Evening Star Newspaper, September 22, 1935, Page 57

AMUSEMENTS, Fight Over “Silver Tassie” May Have Serious Results Theater By Robert B. AST year Sean O'Casey sent to entitled “Within the Gates.” promptly predicted it would be drama of the season. financial success in New York, stirred of accuracy Mr. Nathan had attained in his prognomcauon and passed & — on its way as the season ended. That way led to Boston, where “Within the Gates” earned a niche | on what is known as the American honor roll of art. It was banned by the Back Bay censors, joining some of the finest plays and books of the country in that distinction. Bitter wrangling and high polemics ensued. For the thousands of Americans who annually relish the visit of the Abbey ‘Theater Players as one of the major delights of the legitimate season, the news that O’'Casey was in another tiff was no news at all. ‘They well remembered the violent. almost destructive, battle that gifted gentleman stirred up eight years past | when the Abbey Theater refused his “Silver Tassie” as an inferior work. At | that time he withdrew from the group. Thereafter his works, “Within the | Gates” included, found other pro- ducers, although the Irish Thespians | retained their rights to “Juno and the Paycock,” “The Plough and the Stars” and other scripts which have been among the most popular in their | repertoire, | e IN the Spring of thls year O'Casey and the Abbey directors kissed and made up. “The Silver Tassie” went into production in that famous Dublin house which has undoubtedly gener- ated more entertainment to the square inch and the shilling than any other | plant in the modern world. Immedi- ately there were howls of disapproval | from sundry sides, and the first an- tagonistic screeches grew into roars which threaten at the moment to drown out the sweet Gaelic music of the Abbey voices, perhaps even jeop- Group Beloved Finds Sean O’Casey’s Return Very Costly. The oracular Mr. George Jean Nathan In actuality it achieved a critical and reasonable | ous intellectual force which is not | tility with which the Abbey is con- in Washington Phillips, Jr. America the manuscript of a play the most intelligent and important up some controversy about the degree “"HE State, which unfortunately ex- ercises no controlling power, sub- scribes to the support of this theater. It should not be outside the bounds of possibility for it to take such action as would insure that the Abbey Theater should serve no longer as a medium of propaganda against the Christian faith, end that never again will it dare to outrage the sacred ideals which are the proudest possession of our Catholic nation and its quickest spur to noble deeds.” “If this dramatic dose turns out to be too bitter and a revulsion takes place,” said a clergyman in a letter in the same paper, “the Abbey Theater will not be in the same position as it was when Mr. Yeats called the police- men to quell the ‘Playboy’ troubles before we were born. For, firstly, the | Abbey Theater is now in tutelage to | the government elected by the Irish nation, and, secondly, the Abbey The= ater has now to reckon with a vigor- alien to the authentic spirit of the Irish people. * ok % % THE fracas over the ‘Playboy’ was but a flash in the pan, a child's cracker, in comparison with the hos- fronted if it persists in defying Cath olic principle and flouting that reti- cence which is a characteristic of our people. Dublin people are not prudes or Puritans if they exact from a government theater a recognition and observance of the forms of plain etiquette. And plain etiquette will not tolerate horror, indecency or blas- | phemy on or off the stage.” ardize the anticipated visit of Barry Fitzgerald and his brilliant colleagues | to the stage of the National this Win- ter. It is that fact which makes O’Casey’s disputations matters of con- cern to the theater-going public in Washington. Many a local citizen, and your correspondent in the van- guard, would be sorely grieved to hear | that any kind, size and description of tassie or turbulence and balked the return of the Abbeyites to town. * %% % ANDREW E. MALONE, dramatic commentator in Dublin for American newspapers, indicates the | seriousness of the situation in a dis- | * ok ok % THESE obviously were not the opin- | ons of mere professional viewers- | | with-alarm. The tone could be re- | | garded only as an incitement to riot No violent demonstrations followed. | but before the play finished its allotted TUn & newspaper controversy had flared to fever heat. It did not die down when “The Silver Tassie” closed. | It has not abated yet. | | Brinsley MacNamara, one of the| new directorate which was expected to guide the Abbey to greater triumphs | with the renewed O'Casey alliance as | |an aid, had protested ere “Tassie” THE SUNDAY STAR, WASHINGTON, D. €, SEPTEMBER 22, 1935—PART FOUR. SQUABBLE IMPERILS FUTURE OF THE IRISH PLAYERS One of the Beautiful Bennetts patch this week. He says even in the | |opened. Evidence of dissension sur- first week of “The Silver Tassie” Irish | Prised those who presumed the new papers remarked that it was packed members in perfect accord. Mac- with “vulgarity” and ‘“elemental | N8mara startled the ranks of de- | animalism.” but that these observa- | PAtErs all the more because he has al- tions were mild when compared to the | W27 been regarded as a leader in the reactions of the powerful Catholic | Naturalistic school of Irish suthors, | weekly organ, The Standard. That | He once wrote a novel called “The | sheet, representative of an exceedingly | VAlley of the Squinting Windows,” | importent faction in Irish thought and | ade up of such grim stuff that ""‘ life, bluntly accused the production of | resultant outcries forced him to leave being “an outrage on our faith.” Furthermore, The Standard voiced | a threat without pretense of pulling its punches in saying: * K Kk % his own home town. Nevertheless MacNamara insisted on certain deletions in the script. They | were permitted. He then issued :i | statement saying he believed in ad- | Was 8 time when Constance Bennett held the palm for box office honors among the three Bennett girls, Joan, Barbara and Connie. Today orchidaceous Joan has climbed to the top. Her performance with Bing AMUSEMEN “A Slight Case of Mur: Woods Affair Ear is a style as lucid as that of upon our life and times with a clarity entertaining and their clairvoyance? is helpful 1o those who are interested in play and its practitioners, from the polo fields to the betting rings Mr. Runyon knows and he is able to write about the halfbacks, the shortstops, the boxers, the jockeys, the ‘golfers and the bookmakers with an understanding not often accom- plished by essayists in his especial racket. Gifted with a sense of ro- mance, he is able also to touch up the sportsmen and their lady friends with glints of cleanly sex in fiction contrived for the cinema and the livelier magazines. He is as apt In manufacturing fragrant screen idyls for Miss Shirley Temple as he is in newspaper descriptions of a yacht race or a battle between an angler and a furious fish. * % ¥ ¥ I'r WAS, therefore, with a feeling of security that one went to see, last week, Mr. Runyon's new drama about the Saratogans entitled “A Slight Case of Murder.” Here, one said to one’s self, will be a vividly ac- curate transference of the habits of the gaming set from real life to the | drama’s exposing platform. But, alas! Mr. Runyon, like most literary men who descend to the theater, cast a cynic’s eye on the stage as a means of expression and turned out a ribald honky-tonk, distinguished only by its occasionally witty and always pre- posterous daring. The play is about a gusty ex-bootlegger who, now a! comparatively legitimate beer brewer, seeks to crash Saratoga’s pearly gates and to become socially intimate wita the racing aristocracy of the Whit- neys, Vanderbilts and Dodge Sloans. | Impeding that laudable aspiration ‘s | | the presence in an upstairs room of four corpses, the remains of a quartet of thrifty hi-jackers, murdered in an attempt to rob a stagecoach. The | | | Crosby in “Mississippi” convinced Paramount this pair should stay together in the future. They now appear in “Two for Tonight,” coming to the Earle on Friday. vance “the fact a majority of the players taking part in the productlon were Catholics would be sufficient se- | curity against Mr. O'Casey’s obscenity | and insult to.their own religion,” but that he was not satisfied when he actually saw the play. He also claimed JUDGIVG from the performance of Sean O'Casey’s four-act hysterical and offensive jumble, ‘The Silver Tas- sie.’ this week the Abbey Theater has decided to permit the church to be mocked, the name of God to be in- sulted, immorality to be flaunted as a matter of course and the foulest language of the gutter to be used be- fore audiences which are overwhelm- tion of “Tassfe,” into it in an effort to avoid production of “Within the Gates,” which he con- sicered worse. * x ¥ x FTER agreeing to MacNamara's | censorial proposals the Abbey | board thereupon issued a statement of its own refuting his published remarks. | | MacNamara resigned. The new di- rectorate broke into factions at the ‘flrst hazard and what effect the Perinners.'s o 9. Practice and Teachins. | Squabble will exercise on the forta- d private lessons ' COMINg season all are fearful to pre- Sat. Oct. | dict, DANCE [ The Edw. F. . Mlller Studxo A 814 17th St It I M N lli TnIIrL Latest steps including the Piccolino. Evelyn Davis Scheol of Dance Reopens September 30, 1935 Registration Now 2109 S St. steps he knows. but by the rhythn and ease.with which he dances them. Roxor Canellis. Musician, Telipment, “The foth And"Bancins. Rhythm it will not 1Al ou long become a good dancer and populsr partner. Fall season Classe e S Sk Toe, Tap, Acrobal . Limbering and Rhythm de- for Children and Adults now forming. Private lessons by ap- pointment. Enrell now! Canellis Dance Studios 607 15th St. N.W. Distriet 7089 PHIL HAYDEN STUDIOS L DANCE Classes Now Forming at Télephone: NOrth NOrth I’lnler—‘futler_ specializes in rhyt] the foundas THE ELLEN WALLE SCHOOL OF DANCE Announces the opening of its new elas for children and adults in ‘mlh' ball room dancing. ie lessons by ‘appoiniment day or | evening, ork taught personally by Wiss Wn !r Special Ball Room club for adults. af- fording instruction and reneral dancing (with .rcheqnt eek. Enrollmeat Beces: upon veu’ est, i Si rner Conn. Telephones. Decatur 5061 and Coi 9072 LEROY H. THAYER DANCE STUDIOS Announces the opening of the Fall season for instruction in Stage and Ball Room Dancing. Register now. Private lessons by appointment. Special Ball Room Instruction and Dancing with Orchestra. Ask for Details. Call for guest lesson and dance analysls without obligation. Studios oven until 10 p.m. Telephone MEtropolitan 4121. 1226 Connecticut Avenue. “A wall flower may be appropriate in @ garden dut not in & ball room.” Washington’s largest and finest equipped studios announce pri- vate and class instruc- LISA GARDINER School of the Dance Re-Opens Monday, 7 October and professionals, both children and adults. Descriptive booklet on request Six Dupont Circle NOrth 8594 that he rever had favored presenta- | tion in all types of | dancing for beginners | | Coming Attractions. N ELABORATE stage show is head- ed for Loew’s Fox, starting next Friday. Lou Holtz, popular Broadway | comedian; Belle Baker, one of the foremost personalities of the stage: Block and Sully, lunatics of radio re- ning dance trio, and Pierce and Har- ris, jesters of the dance, are the vaude- | ville luminaries on the program. The | screen feature will be M-G-M's full- | length Laurel and Hardy comedy, | “Bonnie Scotland,” in which the two comics invade Scotland in pursuit of a fortune that turns out to be a myth {and end up by inadvertently becom- ing members of a Scottish military regiment. Phil Lampkin and the Fox Orchestra, news and a comedy will round out the program. Bing Crosby’s latest, “Two for To- | night,” will be the screen attraction at | the Earle, starting next Friday, and Little Jack Little brings his orchestn to the stage. “Two for Tonight” has five new songs, Written by Gordon and | Revel, which are rapidly gaining na- tional popularity. Bing sings “From the Top of Your Head,” “Without a | Word of Warning,” “Two for Tonight,” “Takes Two to Make a Bargain” and | | “I Wish I Were Aladdin.” The sup- | porting cast has Joan Bennett, Mary | Boland, Lynne Overman, Ernest Cos- sart (the butler of “Accent on Youth™) and Thelma Todd. Little Jack Little | is known to radio fans as a “whisper- ing” baritone, pianist and composer, and he will be presented in these three familiar roles on the Earle stage. In addition he has with him his orches- |tra and a group of specialty enter- i tainers. | Clark Gable and Loretta Young are | the stars of “Call of the Wild,” pic- | turization of the famous Jack London adventure story, which will be the | next attraction at the Palace. Jack Oakie, in his first dramatic role; Frank | Conroy, Sidney Toler, Buck, a new wonder dog, and many others have important roles in the story. A Mickey Mouse comedy, news events and short subjects will supplement the feature. “Little Big Shot,” Warner Bros.’ production, in which 5-year-old Sybil Jason makes her screen debut, comes to the Metropolitan next Friday. The film gives Sybil, who is hailed as a discovery, ample opportunity to show her ability as an actress, singer, dancer and mimic. The child star is sup- ported by Glenda Farrell, Robert Armstrong, Edward Everett Horton, Jack LaRue, Arthur Vinton and Edgar u.u. A rues'." R 1708 S Street North 0874 i-‘- .os-....fl-r‘:‘.‘“.f'l"., R T e T M 'Kennedy‘ Michael Curtiz dh’ettcdI “Keystone Hotel,” special Vitaphone comedy, featuring stars of old-time comedy days, will be the chief subject on the supporting program. Chester Conklin, Marie Prevost, Hank Mann, | Ford Sterling and other familiar fig- ures are in the cast. but had been rushed | nown; Pete, Peaches and Duke, light- | Suave Edmund Lowe finds his way into many exciting situations “Thunder in the Night,” next attrac-| | tion scheduled for the Columbia. He solves a mystery which terrorizes a whole city. Karen Morley, Cavanaugh, Una O'Connor. Gene Technicolor. JLLOYD CORRIGAN, who directed “La Cucaracha,” the epoch- making short subject in the newly' perfected three-color Technicolir process, has been signed to direct for Ploneer Pictures, makers of “Beck Sharp,” who will make two big fea- | ture pictures in the new color medium o Paul | Lockhart, John Qualen and others are | in the supporting cast. News, a com- | | edy and other short subjects will | augment “Thunder in the Night.” “The Passing of the Third Floor Back,” Gaumont-British film version | of Jerome K. Jerome's perennially popular play, comes to the Belasco foliowing the French film “Red Head.” | Conrad Veidt plays the lead. “Diamond Jim” still is waiting in | Keith's ante room while Fred Astaire | | and Ginger Rogers continue to dance | |@ayly to the sprightly Irving Berlin music of “Top Hat.” Edward Arnold |is starred in the film, based on the life of the colorful character. Cooper Classic. | ICHARD BOLESLAWSKI has been engaged to direct the forthcom- Ing screen play of James Fenimore Cooper’s “The Last of the Mohicans.” Actual production is scheduled to start next month, and Edward Small, pro- duction chief of Reliance Pictures, states that it will be filmed on an even more elaborate scale than last year’s “The Count of Monte Cristo.” George Houston is to play the role of Hawkeye. The screen play of the Cooper classic is by Philip Dunne and Ralph Block. PHILADELPHIA ORCHESTRA Announces a Series of Four Thursday m-lu Cencerts Oct. a—-n 19—M: mumuun Hall, 8:45, rl Tltleh, $12, $10, 0. . Arthur Smith Burea In Witt-Hamill Music Co.. ATIONAL SYMPHONY Hans Kindler, Conductor Announces 1935-36 Season 8 Thursday Concerts 12 Sunday Concerts Noted Artists as Soloists A Series of Student Concerts Advance Reservations -Now Being Accepted at 1111 Woodward Blds., A. 841 C. C. Cappel, 0 Manager NATIONAL THEATRE DANCE ZRE35 EVENTS GREAT IONTE CARLO ‘BALLET (Al Nt' Ballets) Sunday Night (-nln January TRUDI SCHOOP COMIC Gty TED SHAWN snd MEN BANCERS e AL Iy | this season for R-K-O Radio releas- Just & year ago John Hay Whitney, Pioneer president, signed Corrigan to direct “La Cucaracha,” with Robert Edmond Jones as color director. It was begun as an experiment in the new color, and ended as the blgge:z‘ money-making short film ever creat- | ed, and won the academy short- | subject award of 1934 for its artistic | merit. ‘While no assignment is yet ready for Corrigan, plans are already under way for the two full-length Techni- | colors to be made this year. Too Thin! PRINCES NATALIE PALEY, mak- ing her American screen debut in R-K-O Radio’s “Sylvia Scarlett,” has gained 10 of the 15 pounds which George Cukor, the director, ordered her to put on. She has five days still to go on the remainder before she begins work. e SRR Hu&d as anrence. AuXAND!R KORDA has signed Walter Hudd to play the role of Col. Lawrence in his forthcoming London Films production, “Revolt in the Desert.” Hudd is said to bear a remarkable physical resemblance to the late Lawrence of Arabia. GAYETY BURLESK Starting This Sunday Matinee “ANN CORIO” and her “GIRLS IN BLUE” Special Preview Monday Night RED HEAD (“Poil de Carotte”. LAST 2 DAYS! “The Man Who Knew Too Much” KEITH’S!>"¢ A Washington Institution 4" WEEK! FRED GINGER ASTAIRE - ROGERS <TOP AT truics v IRVING BERLIN. N 7 Extra Added Attraction “Th lllcl of TIIE" emh,‘..lll D ARNOLD in"DIAMOND JIM" | Davis in “Forest.” ETTE DAVIS, whose appearance opposite Leslie Howard as Mildred in “Of Human Bondage” was one of last season's dramatic triumphs, has been cast in rhe leading feminine role opposite the star in the forthcoming production by Warner Bros. of “The Petrified Forest” Miss Davis is working at present in “Hard Luck Dame.” Higher Art. DIRECT Brian Aherne in “I Live My Life,” Director W. S. Van Dyke found he had to get higher up into the air than his favorite folding chair would allow, in order to be on a | level with the tall Englishman. There- fore his veteran property man, Harry | Albiez, constructed for him a non- tippable ladder, the legs of which ad- just themselves to a surface, no matter | how uneven. The top, too, can be raised or lowered. e e Complxcanuns. | WHEN a United States Navy plane interfered with scenes aboard H. M. S. Bounty, while scenes were | being shot for “Mutiny on the| Bounty,” the radio nian on the| Bounty radioed to a nearby tug. the tug signaled to a Coast Guard cutter the cutter contacted the San Diego‘ naval base, 125 miles away—and tbe | naval base reached the plane by wireless and ordered it away . .. all Awp ot Bflllk Acrs! ! 'HERE (OMB'&I BAND" }A"uugl t AARSY e m .munoAmu 5 1RVIN 5. COBE “ETERIN FRTEMIT &&/ nu.l SunsEcT covomy LARK GABLELORETTA YOUNG SCALL OF THE WILD" cadaverous propinquity of these dead | and decaying men is a subject rathe: difficult to joke about. But Mr. Run- |yon and his collaborators manage to | make it unreasonably gleeful, although I am impelled regretfully to say that it is an audacious, rather than an | artistic, undertaking. “A Slight Case | of Murder” is a show rather than a anemia.” That statement caused me to suspect that she was guilty of something or other. RS MR WOODS, ever alert to the changing times, subpoenas his | jury from the audience. At each per- { formance 12 frightened stooges are Al | summoned to the jurors’ box, there to | listen to three acts of dramatic elocu- | tion. They see the glowering district attorney (Mr. Edmund Breese) bark- |ing and biting at the witnesses and wagging his famous forefinger at them in gestures of approval or dis- approval. As the nobly weak and wicked woman who has given her all to the financier, Miss Noian fulfills the prescription. Interrogated upon the witness stand by a hostile prose- cutor, she lets her hair down and goes into a volcanic tantrum reminiscen. of emotional eruptions of Sarah rmhardt or Miss Barbara Stanwyck he foreman of the first jury at the Ambassador Theater was Mr. Jack Dempsey, who at his Broadway re- fectory is now scramoling eggs instead of the visages of his fistic opponents. Mr. Dempsey was obviously affected by the proceedings and he cast a he- Today's Film Schedule LOEW'S FOX—“Here Comes the Band,” at 2, 4:30, 7:15 and 9:55 pm. Stage shows at 3:20, 6:15 and 8:55 p.m. EARLE — “She Married Her Boss,” at 2, 4:40, 7:25 and 10:05 pm. Stage shows at 3:35, 6:20 and 9:05 p.m. PALACE—"Steamboat 'Round the Bend,” at 2, 3:55, 5:55, 7:50 and 9:50 p.m. METROPOLITAN—"Accent on Youth,” at 2:10, 4:05, 5:55, 7:50 and 9:40 p.m. BELASCO—"The Man Who Knew Too Much,” at 2:12, 4:03, 5:54, 7:47 and 9:40 p.m. KEITH'S—“Top Hat.” at 2:34, 4:58, 7:22 and 9:46 p.m. COLUMBIA—"“Anna Karenina,” at 3:05, 5:10, 7:15 and 9:25 pm. FALL FESTIVAL OF GREATER SHOWS WARNER R0s /| , Direction of SIDNEY NOW PLAYING CLAUDETTE COLBERT SHE MIRRI[D HER BOSS XAVI E Il C UGAT Wildorflstom Orchestra 8 om.v Ads e ROS. THEATE | SVLVIA HERBERT W Youth | I1T'S ON THE WAY! CECIL B. De MILLE'S THE CRUSADES STANTON | B TIVOLI TS, F-7 These Two May Be Shows,’ But They Are Not Plays der” and the New Al n a Gentle Razz. By Percy Hammond. NEW YORK, September 22 S A HISTORIAN of the world of sport Damon Runyan is noted for his cool authenticity. Combined with a deep knowledge of his subject Walter Pater or Walter Lippmann, analyzing character, recording events and interpreting their influence vnusual in journalism’s hasty pages. Not blinded by prejudice, either for or against, his annals are instructive and man vote for Miss Nolan's deep eyes and svelte underpinnings. It is all a contraption rather than a work of art, and Mr. Woods, his playwright, his actors and his director are to be complimented for produc one - of the best bad shows of the drama—gaudy, insolent, u tious and a good entertainmen the drama haters. * 2% HALL I recommend Mr. Al H. Woods” new court house dram: ight of January 16, as a recreation combin- ing improvement witn pastime? Now that I think of I decide to post- pone advice in the matter and leave its virtues to be mated hereafter by jurors more sed in the classic values than I play is about one of those Ivor Ki chaps who by his charlatan c! ercomes the chastity of his be private sec- retary (Miss D lan) and the savings of a multitude of sappy in- vestors. The problem propounded by Mr. Woods and his dramatist, Ayn t Did Miss Karen An- dre, his pretty amanuensis, toss him off the stee) 'fll’ of a New York scraper in order to rest peacefully in the arms of a fa: ng racketeer (Mr. Walter Pi Or was he killed in an airp! der by John Graham Whitfield, of Wall Street’s most capital The first-night per me that she was the witness stand she lover. “Bjorne,” said X arteries of the world and bled it Wells Coming. ll G. WELLS, having abandoned * his regular writing in favor of creating li ure exclusively for the screen, is due to arrive in America next week, and mmediately iy to e Wells will par- of his tw ed Artists “100 Years to Come"-—both «f h are Alexander Korda produc- new and wh MY Of Perieet bullnflbf'l:mlunn‘ Beautitul )‘l GRAHAME O CBETT ¥ FURNESS, E. Lawren RICHARD Also NEIL ILTON KEEFER OF THE BEE CLARENDON ASHTON o5 _ JEAN MUIR in "OR CAROLINA ''*h, SHIRLEY TEMPLE __GIRL" a GREEN VA oLLs acd L d Ne FAIE!‘AWN = EA_[\_?(‘OQ'I'IA D C LITTL! «.{., Between ¥ and G MAR.OL VEA) v IE"" nlly:nl(:.n' lflumm‘ll *OPERATOR 13. e ed N Con PRINCESS ... TAYLOR 'in SECO y ALIBI IKE 5 6ih YayipTinest Matin CLALDL]‘K‘E x[ ¥ Comedy. _Cart New und Equipment RANCES “BECKY SHARP 2 Al ‘Technicolor. d Butternut Sfs. DEE " “GI\GER}\ L SEARL in . |HIPPODROME -, i7,7% g William Powell a1d I.u1so = | Rainer in “Escapade.” CAMEO ‘Vl'l'" RAI\I!R' \ID RICHARD DIX i “LET ’EM HAVE IT.” ARCADE H'ATTQVV"I;! MD WARNER OLAND in “Charlie Chan in Egypt.” R_ICFM()ND ALEXANDRIA, SIR'GUY STANDING in ““Annapolis Farewc]] s |AMBASSADOR 1" &5 4.5 Rd Col. 553 CLAUDETTE COLBE SHE __MARRIED HER BOS: APOLLO .0 Phone LI 3336 LORETTA YOUNG. CHARLES BOYER SHANGHAL" Con ON Cur A & McKinley LW, o SHIRLEY TEMPLE. "CURLY TOP." art AVENUE GRAND S8 I JAMES CRONEY E IRIS RS 2% Sk > = Ave. Li. 2106 .”_Cartoon [ 425 9h St_N Fhone Me. 284 & HOME z SHIRLEY TEMPLE. “CURLY TOP.” __Comedy. SAVOY JAMES DUNN. Comedy 14th St & Col Rd N.W. Phone Col 4968 “WELC HOME." AR " 13th St & P Phone Col Matinee. 55:00 P.M CLARK GABLE. JEAN ARLOW and WALLACE BEERY. ORK Ga. Ave A n = Place N.W SHIRLEY TEMPLE, "CURLY TOP. Travelreel JESSE THEATER "'"’“'E"‘ “COLLEGE SCANDAL Comedy. SYLVAN “Front Page Woman,” BETTE DAVIS and GEORGE BRENT. Comedy PALM THEATER oty "'; /Tomorro EPER OF TH OB NI, HAMUTON. BETTY Ul Comedy, Cartoon. BERNHEIMER’S