Evening Star Newspaper, February 26, 1922, Page 53

AMUSEMENTS. sement I;I}l PHOTOPLAY 5 T the recent annual luncheon of the members of the National Board of Review of Motion Pictures in New York, several topics of interest were discussed by the speakers. One of them spoke of a fundamental fault at the heart of most of the American film pro- ucers. “It is not indecency.” he said, “but a deplorable sentimentalism vhich is responsible for pictures not depicting life as it is—pictures in vhich all villains have lots oi money and all young women are beautiful.” 'he.same speaker made a comparison between American and foreign pro- luctions and pointed out that the continental producer’s attitude toward ife and his art “is a more serious one.” He added “his actors are more rained in the tragic tradition; his imaginative powers perhaps are greater, nd while his ‘mechanical devices are behind ours, he makes up for these v his sureness of technique and his greater experience in stage ingenyity.” \uch more along these lines in the speaker’s address pointed out what he thinks is largely the trouble in our motion picture producgion. - * %k kX ‘YOU can't make a silk purse out of a sow’s ear,” or w?rds to that effect, and you cannot maks drama even in pictures with a galaxy i pretty faces and attractive figures. All heroines in life are not beau- iful, but the American picture producer hasn't room for any that are not. All-who attempt to portray character on the screen are not actors, and »v the same token it is equally true of the American stage. In the movies, 1s a rule, the producer finds the pretty heroine and the director tells her lhow to act. That is why the foreign picture, not always, but as a rule, especially the big picture. makes 1ts deep impression. [Its characters are hortrayed by real actors and actresses, people who have been required to study and learn the art of acting before they are permitted to punish the public by trying to act. That is one very good reason why plays presented by English companies are more enjoyable than the product of our own Ltage. The English manager regards personal talent and the knowledge of Low. to present it as more important than personal pull. The art of i cting still exists abroad. There are many who feel that it is being per- mitfed to die out in America. W. H. L. Photoplays This Week | AT PHOTOPLAY HOUSES THIS WEEK. RIALTO—Gloria Swanson, “Her Husband’s Trademark. Opens ““The Four Horsemen of the Apocalypse.” Opens this afternocn. CRANDALL'S—Conway Tearle, hadows of the S S = Gareth Highes, in “The Hunch and BIALTHMM Swanson, in “Her | Saturday, Constance Binney, n "First Husband’s Trademark. feexs Moore's Rialto Theater this week. Dumbarton. THE . SUNDAY STAR, WASHINGTO ¥ Crandalls AMUSEMENTS. -8 FILMO GRAMS OSTUME plays have become the fad in motion art since the com- ing to this country of “Passion” and | other period productions, Norma Tal- | madge will wear quaint forelgn gowns in her new play, “The Duchess de Langeals,” adapted from Balzac. Arliss will have for leading woman Doris Kenyon, who writes good poetry, sings well and Is a talented actress of the stage. Her screen roles speak for themselves—never mind that talk about soundless drama. Measured by his movements, nobody would ever guess that Dougiass Fair- banks is “thirty-nine years old, going on forty.” And they do suy—which 1s equally unbelieving—that Mary Pick- ford is not so young as she was. You may have observed that she used to be a regular child. Well, she looks grown these days. Jack Holt wears a worthwhile lau- rel that will never fade, in that vir- tue Is immortal. His friends say that while he piays villaine on the screen he is a most exemplary husband and father, and that his happiness is bound up in his wife and three chil- dren. A critic, who gives her age as six- teen, writes to ask a picture authority f he doesn’t think the title “Why Announce Your Marriage” is risque”? The authority might have asked the young lady if she didn’t think her question showed overinterest in the suggestive, for an age that is sup- posed to be innocent and sweet. | ., As Romeo might have thought, even if he didn’t say it, “What's in a star”? In a photographic group featuring Wesley Barry, as Penrod, and show- ing othér weil known screen young- sters, the one expression of untram- |meled fun is on the face of a tiny colored girl, sister of Sunshine Sam- my, who was borrowed by the movie lzmd put In boy's clothes because she happened to be around. Mae Murray, screen star, is a good wife and mother, and should her fan- cy take a fresh tangent, could make a good living as a scene painter—an art which commands a price seldom within reach of the portrait painter. Charles Chaplin finds time between pictures to deny rumors that fly around noisily when he Is too busy to take notice. His latest announce- ment to an ever-curious public s a mured: Somewhere 'l'\'(‘: got a good mother. 1 wish somebody could give ine‘;lcxg;; love without telling her how Betty Compson and Tom Mooré, who head the cast in “Over the Borde: adapted from the Sir Gilbert Parker story, were guests of honor at a ball | glven in Truckee, Calif. A special In “The Ruling Passion” George | train of Shriners and their wives and families came from San Francisco to Ereet the stars and to enjoy an outing in the snow. George Ade is taking to motion pic- tures with the oy that the duck takes to water. Not content with writing Thomas Meighan's new. play, “Our Leading Citizen,” he also had a hand in selecting the cast. A new form of sport has hit ti coast. It iz called *‘Balloon-birds” and consists of shogting toy balloons from & spceding _airplane. Larry Semon, the comedy film star, origin- ated the new thriller. It is sald to be the most exciting pastime to date. and bids falr to put clay pigeon shooting and' other forms of similar &ports out of the running. “The Ordeal,” Agnes Ayres' newest production, written expre:!l)' for the screen by the author of “The Moon 2nd Sixpence,” is the result of a visit to the producing studio long enough to understand the requirements of Screen art. On completion he started on a four years' tour around the world, and when last heard from was in the jungles of the Malay peninsula. People who speak foreign languas are in demand around picture studios Theodore Kosloff, for instance, is an expert of the Russian tongue; Olga Printzlau. scenario writer, knows Danish like a book, and Walter Hiers can transiate English Into gramrati- cally incorrect slang with a punch, Edna Purviance has been leadin; woman for Charles Chapiin for le\'efi years, and rumor says that by way of reward he will star her in her own pictures. It will mean fame for her, as it did for Jackie Coogan, who, ru- mor again, hints is somewhat in need ;fg:‘h:n(y'e‘p“" magic. Miss Purviance r appeared in an; Chaplin plctures. F AL . Jail for Atmosphere. GETTING arrested and going to prison for four daye was the unique experience of Jeanie Macpher- ‘nlrllxhl-from-lne—uhonlder statement | 590, in order to obtain the proper that he is not going into vaudeville |and that he is not going to be married. ing her latest screen play, “The White Peacock,” though the production does not bear her signature. When the Japanese training ship Taisi Maru touched at Los Angeles harbor its hundred officers and men made a’ bee-line for Sessue Haya- kawa's studio to express Japan's pride in his achievements. The star showed {bis appreciation by exhibiting some | of the mysteries of picture-making—a phase of which included a mnotion glimpse of the guests. Olga Petrova is credited with writ- | pleted. atmosphere for Cecil B. D % next " picture, “Manslavghter. 1o scenario of which she has just com- When it was decid é ed De Mille's next picture o o losanslaughter.” from Alice Duer Mil- A nmepovel, Miss Macpherson left Los Anzeles to confer with Mrs. Miller ‘in Ne ork. On her way e Macpherson stopped off in —a s in the state penite t itentiary. There she smg:flrfir“dzbv.‘undder The same conc lied 1 : oners In the Institution. ° NeF Pris- iss Macpherson is now back heginning today, will learn what con- o pre s < “Her Husband's Trademark.”| Today. “Dangerous Lies": &S — coast, with the seri - e T umson's latest photo- | row, “The Kingdom of Love"; Tues- Fred Niblo, stage star and director | 81d Is awaiting actual progumiig s ro o O oA of “The Three Musketeers” and other | “Manslaughter.: which L s Play: his case, the husband’s trade- Thursday, Anita Stewart In “Play- UDOLPH | classics of the screen, is now pictur- | begin in wbout'a month. Lesreiee yer mark is a sorgeously dressed wife.|things of Destiny”: Friday. “Foolish i Ing “Rose o' the Sea,” in which Anita| Wil play the chief feminine roje. ~ Tha: husband, not wealthy. hopes lo | Matrons” and Saturday. “Man of the VALENTINO | Brewaxtisito star 3 attdin wealth by making a show of Forest. Palace Roy Atwell and T. Roy Barnes, both | Writ, *Sla = \vealth. The plot thickens when a S well known Broadway musical comedy xate p-Stick Comedies iriend of husband and wife re Elite. | | favorites, supply the fun elements in | JF . 3 . st iches and greal 1 {favorites, et 3 lements i You would write f 2 atter gaining both 1S Witk and | Today, Menry B. Walthall and| s . i jaris Trevosyanewest play.tSDouit I A e g ross, falls I o N miote his sclfish | Pruline’ Starke, in “Flower of the Wl tFl St k | | Get Personal.” is the advice of aonhypeqmedics. anclut aims, Tather encourages the | North's {omorcow, Elaine Hammer- a ilm Stars Like. | | Robert E. Sherwood, a critic whose | SCSRATIO Writer 41" the " Weat “eonsi & is desc s a s . 3 ¥ 3 - . Who us: 8 P dous tarills. : e o S osaday, ilton E all like to be entertained. In makes me hate, love and every:hing 1LL list of “the ten best pictures of the|10W 1oud in the claim that the les- s ludes Richard Wayne, ve, in “God’s Crucible”; Thurs i with Charlle Chaplin's “Th e learned about cutti . he cast includes Ri¢ 2 day. Wi & isti 2 else all in the same hour or two. Charlie Chaplin’s ¢ | footage ut cutting down 0 i Littlefield, | day, ‘allace Reid, in “Rent Free"; fact, statistics show that in o, " v ge and eliminat o stuart Holmes. Lucian =0 nd | Friday, Roy Stewart, in “The Heart of That's what I call entertalnment, OGE Kid" The other nine are headed BY | arp of utmost fmportence oo, action harles Ogle, Edythe Chapman andFrlday, na onturday, ey |America the stiver dollars spent an- |gays Art Acord. - “The Four Horsemen.” He piaces |ing the miove "n{‘;fl;‘fi"_’g‘"r prepar. clarence Burton. oo | Morrison and Alice Calhoun, In “The{nually for entertainment amount up| “I like to be made to think deeply an HumAn/natuss dboveRheal- pictere. ¥Pe of motion : Tl e mic, “The City," | Little Minister.” : to a dizzy fortune. But the manner |3nd seriously over a. performance " e joThe psychology of the movink e Fox News, with a musical 2 v of amusement we seok 15 a different | Tmapres e bomedy or iragedy. or Mrs. Margaret Seadon, who is the | BiCINTS, Presentation of a dramat Tnc!_m.![inx ne f.ff,:'n"rfio:-' Leader. thing. Some of us like to laugh, and | just plainp drama, if it has & thema 3 ;:":"‘;; o ::;l}e:‘;’;'r"&l"fi %;;;’;-d on the same things that Rnake. alap. ravia 4 H - 1 i lot in it and a real message to 3= o stick’ comedy v iata, d , would ? ould | 8nd plot in n 8 ¥ - edy move to qeseriptive walts, “Three| Today Constance Talmadge in it w seem that some of us W D e ks Barthelmess in “Sonny." She has such | teresting. wanchumiomis aan. Shsiis. e 2 0 ; i must close them as | 1 Chvnr 5 " Bcer o i ttractions. Tuesday and Wednesday, Wenley | The photoplay stars express thei the blind mother of a dead son—for | LA S oritOvE, “Beyond th = 1 v . W ; = = Rocks.” a Glorla Swanson Barry (star of “Sciool Days®), in[OWn preferences as to the emotions o nment that ap . o | had she “seeing™ eyee she couid not be | wo anson picture PALAC “The Four Horsemen of | “Dont Ever Marry.” -and the 'last |they wish to have played upon when peals to me,” said Gladys Walton, SA&D may be sand and water cer- m“am;r;‘ n;‘.::;. ::fi.—fl?rm:?flmll(:l R ensiveainy, thfcn:nnde L ‘ngh"!:rgogzz Valentino in the lead ALACE e Aocsslvose” balf of the week, Pete Morrison, in |seeking amusement. atierisations. and mot mudh ptor V1 tainly is water, but the sand of | " g324e of sand, and no one in the ; reasons impersonates him. “The angle is different, but the re the Apocalypse. ‘Crossing Trails.’ “Show me a play or a picture that|gon't like to get all excited, either | Yuma 18 not the sand of El Sugundo. | moving picture cvlony in Los Angeles | lle St = t 4 sults are the same, for in both cas« \yoThe Four Horsemen of the Anoa s B e e et 1mnclll | with too many lsughs or too many | However, nobody suspected this until gyen suspected that there ;:?“:l;yr! cioslle, Stowe. who has a Part inlyou are striving 'to” hoid ' sudien: fetro of the world famous novel) Empire. ting ‘my money's worth every ""‘9-':::1;';:::?::5"1 lazy, but I like to be | the lynx-eyed moving plcture camera [ SIETERCS T0, 00 0 rican desert, _ | ranger in his mere youth, and has the | would detract no:!x;:"}r'{,','".fy‘:'fif 13 V. Blasco Ibanez. in which Rudolph | Today and tomorrow, Betty Blythe. In |1 enjoy seeing a vaudeville perform - | “}ic "any one can prefer tears to [ divulged the fact. e maimere eye, Noweser, could not | distinction of having captured @ des- | story. Valentino and Alice ¥ ar foes | -Mother O'Mine,” also corfedy:. Tues-{er who is so absurd and positively |jaughs " 101" Universal is making a film adapta- | be deceived. and the difference which |perate outlaw and seeing him hung For beginners i scenario writin: ~d. will be shown_at popular prices|day and Wednesday, Wilton Lackaye [impossible that he is funny. and— | Hoby aibaor. b oy to me,” says it presented in the two qualities of for his crimes. Leslie is said to have | short comedies are such easier be- it Loew's Pelace Theater thistwee '!and Gaston Glass, in “God's Crucible,” | yes, I'll admit it—I enjoy seeing an | oot cipson. I like to go to an en- | tion of William J. Neidig's magazine | ;,nq was go startling that the com- |said: “He was a courageous stoic, re- | cause they do mot involve the mass beglnning this afternooh. | originally |a1% comedy; Thuraday, “The Lone |intertainer or a performance. that| soa iomgit 2nd laugh until my eldes | gtory, “The Slipper Tongue” under|pany had to be sent back to Yuma to|fusing spiritual aid, but as the hang- | of details and eymbols required for nnoick for showini ot Locw's Lot | Rider.” also kox News; Friday; Hoot | does not make me think or ponder to are oPlitting, and then laugh somelthe title. “Tracked to Earth” The have the retakes made there. man was adjusting the noose he mur- | the longer photoplay.” ater, ‘hich was son, in e re Eater,” als v " - . ) 3 lumbia Theater, A mate theater at- | comedy; Saturday, Neal Hart, i fls::-‘;shxth:;ngo OBL heater I like to | ¥itHOUt paying to get more. Laugh [requirements of the picture call for === p— action at §2 admisslon PHICES, olat. " Tansled Tralls,” also comedy. |teol sorry: for some one, says Maci | e other! 812.':;; f;ya?.','{’..’;"" s quite a bit of Hesert stuff, and for I ing 1t to screen form was accomplish- ] [ Prevost. " “Even if tears do take Lhe | “Deople afe not serious chough,” | that reason the Frank Mayo company «d.by June Mathis. and the D Lyric. powder off my nose. I always fecl says Frank Mayo. “I like to see an|was sent to Yuma, which isn't far that I've really seen something worth | entertainment that makes m. ink i Sl oa £ e think . iy _ ome e et e told S0 often, *hould be|in *Jackie”: Tuesday and Wednesday, |the reully worthwhile pictures and |} think the rest of the world should, | varled . th D e abn familiar to all. Lon Chaney. in “The Night Rose"; plays are sad, in some parts, at least. | too. If we spent as much time view- “l;!e ook Pfc“;‘onma’“m S e wing o the unusual length of “The | Thursday, Maurice Fivan. in “Smiles|And I really believe that I enjoy |ing the deeper subjects as we do the | necessary o have one of the most first_brought Rudoiph Valentino into| . .o CRANDALL'S—Conway Tearle, in| Chtcd Hears “Shadows of the Sea.” New. Conway Tearle will be pictured at| Today and tomorrow, Nazimova Crandall's Theater the first three days | Rudolph Valentino, 'in _“Camill of this week, beginning this after-|Harold Lloyd comedy, also vaude- noon, In “Shadows of the Sea” his|ville; Tuesday, Herbert Rawlinson, in latest Selznick picture, It treats of | “Cheated Hearts and episode No. 3, ihe love adventures of a soldier of | “The Adventures of Tarzan”; Wed- fortgne. and the cast includes Crau- | nesday. Duncan, in “Where ford, Kent, Doris Kenyon and Arthur|Men Are Men.” also amateur night; Housman. Mr Tearle is cast as a ;l(‘rl: rsday. Charlle Chaplin, in “Th occasions or places where weeps have Herbert Rawli L Y any right to be indulged in," said the |of bathos and blenty 'of seod. mig, | Eundo, aulte a bl nearer to Universal fashioned humor and a few thrills A mystery story or play, one that keeps me guessing to the very end and one that City, to retake this one scene. ‘The atmosphere was fine this time. but when the cutter tried to match in the retaken set he discovered to his horror that the sand of Yuma was very fine sand and that the sand of El Sugundo was extremely ocoarse. like to see a performance that from the general run of st dlme"m run of stories - peals to me.” IR | Food for the Mentally Starved. me sad, then makes me laugh, makes me sympathize with th Ten Years of Pictures. B ~ tatare Are Trumps'”; Friday, Willlam Far-|weeping at the theater—it is one i v Four Horsemen,” subsidiary features Loy A % B s Of more frivolous, we would be a nation 2 ol H T neck only. | Bum. in “The Lone Star Ranger,” and [place where I always feel my tears|of much more serious and worth. | LOriant of these shots reta Ko et ; et Ramcon, | 2O e oo L amaany | whils peoplex to another desert location at EI Su- —BEGINNING THIS AFTERNOON— —) ONE WEEK ONLY'! C entlemanly rover of the seas, a man | Kid" :‘“;l:;z.e“'l;‘r‘x;hlslnls-d«:mrgr Lovlii of really high ideals, who derives ex-|& ; Saturday, ali- i tement from the Seemingly harm- |comedy night. $#THE screen play,” says Basil King, deflance of certain maritime and — ernment laws having to do with Olympic. transportation of contraban: Today, ‘“Possession”:. also Jimm . The difficulties into which he i Auprey,” in “The Tourist™; tomomw)': HAT changes ten years have Charlle Chaplin and Mary Pickfc the author, “seems to me to find ‘};! ‘world centers like London :“rg brought about toadlhemthexnll{e:- its greatest place in bringing imagina- | CATE. are no more than a tremendous, [ goer! From the squalid old nickel- tive stimulus to the millions and millions | the. sare of The mintils Lilde of |odeon we have evolved:the picture Se'an clement in the dra- | fuprel & The Tourist’; tomorrow, | of simple people, who had hitherto been | the Whole human race to the profes- nulm:d of md-y; Tha“lp;ayu;:gwho atic progress of a story devised by e B Montax ve. | obliged to go without that prime essen- |5ion and the industry which has res- |scorned the movies until Sarah Bern- D in “Shams of Soclety”: Tuesday, Jack | fia) ot 1ife. L {cued them “from a verltable spiritual|hardt, sreatest of them all, saw the I"rank Dazey and scenarized by Lewis | fon” in w u \lien Browne.. The comedy atiraction | neudsy Waliacs Red, 1o “Hene ‘Frees; | "It must never be forgotten that the|darkness and bondage, possibilities of the films. are now will be Mack Sennett's “By Heck.” In|mhyrgday, Shirley Mason, in “It is too soon as yet to e Eiday. Horvert’ Rawlingon, in “The | {oundantly. - awakened world imagination in world | in the stage. Wednesday and throughout the re-|yon "5 Supi, v S noEY el Clay-{ "“There is such a thing as having urelk!f!-lr- at large; but I am wholly con-| polks who used to sneer at the aining days of the week., will bel™™ in low degree, and also such a thing as' Vinced that the next generation will| oyieq are now flocking to see them own Hodkinson's screen version of = Daving it in Righ degree. Tho imagin- | Show ';’;’“"‘""'l" advance in the way | Z4¢teen milliom strong every day. Princess. ative faculty may be said to be that|Of FORUAY Mental grasp of all things. | Tne history of the motion picture Zane Grey's story of the west, “The hich 4 s h tity of “’A great deal of criticism is leveled which determines the eveled at & ¥ .Today. Richard Balthelemess, in|which we Mdividusily wossese “Thong|democracy becauss. of the unthinking | \Ddustry I entwined with the his “Tol'able David"; tomorrow, Betty|who have rich imaginations live | gualities of the mob. How could the |{oFY of the FRFious TICYErsthapty 2! Compson, in “For_Those ve': | largely; those whose Imaginations are|mob be anything but unthinking atter | COTPoration. Y L rils Willlam D w i portance, excepting only Charlie Avenue Grand y. am Duncan, in “No De- | statved 1ive poorly. feebly. in hampered | the countless centuries in which its DLnE & Gor it 5 x ‘Wednesday, Wanda Hawley. | conditions, wth little outlook, and with | highest faculty, the’ imagination, has | Chaplin, has mado piotures under ite doday and tomorrow. William S. in iIhe Love Charm’: Thuraday, Ethei |gimost no fnargin of life except Inthe | been stified and choked down within management. [GAnA Ly ] glanciux at Jart, in “Three-Word Brand”; Tues- , e Vamp”; ay, T em ? - “A Prince There Was,” and Be a3 y. voy, in “A ng of e gag, letting the mind of { ¢Y® V' \ipin, in ~Bright Eyes’: Thursday,| Virginia Courtship. have. all our lives, been fed by traveling, | 1o race out into the world atmosphere, | Pictures. and Harry Pollard, reading, the theater,| or some other|y it the result unfallingly to come thaij JHere are some of the most "‘l Mysterious Rider.” 2 The comedy attraction will show Ben Turpin in “Bright Eves.” in Call the Witness"; Friday, “Miss form of art, have no conception Of the e gespised mob will get the desire and | POTtant pictures released since 1912, h, Raphae! impoverished mental state of the Im- Luju Bett,” and comed ’ phael. mense majority, not only of the poor Voor Man”: Saturday, Today, Gloria: SBwanson, in "Under | people of the world, but of our home- ins“Star Dust,” and comedy, -‘mmt h ” ‘which show the trend of public taste: the capacity to think more clearly. N Queen " Elizabeth,” the first big feature photoplay, in which Sarah Bernhardt starred; “The Prisoner of the La: 3 toi . . in “Exit the Vamp”; Tuesday, Con- |from books and the theater, from art Emotional Strain. - 3 kett; stance Binney. in - “Firat ~Love: in general, has always been mesger— ot ot Momte Chiator star ednesday, Gladys Walton; in “High | never enough to satisfy the cravings of I'r is not the emotional actor alone!ring James O'Neil he Good Little ——— Apollo. Heelg”; Thursday, H - . 5 erbert Rawlin- heall 3 . t Today and tomorrow. Alice Brady,|son, in “The the avirage haaithy nature. who finds his roles & severs tax on |Devil.” one of Mary Elckford's carly Millionaire in “Hush Money,” and comedy, “The|Charles Ray, in “R. 8. V.'P." and|sible avenue, opening up the whole road | N8 nervous system. Nobody seems to Siork's Mistake'; Tuesday and’ Wed- | Saturday, Jack Holt, fn “The Call of | of human emotions In the world at large. | consider afs working partner, and yet L A e i Srewart, i ey s § Is it any wonder that they have turned | the Iatter often finds a strong emotional | which John Barrymore —made his morrow, Ethel Clayto: Americans. What they have Kijchen to Throne.” yton, | born America 2 y 0 got 0! Friday,| “Now comes to them this easy acces- and Buster Keaton. in —— to it, mot only in our own big cities, ; i) d A ’ z screen debut; “Zaza,” starring Paul- T, e Regent. or out in poorly nourished country | *ene every bl:,_“ trying as the chiet | Ject Gerick; “Carmen,” bringing to N atiose” Tamis; Fei- | Today, Hobart Bosworth, in “Below | districts. but all over Europe [n Mex- | peraon eonsern films the operatic star Geraldine Matinee Idols”; Kri-|the Sufface”; tomorrow, 'Alfcs Cal-|ice, In South America, In China, in| For example, George Fitzmaurice, who | Farrar, “Seventeen ith Louise ety o ester| houn, in “Peggy Puts It Over’: Tues. | India, in the very heart of Africa? has been in Italy shooting exterios Huft and Jack Pickford; “Miss George he Love Egg”: Satur-|aay 'Bryant Washburn, in -Si ‘“The tremendous ovations given Y. i A8 for hington,” starring Marguerite APOC L . in “The ldle Rich,”| et suin Bix Best his next picture, “The Man From | Y ashington. e el day, Bert Ly and. Bobby Vernon, in “Pure and Simple.” Clark; _“Oliver Twist,” in which Home,” was directing James Kirkwood M::Ie Doro played a Dickens role; LO!.- and Jose Ruben in a particularly dra-| “Great Expectations,” more - Dickens, matic episode of the story. Ruben, in the | enacted by Lowse 'Xuff aud JacKkERIck: Cellars;” Wednesday, Catharine Cal- vert and Corinne Griffith, in “Moral Fiber”; Thursday, Irene Castle, in REX INGRAM'S FROM THE NOTED NOVEL “Amateur Wite"; Friday, Alice Erady, | BoY% 10 “Beach Nuts'; Tues, : yrolin in “Betsy Ross” and g % ol i ey ! Carolina. o B e oaturday, Wil Lioyd;i By the ad: Sta Waves character of Riblere, is wrongly sus-{ ors, enssted by Jack Plokford: ~The PRODUCTION . BY V. BLASCO IBANEZ GlosisREwanton. Il ’Lr!dler!“sunley in Africa.” Wednesdsy, “Too Much S pected of his wife's murder and is flee- | Modern Musketeer.” starring Doug. 3 ., May McAvoy, in g irig from the carabinlers who are on his |188 Fairbanks; “A Doll's House, Ibsen, enacted by Elsle Ferguson; “Virginia’s Courtship”: Tuesday, Wal- ‘Old Wives for New,” the first of the DeMill vaudeville at 7¢46 and 9 lace Reid, in “Rent Free"; Wednes- e Savoy. Thursday, ercy, in d of | trail. Half distraught, he throws him . Ei M day, James Oliver Curwood's “God's| Today A and _tomorrow—Willlam g, | e Westi: Latest News and comedy, W5 ap. the peotestion of the| oocil domestic problem B o Cowntry and the Woman,” Pathe News | Hart, in “Three Word Brand”; Tuesda: i Y ‘established { lays: “Uncle Tom's Cabin,” enacted and Literary Digest Topics: Thursday, | and Wednesday. Thomas Meighan, in | 5. Foerts and Masks's Century com. e B o con ar moolf &1 D Marguerite Clark; “The Miraclo “The Silver Lining” and Fox Sun-|“A Prince There Was," and Mack Sen- | Somedy and “Adventures of Tatsan|America's finest emotional:actors, and|Man” always a monument to the shifie comedy: Friday, Douglas Fair-|nett's “By Heck’ Eoisode No. 4, Matines st 2:30 pm. |he lived up to that reputati 1ate ‘George Loane Tucker, and “Dr. bafiks, in “Reggle Mixes In" and|Carmen, in “The -v PR O 30 B | | his portrayal of & man half demented | Jekyll and Mr. Hyde,” John Barry- Seabéard comedy; Saturday, Tom Mix. | “Rich Man—Poor Man Mi York. - with grief and terror. Aftor the scene|Mmore's greatest roreen achievement. in “The Texan,” Pathe News and|Lulu Bett,” and comedy, ‘From Kitchen was_over, *Aesop’s Fables. ; Saturday, “Cameron of the| Today and tomorrow, Richard Royal Mounted,” and’comedy. ‘“Thex're | thelmeas. in_ -Tol'able ‘Day THE WORLD'S GREATEST PICTURE WITH RUDOLPH VALENTINO—ALICE TERRY | AND CAST OF 2,500 “PRICES FOR THIS ENGAGEMENT NEXT WEEK'S PHOTOPLAYS. T H retake. e Circle. day, Anita Stewart, in ‘The “Because if you do.” e said casually, Nights and Sunday—Orchestra, 55¢; Mezsanine and Balcony, 35c. [Today. Claire Windsor, in “What Do Truxton. e iand ot X ehm o S o Adiourn fon) eaie Crandall’s. Daily Matinee—Orchestra, Meszanine and Balcony, 35c. i Men ‘ant”; tomorrow an esda; 2t . = 3 2 T Sry Ploxtord, In “Little Lord Faun: ‘Poppy.” and, Johnny Hines, Hodkinson's production, “Cameron 3 Today, Pola Negrl, in ‘The Pol 5 "\ " = 1ierdy”; Wednesday, Hobart Bosworth, | Dancer” and Monte Baniks, in “Peass: ot o The Hesatiful Losr Hasrardes” Behool - Daya: ya arare rring in “Hi= Own Law": Thursday, D. W.!full "Ally”; tomorrow, Miss DuPont,|{Friday, Jack Holt, in ‘The Call of - I ‘fner Brothers’ screen version.of Gus Griffith’s “Broken Blossoms”; Friday, in “Peraian $tandal” and Hall Room !the North”; Saturday, “R..8. V. P.** i : “Preckles” L