Evening Star Newspaper, November 16, 1935, Page 34

AMUSEMENTS. Palace Audiences Find “Bounty” Film Thrilling Mutiny Tale Has Superb Scenes and Dra- matic Perfection, Ranking Among Great Pictures. BY E. de S. MELCHER. ’ HERE'S no use going on and on and on about “Mutiny on the Bounty” at Loew's Palace. It's probably the best picture of the year—so let's leave it at that. It's rough and it's tough, and it won't please the gentle Julias, who swoon at the sight of a mouse and who feel sick before they have even sighted the gangplank of a liner. But it's the kind of stuff out cf which great dramas are made and and it is acted so brilliantly by a 100 pers cent cast that there’s no possible room for improvement. We give vou s proof: Charles Laughton’s Capt Bligh, a sur.v man with a heaiv of wood, who nevertheless be- lieved so fiercely in the discipline of the sea that he & could flog a man who was swiping eix cheeses. W« & give you Clark Gable as Chris- tian, a man who could hold his temper for just Director Frank Lloyd has han- dled these players not with kid gloves but with an eye for the rough old man of the sea, who can lure & man down to Davy Jones' locker when- ever he has it in mind. The scenes at sea are superb—the old Bounty is a grand old tub, flying | through the waters of the South Seas with all canvas ablaze—and the sail-| ors run up and down the masts like | human fiies. ‘We can’t think why you won’t en- joy every bit of this, unless you do| not happen to care for strong talk, | | strong action and strong acting. | There is little time for sentiment—no | time for tears—and a minimum of | those nice South Sea Island maidens | Charles Laughton. €0 long and then had to explode and | wreck his life as well as everybody | else’s. We give you Franchot Tone— | who rises to heights he hasn't ap-| proximated since “Green Grow the| Lilacs.” And we give you Dudley | Digges as the good old doctor who| was 5o partial to his grog that he was | able to forget which of his two iezs | had been cut off. | who talk little but 'say much. Never- theless it is just that sort of enter-| tainment, done to a cricp, which we see all too rarely. The entire production is A-1. Even the horsemeat looks | like horsemeat. What more could ycu want? Therefore there is no more to say— except “go and see it.” Capital’s Drama Groups Local Players Rehearsing for Early Pro- ductions—“Poor URROUNDED by secrecy and) what-not, the Cue and Curtain | Club at George Washington | University has started rehearsals | of Howard Lindsay's “She Loves Me | Not"—with the “no visitors” sign hung outside the door. The club had to get special per- mission to do the play and had to obtain it in manuscript form as it hasn’t been printed yet. Betty Craw- | ford, as Curly Flagg, the night club dancer, who ducked a murder inquest by hiding o a Princeton dorm; Charles Hoyt, as Paul Lawton, the student who got more or less mixed up with Curly in this process; Sue Slater, as the dean’s daughter, who did her best to straighten things out, and Hamilton Coit, as the publicity man who nearly ruined a couple of good careers, head the cast. Marvin Beers is directing aad the other players ere Austin Cunningham, Joseph Ruben- | stein, Frank Shirk, Thadene Noel, Margaret Long, John Kendrick. Milton | Freedman, Joseph Kle#, Thomas Dob- son, William Evans, Allen Thompson, Norman Stein, Richard Boulger, Norma Michelson, Nancy MacLennan and Ben Candland | Settings for the 18 scenes are being designed by Leslie Marzoff, who used to be with the Goodman Art Theater of Chicago. | Helen Regan and Frank Clark, members of the Blackfriars Guild, who are about to be married, are to be given a shower tonight at this week's Saturday night social. The guild has these affairs (socials, not showers for Miss Regan and Mr. Clark) every Sat- urday night at the Blackfriars Guild Hall on Sixteenth street. The Players has just about whipped “The Poor Nut” into shape and is all primed for the presentation of the J. C. and Elliott Nugent pl come Tuesday at Roosevelt High Aud torium. John Mann has the title role (fie on the first citizen who says it's & [ Nut” Tuesday. small, will be presented Thursday and Friday at Eastern High School. Members of the “Squaring the Cir- cle” cast of the Studio of Theater Arts are rehearsing six nights a week, de- spite the fact the play will not be presented for more than three weeks vet. It seems the play has a number of incidental songs and some particu- larly difficult bits of business which make a “pat” performance a difficult achievement. Frank Westbrook is in charge of the music and Constance Cenror Brown is directing. The Rus- sian farce first faces a local audience December 10 and 11 at Wardman Park Theater. H. M. PICTURE SHARES SHOW WITH ADRIENNE, PSYCHIC “Music Is Magic” Helped by Some Interpolations From Entertainers. "MUSIC IS MAGIC,” which yester- day opened at the Columbia, is a rather amiable item in which the THE EVENING New Romance Team at the STAR, WASHINGTON, Carole Lombard and Fred MacMurray are teamed together in “Hands Across the Table,” light-hearted comedy-romance now at Loew’s Fox Theater. D. C., Fox N not for all the bums in Brook- Iyn could we give you one good reason why Paramount vas inspired to make a motion picture of “Pcter Ibbetson.” cranny tioned to receive its cozy mysticism, no parallel or precedent in recent drama to suggest that such a story might became popular today. If the cinema shops were bent upon a crusadé to advertise the powers of the human imagination to surmount physical suffering, they might better have filmed a nice Freudian novel. |That would have been comprehensible | to at least half of an average audience. | Instead they were dead bent on George | du Maurier’s erstwhile classic, with the result the screen attraction at the Earle this week winds up as a hand- somely photographed tale of Ilcve triumphant and drama recumbent. Even when unable to fight off the irresistible | Ibbetson™ in celluloid, its sponsors might have done better than to choose Cinema’s “Ibbetson” Wears Classic Chill ;Ann Harding Properly Spiritual in Duchess, Role, But Cooper Lacks Howard Touch. OT for all the tea in China,| bued with that spirituelle quality im- plied by the characterization. He can- not be charged with lack of sincerity | or an indifferent effort, but the odds There is no | of the modern mind condi- impulse to revive “Peter | Gary Cooper for the role of a wistful, | were too strong against him in the beginning. He fails. Ann Harding, on the other hand, | lends a delicate bloom of splendor and sublimity to that unhappy lady. the Duchess of Towers. Her dreamy spiritualism seems somehow natural and convincing. With a more apt player opposite, she might have been able to bring off successfully the story's contention that ‘two lovers tragically separated can live out their days peacefully in dreams of each other. Ida Lupino, John Halliday, Douglass Dumbrille, Virginia Weidler and Dickie Moore are the others in the cast. The stage bill at the Earle this week seems to us to represent simultaneously the cause and effect of the decline of vaudeville. It consists of some twice- told tales and stunts by Al Norman, a comedian who acts as m. c. for the show; songs by Joaquin Garay; miscellaneous efforts by the Libonati Trio (a xylophone act, if you get what | faintly lugubrious and love-sick youth. | we mean); the team of Prosper and Mr. Cooper has a bad time of it| Marat, and Marjorie Cleary. There is Singer SATURDAY, X OVEMBER 16, 1925. Comedy Has In “Hands Across Table” Fox Attraction Has & comedy classic, even if it were One of the most hilarious not knowing he has no cash. It's% more & job of butchery than a man- icure, what with her nervousness at the thought of meeting the money she would wed. The bombastic love scene Carole and Fred stage along toward the end of the film is a knockout, toa And there are other dizzy situations which | would rouse up plenty of laughter if they were not performed with such gay abandon. The picture is surefire entertain- | ment all through. It digs in and gets | going right in the beginning, and moves with a dizzy pace for, say, about two-thirds of its length. Then suddenly, after Carole and Fred have romped about in happy and nonsensi- cal style for a long enough time, they | discover they are in love and—bingol | Varying Atmosphere—Entertaining Stage Program. HERE are two or three scenes in “Hands Across the Table,” which opened yesterday at the Fox Theater, that would make it practically early in this tale, when Carole Lombard, who is a manicurist out to marry a bank roll, tries to give a manicure to Fred MacMurray, a busted playboy, MUSEMENTS. Dizzy Pace Romantic Side and not a corking good movie anyway. interludes of the season occurs very and do them in fine fashion—what | nobly to carry the duller moments that occur right after they discover they are in love. Ralph Bellamy, Astrid Allwyn, Ruth Donnelly and Marie Prevost have incidental roles there is of them. Mitchell Leisen di- rected. - =% * % FT'HE stage portion of the Fox's pro- gram has a lot of entertainment, t00. The performers are led by young Bob Hope, a very dizzy fellow who | tells some very dizzy gags, some of them older than you are and some of them very good. He also acts as | master of ceremonies and introduces a couple of his own stooges, one a girl named Honeychild, who has some —the mood of the film changes com- | 88S even dizzier than Mr. Hope's, |and Dolores Reade, who sings better pletely. | Bk E | T DAWDLES a bit over this sad dis- covery—sad because both of these people want to marry money and | neither of them could do much more | than make & down payment on a ham sandwich—but shortly Fred goes to his multi-millionaire fiancee and tells her all is off, whereupon “Hands | Across the Table” picks up again and | zooms to the finish line. The people who adapted the Vina Delmar novel to the screen and wrote the dialogue have done an excellent job. The lines don’t have the super= sophistication of a Crawford-Mont= gomery opus, but they come close to getting the combination of utter non- sense and human reality of “It Hap- pened One Night.” Even the old gags, of which there are more than a few are tried and true lines which are good for a laugh any day. “Hands Across the Table” is per- formed in a sprightly and spirited manner, too. Miss Lombard and Mr. | MacMurray tossing their comedy about with sure aim and coming through Where and When EVELYN LAYE, Star of the dramatic and light operatic stage, has the leading role in “Evensong.” story of the life and loves of an opera singer, which opened at a late preview last night at the Belasco Theater. |OTIS HOLLEY ACHIEVES SUCCESS IN RECITAL Fox Film people have invaded the movie plot mausoleum, hauled out a decadent story, worried it awhile as a |in a part that obviously belonged to|ajso a chorus which performs wme‘Proflrflm Leslie Howard, or some one equally im- | roytine girl numbers—R. B. . Jr. Scottie worries an old shoe, and then | sent it back to its shrouds where it | should have been left in the first place. If you've heard the one about the famous star who outgrew her ingenue | days but would not believe it, and who had a daughter she passed off as a sister, don't stop us. For it is being told again and you can't do anything about it. Bebe Daniels does a good | job of acting as the movie star who wouldn’t act her age, though, which | helps some, but there isn't enough magic in what music there is here to | make it look fresh and inviting. There are a tew good moments, though, brought about through the Révival of the Claésics In 1936 Films Is on Way “A Tale of Two Cities” Is Enthusiastically Received—“Silas Marner” Will Be Produced Next. BY MOLLIE MERRICK. smart bit of casting) and others with | presence of Luis Alberni, Mitchell and Special Dispatch to The Star. OLLYWOOD, November 16 (N.AN.A.).—We can look for an extensive | | Demonstrates Full | Range of Talent Before Ap- | preciative Audience. | BY ALICE EVERSMAN. TIS HOLLEY, young Negro so- i prano, was presented in reci’ | last evening at the Metropolitan A. M. E. Church, and proved once muie that perhaps great truth lay in David | Belasco's statement that the colored artist would be one of the potent fac- tors in the artistic future of this country. For Miss Holley's singicg | was rich with that warm musical feei- ing which springs from a nature re-| sponsive to the beauty of the art she | follows. | Her program was arranged to demonstrate the full range of her talent from opera to “scngs of the| Current_Theater Attractions and Time of Showing. National—"The Great Waltz,” | 2:30 and 8:30 p.m. Palace—"Mutiny on the Bounty,” at 11:20 am,, 1:50, 4:25, 7 and 9:30 par. | Earle—"Peter Ibbetson,” at 10 a.m., 12:20, 2:50, 5:15, 7:40 and 10:05 p.m Stage shows at 11:40 am., 2:05, 4:20, 6:55 and 9:20 p.m. Loew's Fox—“Hands Acro: Table,” at 10:45 am, 1:30 4:1 | and 9:55 p.m. Stage shows at 12:30, | 3:15, 6:10 and 8:55 p.m. | Belasco—"“Evensong.” at 12:05, 2:01, | 4:06, 6:03, 8:06 and 10:11 p.m. Metropolitan—"The Last Outpost.” at 11:45 am, 1:40, 3:40. 5:40, 7:40 and 9:40 pm Columbia—"Music s Magi at 11:55 am., 1:45, 3:50, 5:40, 7:50 and at | 9:55 p.m. Miss Adrienne at 3:30, 7:26 and 9:34 pm. R-K-O Keith's—"Transatlantic Tun- nel” at 11:15 am, 1:20, 3:25, 5:30 7:35 and 9:40 pm. Tivoli—"O'Shaughnessy’s Boy,” 2, 4, 7:45 and 9:30 p.m. Ambassador—"It's in the Air,” at 2, 4, 6, 7:35 and 9:30 p.m. Little—"The Informer, at 10 and 11:52 am,, 1:44, 3:36, 5:28, 7:29 and 9:30 pm. Gayety—"Pace Makers,” at 12 noon, 2:15 and 8:15 p.m. | et important parts are Terry McPherson, Wililam Hili, Katherine Kammerer | and Alice Louise Hunter. Lucy Ann Rogers is directing and it's the first | public performance by the Players. The town’s newest drama group, the Georgetown Players. is busy with its first production, “The Prince Chap,” to be given next Friday at Georgetown | Presbyterian Church, 3115 P street. | The players are being directed by Mrs. | Mary Belle Steinbauer, who graduated from the Emerson College of Oratory in Boston and who has directed this same play before. | Leading roles are to be played by | 7Ted Field, who has appeared in a lot | of college shows at American Uni- | versity; Jane Fadely, Betty Fadely and | Catherine Freeman, all of whom play | three different ages of the same girl; Henry Rick and Marian Hulburt. The St. Paul's Players must be pretty busy, | Mrs. John C. Russell, has let a whole | * day and a half go by without calling | to see when and if she was going to ‘get some publicity. The play is “Adam and Eva,” the place is St. Paul's Audi- torium, 1421 V street, and the dates are Monday and Tuesday. Mrs. Rus- sell's cast includes Leo Brady, Mar- garet Collins, Mary Catherine Connell, Richard Finnin, Arthur Harvey, Rich- ard Harvey, Charlotte Knott, John ‘Wilson and Stephen Trodden. The annual “Eastern Parade,” which usually is & big musical revue, done on a “Great Waltz” scale with a cast even De Mille would not consider FOREIGN LANGUAGE USED German Film to Be Presented To- night at Pierce Hall. "DER HOCHTOURIST,” a German | language picture with Otto Wall- | burg and Maria Solveg, will be pre- | sented at Pierce Hall tonight at 8 o'clock by the Foreign-Language Cinema. | Next Saturday, November 23, “Sans | Famille,” based upon the novel by | Hector Henri Mallot, will be shown, | and November 30 the Spanish-lan- | guage picture, “La Cruz Y la Espada,” E will be presented. | BURLESQUE AT GAYETY #Record-Breakers” to Open at Matinee Tomorrow. “JRECORD BREAKERS,” Indepen- dent Burlesque Association pro- duction, with a cast of talented come- dians, singers, dancers and attractive girls, opens at the regular Sunday matinee at the Gayety. The cast is headed by Toots Brawner, the extra added attraction for the week, and includes Joe Freed, Alva Bradley, Bob Nugent, Sid Stone, Al Nesser, June White and & chorus of 18 girls. Durant, and Alice Faye. Mr. Alberni has one scene which is completely hilarious. Evidently it was inserted in an effort to brighten things up, which Mr. Alberni certainly does. but the producers of the film made their mistake in not discarding everything | Arnold Bennett should also come into™ 2lse and building a new picture around | the Alberni comedy scenec. Mitchell and Durant have a lot of opportunity to rant and rave and to knock each other about, and are mighty good. You have to like them, though, to appreciate them. Miss Faye gets in her licks in the musical numbers. which have been dragged in by the heels, and a very loose grip on the heels at that, but Alice is plenty of excuse for bringing on a song and dance scene, if no other can be found. She knows how to sing a song and her mere presence provokes pleasant sensations. Adrienne, ance, is, by far, the most interesting item on the Columbia’s bill. She tells people things she couldn’t naturally and normally know about them and amazingly answers all questions re- layed to her from members of the au- dience. A couple of the Columbia’s short subjects, particularly a looney piece entitled “The Infernal Triangle,” rate equal, if not better billing than the feature film, which, however, is not saying much. H M. Ballerina ANNA ADRIANOVA, The only new solo dancer added this season to the cast of the Monte Carlo Ballet Russe, which will appear at the National Theater tdorrow night. Miss Adrianova, internationally known | too, for their director, |PSychic, making a personal appear- | H revival of classics on the screen during 1936. so enthusiastic over the rushes of “A Tale of Two Cities,” has ar- | ranged to make George Eliot’s famous story, “Silas Marner,” feeling | Metro-Goldwyn-Mayer, that this will be one of the highlights of the coming year. If “Silas Marner” is good material, then the “Five Towns” group by | | picture vogue. The role of Silas Marner is sched- | uled for Lionel Barrymore. It is, if 1 remember correctly, the tale of a man who, in a trance of sorts re- | sulting from illness or an injury, takes the church funds. Then he spends the remainder of his life weaving in the mills, in order to pay back his debt | in full, and is robbed of the lifetime’s | savings on the eve of restoring the missing sum. It is a story of middle England in the early nineteenth cen- tury. | And speaking of England, a note re- | ceived from Alfred D’Eynecourt of | me that some of the best pictures made in Britain never get to America | and that many of those sent here for distribution do not represent the highest type of picture which the releasing. He adds, “one gets, if one is lucky, about $25,000 (for a picture entire American release.” American producers are probably up against the same thing in releasing films abroad. I have been wondering for some time at the spottiness of thc English product, in that one picture will be of a high standard and the next one like a Hollywood “quickie” of 10 years ago. | Director Clarence Brown is wearing |a broad smile because he received | an ovation from the audience which previewed “Ah, Wilderness!” the other night. The O'Neill classic, which was & comeback vehicle for George M. Cohan with the New York Theater Guild, season before last, comes to the screen with Lionel Barrymore in the Cohan,role. It revived delicious memories for the audience—of the days when women did burnt etching on wood or leather; when every boy in the street was whistling & song called “Dearle, My Dearie,” and of the quaint old times wher. parents told their children to be home at 10 o'clock at night and sat up and worried about them i they didn’t show up. Of the times when Swinburne was _considered “bad” literature and his books were burned by a victorian-minded gener- ation, ‘When picture producers are building & player into a star, they give him or her two big roles, two or three less conspicuous roles and then a big one again. That is the usual formula for selecting star material. Gertrude Michael was in the midst of such a campaign when the accident occurred which has taken her off the screen whose real name is Shirley Bridge and who comes from Rochester, N. Y., will be seeg in one of the solo parts in “Aurora’s Wedding.” for some months. She returns to the studio to find three pictures alkready and waiting: “Woman Trap,” wzitten by Eugene British manufacturers are capable of | which costs $375,000 to make) for the’ Elstree Studios is interesting. He tells | | | Walters and Charles Brackett, a Mex- ican gangster kidnap storp; “Turn of :he Wheel,” a gambling story, in which she will play with Ray Milland, who was with her in “Four Hours to Kill"; and “Professional Ladv,” a story of a Manhattan model. These will have to be done one a month to get them out on schedule. (Copyright. 1935 by the North American Newspaper Alliance. Inc.) METROPOLITAN OFFERS “THE LAST OUTPOST” Love Theme Is Subordinated to Adventurous Episodes in Desert Story. HEN a woman loves unwisely and everything goes smash she some- how manages to attain a surface quietness. But when a man loves un- wisely Paramount ships him to India, where he may tramp the desert and shoot the natives—for dear old Eng- land and the lady he loves. Thus we have “The Last Outpost,” current offering at the Metropolitan. We see no reason for any compari- son to “The Lancers” merely because this film is full of uniforms and na- tive uprisings. If there is anything that saves it from a category lower than second rate, it is Claude Rains, who always does his job well, and who, in this instance, dies in 2 minor sort of glory, enabling his wife, Rosemary Haydon, and his erstwhile friend Cary Grant, to gather the rosebuds. The love theme, however, is sub- ordinated by the adventurous episodes, so “The Last Outpost” is fair enter- tainment. Gertrude Michael is neither quite gay, nor quite believable as Rosemary. At times she approaches a rather weak wistfulness, but that doesn’t qualify her for the actress she is reputed to be. Cary Grant is attractive whether in ultra, ultra beauty salons with Helen Mack or in jungles with monkeys and elephants. And the ladies like him whether he acts (which he doesn’t) or is simply Cary Grant (which he is). ‘The Metropolitan program also in- cludes a noisy short about “Ma Kirk, Queen of ‘the Ozarks,” which is not at all amusing unless one has a penchant for hillbillles, which we haven’t. Betty Boop directs her own amateur night—and all goes well. And if we voted for amateurs we most certainly would vote for the quintuplets who played a rhumba. ‘The newsreel shows student peace mobilizations in America, soldiers goose- stepping in Berlin, and Ethiopians demonstrating their prowess as war- riors beforg the Buddhalike “Lion of Judah.” M. W, TAFT FAVORS CHANGE Brother of Late President Sees} Negro,” as the final group was desig- | nated. She sang in Italian, Germaa | and French, with a correctness of accent sometimes difficult to acquire | . + for an American. And nto her ren- Revised Constitut on | dering she put all the little touches NEW YORK, November 16 (#).— | that mark not alone a well-traincd | Henry W. Taft, brother of the late | | singer but one whose musical sens:- Wilham Howard Taft, said last night tiveness has grasped their significance. that changing needs of the country Of the two divisions of her program, | may require a revised Constitution. the English songs and the spirituals His address was broadcast over a net- | of the latter part were the most out- work. She gave such revealing _S,E,E, M6RRISONIS | standing. numbers as Clara Edwards’ “A Ben- | For Blank Books. Big va- riety . . . Popular prices. ediction,” Florence Wickham's “So- We have what you need. lace,” Harry Burleigh's “In the Wood of Finvara,” “Weary Traveler,” ar- E. Morrison Paper Co. o Phone NA ranged by Rosamond Johnson. and, above all, Robert MacGimsey's “Sweet Little Jesus Boy,” with infinite under- standing and appealing sentiment. ‘The program opened with Donaudy's “O Del Moi Amato Ben” and | “Vaghissima Sembianza,” Schubert's | “Nacht und Traume” and Strauss’| “Zueignung,” followed by the aria and | cavatina from Gounod’s “Queen of | | Sheba.” While her interpretation of these carried also that personal note‘ | of feeling, they were often too fast | and allowed her little opportunity for | achieving the careful effects which | she realized in the other songs. A | delightfully varied group of “Songs| |of the Bayou,” arranged by Mfinl\ Monroe, excellently delivered, was one | of the high lights of her recital. | Miss Holley, who has already won | considerable success over the radio | and in concert, has a warm, rounded voice, with a quality that touches the heart. A wide range offers her no difficulty except in moments when on | | the higher tones she is inclined to | force and thereby lower the pitch by a fraction. But these are small faults | compared with the deep musical feel- ing which is natural to her and which she uses with artistic restraint. Pauline Dodson Gold who, with Oscar.Seagle, “discovered” Miss Holley, }gnve her sympathetic support at the | piano. Mrs. Gold has been the singer’s coach since she took up her | ruh‘llence ;n New York to continue her | vocal studies as scholarshi Oscar Seagle. At Every number Miss Holley sang gave }renl pleasure to the large audience which recalled her repeatedly with generous applause and with special | recognition after several of the most beautiful songs. Her success of last evening can well presage a brilliant future for the young singer. Sunday, November 17— 4 8:15 P.M. MAN, Class Wednesday, 8:15 P.M. Library Open Tues. and Thurs., 5 to 6; Sat., 2t0 5 UNITED LODGE OF THEOSOPHISTS Hill B 9, 17th and Eye Sts. N.W. o Dues, Fees or Collections & 7 BAND CONCERT. By the United States Soldiers’ Home Band Orchestra at Stanley Hall at 5:30 o'clock. John S. M. Zimmer- mann, bandmaster; Anton Pointner, associate leader. Tiny Dwarfs. In the dense forests of Santo, larg- est island of the New Hebrides, dwells a tribe of drawfs said to be the small- est in the world, than passably well. J. Harold Murray, recently here with | “Venus in Silk,” is the other head- liner on the stage. It probably is redundancy to tell you he has a mighty fine voice and a mighty pleas- ant manner of singing a song. but if you hadn't heard this before, be now assured it's a fact. The rest of the bill has the Shepard- Carlton revue, a dance act which is okay after it gets started; the Five Elgins, who throw hats and Indian clubs about, and the Lampkin over- ture, featuring Harpist Al Manning, Trombonist Toby Tyler, the saxophone section and Lew Davie. _ AMUSEMENTS, | SHINGTON'S GREATEST PARADE INMENT ON STACE £ SCREEN LEADING. OF ENTER CAROLE LOMBARD | FRED MACMURRAY | D MROSS e o BOB HOPE J.HAROLD MURRAY AND OTHER ACTS ! i i o g et MARX BROS m ‘ANIGHT AT THE OPERA" TD LOWRY ANO WIS REVUE! DOORS OPEN 105 17 #h ANNIVERSARY SHOW SEASON ‘ Jlow.. GREATEST OF THE GREAT/ | onthe , CLARK CABLE CHARLES LAUGHTON | FRANCHOT TONE || | Gomirg’ U CRUSADES e 00 | = e inky wicomon | ki T ) PAEN . INTERNATIORAL PSYCHIC WMUSIC IS MAGIC with ALICE FAYE @ BEBE DA! MITCHELL & DURAN’ 35¢ 10 530 -NIGHTS 25¢- 40¢ Warner Bres. NiELSe | T | X9 %) GARY COOPER = ANN HARDING SECO _ ONE HOUR WITH YOU AL NQRMAN - JOAQUIN GARAY 12 - DAVID BINES GIRLS - 12 In ol S0—E-tite Ba NATIONAL Tonight at 8:30. Mat. today, 2:30 Seats for All Performances y TON Nov. 18 ‘st SHUBERT presents A rousing mew comedy NATIONAL E Tom ve ai William A. Albaugh Offers fiet De. BASIL'S Russe Seats_at_Box_Office ASSO o1 ACADEMY o"*7 ANN S H 0SITE Tug_whiTe Vs v 8 NOw, P This world-famed sengbira whose love life would fill @ of many chapten! book . . o il sl Qi plaged by Co Co stume Recital nstitution Halk Joint Sonata Recital Constitution Hall SPALDING & BAUER Sun. Aft.. Nov. 2. 4 5, § M. 83c, $1.10, $L. Lawrence Phillips’ Continuous From OTHERN in ARRY CAREY in _EILERS in “PURSUIT. CAROLI 0y A = | FAIRLAWN | JACKIE COOPER in “DINKY.* 9th Between F Acousticon Eaf with | LITTLE “THE _McLAG | PRINCESS ERIC VON S OF DR._CRESPI" GEORGE O BRIEX ARNING.” c JACKIE “CALL OF THE Comedy HO W) iy GRANT- GERTRUDE MICHAEL L i Param LAST OUTPOST ELPETED SHORTS #5 KEITH'S!>" A Washington Institution The NEXT WONDER of the WORLD TRANSATLANTIC TUNNEL RICHARD DIX ® HELEN VINSON GEORGE ARLISS @ WALTER HUSTON ", “The MARCH of TIME" : ‘ coue GINGER ROGERS sraror "IN PERSON” GEORGE BRENT WARNER BROS. THEATERS e U ,,(Y A i \\ 1‘ DSHu d His R ORCHESTRA With A BiGSTAGE Show % 505 TARS 50 % MIDNITE SHOW TONITE ROLLER SKATING RINK Eversy Night, 8-11 P.M. Except Thurs.. 10 to 13 P.M. Silver Spring, Md. SPECIAL FEATURES MUSIC GAYETY BURLESK Starting This Sunday Matinee JOE FREED RECORD BREAKERS featurh TOOTS BRAWNER BERNHEIMER'S 3. ST | « GEOR! | “THU TAKO| Direction of SIDNEY LUST NA EW) CIRCLE N: da K) MBARTON RANCES DRAKE. ventures of Tarz e Sailor. in “For B INFORMER N LE TROHEIM FAIR ‘ontinuous COQFER P G RENDON. ASHTON cresit M Serial 11th & N. C Doyble Peature “MELODY TRAIL" and "RACING | GEORGE BURNS an HERE_COMES_COOKIE.” 1343 PETER MAD N ho 1E. ANACOSTIA. in m 1:00 MARY ‘g DINKY RA ct Sound Photoplay h at G Thea THE GIRL FRIEND.* AGON t G S.E. tre, Bedutital TRAIL. ._VA. 1S, SALLY Comedy, Ave. SE. ORR: _LUC! 105 Pa. A ne West 0953. TE ALLEN in Wisconsin Ave. LORRE_and LOVE. “New " Popeye. ser D.C nd G pped VICTOR 1119 H St ‘5 Double Feature THE_CRIME P.M ASTOR 1o ADDED ATTRACTION— JACK PERRIN and STARLIGHT in W THE BORDER." Finest So H “CAPPY RICKS ACK PERRIN in ATE " MA OLF e Modern Theater” 6930 Wise Ave. Bet,.esda MA. SE O] N_in_Z4 SRE NDER MOUNTAIN.” Gane Comeds. Latest News Events. ney's Silly Symphony and Musi*al, 4th and Butternut Sts, No Parkine Troubles SAVAGE ' Chapter Universal News 6th and C St RIDERS.” Continuous From 1:00 P.M € A Tog AZASU PITTS in AFFAIRS OF SUSAN.” i BUCK_JONES in THE THROWBACK.” HIPPODROME ¥ Near TOM BROWN and SIR GUY STANDING in _ “Annapol CAMEO Norman Foster ARCADE K A s Farewell.” M'Il‘) R'fllNIEl ™MD, o John Boles, Jean M‘anr’: R ‘Orchids to “Super-Speed " HYATTSVILLE. MD. and G I00Y _“"Here Comes_Cooki Gracie Allen in RICHMOND A= George Brent MILO and Kay _“Goose_and_the_Gander. ROCKVILLE. WD. Today. Francis in | Buck_Jones. “Border_Brigands.” AMBASSADOR JACK BENNY in 18th St. & Rd. Col. 3. “IT'S IN THE AIR. ionne_Quintuplets Short APOLLO Double Feature—: CHARLES FAR YOUTH.” _THE WASTELAND."" ATTNS TOM D 15_WESTER! SMOKE RANGE. THRILL " St COLONY A 'REL and 0 w S RELL SUPER-SPEED. N _STARS in_“FIGHT! RAND n KI in’ “POWDER DRESSED TO Ga. Ave & Far NW ° Ge RDY in * rtoon. INTAN.* JESSE THEATER "33 1y “PURSUIT." CHESTER M SALLY EILERS. Al turette. __inee. 1:00 SYLVAN ! OGERS, Matinee. AR T Double Peature “OEBIEAS PN oW TBSON, _ Serial IORRIS and so Western Fea- Seriai. - Cartoon. Mate P.M. Ave N.W. h (BUDDY '8 (END. ' .~ Cartoon. DEL_RAY. VA. PALM THEATE “BRIGHT LIGHTS.” JOE E. BROWN and RAK. Eoneay. " An, PYORAT “Roaring Wes Matinee. New Serial. M, 100 P.