Evening Star Newspaper, April 11, 1931, Page 24

THE EVENING STAR, WASHINGTON, D. C., SATURDAY, APRIL 11, 193Y, THE CHEERFUL CHERUB o n———— To make 2 success PLEASED of my life | S I really need have 5 e Just one 2im —— To be simply sincerely myself’, Letting everyone else be the same. NOW TO BREAK THE NEWs| WHAT DO YOU MEAW, 1M THAT SPORTSMAN, AL LANG|| TO EODIE! HE SHOULD | GOING T GET A TRIP EDDIE of Boy' To BACK THIS CHANNEL || BE WILLING TO SWiM | To EUROPE, AND MAKE IvE wape ALL Switt OF EDPIES. EVEN -~ONE MILES To| A FORTUME 2 WHAT HAve || ARRANGEMENTS, IF EDDIE FAILS TO Swirt || HOP UP A FORTUNE. IF ALL YoUu Have THE ENGLISH CHanneL, we [[HE BREAKS T Recorp ™ Do 1S Swin HE WILL BECOME WoRLD GET A FREE TRIP TO FAMOUS! fs A GREAT -::“Neflmfl:ftlm | AL ntGmas [ WHAT A BREAK TO GET ITS A CINCH, HELP! HELP | EDDIE BOWERS HAS FAINTED ! LETTER-OUT By Charles H. Joseph. Letter-out and it's a good way to et across countrr. SLAVERY TLetter-out and they belong to the PARISH afgels. Letter-out and horse thieves never liked" them. LATCHERS Doctor in the House? Letter-out and it's & good way to el YOUr message ACross. BLEACH YODLERS Remove one letter from each word and resrrange to spell the word called | for in the last column. Frint the cmitted leiter in center column opposite word you have removed it from. If you have “lettered-out” correctly it will spell & famous mineral spring. Answer to Yesterday's LETTER-OUT. , Letter-out and it's another sale, \F You DIDNT SPEAK To EVERY STRAY DOG You SEE, HE WOULDNT BE TRAILING US ) DIDNT SPEAK To HIM— 1 JUST PATTED HIS HEAD WELL, | GUESS HE LOST US IN THE TN | CROWD THAT TiME — GOODNESS | NO, BY GOSH, HE DIDNT — AND HE'S BRoUGHT HIS FmENDS! Tetter-out and soull find them D abroad. - NOBLES Letter-out and it's pretty much of A | i BLOXNDES CREASED SCREED U Letter-out and run I I SPRINT B li‘l'(rr-ou( E Watch case ‘ DI I REACTION TURNIPS Likes You, BEDDING He Likes CREATIONS (Copyright, 1931.) MOVIES AND MOVIE PEOPLE BY MOLLIE MERRICK. ©192) N.v. TRiBUNE, INC. HOLLYWOOD, April 11 (NAN.A).— | Easter without sun, but warm—the sort of a day which makes for record sun- burn in these parts. But lack of bril- liance on the weather's part did not dim the radiance of Hollywood’s beauties for the Easter festivities. Sally Blane at church services halted the traffic as she left her car to enter the cathedral. White chiffon, flowered in red; a cherry design, deliciously young and feminine; the long skirt, to the ankle, billowed from fine bands of g‘l:afirg and in three tiers. A broad- immed, floppy hat of white, circled by | a scarlet band, completed the picture. She had a sunshade and & knot of | gardenias on the handle of it that would make your head swim. White marked the costumes at the Easter Saturday musicale for which Mrs. Lawrence Tibbett had the London | String Quartet and which was one of | the most successful high-brow parties | the village has seen in an age. | Walter Huston and his son, John, were there. John Huston, newly ar- rived in the village, will take his place in the professioral group. Mrs. John Huston, just arrived from Paris, created |a sensation in an empirc gown of citron-colored taffeta. The waist line was very high. The dress was & tight- fitting tube of the taffeta to the knee line, where it broke stiffly into triple box pleats that stood out about her with the studied stiffness of a paper doll. There was a bolero of the citron taf- fota, a silly, wee thing, which put the finishing touch to the costume. Young Mrs. Huston has black eyes and lovely black hair. So the effect was startling in the extreme. If it scemed a ceparture to entertain Hollywood's professional colony with the 'Quartet in G Minor” and the Brahms “C Minor Quartet” it s quite in keeping with the general gesture of livwood these days. WELL, THIS S SATURDAN - f O.K. IF MOL FESL THAT Wb ABOUT 1 T- BUT REMEMBER - | NOU MAM WASH YOU'D JOINED TARYT PROTECTIVE AS$0C\A‘\'\0N N FACT \ TRINK NOUW'RE GOVNG TO CHANGE YOLR MIND = NOU MAN FAND \T CHERPER TO JOWN = AND HEARLCTHIER ! oo sy = o QU - DIDNT LiKE THAT LAST CRACK HE MADE = BUT + AM AN HQNE?\'&SM | Fay Wray was astonishingly lovely in |~ We would seem to be going cultured sheer white, which fell to the floor, and | in a great big way. The yehicle for which had an off-the-shoulder sugges- | Alfred Lunt and Lynne Fontéhne which tion of long ago. Her hair, parted in |is recetving Irving Thalberg’s most the middle, was drawn back into a roll | polite consideration is “Strange Inter- st the neck line. She made one think | juge.” of Civil War drums. | Now—hold _everything!—comes the The old-fashioned thing nfust be a word that Judith Anderson will be rage just now. Gwendolyn McCormack, | brought out here by this same studio daughter of John McCormack, came t0 | to make a picture this Summer. And the same party in a sheer black frock, | the vehicle in question is none other hair off the face, pink cameo for jewels | than Luigi Pirandello’s “As You Desire ond generous- clusters of pink camelias. | Me,” a little whimsy which made East- She might have ornamented & Victorian gm critics throw ‘up thelr hands in R | frank perplexity—a play which the best But Mrs. James Gleason's white satin | of them honestly admitted they couldn't was cut in the suave mode of the mo- |understand. A few ventured fo suggest ment. And Mrs. Tibbett wore white | that Luigi Pirandello really didn't un- satin also, with a subtle blending of the | derstand it either. long skirt and the modern neck line. | Wwell, there's “Goat Song” left. Some There was nothing old-fashioned | cf the producers had better snap that about Elsie Janis' tan. The girls in|up while the high-brow gesture is in grandma’s day wanted to be nothing less | full fling. And would that be the scoop than sheer pink and white. | of the year! Nobody understood it. But the Janis is brown as & smnurd,i (Copyright, 1931, by the North American and revels in it. Newspaper Alliance.) Daily Cross-Word Puzzle THERE AIN'T NO SENSE (N JEFF PUTTING IN THE NIGHT LP THERE DoING WATCH DUTY WHeEN T™ERE'S A SMART PARROY oN THe BoOAT: . (AAwwe | PINCH-WIT FoR HAND (T TO . ME, JEFF. I'M THROUGRK WITA GOLF — I'M NOT GOING o RUIN My FIGuRE: You ARE TwWisTING % Your Boby / i ALL OuT OF SHARE. /////4%/\ ‘\'uA-r'sszor, “TRE SWING ) N v Capyiright, 1982, by Publis Ladgir 1. Company of travelers. . Efficient. 8. Indlan chiefs. : . Excessive pains. 15. Excite. ‘é?p“nese measure. ?(lgfi w ARE\ ’ 3 robation. . Blamese coin. . . i Conceited. SQU;AL‘IN ’ SUMPN’ TO 5. Hiea h. i i acAIN ’ SGIUEQL . Head of an abbey: Frenc ; owest. \ . Chaos: Egypt. myth. ' . Bridge. ABOUT: I DROPPED T » Fourteenth century religlous flagel- AV THIS IRON ON MY . Termite. g . Indians of British Columbla. ' lants /[;——_ = WELL 1 GOT ON THE L\ PIGGIE WHAT WENT TO . Flap. . Vehicles, Prejudice. Color. . Japanese coin. 2. Man's nickname . Part of fishhook. . Tower of a mosque. . Nonaspirate consonant. . Rough growth of brard . Edge. Prepares hides. . Bection of wall. 24. Life. | Actual being. Sumatran squirrel shrew. Wee, Wee . Excessive . Prophetess. ) y . Taking on fuel again | 29. Barge masters. = Wee. : Engaged the attention. 3 1 Princely Italian family Large bird. . Metal . Stagger. . Religious women. . Kindles. Poem j : . Feed . Barter for money. 1. Sound. . Anger. 3. Burn . The common monks! 4. Father of Afax. . - . Sheep. P : g 3 Tl HAVE Sy MY HANDS |5 B1G AN CLUMSY... L CANIT PICK TH LIGHT 6UITAR M | TR s ; : { AN NO DOUBT YUWLL S&Y My UNGO'S IDLE PRATTLE... um‘ I ( l ki CSoars. . Europear : : ; ) ADUT WHAT CAN UM EXPECT 7. 1 FROM T’ DOUBLE CIRCLE-BA MG H EAE . Cymric sky god: var - : L MY FINGERS (EARNT = b | 5 ‘P;lrodncun. 56. o N =" & s w WAS PUNCHING CATTLE Z 111l o | English poet and essayist . a gy - o) ‘ I ven! " pAcsUMMIT! Pretended. 4 S : Ly ey N iR . Bubstance used in chemistry for de- | collog THETS N\ | EAT EM, tecting other substances. ese I ; ; LS i) ‘ H\DNIGHT) 31 33, 34 35 37. 39 42 46. 47. 48 49, 50. 52. 53. 54 58. 59. 60. 61 63 64 86 68 9. GLUMPH &Y QuUP; ANSWER TO YESTERDAY'S PUZZLE Diversion in Lunch Hour. | There was a time when the average office worker devoted his or her lunch | hour to eating lunch, but not so today. ¥ & W Y | The hour for dining has given wa; " ¢ £ g | to the }0-n;llnuws-{ur-n-sandu'lch-and}-' 4 ; 1k | a~cup-of-coffee, and the leisurely lunch- o o ieon has been abbreviated to a quick :i}::ov:gssm i |lunch. The proprietors of the cafe- o —— b | teria ‘and the soda fountain, in their > e o b ol anxiety to obtain quick turnovers dur- ROP |ing the midday rush for meals, have : ) e e T provided the means for “service.” Ten PoETRY e (SO & q%i"‘kl‘ u | minutes for lunch '3 b ( i ach and the remainder % i/ wig ™~ O i’ W B A :"¢hows &t re- | duced prices and many now “taks in” a picture, if not instead of food, then in"the time when they are supposed | to be eating.