Evening Star Newspaper, March 16, 1937, Page 36

B—16 = AMUSEMENTS. THE EVENING STAR, WASHINGTON, 1, TUESDAY, MARCH 16, 1937, C. Belasco Play Lampoons The Ways of Diplomacy “His Excellency” Parleys, at Least i Drama Well Cas BY JAY C T WAS the idea of Leslie Reade in should be something d national conferences. around the idea spite of some author. In he started His failure probabl literalness with which he follows the procedure of those get-togethers in which good neighbors turn out to be more human than divine. At such sessions it is the practice to talk, talk, talk. Mr. Reade, even though he seeks to lampoon the pattern, follows it too closely. Between the barbs which he shoots into the lacquered form of international relations, there are wordy wastelands which cast and audience travel much too unhappily together. You do not the momen other words Mr. is due to the sit through many of ts created by Mr. Reade, however, without an awareness of his courage. Russia may have lost many an encounter at other and more sig- nificant conference tables, but not at Leslie Reade's. There she meets the united front of the nations classified as “capitalist.” Until the very end it appears that the odds against the U. S, S. R. are insuperable. Then comes the denouement in the form of a spir- itual as well as material victory for the representatives of communism That is someth: to make an audi- ence lil but there was enough ap- plause after the final curtain of “His Excellency” to indicate some approval of Mr. Reade’s intrepidity. He dared to give Russia a break and the audi- ence gave him one in return. One suspected, however, that the cheers were more for his spirit than for his art. * ok % x F MR. READE is right, “diplomacy” is *“duplicity.” is the subject of his play's interna- | tional conference, and before the great the word the synonym of | Follows Pattern of World dfully amusing in what really goes on at inter- Accordingly, It had its premiere last night at the Belasco, but in merry moments it failed to live up to the inspiration of its Reade seemed to come home with less than A Chinese oil concession | n Its Talkativeness. t in Major Roles. ARMODY, authoring “His Excellency” that there Mr. Reade sat down and wrote a play sun which presumably was created to shine upon both the just and unjust. Mr. Reade's valiance in attempt- ing to bestow a form of justice which he thinks the world needs is equaled by those who interpret his idea. Some good casting helps “His Excellency” over its more difficult moments. There was Joseph Kallini, for in- stance, who gave a very neat charac- terization of Reade's Italian repre- sentative. Or, if you are the type with a more definite picture of Japan at the conference table, you might find more merit in the work of Bob Lewis as Admiral Daruma of the | imperial navy. The volatility of Kallini is matched by the dignfied, Knowing reserve of the admiral. Ob- | viously he came to the conference expecting nothing and went away with two armfuls of just that. * X k ox “HERE are no startling departures, | really, in the diplomats who sit around the conference table. They | are the types you have read about | between the lines of news dispatches | for years. Indeed, they go so far as to look like the very ones you have seen the rotogravure sections, | although that may be due to the fact that formal clothes have the effect of erasing the individual | There’s Robert Shayne, for in- | stance. Mr. Shayne, a former Central | High School student, is the secretary | to the American representative, played by Frank McCormack. Both are as | good as their parts and so is Lili Valenty, German exile and the only | woman in the play. Miss Valenty is | a Russian delegate to the conference, | put there to prove that women of that country have equality, but not em- phasizing the wisdom of it. Reade’s conception of a British | diplomat is that of a stuffy old gentle- man full of perfidy and patriotism. | It is played that way by George | Graham The future of “His Excellency,” which still is in the process of writ- ing, would seem to depend upon how | well Reade can draw lines through | existing dialogue rather than increase | the amount or improve it. in | powers agree to divide it between them—Ileaving the Fascists out in mc‘ cold—each nation has sought to dou- | Even Uncle Sam's representative, | who never is sure whether he is there for the Republic or just the larger oil confidence men. The quality of Mr. Reade’s merey is strained ol when it relates to the “0 Libertad”, Sh Unit 2 | Into Past, Present, Future Suites. S THOROUGHLY American as A today was Ted Shawn's “O | Libertad,” performed last | night at Constitution Hall by an en- Mr. Shawn himself as the nucleus Taking his que from the “regional” influence in all branches of contempo- | into three suites, “Past,” “Present” | and “Future.” And so infallibly were | these suites united to the musical be called movements. | “The Past” showed us dance-drama in this movement was concerned with | the Aztec emperor making a firm stand against Christianity by cutting to profess faith in the emperor's re- ligion. There were other ensemble sequences and on to the “Gold Rush suite from being lost in that psuedo- modernistic manner. “The Present” was & group of ath- ing,” “Decathlon” and “Basket Ball.” They were disguised and made a little pleasanter by musical accompaniment. Traveling under the banner of dance, simply creating and sustaining an im- pression is not quite enough. desire for dance and dance content alone was satisfled. Those gentle- men made dance history during the suite, called “Resilience,” was a pre- cise, light, geometric design, tempered by imagination and well-grounded was worth the price of admission. “Apotheosis,” which ended the eve- ning, returned to ballet for its in- nique combined with strength and given reason by Mr. Shawn’s choreo- graphic skill. It was an exhilarating ble cross all of the others. | turns up among the struggle of Russia for a place in the Performance Divided | anything in the dance world semble of eight male dancers with rary art, the performance was divided | score of Jess Meeker, they might well | in a slow, triste mood. The narrative the heart out of a subject who refuses of '49," which saved the entire first letic impressions, “Fencing,” “Box- The suite was novel, yes, but not art. In “Future,” their last episode, that entire finale. One brief trio in this technique. And that number alone spiration, a free sort of ballet tech- climax, es if n‘ werf life d?ified. Where and When Current Theater Attractions and Time of Showing. National—"Boy 8:30 p.m. Belasco—"His Excellency, pm Palace—"On the Avenue,” at 12:30, 2:30, 4:50, 7:10 and 9:30 p.m. | Earle—“Women of Glamour,” at 11:20 am., 1:40, 4:30, 7:20 and 9:55 Meets Girl,” at ' at 8:30 | p-m. Stage shows at 12:45, 3:40, 6:30 and 9 pm. Capitol—"“Nancy Steele Is Missing,” at 11 am,, 1:40, 4:25, 7:15 and 10 p.m. Stege shows at 12:30, 3:15, 6 and 8:45 | pm. Columbia—*Lloyds of London,” at 11:45 am, 2:10, 4:30, 7:05 and 9:30 pm. R-K-O Keith's—The Soldier and the Lad at 11:40 am, 1:40, 3:45, | 5:45, 7:50 and 9:50 p.m. Metropolitan reen Light” at 11:35 am,, 1:35, 3:35, 5:40, 7:45 and | 9:40 pm. Rialte—"Cloistered,” 12:50, 2:25, 4:20, 10:10 p.m. Little—"Dinner at Eight,” at 1 a.m, 1:15, 3:15, 5:20, 7:20 and p.m. Ambassador—Women of Glamour,” at 6:15, 8:05 and 9:55 p.m. Tivoli—"“The Plainsman,” at 1:45, 3:40, 5, 7:30 and 9:25 p.m. Uptown—"Three Smart Girls,” at | 5 at 6:10, 11 am, 8:10 and| 2, 4, 6, 7:55 ani LANK BOOK You get variety and value here. See our big stock. E. Morrison Paper Co. 1009 Pa. Ave. Phone NA. 2945 SEA FOOD AT ITS BEST Tempting Drinks WEDNESDAY SPECIAL, 50c Choice of Chowder or Shrimp Cocktail; Combination Flatte LEA R Shrimp, Claf Crab Cakes, Fillet' of Sol e 1 3 Rolls, lll!ullllcrs S aily Special Lunnh!l‘ 504 TAP ROOM SPECIAL DINNERS WEARLEY'’S 014-Established s:- Grill 418 12th St. N.W. b ce. DINNER DANCE crenamn CONNECTICUT ar Calvert 2248 Poands (o (he Ton Blue Ridge, Vn., Har Hard Egx 'l'l.'JB nlrfl Sto ‘lf!."fl Special Purnace Size . §9. 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F. of M., was to be honored today on the thirtieth anniversary of his tenure of office at a recep- tion at the Shoreham Hutel CHANGES DIVORCE SUIT Judith Allen Asks Annulment From Prize Fighter Instead. BY the Associated Press. LOS ANGELES, March 16.—Judith | Allen, film actress, abandoned her di- vorce suit yesterday and substituted a Sea Food Platter A sea food excellence luncheon of supreme Fish chowder fried lobster. filet of sole, crab cake, fried scallops. cole- slaw, homemade rum’ buns bread. L butter. coffee. tea or glass of beer Wednesday, 11:30 AM. to Midnight TANG O'THE SEA 1OOD 1207 E St. N.W. 71 years of buying, selling and lendingondiamonds, jewelry, etc. Liberal Loans at Lowest Possible Rates ASH FOR OLD GOLD (Government License) lee Retail Store Loan_ Offf nefl“ s 1215 H St. N.W. Established 1866 will make a personal appearance at the Capitol Theater support. LEARN TO DANCE who won fame as “The Lady in tm]e show, starting Friday. "pflmon for annulment of her mar- | riage to Jack Doyle, prize fighter and | actor. She said neither she nor Doyle com- plied with Mexican law when they were married in Agua Caliente, April 28, 1935. Her divorce suit charged non- ——o. 25,000 in A]pme C]ub The Swiss Alpine Club, which main- | tains numerous rescue centers in the | Alps, numbers more than 25,000 mem- | bers DANCING. MAE DAVISON Ball room classes, Tuesdays and Thursdays. Il pm Teaching Practice, o te 5 hea “ehildren's Classes: $3.00 mo A N.W Natl. 3341 Also_private lessons anytime. Special For a Limited Time ’ Course, $10 Tap—Limbering and Stretching Classes._Children _and Aduits. LEARN BALLROOM DANCING Under the Direction of Ethel M. Fisters PEGGY KELLY SCHOOL OF THE DANCE Studio, 1018 18th St. N.W. Telephone Sterling 988K, M!l ““Ameri Dancing ca’s Noted =i Our §0.010 puimnm |“| Tap Waltx - Fo: Trot - Tango Rumba - Dance Beautifully and Corre TED TEACHERS, PRIVATE LESS ERI’ ‘In\ APN{I‘*ID O“Tlh Olhtr s NOTE !ll""ufntux :ln\':!l.l'll Cost. Open Day, Evening, Sunday! Drop In—Appointments Not Required 1811 H St. N.W. NATIONAL 3767 Don Martini C | | | i | ACADEMY ©f Perfest Sound Photootay E. Lawrence Phillips™ | Continuous From 4 MARY ASTOR In °LADY FROM N HERE.” WILLIAM POWELL and CAléOLE LOMBARD in “MY MAN GOD- FRI ASHTON IACSVARENDO! vaAf CK BENNY, BUR! _ALLEN in_“COLLEGE HOLXDAY CAROL'NA 11th & N. C. Ave. “ID GIVE MY LVE and “CAPTAIN CALAMITY.’ 2105 Penna. Ave. NW e 2000 K st. GEORGE d LLEGE HOL!DA Y __GRACIE ALLEN 1343 Wisconsin Ave. DUMBARTON BRUCE CABOT 2 and MARGARET, "LINDSA T ALL." Cnmrdv FAIRLAWN _ANACOSTIA. D C SHIRLEY TEMPLE in “STOWAWAY " Matinee. a227 M St. N.W. | SHIRLEY TEMPLE in her latest picture, | _STOWAWAY." Pt TT) Oth St. between F & G “DINNER AT EIGHT,” JEAN HARLOW. BILLIE BURKE and ONEL and JOHN BARRYMORE PR'NFESQ 1119 A St N.E Double Pe JOHN WAYNE_in_“CONFLICT, __DUNNE in “THEODORA GOES_WII SECO &m Sorine Md. cerpy SontinUOUS From 607 . THE LONGEST NIGHT FLORENCE RICE nng) ROBERT YOUNG ‘Straight From the Shoulder ALL-} BTAR CAST STANTON Finest. s2nnd ‘E;}::I:vgl‘mnl jious Prom “NINE SAYA A.QU dtarring CEDRIC R OLA VS, CHARLIE CHAN HARDWICK COAL HUFNAGEL COAL CO. & ALASKA'COAL CO. 2.240 (bs. to the ton. Every Pound Delivered n_Bags to Your Bin at No Extra Charge PA. BLACK DIAMOND—Bita- gun Hkcd Wireciare, u i s-mku Egg Six 05 I0% $7.50: 50 Coal without _Smoke, $9.00: RO% rd Size §10.75, e and Pea). 89,501 nt. $10.50: Pea. Stove (half Stove Special 8 ecial $9.50. 3 Orders—DAY OR NIONT WA BORTS KARLOF'? in T_THE OPER. & 6970 W STATE-BETHESD Bethesd EDWARD ARNOLD in “COME AND GET IT.” Cartoon and News. TAKOMA 4th and Buiternut Sta. No Parking Troubles “PO E E. mo OE » IRENE HERVEY i “ALONG CAME LOVE.” l'-‘ALls CHURCH VA NQ PARKIN COO OARY PER. JEAN A RTHUR. RADIO JA%ORI!, Screen, ] Pl_.AmSMAN GENSEAD SPANKY. , olonias Villaze Cast of “Boy Does Well Meets Girl” at National All Roles are Capably Contrasts With Di Road Company. BY ROBERT B. INCE Samuel and Bella Spewack’s “Boy Meets Girl” has been greeted | with critical tub-thumpings and bellows of approval here as well as in every other city where it has appeared, it is rather futile to loose another harrage of adjectives at the lusty comedy which returned to the National last night to begin a week's engagement. sheets or swaps stories about the popular successes of the day knows that “Boy Meets Girl” is about Hollywood, that it ridicules the producers and | laughs at the cinema stars, gives the | song writers an off-key tinge and is rabid anent the agents. While driving spikes straight through | the old film formulas of Higher Art, | the Spewack masterpiece of ribaldry | manages to string along a pleasant, conventional story of its own, ending with the right people marrying each other and the wrong people con- demned to go on being forever wrong. If it had no more plot than a cat has umbrellas, however, “Boy Meets Girl” would be momentarily immortal be- cause of its magnificent parodies of film “trailers” and high-powered mo- tion picture production. Its hilarious | gags must also be nominated for the hall of fame, and the characters of two script writers devoted to the fine art of ribbing everything probably repre- sent the Deeper Spirit of Hollywood | more accurately than anything ever said about the place. Thoroughly Satisfactory. While many customers were disap- pointed in the road company which | first brought this playlet to town in | December, the players now at the Na- tional are thoroughly satisfactory. The action hinges on the fate of four | or five persons and an imaginary baby, and I would say the principal characters were all extremely well presented, including even the mythi- cal infant Credit for this fact belongs to Clin- ton Sundberg, the major comedian of | the piece; Betty Field, whose Susie is superb; Larry Fletcher as a fading he-man of the celluloid business, and Frank Fenton in the role of a college man lost in the strange world of | cinema production. Donald MacDon- ald, Nigel Blake and Sidney Andrews | were others who turned in credible | performances. Serious Lapse of Pace. Unlike most George Abbott presen- tations, the current appearance of “Boy Meets Girl” suffers from an oc- casional serious lapse of pace and lack | of careful direction, a fault that may Na. 0149 BELASCO ALL THIS WEEK 25033, George Bushar and John Tuerk offer on_ Diplomaey Cast Eves. 8:30 Thurs., Sat. Mat., 2:30 35¢ to $2.75 flflewllofit STOJOWSKI Renowned Polish Pianist Tonight at 8:30 Willard Hotel Ballroom $1.10, S1.65, 52.20 at Mrs. Doniey's __ Conce ureau and at Hotel. | TRANS-LUX 14th & H Sts. N.W. NEADLINE NEWS THRU FILM Also, A Trip to the Yel- lowstone and Other Col- orful Showings of Sport, Fashion and Comedy Continueus (i a.m.-11:30 p.m. Program Changes Friday Admission (All Heurs) 25e 18th St. & Col. AMBASSADO Rd. Col. 55903 MELVYN DOUGLAS and VIRGINIA BRUCE. “WOMEN OF GLAMOUR. APOLLO 624 B St N.E Phone Linc 33 DEANNA DURBIN in “THREE SMART GIRLS." J. Edgar Hoover's u Can't Get Away With I AVALON °0'3,5%m. Are, 2 Conn. Ave. Cleveland 2600 SHIRLEY TEMPLE in “STOWAWAY.” Also Popeye Technicolor Short. AVENUE GRAND £¥ £t A% S.E. LL 2106 “GOD'S COUNTRY AND THE WOMAN"" Also March of Tim CENTRAL 43525 AW Phone Met. 2811 GARY COOFER and JEAN ARTHUR AN." "Cartoon. COLONY 4935 Ga. Ave. N.W. . 6500 GLADYY SWA™ THOUT and MacMURRAY | In U~ CHAMPAGHE WALTZ.” " Popeye short. HOME 1230, C St. N.E. rnum I.lne GLADY! FRED Mat MURRAY C‘HAM!‘AGNB WALTZ. PENN %0 tomn Aves o Matinee. 2 P.M GARY, ER. ' THU] AR SRPEER A SR, AR SAVOY om0,istn st xm. KAY FRANCIS. WILLIAM in_“ONE-WAY PASSAGE." SHERIDAN &* At & Sheridan St.N.W. Ran. 2100 Mnunn 2 PM. “THREE Esmu’r o 3 'Bag ar Hoove: You Can't Get Away ki TIVOLI "4t 8. & P N.W rhune]ml T260 GARY, COOPIIR a5 _in_“THE PLAIN oS JEAN .g:'rmm UPTOWN M, Phone Cleveland 5400 P.M. OWELL WARNER BROS. THEATERS \Conn, Ave. and Matinee. N.W. DEANNA DUEBTN in THRE SMART GIRLS." J. _"You Can't Get Awas iHoRS YORK Ga Ave. and_Que l.! Place NNW. Col. SONJA HENI K near 9th HlPPODROME Double' Show Edmund Lowe, “Mad Holiday.” Ann Handled—Reception isappointment in PHILLIPS, Jr. Every one who reads the drama be overcome as the present company | becomes adjusted w.nd hits its stride. Above all—and somehow it is not hard t« forget this in the droll hours of early morning—the play managed to keep its audience somewhere be- | tween a giggle and a howl for at least three-quarters of last evening. That | is its stamp, seal and purpose. | “DINNER AT 8,” ONE OF “MUST” FILMS, BACK Little Theater Presents Celebrated Movie That Is Still Good After 1933 Debut. I"l 1933 the Metro-Goldwyn-Mayer people made a picture, the celluliod item “Dinner at Eight,” and sent out in tHe cruel world to brighten the lot | of those unfortunates, the exhibitors. | The critics said it was a fine picture, | lots of people went to see it, and lots of exhibitors made lots of money §-0-0-0, “Dinner at Eight” continues to come back; it's down at the Little again this week It has all the attributes of excellent screen entertainment. The y is interesting, and to find fault with the acting would require extended analysis, which the average patron has never been particularly interested | in doing. The reliable talents of Marie | Dressler and the freres Barrymore, | Lionel and John, combine with satis- | fying pulchritude of Jean Harlow and Madge Evans to provide thoroughly enjoyable footage. The beauteous ones, lest it be misunderstood, do far more than stand around. “Dinner at Eight” is one of those things which just must be seen, and, once viewed, call for recurring atten- | tion. That is why the Little <"'L§s it | off once more. —C. A TOMORROW (nn-umu-m Hall PAUL b L Combined with the entire National Symphony Orchestra In a vrogram of modern American music. DEEMS TAYLOR. oral pro- &ram ‘annotator. Ticket office. I5¢ to %3, on Junm Garfinckel & efore concert, Cation: Hall, Me. 2681, Manager. sale at box Co. Store. at Consti- C. C. Cappel, Constitution Hall Next Sun. Aft., 4 P.M. IN PERSON—LAWRENCE TIBBETT Baritone. Met. Opera Asn., In Recital S Concert. Radio and Screen N Mrs. Dorsey's, 1300 G __Sothern. “Smartest Girl in Town.” WILSON 00 Cotontar wu “THE GREAT O'MALLEY i PAT O'BRIEN and HUMPHREY BOGART. JESSE THEATER '*, & dryins CHAMPAGNE WALTZ OLADYS ISWARTHOUT and FRED SYLVAN It and NW Double Penure “NORTH O F NOME,” JACK HOLT and EVELYN VI’NABLI. “Mysterious Crossing,” _JAMES DUNN and JEAN ROGERS. _ PALM THEATER °%, far~ “MAN OF AFFAIRS u ‘ h OBOROR. ARLISS. néknnsmm's . RAINIER, 3 CAMEQ ™~ pamvze. mo. JAMES CAGNEY. “GREAT GUY.” March of Time. Bpecial. Tomor and Thurs. Double Bhow—Ian Keith. “White Legion, __Joan Bennett, “Wedding Present.” ARCADE mnnvn.u MD. ‘Today-Tomorrow Spanky McParland. ‘General Spanky.’ RICHMOND At=xArpia. va. ERROL FLYNN. “GREEN LIGHT.” MILO Ty Tomairon " QLADYS SWARTHOUT in !0" WALTZ." Direcfion of Sidney Lnst LAST DAY AMUSEMENTS. 1.C. C. FIVE POINTS CLUB HOLDS ENTERTAINMENT Repeat Performance Is Given of “The Gold Madonna’—Song and Dance Features. "EE Five Points Club of the Inte: state Commerce Commission pre- sented a varied entertainment pro- gram last evening in the departmental auditorium, with song, dance and drama sharing attention. The prin- cipal item was a repeat performance | by the Laboratory Little Theater, Dis- | trict of Columbia Branch, League of American Penwomen, of “The Gold Madonna,” new play by Mrs. Larz Anderson Betty Cavanaugh, erstwhile | of Virginia C. Hunter's | peared twice, offering an acrobatic number which she displayed | marked talent for control work, re- turning later to sing and tap “Copper- | Colored Gal” and beat out the meas- ures of the “Poet and Peasant Over- ture.” The last was hardly a novelty, but youthful Miss Cavanaugh did a good job. Louise Webb accompanied | at the piano, TWwo sopranos, one dramatic, the other lyric, contributed the interludes of song. Thelma La Dow rendered “Un Bel di Vedrenio,” by Puccini, and Denza’s “Se,” during the formal pro- gram, and two additional selections, “Beggar Maid” and “Smoke Gets in Your Eyes” at the banquet whick preceded. Marion Leonard was at the keyboard. The lyric soprano of Susan Rice Oliver was heard in Toujours L'Amour” and starlet revues, ap- Hawallans—American mu- * proved to be two guita pnrfnrmmw on the electric Jrk‘:'um»mv Their appearance was short but sat- isfying Ann Claxton offered two dance numbers, one Latin, one con- al tap, with Ma Lehman at the piano, while Myrabeth Reece and Rose Royce admm to the banquet with their ncerni “The Gol which appeared following its fi nce were equally applicable last —C.A. M night Warner Bros. Last 3 Days HELFTN nuuuus - YRGKIA BRUCE “wnMEN nr BLAMUUR" LEON NAVARA & ORCH GEORGES & JALNA COMING FRIDAY JESSIE MATTHEWS “Head flvar Heels in Love” SYLVA MANON & CO-5 BERT WALTON and others 2Bcto 1P M. METROPOLITAN. | [RRULLUH 3 D"“*”l FLYNN ™ LOUISE A Warne Bros Cosmagoitan Petore “GREEN LIGHT" COMING FRIDAY 2nd WEEK DOWNTOWN ERACE MOORE o Town sn Columba’s “WHEN YOURE N WOV win Cary Brant MAT. 25¢-EVE. 25¢ & 40¢ GAYETY BURLESK NOW PLAYING TOM BUNDY PRESENTS “REDS MARSHALL" | MURRAY LEONARD | AND | THE DU (l"\\ OF HOT CHA EDNA (DYNAMIC) DEE | at the Sulgrave Club, CONCERT PO TPONED l HE fin: the String Quartet, scheduled al concert Washing= which was afternoon ton for Thursday has been post- poned Aprii 22. Tha concert will take place, as announced, at the club at 5 o'clock on the April date. The members of the quartet are Milton Schwartz and Paul Brighten- burg, violins; George Wargo, viola, and Howard Mitchell, cello. until T nursday, ATIONAL ™95 Eves, $2.20, S1.65, $1.10, 65c. Wed. Mat.: S1.10, 85c. 55c. sat, Mat: $1.65, $I.10, s6c & AN I‘ICESSNU I Rl uuen“u- N. Y. and London Cast Next Week Beg, Mon., Mar. 22 THE THEATRE GUILD. Inc.. Presents Helen Jerome's Dramatization of Charlotte Bronte's Novel “JANE EYRE” With KATHARINE HEPBURN (IN PERSON) Eves.: $2.75. $2.20. $1.65. Mats. Wed.. Sat Inc. tax MAIL ORDERS NOW. SEATS THURS. $1.10, 85¢ $2.20.81.65,81.10, 85¢ Cost 3 Doys TENSE, 1hr DRAMA "KANCY STEELE IS NISSING' Stoge ————— RED SKELTON and his NEW Varieties FRIDAY A laugh-thrill romance’ “PIOIIM Edmund LOWE Madge EVANS Stage —— WINI SHAW in Person ARTHUR REILLY B and others versthing that's GRAND VING ¢ 1':"ON THE AVENUE’ Dick POWELL—Madeleine CARROLL. Looney RITZ BROS.—Alics FAYE D057 Weather Forecast a3 AYTIME" 15 on it FREDDIE BARTHOLOMEW MADELEINE CARROLL TYRONE POWER = [RIALTO doister ToMoRROW Ut Last! The Greatest Silent Picturet Ceair_B_peMiucs. KINGy KINGS With Complete Musical Score sth 8t OPENS | ABOVE & 0 PM . ANTON WALBROOK in ““The SOLDIER and the LADY™