Evening Star Newspaper, July 11, 1926, Page 46

AMUSEMENTS.: Filmograms The Old West. [ _en the norison of e ¥ . United States.” 2 Among % Awp‘r two v-n £0 & young actor- dancer with one of Sam H. Har- © rig’ musical comedy productions asked ‘producer why he had never/ put "" one of his productions some of sharply defined types to be found ou the lower Eaat Side of New York the equally crowded reaches at tM town's north -ends. The producer’ one seemed to be writing th.!;‘wn of Nw York life. f know a fellow whos ulm\ 3 : s!wt at it sald the hoofer. ‘‘He 0t a well known' author, but. h & bright fellow and I think he's veg- istered with this plece.” “Harry D.l! has ‘lived: In ou those crowded Harlem flats,” mc actor went on, “and if you know lnytNg-x of your New York, Mr. leyr is asked. . oy've met him today, air, for 1 am' Harry Delt. A Mr Harris, impressed with Delf's approach, agreed to read the | -eri'ptol his play ard ther. made {m- mediate plans to produce it. Wash. ington was the firat city to see it, with Ruth Nugent in the central role, in’ May, 1925, at the National. J unior Screen Sfars_.» AM WOOD'S Paramount fhotoplay, “Fascinating Youth,” le from a romance of dmnwich Vll ‘ lage and the Adirondack: stitutes the graduation { the 16 vouths and lassies who won ~ &cholarships in the Paramount school acting after the applications of It will probably be remembered that this school opened in the Spring of 1825, with the curriculum falling into three general classifications—techni- cal instruction, physical training and Among the minor subject: ere physical quette:; the proper and period costum mime; the playing of part: punctation, dancing, gymnastics, and a host of other subjects, which occu- pled the time of the students from the Spring of 1925 until last October. Then, last October, the fun began. * Movie Little Theater. T the creation and production of motion pictures should be re- parded as an art ra than a com- mercial industry is the claim of E. A. Dupont, the famous foreign director, ¢ now with Universal. “The industrial attitude heid by the rity of theater-goers and pro- ducers has served its pu se,” de- elares Director Dupont. “‘This Amerl- can industrialism has merely brought the motion picture world to the point § wmn it may be maintained as a true Europun influence and sentiment, with its greater appreciation of th artistic, is showing a marked effect upon motion = picture production, ¢laims the former German director. A few truly artistic pictures have been made recently, and their suc- cess, declares Dupont, proves that the American public is in a receptive . mood and is ready for the finer things possible in the cinema world. Sam Wood arrived with the script of “'Fascinating Youth,” m !-!O busi: ness of perfecting ng. screen players in the various m of this picture because the order of the m All scenes that could pnnml( photographed at the studio carefully “rehearsed, —photographed, and then exhibited as bits of 1 tion in not only how to act, but how not to-act as well. By the latter part of November, .1925, the school had reached the point when actual filming of the : picture could begin, and then the company moved out on location, where the - | continued under location conditions. In all, nearly six months of re. nd actual camera work was performed by the school before Di- rector Wood had the last ssquepce photographed and ready for the cut- ting room. . Which establishes a rec- ord, it seems, for prolonged rehearsal in the movies. Defending the case for art, Director Dupont points out that nowhere among the arts is t! the unlimited fleld for -creation and imaginative genius as in motion picture produc- tion. rial and language forever bind the older arts, while the one which combines them all-is still ham- pered by a lack of appreciative fields. A step toward the artistic freedom of motion pictures will be found in the little theater movement as applied exclusively to the showing of motion pictures of a superior type, believes the man who is making “Love Me and the World Is Mine” for Uni versal. ‘Within five years little theaters will be an established fact, predicts Dupont. The first three of these houses will find profitable existence in New York, Hollywood and Chicago. Original and uncensored productions may thus be given appreciative pre. zfinn- with artistic progress, he de. clares. Educator. Wonderful E “'rHE motion picture is one of the greatest copstructive forces in mmrn life and one of the most effective tools for education ever placed in human hand lrnon L. Crandall, director of and visual -education in the h.v York ' City schools, made this . statement, to the members of the National Fdueation Association in Phllldtlphh recently. do not think it can be #ald,” he said, “that nothing in mod- ern times, porm.p- nothing since the beginning hln % not even_ the invention ol print done so much as the motion b *‘:&w Well Indorsed. % A8 NO MAN HAS LOVED" 1 Willlam Fox picture which e gins a Washington: engagement \to- night, was made, it is claimed, - gwer to the demand.of better film ad- vocates for-cleaner and better movies. n- Mrs. L. Grant Beldwin, national | Pl chairman, Daughters of the American Revolution, committee on better films, that “it cdrries a lesson to “chn;nn, ‘woman and child in our others who are said to Mm Smith, of Lathrop, Federal Council of Churche: of Christ in America and executi: | secretary of the National Council of the Protestant Episcopal Church; Charles A. McMahon, National Olth olic Weltare Council; Mrs. David Ross, ent of the National Endorsers of | yoyo hot ys; Rev Ge.orge J. Becker, Amu?lz‘:n Sunday School Union; Mrs. Alton B. Parker, chairman, National ‘Women’s Committee; Lee F. M. Ham- ! ner, Russell Sage Foundation; H. 8. Braucher, Phy.round and Recreation ‘Association merica; Mrs. Willlam chairman, better fiims committ - pational adjutant of American Legion; ‘Maj. W. I. Lincoln Adams, director nmn.l. National Soclety, Soms of American Revolution, James ‘West, chief scout executive - Started in a Medicine Show. DAY'S motion picture fans p-h haps have never ntn a These shows are like o many other ‘features ‘of the past—gone forever, except here and there a straggling one that hits the tiny hamlets almost lost to civilization. But a few years ago much of America’s rural popula- tion and the residents of the smaller Col. Lemuel Bolles, | Ra, “Thanks to the motion picture, just as it is presented in our theaters today, without' col or or- ganized effort to attain results. millions of men, women and children of every rank and station and in almost every land under the sky gre Ing ‘ might be ‘called a lp-klu acquaintance with other parts of the world: with the scenery, fiora and fauna of other climes; with the manners and' customs of other people; with the living conditions lud institutions of other e hases of art, history, ce and literature that would h-vo remained & closed book for them. except for this marvelous agency. How to beat the heat. {s the great outdoor sport mow ind large part of this fair 's_popula- tion, and a great many ol the wise ones trek to Glen Dch:h by - motor -na alker -Mbih Jazz mhmn—ln llroom, where ng is eonunuuu- from 8:30 until closing time, 11:30 instruction was | T! “Laugh ma t.ho wcrla Iaughs vnk you" must have been in Avery Hop-{ thi wood's mind when he wrote “Fair th nd Warmer,” which the National Playérs will pnum next: week, be. ginning July 19, “Fair and Warmer" is Teputed have more pmfin laughs in u:tlhn than. the -average mortal re- wnl The fl(luuon ‘exinting between Billy nd Laura, the two cent:al protag- nists, ia in itself sufficient for com- edy purposes. Things, hewever, take on a rlomuly funny aspect when Jack and his' “little mouse,” Blann: I‘m“ introduced, Jack bursts with self. Dme poignant, & urrl of these o oe ."‘3.',‘5... i ¥Film Daily latest ‘pic | st masterpiece, not et come this: way, Intensely interesting to those who consider acreen techniqus, one writer ways, “It is doubtful if any will adequately describe the picture, lho genius that is behind its making, echanical perfection, its remark- m- nuvu.lnm-n . “McFadden's "lll“ .18 . It 18 one of three ::m‘:nunull picturés which are to *“bersonally _ supervised” B ward Small, ri; matter whom the di. named. "| rector, who has not yet been married couph- in the M of pul in opposite di uu cause of differences in taste Bc‘ particularly interested — will 'be amused. EARLE—Harry J. Congley & Co. Three acts will vie for first honors 'y J. pany; Holland mrry and Troubadou! and the Five Honey Boys. Others will be Cecil and Van and Tom Smith, | #d¥ New Entertainers. RUTH AND DICK GILBERT, who come to us In vaudeville this ‘week, have an lntenotln. history. They have been Mr. and Mrs. Gil bert only since May 12, 1926, when they were mhrried at St. Patrick's .| reatory by Father Hearney, Before her marriage Mrs! Gilbert was Miss Ruth Wimp. 8he made her home in Loulaville, Ky. She is an artiste of no mean ability. She met Mr. Gilbert through the activities of the Aloha Club of the Southern city. He was writing special articles for the Louisville” Courler-Journal, The .| Fox comedies, [ list of stara “Footloose Widows" is said to have brnuzht to light Roy Del Ruth as a r with a8 ki and Lois au.l Von“auohlm. G Vidor ‘and others of g: production of ‘Tn A’ eritle onula nfi and uum 4 lcatl” stoe the s. e- ture, which lh what's her director, u:.“ X DAL Wit A big ad in, Hlm Dally ‘says Jchn supervist: fll director of ciroult in Washi: bought the entire auunt Fox in “Van Bisber -nd Imperial m| h means Washington. 'fln \'Iupnom Co. has ndau to its seen in lllm d& cluh brought them together, they col- | hgq Mr. Gilbert writing and )flu Wimp doing the illustrating, and then they discovered that their talents ran to music and song writing, a much more fertile and profitable field. So at song writing they went, with a result of which they feel they have reason to be proud. They have just sold a number of their dreams to Irving Berlin. It was only a short step from eol recording to vaudeville, and Mr. Gil- bert, with his varied upomnec. m :*l"l,I“le “:f“!%‘rbi‘ A dl nf l.h one o n o Mr. Gilbert accompani anr.“ the taropatch. The u.ro h, ac- cording to Ruth and Dick, is an over: grown, half-way between uke and & bass fiddle. At uy rate, he nlln and sweet music Gladyse Wibur Olru uv six ln and each is a specialty dancer, and with Ruth and Dick they can make an audience forget everything unpleasant, R TS AR TS g Metropolitan Improvements Aworklltohdomoncrl.nwl' Metropolitan Theater du;lr.l.:‘ the u days the house will Deginning Sunday I‘lhl Thn lobby will be completely dos GREAT deal of carefully planned | hfl' Ohf. D. Mm- toa lon.um Amm produun assoclated with l'{:v-m u-u&n wlm not take gress in P-ru - m Mo Mildred Davis has bun signed to star in four pictures f Prefer: P(cturu the first i e lctty Blythe s back f where she starred i _..;;m nhnvm Well a vaudeville t own act mo will m back to°:"."a'|;'.‘{ ith Paul fam Bird,” * “Old Fashioned | - \laut’uu direction ' u Gregory La roduction, “Tne Great Gataby." the ably: picsrs] now being; the Long { comDWfl 1u|7 19, ac- eordlu lo pn-nt schedule. Crandall's nvoy and Apollo “Kittens" Rau:hm 16 years old, | Theaters. ‘'who made her screen dpbuu.t the age of 4, and who later worked for several in i{mportant . child parts with iNlam Flrnum. Theda Bara, Hazs) | Bavle D‘Wll. it ‘l‘:‘ l)’l“;flmck In'd Allu play the importanf. in “So's Your Ola Man,"" h»nm llnp she left the screen seven vun ago to attend uhool. Mflmnm.l divlnl equipment is now being r B. Willjam- dlmt the underwater Through the courtesy of Harry M. Crandall and A. .Vulun ‘Brylawski the Eavie Theater mul’ members of thl nl e ball “clubs, contestants in A nr onmpnmlon fur free t 10 the series games. men nttondd ln a body and ware photo- ’n)hod under the Earle marquee be- onurlnl the vaudeville and ple- € the Baptists from ) | uu time olrgohn the n-nlu to the vnuuv. dayils tn bt A méw contract has been awarded to Gwen Lee, vhommun-mbn of the Metro-Goldwyn-Mayer _stock company for several month l peared in "His See later will bn seen Auctlon Bloc in “There You re," ' '“The. Boy Friend” and * l‘dy of the Night.”” the new Paramount picture introduc- in: th- Junior atars.of 1926. Baptie and Lamb did their skating for this picture on a constructed rlnl l! the P-nm'”déflt Long Island ’rho nm aix pictures for the 1026-37 nlnduh by the “umu are “Across the Pacific,” “Private Tssy Murphy, My du ‘Wife," “‘!'ho Gay Old ‘College Widows" and the first Henry Somers Roche mystery story. the greatest thrillers among the 26 Warner plotures the 1926. 27 season. . - George Sidney and Vers Gordon will be seen for the first time under the ‘Warner ner in ‘“‘“What to Father," fil..h will be awm , & young director recent- ly -l(rud mu.hm.urm ‘Warner Bros.’ Domtby Dwan, who vho has been lll ned pear opposite Tom Mix in the “Om! K and A Train Robbery,” is a comparative newcomer in Hollywood, .| her picture career covering but two vears. She began as dn extra afier grad- uating from a school in Philadelphia, oand was offered comedy leads within #ix months, Larry 8emon engaged her in four oo co-starred her "Spuds, edy Also leads this year and -vmm parts. Warner Bros. are confident they have os Brabin will wnl ,direct Colleen | has Charl Moore (n “Twink by over, side walls, celling, Nghting fix. one-sheet frames; the !l’ll turee and lobby house will be nnunly recarpeted and reseated, auditorium, ‘balcony and loge;. the orchestra pit will--be en-| larged; the stage will be materially altered, new dressing room facilities will be provided and the house light- ing schome will be converted into a muitiple color system controlled by & new swithchboard backstage. The total cost of the improvements been the posite Blue, with the secondiry assigned to Myrna Loy as a character ever appeared in a greatest ; | motion picture. ‘Here it is—John Bar- with Banky and Ro: Iman. King will direct - 0 Leon Errol's Tege having resum: their normal resi| 'y _he is now :: finish up his work i uAl Lunatic at y | Large” for m Natios Colleen’ Moore in the attraction, Saturday, July 31, and this new First National release will continue for eight days through Sat- urday, August Beauty vs. Art. Last 3 pmus HAVER, famous bathing{engaged girl, who left the Mack Sennett Jot to enter dramatic work, has finally won in her struggle against .m.—every evening except Sunday.|beaut: ere are also the Midway, the Old Mill, the Whip and scores of other devices designed to defeat dejection. Chevy Chase Lake. The Mohawk Quartet will be the featured attraction at Chevy Chase e Wednesday evening, when ‘‘spe- el.ll nlcbl" ‘will be at the popu- dance resort in full carnivallarray. lo- harmonies of the Mohawk Quar- are among the top-notch musical truu of Washington. . Both vaude- ville and dance music are rrovuod by the Meyer Davis Band, led by Ben Levine, in the upper pavilion, where Ly ndrick nts l. pmrun of clever vaudeville. every An eight-piece Davis buw lld my Thompson, is featured on tno lower E.|pavilion for daneing. Six at Chesa cluding Gas | °f, soclation ngto! Light Co., which will g0 to the nort Wednesday; the Grand IA?' the Independent Order of Odd Fellows Thursday, the State Council of the towns - found their only theatrical|ington Di amusement during the annual- visits ©f these shows. free, an times there were some on-lm acts on the bills. - At the conclusion of the show, the “‘Professor,” or the “Doc- tor,” woyld mount & soap box and ‘beneath “the flickering light of en Was 1lle Murray, one of the best funny men of tho screen, recelved his the-, uty. Metropolitan Pictures, impressed by Miss Haver's work, has placed her under a long-term contract and she is now playing the leading feminine role in “The ' Nervous Wreck,” with Harrison Ford in the title role. Phyllls Haver.’ one of the best |° little “troupers’ ‘on said to understand to surprising degree. camera angles, pantomime and how to get the most out of every scene and every Bit of action, $ R et A Hint of What Is to Be. the screen, is n-uhl for a lar femi- ng wucu“ nylutmnhnf!luy “Fig Leaves” is_ described m ‘I'Am;'l Wl‘h“\fl“fl zuu a gorgeor m technicolor” l'lld wl't'): A.:l ¢ lll Eve "::cmont cleverly dm thn hu e, cameraman of Gom Ade's Dhy, “The Faie. Co- fi :uunlulmmldc l(am-doldmm has boll.h the screen- mm.- to “Rose % " h‘ famous 'musical’ comedy, right to use the music. o &' Temple of Trut ‘l‘n.:.th, s San "fl.unn 5 fm [ stories based on the Bible, 4 o C “'4 Pnn.moum m- theater mhl Wn‘l ln New !erk. is bcmcn. B. DE MILLE is again|made by Abal mm-mryo(mc»m --ruluu’ ‘This ture, it u .naonutl. .al “p-nlcu lar attention to the utu- tor u.u ns\m the rale must De Mille ““The be -pp-lmly buumul . capable of nlnlu nd yet the sym| nyotwmnlnthlu- mmn?‘nlluuwmn. ‘Aside ;| from being beautiful, she must be capable of great emotional depth.” Roosevelt's Asiatic :frip. he | G8h, which was in, Monte Blue, Dohm ned b: B th‘ Blp(llt Worlfl ges des Enfants” (Faces of Chfldr'n). & French fllm which been nhm recently in New York, in Mfluon being pi as one of he_ finest motion pictures ever cre- M, h‘.nu to bonoublo for the re- work of bayuftnnatwolmhm 8 years ¢ld. The by th Hlm Arts ‘Theaf has been with Phil Rosen as the_ director. Enid Bcnnm. and u.yno ‘Whitman have he leading rol e, . Richard Blflhllmfl Wll‘l,su( pot ext on ‘““The Four ‘The Amateur (_)ntmn b v fmre Fazchas has been signed by Universal to write originals, the first to be “Moscow, which: Mary Phil- bin probably will be starred. ‘will direct “The Herman Raymaker | to oay old BIM." starring Willard Louis Faszenda, , ~for; Warner Bru_ Helene Chadwick has recently fin. ished “Wise Guys Prefer Brunettes" as a Hal Roach comedy. Earle Fox Is to star in *“The Clown” for Fox. Beas Meredyth s the -u- B e e drama, “The Third Degree,” for wu- ner Bros. George Sidney and Vera Gordon the critics’ votes Paramount hnflod 5 of the 10 leading directors Satan”: Herbert ho is mak- ing “The Great o-mry and Mal- colm 8t. Clair, who has just comym ed ‘“The Show Off. Mme. Fred de Gresac, conceded to be an authority on the subject, is ‘writing the story and the scenario for Rudolph Valentino's next picture, that ll nu‘n up of romantic s from life of Benvenuto Cellini, the Flor- c::lrv; sculptor, swordsman and lo- Shakespeare Still Useful. MANT of the modern playwrights i U e s m Shakespeare to anonymous. ise Fa- | tional 3r.; Jerry Miley, Stuart Holm, Barbara ~ Worth, e Chautard, Diok Suheriand and scens Anders Randolph. Mrs. Coolidge, luncheon - given not so long ago at “The ‘band at a° White' House | lite which the. President and the First Lady ! 8| 4} Twain's his v;turn to the screen in “The Cat's the like ‘Able's lfllh m is Muuly with uu oas ‘and Jllllu llflll! zay’ and in"an oud- 'Huellohrry Pian.' " Smith," after. relating these “Mr. why not?” ajamas,” in a' “rolling chair part”|, that took a lot of the strain off his first camera effort in nearly two years. “Nell Gwyn,” the long-heralded Brit- ish-made production starring’ Dorothy nally lchoduhd for presentation at w’s Columbia afternoon, has been postponed, ‘Mn ':lll be- presented there later this mo! . . Presidents Jefferson, Monroe and Lincoln, Aaron Burr and Lady Wil am Hamilton are among the historic characters who appear in “As No Mani Has Loved,” with George Bill- ings in the role of Lincoln. Aaron Burr is lnurpuu by Maj. Richard Tucker, U. ATIONA Rant- | §¢ Mark phmuphlc effects, lmchu those [FRONTIERS have paised away as. Mhulmmvu-uuflyomal Hm ahd there, however. in the Wm of ‘America are still primi- 've reaches, where blood- the sflence ot the days when the country was Vcrv young. One may go thers, far out from transcontinental rails, far from the hes, and, giving imagination A littley Nln ve flu feeling of & nmmaaluuurlnn ‘The portrayal from historical data occurrences in the old West is ever popular, becoming more it anything, as the wizardry of Mctuu- making advances. Undertakings that not so long ago seemed utterly im- ' possible have been accomplished. Not often, it is true, for such pic- tures entall tremendous expenditures and are always a big risk. S:l1, there is something fascinating, something that trapscends the idea of money- m-.kln', In screening great historical A mnur in making such films is i Director John Ford of Fox Films, who has spent a year in thorough and | pain work on “Thres Bad true depiction of the winning .| of the Northwest in the land rush of . spend Summer vaca- th Sea Isles. Civiliza- imprint everywhere anothe v out yonder ull cannot dream for Il come the distant ng train. ‘Or overhead h a_deep droning, the 1877, threaded by a romantic love story of a ploneer youthand girl. In_his “Iron Horse"” he pictured the laying of the first transconti nental railroad. In the new wonder picture will be seen 25,000 men and women sweeping into the virgin lands, as the Govern- ment ‘officials gave the word for the “rush,” as did the ploneers; great herds of bleon, and towne take form overnight, as 50 years a, The scenes are in the lands of the Black Hills and elsewhere where the hardy home-seekers rushed .in, on y | foot, in all manner of conveyances | from. prairie schooner to one-horse actuality, Whn, better educational methods could there be? A great newspaper editor once sald: “One picture is worth 20 stories.” And he spoke of a single photograph. What of the tency educationally of many reels of “living photographs” shay, or aboard half-wild poni Bad lands are still there—and bad men, too. And it is from three types of out- laws, who harassed the pioneers, that the picture takes its name. Bull Stan- Mike Costigan and Spade Allen, the three bad men, had their counter- parts in the long ago in the country of the Teton Mountain range in ‘Wyoming. Praise *'Variety." WSPAPERS ere acclaiming “Variety,” the German production made by Ufa, as one of the foremost pletures in cinema . history. Para- mount released the picture recently at the Rialto Theater, New York, where it remains. e/ 'Vlmty ' wrote Dorothy Herzog in the New York Mirror, “is an elec- trifying human celluloid . document lhl.'. bulldl to a primitively emotional 0 men passionately in love same woman. h.Br'l’!nT(nt act- llnflh hy that by its very t{o'.wrm-p m%m- thought to the screen, combined with Mr. Dupon masterly direction, make ‘Variety’ foremost among the really great cinemas.” In the Morning World Quinn Mar- tin said: “Variety’ stands on its own legs, a very impressive testimonial to the worth of that German flair for simplification which amounts almost to an individuality of form in the cinema.” Mordaunt Hall declared in - the Times that the picture is ““the strong- est and most inspiring drama that has ever been told by the evanestent shadows. a production which not only shows ;he way in which story should be unfurled, but i presses one with the magic of th camera in picturing effects, such as the torrent of '.houxhu rushing throulh a maddened mind and the 3t olutho audience r‘tmm the eyes of & hurt! trapeze performer. In the y News Roscoe Mc- Gowen wrote: “No two ways about it, when the Germans devote their talents to producing. _something, whether it be pretzels, pictures or quarrels, they prove that they know mflr and Q' ty’ is a Ger- 3 nd an excellent job P Ruth Roland's Comeback. UTH ROLAND, once queen of all serial queens, has suc- cumbed to the lure the shadow , and will be seen in the cast of June Mathis' - production, “The 1€ | Masked Woman,” in the featured part of Dolly an American chorus girl. nee -in this production her first screen appearance 1 years, her entire um- hav- ln. been occupied by the management realty holdings, wisely . during the earlier years of her acreen successes. “A trouper never forgets !munly the smell of the grease pu say! Ruth, emplwnl the “There roraning| thé ::x‘:-“ign th again.” 0 Into .m n.’ the trapeze act of the three ter over the heads of the audience. The earnival scenes are vivid, and there are some excellent In‘ WED. MAT. l'"" ALL SEATS 50 $1.10, 75¢ & 50C | sar. Mat, T5e30e- " National Theater Players, Direction of Clifford Brooke, Amo-u‘y’!ta—hl—m MMJM:“' wEER T ERATe “""' « “FAIR & WARMER"” It's the best play of the SELLING studies in character in the faces of many of those who watch the per- formances. A fine picture, artisti- cally presented.” leen Creelman in the American says “‘Varfety' stands out vividly as among the most remarkable films I have ever witnessed. ‘Variety’ is, first of all, a motion picture. It is the camera which tells the story. - Perhaps Cameraman Karl Freund de serves almost as much credit as Diree tor Dupont. ‘The reviewer on the Herald-Tribune considered “Variety” “one of the most perfect pictures we ever have seen.” The ‘critics of Los Angeles, where lhe icture dpened at the Million Dol- 'heater, were equally enthusiastic m thelr praise. Film Features CRCLE 2105 Pa. Ave. Ph. 853 DopeLAS AEREDIWTS ey You St. Bet. Nthllm PLYHPIC °" o WMMON IMS Wh\nnwln Ave. OWEN MOORE in “MONE' fi‘ CLAIRE WINDSOR EMP) 911 H Street N.E. i lsREyA’h’"'f' “etkileween - SIDNEY LUST'S 9th helr E St mbu‘om.cr fl"“x‘x. 87 o JUVENILE c Y md PHANTOM LICE. HIPPODROME X St. Near sth SRS im_t';.o onuw GGARD'S DORT FALL 'm szzu;mx!z wr 34 3 ezres Just completed. Arctic Nu- Air Cooling System, making this one of the coolest theaters in town. Come in and see. EIITE 14th St. and R. 1. Ave. Pk ,333"%%%»”** B lll’ H St. NE. CAP“'OL m- & o sn. .'W. COLLEEN MOORE in “IRENE" GEWCHW wn.v.ug mg;l;sw m}vf’ m 6th & C Sts. N. FEW STANTON g3 TA‘OMA m TODAY AND TOMORRO RlN-TIN-TlN PARK THEATER %618 14taN.W. X MOORE in % s Adilh, 186+ 2K dren, 1% CRANDALL'S “=wrosouimax ¥ 8t IE m ”" A’hbgt /