The San Francisco Call. Newspaper, April 10, 1904, Page 12

= iz A THE SAN FRANCISCO SUNDAY CALL. ing prompt and regular delivery of the papers containing these valuable plctules. ALL TRAIN REMARKABL “PLA MATES i1 remarkable success wns and yellc ties in this, as well remarkable fidelit NGIESTY AT LIOIE ==;gd§;:==i_ water jts weight braces the legs so and so, in fact, are the various toilet that it is perfectly solid and secure. On one end is a towel rack that will There is a wee brush, a tiny comb, a ily hold three and a wash cloih, articles that make the set cemplete. powder puff and everything that one s N and the other end is composed of small could possibly consider useful or neces- rockets that are filled with boxes con- sary to a babis happiness. tsining soap, baby powder and all th* The bed i a fetching bit of lace and - € gas stove little accessories. After the bath ribbons, a lovely affair that should b s the dainti over a plug is taken from the botlom bring ths, rgsiest of the rosy dreams. g ms that ever al of tub which emnties it and W A great white swinging basket that thi needed another minute the whole has been Jooks very tempting, for it is draped T es into this fc d up and has vanished into thin canc py fashion with soft mull, a dainty s a va e regulu- air dulled Swiss, or better still, point hous i rro m the Probably the old fashioned tin tubs desprit, and a great bow of soft, shim- g en a I in it served the purpose quite as well, but méring ribbon .crowns it and falls soft- s € is there certainly is no denying that the 1y away ang ends in a billow of lace v rubber tubs are far more convenient, at the back. Slowly and gently the 5 t cven if they are somewhaf of a lux- basket swings to and fro and with it ury. There is nopne of that rushing swings and sways the cascades of lace sv about picking up soap here and tow- that have turned his majesty's nest into ve «f bl r pink ribbon sits se els there and then trying ¢ H . ton of the scales, and all in one’s lap whil s nstead of tving his majesty up in a in balancing his im i weighing him as one wouid with ¢ hand and rubb b much s he is placed in the the other. Everythi } high bask s welght told to it ought to be, exactly hat } if the tub is cared for by His ba e W is not al- n it is always ready s ays th thing to find, for t neous use fort is a portable one and may be laid Another pretty and u r shelf when not in use. a night set that is to be refuses to A piece of white rubbe of the tub. It is more g conco: across two pieces of wood, ture washstand than a Yy, S0 or hich act as legs, and when filled with The bow! and pitcher are AND ONE OF THESE PICTURES WILL CHICAGO, one is engaged Of be rtant highness to keep themr. a fairy bower. skets he has two kinds. One is a s ! stilted affair that stands on ing him with tpree lecs and offers the pins, is just where ang varinus other nece: on hand, and g, frequently missing # methodical work hasket as it were he other is for instanta- fashicned like the regulation clot 1, forsooth, it probably is af a article I8 ope, but it hag been enameled with used in place white. finished with gilt and trimmed like & minia- with laces and ribbons to such an ex- nything else. tent that his imperial highn knows of pink ware no better-apd is highly .pleased with BE ISSUED WITH THE “HIGHLAI\D SHEEP o world-famous family picture, which is art plece will e of that r is the author o 1 Sheep to the world, made as fine 2 as did his fllustrious sister, Rosa, when of animal power and physical beauty, perfect that they seem to surpass the ties of reallsm which actually fool the a Register ng about the remarkable who had elected to be ng girl named Rosa h r made an sppearance in the galleries. name, and a man ambitious to be a Tt was critically concluded that produce only one phenomenon, exbibited @ landscape which at- lf Complaint landscape and cattle painter es- uste Bonheur found his successive ite poseible that the greater ight beve won a highér position You Fail scene of home life which will appeal to the &ymg which exists between chi all lovers ren and ngenuous play of the It- tion of what they have e degree their own ac- e girl Is following the h she bas dafly Observed riner to the phay, the canine motber to foubtiess been often associated with hey mean no harm UNE artist are not yet famillar in this cow hey are general sold 1o collectors and deal and he has fr q ¥ so many advance orders for s bave 10 walt many months before they can have the f his interesting productions wn houschold, even the animals, which he is compositio i famillarity with them is unques- i painting them, a Secure “IHE PASSING bTORM & ©of Thomas Moran, N. A.. the of American landscapes. furnishes one of the most It is vigorous and yet ced in its composition. The contrasts with gray rocks and the rich above ail I a =ky full of movement and varied Sunday Call. % In nearly all of Mr. Moran‘s paint- much tc T success, £nd yet underiying these there is may be seen tha clements which make up the ple- ure, but at the same time by a 10 } Remember it will be im possible to secure these beautiful pictures unless you are a Call reader, o s AN PR S the charming result. This basket is a veritable catch-all. It contains the thousand and one things that are used daily and, as it can be put in one place and kept there so that it is always codvenient, it is Indecd a blessing to the busy nurse. But that i€n't all this monarch de- mands in the furnishing of his room. He pofitively ‘refuses to have the backs of chairs covered with his wear- ing annarel, o his fond mamma pur- chased a rack that suits him to a T Generally it comes in three pi though occasionally it may be had in four. Pink, blue or white in color, with the posts jauntily tied with rib- bons, it stands ready to receive and deliver his clothes whenever he de- nds them When his night gown and his bed wrapper come off they are huy uD to nd to sun and his day shirt, his socks. his barricqat of flannel, his petticoat, and lastly, his lawn slip are all there, et fresh and ready for him to don. the next rack his clcak, bonnet carriage robe are hanging, so in reality 1 one has to do is to stand in th center of his roor’ and reach out on all sides and find his beloniings al- ways In place. And his clothing—but, then, that is nother and almost endless story. PICTURES HAVE BEEN PREPARED ESPECTALLY FOR THE CALL BY ITS PRINTING HOUSE, THE AMERICAN sapient arrangement of masses of light and dark oppositions of brilijant and sub- dued color. of broad, simple masses and Intricate ‘detail, the artist reflects hi own voetlc temperament in jts dramatic effect, wealth of color and technical ability. Mr. Moran's attention was scape in 1871, when he accompa the Yellowstone,” it the thousands of feet of eanyon wall, d the United States Government expedition under or Powell to explore the Yellowstone country. His large painting of the "“Grand Canyon Wwhich was prcduced shortly after, was purchased by the Govern- ent. The painting is so truthful that geologists kre able to detect and classify st attracted to the possibilities of American land- Register m vet the exprassion of a feeling of sublim- 1ty I8 so strong that it 1s difficult to bélieve that he has not Idealized his subject ° He has sin and Mexico, and it may be known to the world the splend he was one of the first to appreciate. Thomas Moran, who is gometimes call thiully & ton. Lancashire, England, in 183 of 7. Fe Legan his artistic career associate of the National A ber of the Soclety of America Went t Philadelph a8 & wood cngraver N Artists and the Pennsylvania Aca made several trips 10 the Rocky Mountalns and 1 the American Turner. was born in Bol- la with his parents at the sge pprentice ademy in 1882 gnd academicias in 1884 has visited Cuba a d Yhat no artist has done more to make re of American landscapes, whose artistic poesibilities nd wus made an He is & mem- Complaint “TREASURED MEMORIES.” if Not all of the garlands of war are of laurel and paim whieh do not crown the victors Eraves.of those who have given their lives for their country. of withered and bitter le by the women who have inherited the legacy of sorrow and the death of a son, @ father or a brother in War. They cling in thelr bereavement to anythimg il oy of ‘these dpar one: Their lotters, portralts, a ence of the heroes who have fallen. To ex; picture, reasured Memories." there are others or_repose on the They are worn P R 2 You Fail " may keep fresh the mem- ything they have wern or owned are treasured as of priceless value, and on such a day as the one appoini:d to honor the nation's dead they seem to bring back something of the real pres- ess these thoughts on caavas Is the motive of Edgar S. Cameron's It depicts an aged mother honoring ‘the memory of a son fallen on a Southern battlefield, by bringing out his rusty saber and time-worn uniform to place them 0 in the cha tents ghe nows by heart. he used to sit in as a boy, While she re-reads the letters whose con- It is ihus on the anniversary of his death and Decoration day she performs silently and alone what to her has become the celebration of a sacred rite. The picture is onme full of human Interest Ria Story strapty ana directly and at the of a high order. d_sentiment strongly ame ti 1t p It is admirably composed, effective, ple fully elaborated in its detalils. Edgar S. ing prominent painters of ‘figure compositions n the West. to paint well so many different classes of subjects a painting military subjects, one of which received honorable mention In Then followed decoration for the World's Fair. The largest can- “The Youth of Christ,” Two years ago he exhibited a striking picturs This was purchased Exhibition this year he which was painted While the artist was returning from Pars last year, where he served as a mem- This picture was pur- prize competition. vas he bas painted is a religipus subject, the Union League Club of Chicago. of glassblowers at work In the red light of & blow furnace. by the Chicago Woman's Ald Club. At the Chicaro Artist showed an Important marine painting, “The Volcetul S ber of the international jury of the exposition of 1900. chased by the Arche Club. Besides painting these and countless genre and landscape eron has found time to contribute occasionally articles on art and to act as instructor at the Art Academy. ftor in the Parls Salon. Secure expressed. [t tells wsesses artistic qualities in color and care- Cameron, the artist who has painted this picture, fs one of the most a Few men’ have the ability he. Ten years ago he was Yerkes now foaned to Sunday Call. Pe gublects. Mr. Cam- art publications As early as 1888 he was an exhib- so we would advise you to bear thxs fact in mind and subscribe for The Call, \—\—BEAUTIFUL PICTURES FOR SUNDAY CALL READERS S NN ™ X ARTICLE S FROM DAVIS, ‘€& Co.. COLORTYPE COMPANY OF NEW YORK AND AN FRANCISCO CALL EVERY SUNDAY IN THE ORDER INDICATED. “IN THE PASTURE.” “In the Pasture,”" by Jullen Jos, presents a rare combination of pictorial and artistic qualities. In it the artist has displayed excy tions—as a landscapist. a figure painter and an ani are so evenly balanced and so harmoniously comb be a difficult matter to decide which he has painted best ttle, the young peasant woman who Is caring for their wants, or the landscape, which gerves as a setting for both. It has other qualities which are not the resuit of the artist's skill as a_painter, but which are the expression of his thought and feeling tional ability in three di varied talen! re that it would There is'a vigor and brilllancy to be observed in the effect of and he has given a vivacity to the movements of the animals and the actlon of the figure. In the grass and follage of the landscape there-ls abundant detail, but it fis peinted with a frank. sure touch. {ree frcm any suggestion of labored uncertain: All this combines to give in the picture an agreeabls e his methods of painting of truth and lifelikeness, The cattle are particufarly well drawn and painted. . Julien Jos is a native of Belgium and hae his stu of the celebrated cattle painter, FranZ de Beul, and of Julien Dupre. He was awarded a silver medal at the Brussels Universal E at exkibitions held in Ghent, Antwerp and other European citi as well known and appreciated in America as in Europe. “COSTLY TOYS.” “‘Costly Toys" Is the title of the art supplement, by Charles V en Eycken The proverblal playfulness of kittens s a favorite subject with painters who choose their models from the domesticated branch of the feline tribe The that the little animals have not been endowed with discretion In thefr c playthings, along with thefr instinct for play. often leads them chief, and it is this mischief which furnishes an inexhaustible fund rial upon which such artists as Eugene Lambert. Mme. Henriette Ronmer Charles Van den Eycken, the painter of the original of this art supplement drawri, In producing the pictures which are their lifework. In such plctures as the one which is thé subject of this elements of lively action. and a pleasing suggestion of innoce which make them justly popular. In Van den Eycken's p bright and agreeable color and ekillful brush work. Charles Van den Eycken is a Belgian of pure Flemish descent. He | & young mam, and has every prospect of becoming even more famous in branch of art than the celebrated Mme. Ronner, whose pupil he is. His in Antwerp, in the same building as that of. his former Instructor. decade his ‘works have become well known in America, in this country is steadily increasing. “THE BIRTHDAY.” Cora Fredericka Freer's paintin here are the Joyousness re Is also \ hosen adio is During the I nd the sale of his pictures he Birthday,” wae the most Important figure composition exhibited by a Chicago artist at the recent ex ¢ Amer. ican oil painting and sculpture at the Art Institute. It is the n e bines the telling of a pleasing story with the suc isful rende: r esting effect of artificial lighting. The four flickering tapers illuminate the scene, which Is one of tenderness and int uvity. The costumes of the little girl in whose honor young mother and her comrade and guest furnish not the warm glow from the tapers on these offers a pro solved most agreeably. The expression on the faces of she is also a close student of character A over the features of the mother as she cuts the cake; t something of curiosity and wondermer: in her joy, péctancy plays over the features of her cuest. ¢ colors, which thereby NEWSAGENTS AND NEWSDEALERS ON THE PACIFIC COAST SELL THE SAN FRANCISCO CALL. insur- ! l e —— )