c+4 it MOVIES AND MOVIE PEOPLE BY MOLLIE MERRICK. HOLLYWOOD, May 19 (NAN.A)— Chancing into a village restaurant late Saturday night, we met Victor Me- Laglen and heard some interesting things about that gentie, who has sur- vived both silents and talkies and still s going strong. McLaglen is the only person to be starred by his corporation for some time now. That flair for starring people hit Winfield Sheehan less hard than other members of the producing gentry. | But the man whose smile and he-man personality won so many adherents re- a::‘m this billing, and has for some e. Speaking of cinema lights, - Janet| Glxmyr is glimpsed about town now and again; out at Mapibu, where she loafs on the sands and accumulates a coat of tan; down at Palm Springs, where she looks over the land she re- cently bought with a view of building a Anywhere and everywhere but on the lot. Yet one hears there are new stories in preparation for her. Janet Gaynor took a stand about some stories in the past. Taking a stand isn‘t much of & stunt in Hollywood. Bad boys and girls who have things to say about the stories they are cast in and who object to cer- tain players in their casts often find themselves out and injured. And when one door closes in this industry, now and then all doors close. Producers play a close-in game. Actors and writers are always the opponents. Let any one violate the producers’ rules and they are in bad luck with every m:i:mtmhumdhm . Destitution. . A precious stone. . Pen. . Also. . Those who cleanse and disentangle wool. . Garden tool. . Affirmative. . Upright boards in stairs. . Profound insensibility. . Cars where meals are served. . Suffragist. . A noblewoman. . Outward appearance. e mightingaie. night! ; . Large cupola. . Olden times. . Accustom. . Mimic. . Level. . Thread beneath the skin. Rents. successfully, she is one of the first play- ers in Hoilywood to get away with it, and certainly the first member of the | Fox corporation. Charles Farrell meanwhile is being groomed to play the role of Liliom in | the talking production of Minar's play. It isn't exactly a Farrell role. Joseph | Schildkraut played it in New York, and the two men are as far rt as the | stars so far as acting technique is con- | cerned. Paul Muni has been put into the cast. |Muni, with a trained voice of great | beauty, isn't going to be a help to | Charlie Farrell. Well, that's the way | our talkies are made, and it's a case of | take it or leave it as far as the players are concerned. And*now, if you are in search of a laugh, Hollywood provides it with the news that several plays of Luigi Piran- dello have been bought for movie use. ‘That's good in itself, but back it up with the news that one of our most pretentious movie m is after the author himself to come and write from the studio, where he will be in touch with the supervising staff and where he will have an opportunity to get the close contact with the new art which he would need to successfully assimilate the needs of movieites. ‘The gentie who writes all about char- acters search of an author really should come to the Gold Coast. He could rub elbows with authors in search of a fortune. There’s (Copyright, 1930, by North Ame; s ey Alebeyrionn Wews- . Dent. . Grimace of contempt. Sun god. . Sun god. . Shots on the green. Gold diggers. | Objectives, 29, Amlywd. sentence. Eggs. ANSWERS TO CROSSWORD PUZZLES IN SUNDAY MAGAZINE PIEMANCINAILTAISINSIPIA] [olelein[c|RIMMOIRIEMNCTVIR] nn_ EEEE NEENEGE s G e et Ml [SIllc/AUL IIKIEIEIN] IsimlelLiriSEvISIEIS JllD] o] L{ojo(P k]! IN[ONIE] WiAIR P ngflfi@ . MONDAY, MAY 19, 1930. BOSS, AH HOPE YO' WiLL TAKE GOoD CARE OB DT RAZOR O' MINE. IT'S DE A SAFE ONLY PRIEND WHAT - 2 Shhuinla iabiny Al GOT IN DS WeRLD That live in the fiala AND JUST A WTT\E WRILE AGO \ WAS SITAN PRETTM- HAD A SWELL HOME WiTH MRS TWINKLE, A GOOD JOB, AND WAS 60’ TO SCrHooL- GRAY Time for Reflection. PARDON ME, BOSS, BUT Yo' DONE GIMME FIVE DOLLAHS AKE A MISTAKE DAT | WKNOW BLRMED WELL THAT LITTLE EDGAR FUCH GOT ME \WTO AL THAT TROUBLE = \F (T HAONT BEEN FOR WiM---- QW, WELL - NO uie 7 BEW OO SORE AT FWIM RIGHT NOW - ERe, T TAKING THE CENSUS. ARe You TWO PHew! WHRT A NIGHT? . WHERE WAS I, ANYWRY ¢ WELL, SuDce - YoU WANTED o f o celepraTe sveLA's B eun WHEES, NICRY IN THE BERUTY ot % CONTEST, SO 1 DRRGCED ] LLL HAVE To |\ You From ONE FREND'S ) GIVE se'fctse CELLAR. T ANOTHER / sav\Em e e T P | % T CONGRATULATE OR,You REARD AsOUT THE FIRE, ER — WELL DON'T FRET O%:R MARY LOU — SHKES O.K. SHE WASN'T EVEN SCORCRED BUT MY BAIR WAS SINGED MAKING -TRE RESCUE WHAT'S “THE MATTER, DO You FEEL 1L 0K, You Mogon ! WoW CAN You STAND THERE ANO TALK- LIKE THWAT T ME ? .MARY Lou NO DOUBT NEEDS YourR . ATTENTION MORE -ThAN 1 Do By GENE BYRNES Hey! wraTeHA USIN'. A RAZOR OR A sSTLUMP OR JEST IN, A DADGUMMIT, GO PULLER T e N EAS( By SLMUNTLEY Nix on Nicking the Neck. SHEWLR, MY DEAR- T GUESS 1 OWE YU - AN APOLOGY, BUT 1 WAS Too OVERJIOYED ABOUT YOUR VICToRY To REALLY BE RESPONSIBLE FOR MY MOVEMENTS LAST NIGHT ! - YOU'RE 7)) ONLY GIRL T EVER i il /T REPERT Lo¥eD - W Tkey [/ WeAT T SR ME? )| ToYou LAST WHO 1S TS MAND “To KNOW ./~/ 1 NEVER READ NONE OF RIS STORIES! WHAT DOES HE oLy MACKEREL! an HONEST YLou 1S MY GOoSE-NECK PUTTER = RERE, I'LL SHOW KER To You > A EREAT AGE WE'RE LIVIN, IN BOSS. ANYTHING § 1 LABIE T HaPPen! [FNomaw v couws ©o “BOUT T NOW (F | WANTED TO- L KNOW UM HONEST- AND GUMS W\KE THAT GET WHAT'S COMmW' TO_'EM, SOONER OR T KNEW THEY weRe TWO! one oy COULDNT HIT me NAW, 1 WANTA SEE IF MY NECK LeAks !