents unknown in vl\c‘ wofitn g 3 published | inal har- mon The Miracle” score_that the music eritics of the New York newspapers have attended the performances for the express pur- pose of reviewing it. It is practically an unheard-of procedure in journal- ism for music critics to witness pro- fesslonally any but purely operatic, orchestral or concert performances. The criticisms have been as em- phatically laudatory as those accorded Humperdinck's Of an utterly different his operatic in- <pirations. the measures which depict th rious scenes of ertheless of the pose vention which placed the name im Humperdinck among the immortals. While lovers of histrion |over the characterizations ana Manners, the Prince: balli and Rosamond Pinchot, while still others praise the almost unbelievable t. Max Reinhardt and Norman Bell-Geddes, opera and concert goers, as well as the professional critics, de- | clare the score of “The Miracle” to! be one of the greatest contributions | to the musical literature of the da: Cr1t1c15ms. n some mysterious know when they strangely ignor- ant of the fact when they are cen- sured. The actor invariably can tell| when his name is mentioned by the | atmosphere back stage. If adversely, he is not kept in suspense; if pleas- antly, the chill never fails to register. Also, hedeclares, he can discover whether it has happened in a morn- ing or an evening journal, as the de- dians, points out, 1l of them praised and are cold in his comrades varies (‘cord- ing to the length of time which hdl clapsed since he gained prominence i in the critical sun. DRAMATIC INSTRUCTION. Cultivation of Speaking Voice Public Speaking, Dramatic Art, Children's Expression Class now forming. Special Iostruction in ll‘lllh Diction, Enun- ciation, etc., for foreigners. 1614 Eye St. N.W. PHONE FR. 7731 DANCING. d" o 2 05 Eventoe WhE Sor “Bambalins Fox Trot" ang Al the latest variatioas. o PROF. AND MRS, ACHER'S STUDIO, 100 s Class Moiday and Friday. § il m. "Private lemons by appoint Brankiin S567. ' Fetablished 1000, Coee® MODEEN SOCIAL DANCING oo EaplL of M. Miller) rivate and Class Lessous. Day phone, Main 6155, EDW. Wednesday _clam, 8. MiSS CHAPPELEAR te les o PRI B 7 eopnient DOI;NL: O o B MA as tanght by CH. Former instructer uAk..’ LUSSIAN merican Tango,” IMPERIAL B Sires: mnnnfxu.u. Nr. 18th asd u.n. Catherine Balle, 719 9th St. N NW We teach 1o 1 i and nder | Arthur has been pantomiming on ! achievements of Morris { New Productioris. productions by the ¥amous Pm ers-Lasky Corporation have been announced by Jesse L. Lasky. Heading the list is Cecil B. De- Mille's production, “Feet of Clay,” by {Margaretta Tuttle, with Leatrice Joy The Cosmos Theater next week will Jers, | 1 {duction, as yet untitled jupon and Rod La Roque as featured play- and “The Wildcat,” by George AMelford, featuring Bebo Daniels and Antonio Moreno. - This is an adapta- tion by Julie Herne of the Spanish opera by Manuel Penalla. James Cruze is to produce “The Enemy Sex,” from the novel by Owen Johnson, with Betty Compson fea- tured. William de Mille has Pola Negri is to star in another Dimiti Buch wetski production. Sam Wood wifl (produce Elizabeth Alexander’s Satuf- day Evening Post story, “Roled,” starring Agnes Ayres. Joseph Hena- Y will produce Sophle Kerr's ‘Worldly Gioods,” with Leatrice Joy featured. Y ictor l.;!enélnk will direct “Code of e Sea,” by Byron Morgan, featuring Rod Le Roque and Lois Wilson. Irvin Willat will produce Emerson Hough's story, “North of 36" with a cast headed Ly Jack Hoit, and Herbert Brenon is to make “The Mountebank,” from William J. Locke's novel, adapt- ed by Willis Goldbeck and featuring Ernest Torrence and Anna Q. Nilsson. New Came;a Technique. A NEW technique is being evolved in motion pictures. Cecil B. DeMille is one of the prin- cipal experimenters with this new plan. To Yake several scenes at once, he had six different cameras trained on a spot elght feet long and four feet wide. The cameras occupied two sides of a square. By shooting from such a variety of different angles and with different lenses the players, turning first one way and then a other in the narrow space, were to act continuously several sce treated separately in the script. The six cameras wouyld not all click at one time. They were timed so as to get just the particular action suitable for their special lens and position. “By this mean; states Mr. De Mille, “we get all the advantage of unbroken action. The players, with more to do, have a better opportunity to ket the real feel of the sequenc And. worked out to its logical con- clusion, this technique can be a great time saver.” i s Tolling the Bell. M.—\b MURRAY is known to be tol- erant toward the vagaries of her help at home and in the studio. Never- theless she could not refrain from being a bit caustic the other day at the studio. It was discovered that the eet lacked a little dusting, and she ordered some one to ring f the porter. That individual showed up finally ‘after ten minu ringing “Did you ring, mam?" he asked com- . replied Miss Muvrs na, We were just tolling the v.houghL ou ‘were dead.” . Longest Single Scene. THE longest single med for motion ade by Herbert Bren “The Breaking oint.” The taking of the scene occupied eleven minutes, during which con tinuous action on the part of twel pl was watched by the director. occupied six hours Nita 1di, Patsy Ruth Miller, Matt Moore and Theodore von Eitz are featured. George Fawcett was the only one of the featured players who d not appear. x cameras were 1 even minutes of act hooting simultaneous! film magazin in- bell scene ever pictures was during work ed during the only three As ‘the or- holds only 400 . it was nec ry for the relay meras to. begin just before the film the first three camera magazines exhausted. The Breaking Point” was adapted for the screen by Julie Herne and Edfrid Bingham from Mary Roberts | | i gree of the intensity of warmth orj ESTELLE ALLEN STUDIO| Rinehart's novel. NATIONAL THEATRE Ouly Dt is Washioghwe effwisy cxsshuly Amwiess ané fervige stan of first rask oMV ENT RS SER R o — COMMENCING TOMORROW NIGHT COMMENCING TOMORROW NIGHT v:2'l%ur. HENRY MILLER BLANCHE BATES RUTH CHATTERTON EMMA DUNN GEOFFREY KERR REGINALD MASON FELIX KREMBS ‘I LEE WILSON DODD’S COMEDY e Changelings Wed Mat: 56e, S1. sumue,n.njo,s:.s:m Nizghts: 50c, $1, $13, s150, $2. MAIL ORDERS M Now SEATS THURSBAY GAYETY :ni: 17 ~ANNIVERSARY,_ WEEK - 17 SOUVENIRS FREE TO THE LADIES oo THE DAY YOO WILL LIKE THIS ME DWD TS ms.j:vfl%( CREATIVE RIGINALIT IR YOO LIKED FOLLIES UTHOR, TH, SPLEYD ,g DISPLA OVE ~SANE BENIUS_AND O. “RIVER'S END" WASHINGTON, D. ¢, MARCH 16, In the Spotlight had its first hear- ing at Atlantic City and good reports have been received. “Garde Leon Gordon, with Lee Baker, Newcomb and Lillian Tashman, rehearsal. Rosalie “The Show Off, York frol Ark. Gusta dent of the Indep pa an,” and Dorothy Outsider,’ next play is to be produced in Lon- don soon. raYogues.” the big revue, has had it rst showing at New Haven and is| (3ipj o scheduled to reach New York & week | Jannson Yonnr oo hence. H. Paul Douc port of Mme. French actress, soon to Henry while waiting for something to turn up, will York, in An Johnson Share,” by Willlam Anthony McGuire, are announced for production this season by the Dramatists Thea- ter Corporation. “Sitting Pretty ‘Wodehouse-Kern will open agement Henr: ducer, York the; years and will star Henry Herbert in suc “Hurricane,” in which Olga Petrova starring, & is New Yo forman well. “The musical at Atlantic Clarence “Mirac) its title conflict “Cheap Herndon preted Dinehart Eldridg Lyn the Wif forman tu play, A tentati “K du EVERSMAN Yormerly de SAYN it Tic and Art Pap B NATIONAL THEATER T, the Musical Season With The Popular. Perfect. Peerless Pleasing. Priceless, Preferred. Preeminents PAVLOWA A Concert Bureau. HENRY W SAVAGE %5 ITZI E“MAGIC RING producers of unnamed Ja: by tarling, ed from Culifornia, where hi “In His Arn n of Weeds,” a new play by ary s in Stewart, co-producer of has returned to New m a vacation at Hot Springs, Blum has resigned ndent The 'he Shame Wom- will produce independently. Brandon, author of “The " has sailed for England. Her t will appear in sup- mone, the celebrated at special matinees be given in New York. Hull and Cyril Knelghtly, appear in vaudeville in New a sketch by Leon Gordon. play by Rida “The " Lion's “new Young, and later the new Bolton- musical comedy, 0 in_Detroit under the man- of Com taron, the well known pro- he is going to rent a New ter next fall for a term of ion of productions. a fixture in its 100th per- ind still going has bec It reache this week Lew Field's new | is scheduled to open ¥ and reach £ho nd’s nov to preven big tacle now York. i . Fiorence Tannehill. 1 . Burt and Myrtl 1 whose comedy, “Meet | i per- just re- new has bLeen given reached : New York, ve production, revie to iott Produs Ve pro- | ng Com Metropolitan Opers Rassian st Chuee 0. $1.00. enier Hoom. 30 1106 Conn. Ave. " Tues., April 1 4:30 | Arthur Smith, Inc.. Closes "Picturesque, Prepossessing ANNA nd Her Ballet Ruase Exclusive Masagement Arthur Smith, Inc. 1306 G Street ABSOLUTELY FIREPROOF PRICES wrEnTS SR SAT. WAT. 500 to $230. WED. WAT. W ® 2. Piss 10% Wor T=x IPIE Py R, BARNEY GERARD'S SUPER SPECTACLE VANITIES /N 25 SCENES OF BEAUTY, ART ANDNOVELT Y - wrrK JOE MARKS AND éq’ O&UB THE ELS ALL 7,%‘ IJ%?AT . A MAY - HARRY SEYMOUR WHiCH SPARKLES WITH SPEED, YOUTH AND ABILITY | Vietor | direction of Arthur Hopkins. pany, will go in New York. ‘What Women Bryant, will be produced by the Ar- thur Leslie Smith Corporation at the Central Theater in Chicago April 20. “The Best People,” a Frohman pro- duction, has opened in Chicago and will play on tour until fall, when it is scheduled for New York. into rehearsal this week Want,” by Roy Steven Clow, editor of Broadway Brevities, has written a one-act play called “The Hat Shoppe Kathaleen Kirkwood is to produce it in New York tomorrow night. Mrs. Fiske is rehearsing “Helena's Boy a dramatization of a_ short story by Mary Pulver. Ida Ehrlich is the adapter. Fay Bainter has been signed to ging the prima donna role in the new Herbert operetta, “Dream of which Rida Johnson Young made from her play of some years ago, “The Road to] Yesterday.” 7 { The Selwyns have decided to close the tour of Mrs. Leslie Carter in “Stella Dallas” their Boston theater. at Robert Bmmet Keane will head the cast of “Across the Street,” a comedy by Richard A. Purdy, which Oliver Morosco will produce. Under the joint direction of Morris | Gest and_ Charles B. Cochran, the | Moscow Art Theater will play its first London engagement in the late spring. Samuel Shipman's announcement | that A. H. Woods had bought his two plays, “The American Sheik” and “Cheaper to Marry,” haa been declared premature by an authority in the Woods office. Willlam ¥arnum will return to the speaking stage next season under the Lester Bryant, the young Chicago | concerning 1924—PART 3. the middle west, with Judith son as the leading woman. Kenneth MacGowan, former d matlc critie; Robert Idmond Jones, scenlc artist, and Bugene: O'Neill the playwright, have incorporated to take over the Greenwich Village Theater Ander- April 1 for a drama revival on a large | scale. Miss Florence Foster, who was ro- cently seen here with the Theater mpany, has writ a b ketch of the late F' ding mag: Foster acted as Bacon's secretary for ore than a year prior to his death, nd her sketch includes a number of personal and amusing _anecdotes the famous “Lightnin’ Bill Jones. The Selwyns will present at George M. ¢ and w House, Marcin's latest play, s one of those stiiming | melodramas of mystery a4 man who “goes thorugh,” and who does not fear the electric chair in doing so. May Boley, well known in this has been engaged for “Vogues," new Shubert revue, John Henry Mear's production. who starred in “The will reappear in @ Shubert theater in this we. RAMS HEAD PLAYERS 1328%; 18th St., Just Below Mass. Ave, Every Wed., Thurs., and Sat, Night at 8:30: Baturday Matizee at 2:30 Beginning Wednesdny, March 19th “EASTER” By August Strindberg Tickets Rams Head Playhouse, Frauklin 58 Emperor Roseann: st Mre: 6 Buréau; Droop s, Greeno's u; and G. Main 6493. promoter, has taken “Patches” under his wing, and it will be shown in JANET RICHARDS Every Monday Morning at 10:40 NEW MASONIC TEMPLE 13¢th St. and New York Ave. SHOWS DAILY 2:15 & 815 SUNLMATATS BEGINNING MONDAY MATINEE ENGAGEMENT EXTRAORDINARY WORLD'S GREATEST MIMIC~ OnE of the MOIT CELERRATED ARTISTS ofthe INTERNATIONAL STASE Miss CECILIA (Cissie) LOFTUS IMPRESSIONS of STARS of TODAY Awp i WALTER CKELLY THE VIRGINIA JUDOE PEARL REGAY WITH LESTER S§HEFHAN WADE BOOTH YOUN® AMERICAN BARITONE “WATTScHAWLEY ™ LAUGHS WITH MELODIES TOM DAVIES TRIO SINSATIONALHQLQN'“ WILLIE ROLLS THRILLS ASSOPS FABLES ~TOPICS#/ 22 DAY PATHE NEWS PICTORIAL CIIAPLES CUERRY UTNE BACHELORTASATING TEDAY AT 3 ARD 818 LAST PERPORMANCES OF MADIE CAMILL-GIAS. KING- Hbdde JIMMY BARRY-OTHERS PHONES MAIN 4484- 44¢ VASHYESS F. RAY COMSTOCK and MORRIS GEST Have the Great Homor of Annownc- ing the Pirst and Only Visit in_Washingson of THEATRE Coastastin Stanislamky and Viadimir Womirewtsh-Dastcborks, D ireeters The World’s Foremost Acting Company at POLI’S TORIGHT REPERTORY Sunday Kvenina, Mareh 16—~Tmr Irete Ivanoviteh,” by Ceunt Alexel T entiay Evening, March 17.—“The Cherry Orckard.” by Anten Tehek- Wednsaday Lvening, March *Tnelo Vanys.” by Anton Tehekhoff. Thurnday March 20— “Twar Fyoder Ivanoviteh.” Evenlag. Mareh 20— rrhard. The curiain will rise promptly at 3 at the eveming performances ard st 3 at the matiness. and. according to & custom homored in Moscow for the last twenty- five years, positively uo ome will be permitied thereafter nntil the firet intermisston. B 1 Engliah translations of each of the plays are now avail- able at Poli's Theater at thirty- five cents each. or they may be obtained by mail addreased to Poifs Theater at thirty-five cents PRICES ¥or evenings: Orchestra, §3. Bozes 3388. Loge seats, 32 Baicony, 32, $180 and 31. Plus 18 per cent War Tax. Matinees: Orchestra. 3260 and 32 $2. Bai- ony, Plus 10 per cent’ War Tax. NEXTSUNDAY NIGHT | | Positively ONE WEEK ONLY Matinees Thursday and Saturday Ovder Tickets by Mall N EVENINGS 50¢, $1, $1.50, $2, $2.50 SATURDAY MATINEE 50¢, $1.00, $1.50, $2.00 THURSDAY MATINEE 50c, $1.00, $1.50 i Wednesday Re(urlml to Remew the .n()c Spell That Last Year Hald All Washington Capiive THEGREATEST oF T L nd - $1. | Zre ==DALE WINTER And the Al Joison Theater Y. Cast. \ 7 l( 50 IHE PERFECT OF TERICAN GREATNESS of inj and surprise, | | | 1 ! { 1 1 Under Auspices of Radio Merchants' Association March 19th to 26th Convention Hall Alfred L. Stern, Director 75 Exhibitors from Dis- trict of Columbia, Mary- land, Pennsylvania, Vir- ginia, New Jersey, New York and Illinois. Startling Government Ex- hibits, Jenkins’ Radio Pho- tography, $25,000 RCA Ed- ucational Exposition. Daily program of band, music—speeches by high government officials $1,000 IN VALUABLE PRIZES GIVEN AWAY IN DAILY COMPETITION Admission, 55¢; (Tax included) Tickets Now on Sale at orchestra and vocal Continental Electric Sapply Co., | 80\ 9th St. N.W. ional Electric Co., 30 New York Ave. derson Cigar Store, ]4!!1 and New York Ave. N.W. burgh & Bro., 420 W Ballard's, 1340 G St. N.W. Liberty Radio Co., 905 ¥ St. Radio Parlo 1ith St. Wm. P. Bover. 12 15th St. 3 Harr) Harding, 1319 14th N.W. Turner 12th St. Fred S. Lincoln, e Hecht Co,, W Suppl 822 15th § th and ¥ Tth St B . Inc., Radio Rd, S0l Studio, 1403 Park Herzoir, 9th and G Sts. irmont Radio Shop, 2623 3 14th St N.W. WE PLAY LOEW’S VAUDEVILLE BRUGINNING TODAY—COMPLETE CHANGK OF BILL. DOORS OPEN 3 P. M. __THE CITY'S FAVORITE POPULAR PRICE VAUDEVILLE THEATER - NOTE—VAUDEVILLE TODAY—3:45; 5:50; 7:55; 10 P. M.” 5 e e L e o S e = A SMART REVUE FEATURING EDITH MURBAY AND HER “QUEENS OF SYNCOPATION” THE CAPRICE SISTERS AND A BEVY OF BEAUTIES NOEL LESTER & CO. WALTON & BRANT In “Verssille Eatertatnment™ In o Lesghmeker, “HuN® KURT & EDITH KUEHN KING BROTHERS Offer “A Comedy Cimeste” Amasing _Athletes GITHOTOPLAY—YIRST TIME SHOWN®A WESLEY BARRY in “THE COUNTRY KID” e e EINOGEAM—EXTRA FEATURE—OOMEDIES—ECELLENT MUSC W TWO SHOWS FOR THE PRICE OF ONE —N§ Matines, 10¢, Slo—Nights, 20c, 50c—8at. Mat., Sunday & Holidays exvepted. SHUBERT ELASC Mat. Wed,, 50 to $1.5¢ Wemt, Lo & J. 4. Shobert Sat. 50 to 5200 Lester Bryant Presents THE |NTE'NAT|0NAL FAVORITE FOUR SOLI" VIONTHS IN CHICAC TOMORROW NIGHT She to $2.50 ot 8:20 THE SEASON'S SMART- EST. GAYEST, MODERN COMEDY OF YOUTH AND ROMANCE 300 NIGHTS IN VIENNA WITH THE MOST GIFTED STAR OF THIS GENERATION AND A CAST OF EXTRAORDINARY DISTINCTION NEXT MONDA SEATS THURSDAY. DANIEL KUSELL Presents His Dramatization of JAMES OLIVER CURWOOD’S Famous Novel THE RIVER’S END NOT A PICTURE A gripping drema of the Northwest. with a very notabi 9 mg Wihllam Boyd, Mary Brandon, George Proberi, George MacQuarrie, Ray Collins, Baker Moors and Frank Meriin. BEGINNING MONDAY, MARCH 17th A THREE-HOUR SHOW 2pen 2t} Close at 11 LEW SEYMOUR & CO. “ARE YOU A LAWYER” A Timely Musical Comedy Skit—5 Peuple KESLER & MORGAN FRANK RICHARDSON =_Girl” “The Joy Boy of Som MAUDE GERARD and HER DANCING BOYS Five Talented Artists—A Beautiful Act Sophie—EVERETT—Harvey SAMPTED & MARION “MONEY.” a Novel Comed; Novel Entertaimers First Washington Showing of LEAH BAIRD In a Thrilling Comedy Drama “THE DESTROYING ANGEL” WIS »—KEITH’'S -: KEITH’S —« POPULAR PRICE