Evening Star Newspaper, January 28, 1923, Page 53

AMUSEMENTS PHOTOPLAY The T was bound to happen. Nothing escapes the motion picture octopus And now it is after good old Emil Coue, the apostle of sunshine an: autosuggestion. Al Lichtman, president of the corporation bearing his name, through the publicity sheet of his organization, announces that negotiations are still under way to secure the services of Mr. Coue to appear in a film setting forth the Coue method of self-treatment by mental concentration. The announicement states further that tentative plans for the picture are being formulated pending Mr. Coue's decision, and that in the event that he consents, the production will be filmed in Los Angeles, where Preferred Pictures maintains its studios, and during the transcontinental tour of Mr. Coue. * ok ¥ % T scemis a happy thought to enlist the distinguished Frenchman in the moving picture industry. There have been so many ills, real and imag- inary, attributed to it, that self-concentration and an earnest effort to get “better and better, day by day and in every way” might be a happy solu- tion for the troubles for which the censor has been urged and which drew even a Postmaster General from his place in the President’s cabinet to remedy. Mr. Lichtman's idea, however, is that a picture presenting the Coue system for the uplift and happiness of mankind in general would be irresistible, and he has offered Mr. Coue $5.000 2 week to help make it. But money means nothing to the great optimist, for he has said that any money he might receive for such a picture would be devoted exclusively to the maintenance of the clinic which he hopes to establish in New York city. i ¥ ok ¥ OUGLAS FAIRBANKS, t “Robin Hood,” seems to be acquiring the pace that has sent “Abie’s Irish Rose” into the record-breaking class. nounced for its third week at the Columbia Theater, there seems to be o let-up at all in the crowds that pour into the theater lobbies for each howing of the picture. Since the local reviews have appeared, the National Board of Review has spoken, and in the current issue Excep- iional Photoplays quotes the review as declaring the following: “A story-book picture is Robin Hood, as gorgeous and glamourous a thing in innumerable scenes as the screen has yet shown. It is a splendid ex- ample of the one type of serious photoplay that has any future in a land where the fear of the censor works more efficiently than the fear of God, and it is hard to scc how, in many respects, the future can improve on s example. It is romance—the romance of chivalry—in all the lovely trappings the heart can desire, and thrilling entertainment for the whole amily group. from the oldest to the youngest.” * ! world has expended its best talent on devising labels could sell goods. The screen world has not always done so. 2 tantly employed in finding names for photo- play nd in writing what are called subtitles. Sometimes, however, this talent scemis to take a vacation, and the product of the substitute is not s gratifying. For instance, Thomas H. Ince’s production of “Skin It concerned p rily a homely crook whose face was made over | v plastic surgery after he had won honors in the world war and had taken a v wpoint of life. The story was an interesting onc, espe- ciallv as it emphasized the sentiment in favor of the boys who went “over It was introduced on the screen at the Metropolitan with a most unpressive “prologue’—they called it so—of music and tableau. But no who saw and was deeply moved by the picture that followed, for hich timent was so beautifully emphasized, would ever have gotten t htest inkling of t they were to see by the name given of constructive criticism. is it not permissible to| oducers their excuse for not following up | ith’s “The Birth of a Nation,” vast resources of writers of note and picture- i rical pi e of the war that has shaken the Christendom and yet seems unwilling to abate? If it be Lic great story. are not thege vet some outstanding features ight, with national profit, be pictured, not as propaganda for | but 1 8 the great principle which carried America into | No the American screen, but the American stage, seems | en 1 on this great opportunity. ¥k % :o¢ industry fritter so much of its time away in love apossible romance and lurid melodrama. They are enter- 2 0o ane disputes that: but why is there not inspiration big enough where in the art or the industry, as you will, to deal with a big theme that will lift the cndeavor as much above and bevond the present aver- age output as Griffith’'s “The Birth of a Nation” did when it appeared? Isn't it e for something really great in the movies? ibiliti { 4 i ovies? Ther are so wonderful, so limitless ! = EARBYoIa s Photoplays This Week AT THE PHOTOPLAY HOUSES THIS WEEK. METROPOLITAN—Elaine Hammerstein, “One Week of Love.” Shown this afterno i RIALTO—"The Stranger’s Banquet Shown this afternoon. PALACE—Dorothy Dalton, “Dark Sccrets.” Shown this afternoon. COLUMBIA—Douglas Vairbanks, in “Robin Hood.” Shown this afternoon. i CENTRAL—"The 4 t CRANDALL'S—Rodolph Valentino, this afternos LINCOLN (Colored)—The stars of foundatio 190 soon f it that » thing. onl to have fu dot Shown this afternoon “The Young Rajah.” Shown Liza.” Shown today only. METROPOLITAN—*“One Week of Love.” “One Weelk of Love” the feature 1is week 2t the Metropolitan Thea- presents Conway Tearle and laine Hammersteln as co-stars. A Christie comedy, “In Duteh,” starring Bobby Vernon, and other short reels «nd musical offerlngs complete the bl 3 The feature comcerns a rencgade’" Y !terest is in spending his Amerlcan lcading the life of 2 ban- | ’"“"‘:u’; T:* daughter, who endeavors | ait in the mountains of the Mexican !uDePXnL:n; :“5“;‘“& estranges the | 1 : | ent who is in love ‘\’\order Mll\‘}e: :“‘7’:{‘.7,”"?; Y Iher, by yielding to a lax and wnln Waus & petting party | mental polley in managi e hich guests are bldden to wear thelr | dreds of workers, Shariit,ths hun- “most f{orm: h suits” an 0| o New lcave their brains at home. Betty i f:";;fi“fi;’hif";;flmn, and is about | Ry e e hor ey S Diama and | lions, when she is catied bask'cs o2~ back in an airplane race. Betty loses |20d. eventualy, love, by the rioting in her way in.a fog bank, her engine g_:}’g&um; an Sown Tt the” shnok ‘of Buck Feares | IENtS and Strike Tiots. ot e ley, desperado. Then comes a week |train races and breath-taiing eroond of ‘war for supremacy in the squalid |UPS are features nf the offesinm ol tle camp, from which the girl can-| The short features will tnoine not escape. Finally her sweetheart!comedy “Bumps™: a unique eolor e looates her and attempts to escort. her | ture called “Sketches”: Fox Neus bz back to civilization. At a gay flesta o in a border town Fearnley saves the lives of both Betty and her escort. To dlvulge further details would il tho story. The production is ploturesque and unfolds a sequence of memorably beautiful _scenes. The shows scenes of the busy yards of a great ship bullding concern. Shane Keogh leaves the fortune he has ac- cumulated through the shipyards to his two children Jobn and Derith. There are many “Strangers” who wish to feast at this golden ban- quet. and the story is of their par- tial success and final frustration. The son marries a beautiful woman whose studio settings, ’D"lreftor George Wil will give a score to add to the enjoy- ment of the feature pkcmu.en'!l(:l):e Rialto Melody Boys, one of the mosat popular innovations'ever instituted at | immutable. THE SUNDAY COLLEEN MOORE, Zinncolr. JANE NOVAKL Cerntral. STAR, - WASHINGTON, DOUGLAS FAIRBANKS and ENID BENNETT, [roDOLPH VALENTINO, ‘Crandalls Stupendous Lighting. EVER before in the history of mo- A\ tlon picture making has thers been used o much_electricity for lighting purposes as was necessary in produc- ing “Robin Hood.” the great Douglas Fairbank's production. The amount of electric power con- sumed in one afternoon properly to flluminate the banquet hall “set” in King Richard's castle was suficlent to light the city of Los Angeles for seven hours any night. When it is taken Into consideration that all this brilliance was necded to photograph which is shown on the screen only a| minute or two. there should be no diM- v in realizing the tremendous pro- ons of the problem of lighting a big_fitm production. This particular banquet hali. covering as it does more ground space than the spacious concourse in the Penn ania railway terminal station in York city, overtaxed the capacity of the largest lamps which had been used in studios .up to that time and therefore it became necessary to bulld special lamps of such increased capacity for radiating {llumination that millions of candlepower could be generated. Two full months were required by Bert Wayne, illuminating engineer, in order to make the preparations for tarring Douglas Fairbanks in *“Robin Science and THE close mimunity of interest be- tween science and modern amuse- ments is given scant thought by the casual pleasure seeker, vet thers is, nevertheless, a very close interlock- ing of the three most recent develop- ments in the daily life of the avera American cltizen — aeronautics, mo tion pictures and the radlio. Motion pictures had hardly gotten under way as an appreciable element in America’s amusement conscious- ness when two daring young men, Wilbur and Orville Wright, gained the first page of every Important newspaper in the world by inviting the most distingulshed native an forelgn residents of the capital to Fort Myer o view actual fiving tests in a heavier-than-air machine, calcu lated to demonstrate beforc the star- tled vision of the skeptical spectators that the law of gravitation was not The radio, of course, is an even more recently perfected mar- vel of ecience. N e vast Gevelopment of the motion picture has not enabled that form of amusement, however, to outstrip the airplane or the radio set in the in- terest of the great majority, but it has fostered the development and im- provement of aeronautics and the radio none the less. A few years ago only the news reels carried views of the airplane in action and the radlo was not constd- ered in any respect an adjunct of pie- ture making. Today, however, the motion picture brings the wonder of alr travel to the constant attention of those who otherwise would not Concern themselves with any aspect of the flying game. The movies, in short, are the best press agsnt the rs have. fl):\?arshnll Neflan is among the first to employ the airplane as a means of accelerating the climaxes of his melodramas. To Allen Holubar goes the credit for the first utilization of the radio as a means of directing playho will accompany the supporting cast is led by Kate Lester (Continued on Fifth Page.) and Hallam Cooley. i COLUMBIA—Douglas Fairbanks in “Robin Hood.” |8 “Robin Hood,” featuring Douglas Falirbanks. will be_ presented for a third week at the Columbla Theater, beginning this afternoon. “Robin Hood” affords Mr. Fair- banks one of the most remarkable Toles he has ever interpreted. The ! supporting cast includes Wallace Beery, Enid Bennett, Sam de Grasse, Paul Dickey, Wilard Louls, Alan| Hale, Lioyd Talman and many others. All_the pomp and ciroumstance of | medieval history, tradition and cus- tom bas been woven into a gorgeous; rund of screen art, against! which the incldents of this story are | projected. RIALTO—“The Strangers’ Ban- A PAIR MON., TUES., WED., Metro Presents STAR CAST In'a Drama That Satisfies Every Amusement Taste QUINCY ADAMS SAWYER Comedy—*Pitter Patter” Kinograms by Marshall N made by shall Nel ture picture to be shown at the Rialto Theater this week, beginning today. The cast appearing includes Claire ‘Windsor, Hobart Bosworth, Rockliffe Fellows, Nigel Barrie, Claude Gilling- water, Eleanor Boardman, Ford Ster- ling, Thomas H-lding, Eugenia Bes- gerer, Stuart Holmes, Dagmar Godow- sky and many others of recognised alent. It is a -goclely romance, snd also ships at sea in the performance of thelr parts in one of his camera yarna | The Home of Perfect Enzersatmment|||| NN LINCOLN THEATER] U STREET AT 12TH OF ACES FRL, SAT., Goldiwyn Offers COLLEEN MOORE And Great Suppont in the $10,000 Prize Film Play BROKEN CHAINS "OII'"cIIO-nl." in lh-l Fom YOU WILL ENJOY THE MUSIC one scene | Hood,” and he had at his command 150 of the best electricians obtainable. After the actual “shooting'® was able to reduce his force of u ants to twenty-five men, but were kept as y as the proverbial bees every working hour. One of Mr. Wayne's most aides was Parnell Eide, wh the larger lamp, with a 100.000-kilo capacity. Ten of these were bui onder to produce the required million power. A total of 60,000 feet of hiea wire was used and as man lamps re required light single scene, not inclu forty ares. 3 Besides. twenty Dapy arcs were u for the castle Interior, being in the pic valuable ¢ copper as 330 r f 5 cilities was one thirty-six-| fleld- plece such as was used by the United States Army for illuminating wide areas of camps. In orde to handle all this electrical power it was neces- sary to install six extra and special power plants and the Los Angeles Elec- tric Company was obliged to enlarge their carrier cables to take care of a 25.000-ampere “juice” load. It can be claimed safely that Mr. Fairbanks has caused to be corral for “Douglas Fairbanks in Robin Hood" the light of the greatest mig] yet used In the film-making industry, bills presented by the utility company Amusement. —“Hurricane’s Gal.” . Now comes the rejuvenated Selzn Myron Selznick, who succeeds his ather, Lewis J. Selznick, as produc- tion head, with a combination of sci ence and theatricals of unusual inter- est when viewed apart from its pure- ly_casual aspects. In “One Week of Love in which Conway Tearle and Eiaine Hammer- steln are co-starred, the real drama in a ploture that carries an irresist- ible human appeal is inaugurated by an aeroplane crash into a 'dobe shack in the Mexican foothills. So expertly has the airplane sequence of soenes— nose-dive, straight fiying and tall- spin—been caught by the camera that this succession of fiylng stunts might easily be divorced from the action which it follows and precedes and be employed valuably as an instructive and highly scientific commentary on the art of flving. The radlo played its part in the succees of the, filming of this part of the picture, since it was again pressed over great expanses of space, thus saving a great amount of travel and costly loss of time. But the picture goes still further in its éxemplification of how closely linked are the most involved scientific problems with the seemingly simple matter of making a photoplay to amuse the crowds. Engineering skill of the highest order was engaged for Beven weeks on the task of weakening a high trestle bridge sufficiently to plunge a passenger train into a roar- ing gorge during a spring freshet end so permit the filming of the play’s real climax exactly as called for by the script. The miracie was wrouzht. but at an expense that threatened the commerclal success of the » tar 2 {film of his brilllant career, and, con- sequently, there are many anomalies Company. under the directorship of : into service as a means of directing/ ] JANUARY 28, 1923—PART 3. | DOROTHY DALTON and ROBERT ELLIS. CLAIRE WINDSOR Zialto. OUGLAS FAIRBANKS, the star and producer of “Robin Hood,” this biggest of all romantic photo- plays, made some wide departures from traditions In selecting his sup- porting cast for this most ambitious in the personnel of the delineators of various role Walilace Beer creator of sneering braggarts and vicious men In general, as the herolc role of King Richard oeur do Lion. He has become the DPalace. ‘re’ The MARRIAGE CHANCE," Stran o | Anomalies in Robin Hood Cast. Allan Hale is another “heavy” who has turned his back on past wicked- ness. He plays the part of Little {John, Robin Hood's aide-de-camp in | Lis exploits of valor. Like Beery, he. | too, is concerned in the redressing of | wrong rather than demoralizing truth and justice, as he has done in so many fil One of the more interesting trans- formations is that of Enid Bennett, | heretofore assoclated chiefly with tha !roles of the neglected wife in modern | scclety stories. Sho plays the Mald Martan In “Robln Hood,” and on the silversheet she presents a veritable portrait of a glorious princess, be- defender of right. the same right he | longing to an age when men were ture. To round but these lighting fa-| icharacterizations. He may appear as | a with huge and primitive appetite for | as Miss Bennett has been evolving 8o has been trampling on so ruthlessiy in his customary villainous screen blustering, swashbuckling type, beef joints, but he is, nevertheless | quite on the square with the heroine {and the other virtuous individuals in | and it took a young fortune to pay the | i i | riage Chance.” the story. A New Valentine, Maybe. FHOM a contestant in a dancing con- test to a contract as & Paramount motion picture actor and possible stardom was the quick transition of !orlando Cortez at Los Angeles re- cently. Jesse T. Lasky of the Famous Players-Lasky Corporatoin had a ‘hunch” while watching Cortez danc- ing at the Ambassador Cocoanut Grove, had it confirmed by Adolph Zukor, who was present, and the next day signed the young man to & {five-year contract as a member of the Paramount Stock Compan: Cortez is of Spanish descent, has good looks. and I8 an _extremely graceful dancer. Mr. Lasky and Charlie Chaplin were acting as judges of the dancing contest and agreed upon him as the winner. After seeing the young man Cecil B, Do Mille agreed to put him in one of the episodes of his next picture, “The Ten Commandments.” A Veteran in Pictures. AMPTON DEL RUTH, producer, author and director of “The Mar- which comes to the Strand Theater this week, is a vet- eran of his craft. His career in motion pictures has been a long and noteworthy one, be- ginning vears ago as a scenario writer. For six years he was director of the Mack Sennett comedles and later became editor and supervising director of the Fox Sunshine comedies. The outcome of his experience wa the formation of his own organiza- tion, with headquarters at the Beach, Callf.,, studlo, where Marriage Chance” was produced on a larger scale than anything he had hitherto attempted. Del Ruth’s efforts in producing pic- tures have been highly successful. He has pictured more than 800 storles of various types. = COSMDS: T Beginning Monday, January 29th THE FOUR AMARANTHS A ) the art bra docided nevelty, hi,:-ndlll..:‘fl _ Nelson & Madison - Claver team in comedy singing offering “The Rube and the Ruby” beautifal dancing, clever hand-te-hasd f Scrobation: The Headliners A comedy of “Back Stage” life entitied “A_Menday Morning Rehearsal” “Go! The Musical Bangards “The Pearl Hunt” __The Blus Devils of Vaudeville A new first run vioture SPECIAL FEATURE FILM~—CARL LAEMMELE PRESENTS FRANK MAYO In an Eple of the South Seas “The Altar Stairs” FIRST WASHINGTON SHOWING Shewn at All Performances Except Saturday and Sunday Evenings | supposed to fight for women {nstead {of_quarrelling with them. This part is quite opposite to the itrpes of clinging, helpless wives such and now, in her de- tremendously brave she seems at her hap- | successtully, lineation of woimnanhood, piest best. Science of Optics In- voked. . THE NEER DO WELL® Rex Beach's novel, will be the next starring picture for Thomas Melghan. | Supporting Mr. Meighan will be Lila Lee, Gertrude Astor, John Miltern, Jules Cowles, Sid Smith, Cyril Ring. { Laurance Wheat and George O'Brien The opening sequence of the p ture shows a modern New York caba- |ret with bundreds of well-dressed | patrons celebrating after the close of the foot ball season. For the scene a novelty dance was staged by twelve girls from “The Little Kangaroo" company, dressed in football cos- tumes. As the costumes didn't cover quite 0 much of the person as the regulation suits, large numerals were painted on the backs-of the dancers All the exterior scenes for the p ture will be made in Panama. The company sails December 28 for the Canal Zone, Today, Mon., Tues, Wed. Federated Presents ELMO K. LINCOLN MARTHA MANSFIELD In a Tropical Romance THE WOMAN IN CHAINS Added Bhort Reels Kinograms De Luze Acoompaniment ALWAYS A HIT RODOLPH AND A BRILLIANT SUPI HURD'S COMEDY NOVELTY, Wed., Thurs. In The MAN WHO SAW TOMORROW aul Parrott, “Don't S O LA A HEAR W. E. T. THOMPSON PLAY THE FINEST PIPEORGAN IN WASHINGTON CRANDALL'S THEATER THE YOUNG RAJAH "AMUSEMENTS, 'ARION DAVIES in a gingham dress! Noted for her picture pres- entations requiring gorgeous costumes, Mise Davies has a surprise for her ad- mirers in her new Cosmopolitan pic- { ture, “Adam and Eve,” a modern com- edy adapted to the screen from the stage play by Guy Bolton and George Mlddleton. Miss Davies plays the role of an up-to-date American girl, who becomes a hard-working country lass—and enjoys it. Frankie Lee, boy screen star. has nearly completed the first comedy of his new series, “Robin Hood, Jr." This legend of the same title. “Robin Hood Jr.” is In no sense a burlesque, but contains the high lights of the play. Corrinc Griffith has arrived in Call- fornia, and will shortly commence production. While on her way west her little pom, Billy, was placed in the baggage car with a couple of par- rots. By the time the train reached Chicago, it is sald, the dog had lost its voice, but the parrots had learned to bark. Mary Alden, star of the United Art- ists feature, “A Woman's Woman, and now appearing before the camera Iin motion pictures being produced by the Woman's Home Companion, an- | nounced, not long ago, that she would discontinue playing mother roles While she is still in the mother role in her current picture, the star conslders the title a good sign. t is “Disposing of Mother.” | Allan_Dwan, director of “Douglas Fairbanks in Robin Hood,” is to direct a_ Famous Players production “Glimpses of the Moon by Edith Wharton. Mr, Dwan claims that he ls through being an Independent pro- ducer as worry over executive details and artistic direction dao not §ibe Hereafter he intends letting the other fellow worry. Arthur Maude, well known actor, di- rector and author, is to produce a series of twelve two-reel pictures written from famous masterpleces of ain i Maude wrote “The Bewnar S"Mald® and . “The Bashtul which brought fame to Mary Astor, Mr. Maude has written forty original stories for Famous Players Universal and other producers. He will also direct the new series which includes, “The Ange tor.” “Speak! Speak!" and other mous paintings. fa- Speculation is rife in film circles as to what Madge Kennedy's next pictur. will bé. After completing “The Pur- ple Highway," her first picture, she r0ld the rights to “Dorothy Vernon of Haddon Hall” to Mary Pickford. The Charles Major novel was to have been her second feature. Miss Kennedy In he meantime is making a success of pite Corner,” a John Golden stage production, in New York. She will begin her second picture shortly, it 1s sald. Hugo Ballln, who is filming “Van- ity Fair” out in California, was r cently asked who was to write the ti- tles for his picture. “Willlam Make- peace Thackeray,” replied Mr. Balli “He has also written the continulty. At least here is one producer who does not depart from the original au- thor's creation. Mabel Ballin will be seen in the role of “Becky Sharp.” Gustav Seyffertitz, well known di- rector and heavy, recently made a fitteen-minute address over the radio Among other things, he sald that pro- ducers were not to blame for what is known as a weak or poor picture, but the public who demanded that kind of picture, is o blame. The pub- lic, he sald, must demand screen mas- terpieces. Mr. Sevffertitz will be re- membered for his splendid perform- ances in “Sherlock Holmes.” “The Face in the Fog" and “When Knight- hood Was In Flower." Betty Blythe is “p ing” again and is being greeted by capacity audiences. Because of her ability as a singer, this star has been oftered several vaudeviile engage- ments on high-class circuits, which she was compelled to refuse on_wc- count of her screen activities. Mixs Blythe has just completed her second Whitman Bennett starring vehlele, “The Darling of the Rich,” and wili start productfon on another verj soon. N. Mirskey, conductor_of the or- chestra at Crandall's Metropolitan Theator, has selected as his concert overture number for the current week excerpts from “Tangerine,” the musical comedy hit in which Julia Sanderson closed her Washington en- gagement at Poli's last night. The late Edwin Stevens, who pictured as the clderly husband wit Norma Talmadge, in “The Voice from the Minaret.” was a_member of the cast of “A Chinese Honeymoon,” which opened the Casino Theater in New York us a Shubert house June 2, 1902 The fortieth anniversary of the open- ing of the Casino has just been cele- brated. Mr. Stevens was one of the most moted character comedians on the American stage. “People aren’t always as ill as they sometimes think.” declared Malcolm McGregor, Metro player. “I think about mowing the lawn and I feel weak and in great need of a long rest,” he continued. “So I ask myself if I'feel equal to a drive to the beach ELMMIHOIH T cAPrrATs AwvSEREvT SaweArv HovsEs (THINILE TWO PREMIERES Thurs., Fri, Sat. 4n F. B. 0. Bpecial JANE NOVAK JUNE ELVIDGE With Stellar Support én Marie Corell¥s Famous Love Story . THELMA De Luze Auxiliaries Special Accompaniment Kinograms VALENTINO ’PORTING BENSEMBLE IN “RAILROADING” Fri,, Bat. 4nd a Strong Cast i NE POINTS OF THE LAW Our Gang, “Saturday Morning” A &l MMIMIHMWMMIWWIIHIHIIIIIIIIIIIlll!llllllllillllllllllllll is a child’s version of the immortal { sonal appear- | FILMOGRAMS and a plunge in the surf, or an after. noon at the ball game. If the arswe: is ‘ves’ I know I'm all right and B0 to work-——sometimes.” it's & new phase of Coueism. This director's flair for the start-# ling, the unusual, has seemed to reach! its ' climax with ecach succeedin cil B. De Mille picture. Gloria® wanson braved the lions in “Malely and Female” On top of that cames the Cinderella glass sct in “Forblddens Fruit,” the Siamese temples of “Fool'ss Paradise,” the subw cave-in ofl “Something to Think About” and th Roman bacchanal of “Manslaughte Enld Bennett, having completed hers work in Willard Mack's ‘Your Friend a " it is said. has gone witl her husband, Fred Niblo, for a shor vacation to Mexico. Mr. Niblo on recently finished his first screen pree® duction for Metro, under Louls B.¢ Mayer auspices, “The Famous Mrs, Fair,” the American play by James Forbes, In which Blanch B s andg Henty 'Miller co-starred. : Edmund Goulding, who wrotay “Fascination.” “Broadway Rose’ other productions for Mae Mu - A nhilartous Lurlesque of wood and its aspirants for film is the description given of om Hollywood,” new Christic comedy hit. The management at Locw's C: bla urges morning attendance patrons desirous of avoiding in the lobby wh ! all showings of * Hood Irvin Willat York from th “Fog Bound,” with Dorothy as the star. Paul Dick the scenario from the s Becholdt. Miss Dalton, finishing “The Law of the wlil spend two ecke in Florida Le- fore beginning work in the new pic- ture arrived West Coast 1 write ry by Jack v At the recent a roges i Avoy waus elected picture {ndustry of a beautiful Hollywood. nd E ven the throne float present] Bebe Danlels ce day last Saturday by working all da and part of the night in scenes fo “The Glimpses of the Moon Leatrice Joy had the unique ex- perfence of having her hat sold whil she was In a Park avenue, New York, shop the other day & on gowns (L‘r the new production, 'Y on Can't Fool Your Wife." Clerks found it in the shipping room after an excited search. ed her hi There i one Kosloff hopes he v to play for a long ti It that of a king wh being throned in the middle of a re In a scene in “Adam's Rib” is hit by eggs, cabbages missles. —_— Lillian Ross, the 1 of Booth Tarkington's has grown and will by “When Love Is Young.” a comedy of h by Leroy Clemens y i1l be Tom Doug the best looking and Ralph E. s X. Bushma; Oth St Continuous 10 AM. (o 11 PN, By Popular Request “WAY DOWN EAST” HIPPODROME™: &Y+ Near E 1 TOMOREOW ROYAL MOUNT OLYMPIC,, ;- ToDA DOLPH VALENT | Bt R : S R Y bW s CRANDALL'S THIS WEEK—CONWAY TEARE CLAING - 1TANST WEEK OF TOVE NON, in “IN T CRANDALL'S 5NITAL a0 TODAY AND TOMORROW -LLMO K LINCOLN and MARTHA MANSFIELD, AN IN U1 DALL’S 1; I'-I-;?i\i‘e}.mh &1 CRANDALL'S 53307 AND TOMO! LON METROPOLITAN ¥ Street at 10th CENTRAL . AND TOMOR: NTINO, A JomN i in “QUINCY ADAMS SAW- Performunces Sunday at 84 0. Mouday 5940, CRANDALL'S 25\ o» 624 M St. N, MATINEE SATURDAY A AND TOMORROW — Li RARRARA LA MAK - TR e CRANDALL’! H St. at Ist St. NoW. Today wud Tomorrow, ES BARRY) TO RICH Int St AMERICAN, ;55 LIBERTY o8 enich €7 5% ROES OF THE ' MAN HEART 1119 H St. N, RODOLPH VAL 11th & 8. C. Ave. S.E, CAROLINA, ! : “THE HOTTENTOT. 5 MacLE. EMPIR Also HAROLD STAGE DOOR. ik Gth & NEW STANTON ' £ 58 snan: in the Dual Roles by Which the Whole World Knows Him, £ The Masquerader” ELITE ;& Street and R. MADGE BE! ROW! NE) B35 Sth St S.E. NEW THEATER 555 ¢ the Super Production, “TE! N A BARROOM.™ CIRCLE =% ClR WALLACE REID, AGNES AYRES apd MAY MACAVOY, in “CLAR- ENCE. From the Play by Booth Tark- Ington. DUMBARTON ", iscemsia i, CTHE HREADLESE HORSEMA REGENT 15tk and CHARL n “A TAILOR-MADE MAN." 911 H S TOM _MIX. 0YD, In alifornia Sta, RAY