Evening Star Newspaper, October 11, 1925, Page 66

AMUSEMENTS. Photoplays (Continued from Third Page.) “The Spook Ranch,” Art Stone in “Tame Men and Wild Women” and Sportl CAROLINA. Today and tomorrow, Ann:(.\m? madge in ‘“‘Her Tuesday, “Wings of Madge Bellamy; Wednesday " Doris IKenyon; X *“The Scarlet Tom Mix in * ('m-‘i'\ CHASE. Bert Lytell, Stewart in the Cosmopolitan production, “Never The Twain Shall Meet,” news and Aesop’ ables; Tuesday, i \l(ul row, Pathe com- " cighth_chapte; aturday, Man Who Big Service Meighan, “Secret Thomas ¥ound H “Short Pa s serial, “Wild West."” “The Bull's E io Corte A\uh..nm Lewis Stone and y dy Who Lied" nd “Her Sister | Laura La In “The Teaser.” DUMBARTON. Today, Mae Busch and Matt Moore i ardo Cortez riday, Betty llie Dove in Iy of Bill Cody “The irday - [the ¥ i Kenneth Talmac “The comedy, “After a Repu- d the fourth epi- “Play Ball” with Iter Miller. ation,” sode of the s Allene Ra |tra will This Week “Oh, You West,” News Reel and Lar- ry Semon comedy; Saturday, Strong- heart in “White Fangs,” Eplsode 2, Secret Service Sanders” and Jimmy Aubrey in “Heebee Jeebies.” RAPHAEL. Today and tomorrow, Lewis S. Stone, Virginia Valli and Nita Naldi n “The Lady Who Lied” and comedy, ,\'oupor-llufip?r-l)yne Lizzies"; Tues- lay, Elaine Hammersteln in ‘“One ilorlous Night,” comedy, Andy Gump n “Westbound” and Fox News; also imateur contest at 8 o'clock; Wed- nesday and Thursday, Lilllan and !)Orulh ¢ Gish in “Romola” and com- , “Unfriendly Enemies” Fl’ld and Za Su Pitts in also Pacemakers, No. 11, Saturday, Willlam Desmond in "l(ldlng Pretty,” comedy. Timmie Aubrey in “Meet the Ambas- sador,” also “Sunken Silver,” No. 9. SAVOY. Alice Joyce and Clive “The Home Maker” and Murian in “After a Reputa- tion; tomorrow, Tom Moore and Paul- ine Starke in *“Adventure” and Bobby Vernon In “Air Tight”; Tuesday, Irene Rich in “My Wife and I" and juvenile comedy, “Dragon Alley”; Wednesday, Bet Bronson Adolphe Menjou in *'Are Parents Peo- ple?”” and the Spat Family in “Laugh That Off"; Thursday, Claire Windsor and Pat O'Malley in “The White Desert” and Sennett's “Skinners in Silk™; Friday, Richard Dix in “The Shock Punch,” Charlie Chase in “Isn't Life Terrible” and Pathe Revlew; Sat- . Willlam Falrbanks and Pauline in _“Fighting Youth,” Hal Roach's “Daddy Goes A-Grunting,” Sportlight and Te Today, Brook' in Edna ‘Romola,” with Lillian and Dorothy (‘lsh Pathe News:; 26 season with a notable audience last week, through Its man- agement announces that the Spencer Tupman Mayflower Orchestra will be featured musical attraction throughout the season, while the Spencer Tupman Presidential Orches- hold forth in the presidential room. Already noted for his highly original orchestrations of dance mu- numbers, Director Tupman is pre- paring a series of orchestrations which, it is said, will in novelty eclipse all of his previous accomplishments. Special vaudeville attractions will be teatured from week to week. SWANEE. Jazz dance music of electrical tem- | where the \»-(lnf\‘h Lon Chaney in holy Thre: ix the toon comed: h , Alice Joyce | Home Maki e Gordon in “The Polo_Kid"; Friday Moore and | Za Su Pitts in and | comedy, “Dog Daze' lam Fairbanks and “Speed Mad,” Sennett’s er-Dyne Lizzies” and Lyman H. How “Hodge Podge.” OLYMPIC. Today, Constance Talmadge “Her Sister From Paris"; mmnrm“ Lewis Stone and Virginla Valli in| “The Lady Who Lied"”; Tuesd v, | Owen Moore In “Go Strafght”; Wed a Plante in “The | Edmund Lowe in n\[l] ith Reberts in “Super-Hoop- | 3 Bowl Valll and Eugens O'Brien i ? Saturday, Jack Holt in Zane Gre s\ “Wild Horse Mesa.' PARK. Today and tomor and Lew Cody in Park News Bv Everett Horton and Esther Ralston in | Beggar on Horsebac! tan Laurel | “The Egg” and Gift Shoppe; W x.esdn\ and Thur<dn A A Slave of Fash- po and high-power melody is luring Capital voung folks to the Swanee, anee Syncopato! | Al Kamons, have a_reputation as a favorite dance band. | Esp ¢ notable is the work of | “Tex r. one of the | !I est S £ East; se, bunjoist, and Nat Abrams, who presides over the drums. In a terrace adjoining the ballroom is the charmingly furnished lounge for those who wish to sit out a few Wo dances. LE PARADIS ATTRACTIONS. Southland melodies with the true Dixte spirit, full of eyncopation a la Alabam, will dominate at Le Paradls all next week, when Klark and Ja- cobs will appear every evening. These lever entertainers, who have delighted Le Paradis patrons at Ammendale, CAROLINA lllh & . CONSTA E in “HER ‘_IRCLE 2105 Pa. Ave. Ph. W. 953| Ample Packing Space 1 Universal HE SUNDAY Next Week's Photoplays. METROPOLITAN—Haroid Lioyd in “The Freshman.” COLUMBIA—Charlie Chaplin in “The Gold Rush.” PALACE — Douglas MacLean in “Seven Keys to Baldpate.” AMBASS ADOR—First Latmn- al's “Playing With Sous,” Peter B. Kyne's “Never the Twain Shall Meq “The Coast of Folly” and “The Lucky Horsesho TIVOLI—De Mille’s “The Ten Commandments,” Milton Sills in “The Knockout,” “In the Name of Love” and “He's a Prince.” CENTRA L—“Playing \th Souls,” “The Coast of Folly and “The Lady Who Lied.” Tuesday, “Revelation,” featuring Viola Dana, Monte Blue, Marjorie Daw and Iew Cody, comedy; Wednesday and Thursday, Lon Chaney in “The Un- holy Three,” comedy; Friday, Norma Shearer in edy, Aesop's Fable, episode No. 2 of “Secret Service Sanders”; Saturday, “Code of the West,” a Zane Grey story, with all-star cast, Aesop's Fable, fifth episode of “Play Ball.” YORK. Today and tomorrow, Richard Bar- thelmess In “Shore Leave,” Aesop Fable and Pathe Review; Tuesday and Wednesday, Richard Dix in “The Lucky Devil” and Harry Langdon in “His Marriage Wow"; Thursday, Virginia Valli in “Siege” and Hal Roach’s “Daddy Goes A-Grunting"; Friday, Jack Hoxie in “A Roaring Ad- venture” and comedy, “Blue Blood": irday, Conrad Nagel and Pauline ke in “Sun Up" and Walter Hiers ‘'Off His Beat.” Md., all Summer, have decided to shift their headquarters to Le Paradis on Thomas Circle for the week, and they will play also at Keith's. Their ap- pearances at Le Paradis have hereto. fore been contined to Thursday night radio concerts. Le Paradis and the ultra-exclusive Club Chantecler in town are crowded nightly. The Club Chantecler musical ensemble is directed by Paul Fidel- man, and Director Harry Albert, the versitile Davis director, 18 in charge of the Le Paradis Band. Plans have been made to keep the Chateau Le Paradis open until De. cember 1. It Is a certainty also that the chateau will be opened for the holi- day season, with New Year and Christ- mas parties as high lights. 8. Hurok, formerly of the S. Hurok Amusement Corporation, has been chosen as managing director of the Artists, Inc, a newly formed corporation, “which is to carry out extensive and exhaustive the- atrical “operations.” Marie Kieva, the Russian singer, who is to be starred by the Shuberts in a new musical production, arrived in New York several days ago with her husband, Nicholas Katkoff. STAR, WASHINGTON, D. C, Unique Stage Setting 'UGENE O'NEILL usually can be depended upon to furnish some- thing novel. If it is not a' dramatic utilization of sound, as the moaning of foghorns in his sea plays, he fur- nishes an unusual setting. He has utilized the lotter to the nth degree In his presentation of that stark, bi ter tragedy, “Desire Under the Elms. O'Neill was the first dramatist to visualize a great ocean liner's stock- hole, with naked men rythmically hurling coal into the flery mouths of furnaces, for just one scene of “The Halry Ape.” Far removed from this nolsy setting is the quiet scene for his newest play, “Desire Under the Elms,” for he literally has placed & complete house on the stage. The action of the play takes place in New England in the year 1850. ‘The house is plain, hardy and of that period. To either side of the house is a huge elm whose branches droop over its roof. Now, this house has four rooms, two on the ground floor, the kitchen and horsehair parlor, two bedrooms above them. The novelty of the act 1s that when the action of the play is in progress in the kitchen, the wall between it and the audience is down while the rest of the rooms are ob- scured to the view. At one point, for example, the walls have been removed from the two up- per bedrooms, and the kitchen. In the kitchen a group of farmer folk is celebrating the birth of a child to the 70-year-old farmer and his young, wife. In their upstairs bedroom this young wife, and the farmer's brown son of a previous marriage bend, whisperingly over a cradle. Outside, the old farmer is standing in the road between the houso and stone fence,, talking to himself. These three threads of action un‘ carried on simultaneously, flowing into the main movement of the play. This is but one scene. ‘There is another scene when the whole house is dark but the brightly lighted parior. It is the middle of the night, the whole New England coun- tryside is asleep. On the horsehair sofa of the parlor the farmer's young wife, clad in her nightgown, is talk- ing to the adult stepson. J: is as though the whole world were cut off from this one little room—only Eugene O'Neill has remgved one of its walls. Thus, there is a setting of a small_barren and grim house, em- braced coldly by a dim ominous coun- tryside, guarded and menaced b; huge and monstrous elms, and in one corner of the house there are two human beings talking in a brightly lighted parlor. In addition to this unusual setting Mr. O'Neill has made the house as much a living thing as any of the human protagonists in *“Desire Un- der the Elms.” In fact, one thinks of the house, in time, as human. The house, and its whole setting, was designed by Robert Edmond Jones. Picture Plays for Stock WHERE in the past it has been the custom of motion picture pro- ducers to purchase the picturization rights of plays, a new order has just arisen whereby the play companies are purchasing stage production rights to pictures, with the idea of supplying stock companies scattered throughout the United States with well advertised and well exploited sub- Jects of entertainment. This new condition has arisen as an outgrowth of the limited number of successful plays that are finding their way into the stock and repertoire theater organizations. With a pro- duction of nearly 200 plays on Broad- w last year, less than 20 were out- standing hits. Where formerly a play that had a run of two or three weeks on Broadway was eagerly sought by managers of stock com- panfes, conditions have changed, and their patrons are no longer satisfled with so-called Broadway hits unless they have endured a run of four to six_months or more. To flll the gap, a bright and far- seelng stock manager decided that he would take advantage of the tremen- dous sums of money spent in adver- tising and exploiting successful mov- ing pictures created from novels and magazine stories, and he made ar- rangements to have such pictures dramatized, to see whether or not his {dea wus capable of being successfully developed. The experiment was made and his stock theater played to the biggest week it had had in a year. Dr. W. E. Shallenberger, president of Arrow Pictures Corporation, was kept informed by this manager of the progress of his experiment and fts development, and in consequence has been tendered a contract by one of I'é i TIFHOON ANTTA WART, 0L 'ARK THEATER 3618 1atk Tath N.w Bl on i SHEARER LEW CODY A Bave Men,” Buster Keaton in * und talent night; Saturday, Bert Lytell und Anita Stewart in “The Boom-| . x\m: " Our 4 ‘A Mysterious | * angd seventh chapter of OF _FASHI OLYMPIC You MADGE and ¥ METR 8% WEEK BEGINNING TODAY -wa First National Presents a New and Fumtulg ing Romances of the “Greater Movie Season, CRAN. DALL”—fi Street at Tenth Personality in Noted Budapest Beauty, Co-Featured with IIOHALD COLMAN In Geo. Fitzmaurice’s Superd zation for Samuel Gnldwn 0] Trevelyan’s Stage Success, w Admirac.y Supported by a Superior Cast Picturs- whAioh, on the largest play companies to take overr ‘“Tessie,” *“Wandering Fires,” “The Substitute Wife,” “Scandal Street” and “Primrose Path,” which are included in the 24 Golden Arrow first-run features for 1925-26. After they have had their run in the motion picture theaters they are to be turned into plays to be presented by 125 stock companies throughout the TUnited States. —_— Becker's Disciple Here. 'ASHINGTON cellists will be able thfs Winter to become fa- miliar with the famous Hugo Becker method of cello gaying which during the past quartef of a century has caused hundreds of would-be artists to flock to Berker, the master of the cello, at_his mountain home in Tyrol, and at Berlin, where he {s professor of cello at the Hochschule for M Pupils of the Becker school are dis. tinguished especially for their com- plete freedom of playing. Special at. tention is given to the Improvement of undeveloped bowing. Last year offers wern made to Prof. Becker to come to this country and to spread his teaching here. It was impossible for the busy and tired master, who already had too great a following in Europe, to leave every- thing and come to America. He ap. pointed his pupil and assistant, Margaret Day, whom he had thorough ly prepared to carry on his ch- ings over here. Being herself an American, Miss Day was glad to re- turn home and undertake this work. Students enrolling in these classes w!ll receive instruction once or twice W;eell( at the Washington BStudio o! usic. % M. to 11 P. M. —Sunday— Doors Open At 2:30 One of the Most Engross- Filmograms. (Continued from Third Page.) of First Natlonal Pictures, has been made general busine: manager and associate of Earl Hud- son, ‘production supervisor at the First National Studios in New York. “Side line” music s that furnished for motion picture stars when they play in highly emotional scenes, and usually is provided by a violin, cello or portable organ. Mary Pickford had “side line” music de luxe not long ago when the entire Swedish Choral Club of Chicago, under the direction of Edgar Nelson, sang for her while she went through a scene in “Little Annie Rooney."” ““Whiskers'” are much in evidence on the sets where Willlam Hart is making “Tumbleweeds” for United Artis.s Corporation. Back in the eightie the period of production, full beards were_popular, especially in the West and Middle West. In the picture will be seen everything from a dragoon mustache to dundrearys or sideburns. In “The Eagle” Rudolph Valentino will be seen in three distinct guises. He starts out as a Cossack lieutenant, becomes a bandit and then masques; rades as a French tutor. The char- acter is known as Viadimir Dubrovsky, and the name can be whistled or sneezed, according to preference. George Sidney and Alexander Carr will appear in the title roles of Samuel | Goldwyn's next Montague Glass offer- | ing, “Partners Again—with Potash and Perlmutter,” to be directed by | Henry King. . The first Concord stagecoaches to operate on regular schedule from the Missouri River to the Pacific Coast were utilized by James Cruze xn the filming of “The Pony Express.” The unearthing of these old stagecoaches is regarded as a triumph of discovery for the Paramount property men! James Cruze staged the biggest In- dian_battle that has been fought in the United States for 40 years when he pitted 1,000 Sioux Indians from the Pine Ridge, N. Dak., reservation against 700 cavalrymen from Fort D. A. Russell, dressed in blue Civil War uniforms, for a scene for Cruze's new epic, “The Pony Express.” Frank _ Bor: production of “Wages for Wive ed on the John Golden play “Chicken Feed” and stingy husbands Lou Tellegen is to mak tacular entrance into u ture in “The Silver Tre he and his 24 lusty pir: an 18-foot waterfall to reach the cave AMUSEM: in which George O'Brien has con- csaled the treasure, Rowland V. Lee directed the picture, which is based on Joseph Conrad's “Nostromo.” Buck Jones is golng strong for literary stuff for William Fox this season. He has already completed pictures based on “The Timber Wolf,” by _Jackson Gregory; “Durand of the Bad Lands” by Maibelle Ifeikes Justice, and “A Man Four- square,” by Willlam MacLeod Raine. Now he's making “The Desert's Price, Tom Wilson, famous for his black- face characters, plays his twenty-fifth butler role in’ the new Fox super- s0ressersineane. Ana a rescvat of music ALICE EVERSMAN Formerly Prima Donna of Chicago and Metropolitan Opera ELENA DE SAYNE 80v3 00049200000 VTS O10CTR 0000POLIOIED) based on another Raine story. | uN ZASU PITTS-LLSLIC FENTON PAUL PANZER-ALECB.FRANCIS - OTIS HARLAN ENTS. western, “The Best Bad Man,” star ring Tom Mix. Kathryn Perry and Marion Harlan who are appearing in_important roles in the O. Henry and Helen and Wa ren comedies, produced by William Fox, are belng sought to do a sister act in vaudeville. They can't & however, because they are under cor tract with Fox. Entering the motion plcture field as a “heauty contest” winner, Clara Bow, who plays the leading feminine role in “The Best Bad Man,” starrin: Tom Mix, forged to the front witr remarkable rapidity and won stells honors in less than five years. PR —— sovesorse rreersrcerreren FPearl ficnklm: Ploy bt WVFOLK I MADGE BELLAMY- Ko Loncert uUrcnestra MISCHA GUTERSON CONDUCTING , “It I Were King” NEWS COMEDY World Serles Results Announced During Performances 0o .Adam LOEW’S WEEK BEGINNING TODAY PALACGE SUNDAY, OCTOBER 11 A | IN ! LITTLE ANNIE ROON “AMERICA'S SWEETHEART" IN HER FINEST STORY! Once again, the reigning queen of the American screen returns to the type of role that made her famous—that of the saucy, mischievous little imp who {s beloved by millfons—but never be- fore has Miss Pickford made such a charming, appealing picture as she gives us {n this gay, rollicking, effer- vescent comedy-drama of New York's teeming East Side, whers, as the heroine of the famous song, she romps through hard knoc! and softened blows, alley fights and street games, in a story that mingles laughter, tears and drama that touches the heart! “1 consider ‘Little Ausie Rovaty’ the sweetest, most charming and appealing bas ever made."—Lowrence Beatus, Ngr. * S Play Ball.” Shows continuous on | Saturdays from 2 and on Sundays | from 3 p.m. i the Screen Affords Sterling Roles for the Bflllw.ne Talents Wi Sta: Eddy, 1343 Wisconain Ate ) Bl JUlthRTO MATT MOORE e HRE PRINCE and tomor Mackaill in * * Al St. John in * Jron Mule” and Episode 8, “Perils of the Wilds"; Tuesday, Eleanor Board- man and Matt Moore in “The Way of | 2 Girl” and Bobby Vernon in “French | Pastry”; Wednesday, Betty Bronson | and Ricardo Cortez in “Not So Long Ago” and comedy; Thursday, Wanda | awley In “Let Women Alone,” com | les and amateur night; | Maurice “Tefty” Flvan ir | MALLEY — LIBERTY \orl{l: ('ap\lulnnd? st-. NO WORLD SERIES || [APPODRORE s vxs IN WASHINGTON LNV POLI NEGRI in gER offers more thrill, —_____“THE CHARM ELITE 14th St. and R. T. Ave. suspense, excitement i TAKOMA and action than the | canzo OT] ‘.ViTFA[L'I(OSTA!‘i‘ GAST. - % S MET! sensational picture SXI}IANDALL S ll‘v‘!)c':o::l’l‘"}: coming to the "ILMA ANKY and RON ALD COLMAN ln GEL, RIALTO next Sun- NEW STANTON 6ih4C Sts. N.E Tflfi.“@“& AN day, Oct. 18. “The PHANTOM EN‘PIRE 911 H Street N.E. LILLIAN d DO HY st in FEKAT, a0 ROTHY HEVYCHASE Conn. Ave. & MeRinley St. D. €. SERT LYTELL. ANITA STEWART and athers_in~ Cosmopolitan's “prodiiction. TiE S TRAIN SHALE NEWS ~AND AESOP'S| Today and Dorothy g of O'Malley T-komn Park. D. C. “ROMOLA" with LILLIAN . PATHE NEW! 14th 8 Park R4 N9y TOMO — MADG' rnd OEORGE OBRIEN ir 'X‘HE m:w . ARSI ER CRAND ALL'S mm,\ssmog 1 L8th 8.8 Col RAN W A of the OPERA” CRANDALL 'S CENTRAL " ) Sk B4 AAKDfiOM%RPGFn S!GNAL :Fxmv'v'rflw"s'mnzx\.c BEEZER! AQQREVIEW. = oo - e T SAVOY THFATEK ’ ~RANDAU-§ 4th and Columbla B T%%’)&i‘ e HoME " MARER - 1-6 ""m{’ Py OORE in_“AD Howard =¥ Oct. 12 OCEY WILSON Presents THE INCOMPARABLE W —TOM M And BOBBY ViR AND_TOMO] R RC] T(}‘JD\%.:T'HLLM E“‘onnd D[:‘V‘“."’;"‘P ¥ &t R oG >ty TROYS" WILL AND HER NEW “Syncopated =Revue” Pretty Scenerv and Costumes TOMO! zm( S AND no 2TEY, Mac || HARE L I A SEDRE LE &E 807 wanam Fox Presents The “DANCERS” A Most Startling Photo Play MID - NITE SHOW FRIDAY 230 € St. N.E. JM(“L«"%‘%SR&S BN | P NRON HoRse! R R OO =y RANDALL’. TivoLll 14th and Park Rd. 8UN.-MON. THE IRON HORSE Wm. Foz’s Epochal Production Inte srwatnd by o Cast of MAGGE BELLANY GEORGE 0’BRIEN TUES.-WED. LEWIS STONE ALMA RUBENS With Percy Marmont, Ra Gr(”uk and lflcfl Pvrm FINE CLOTHES A1 Bt. John in_“Fair Worning” Thio -‘ ANITA' STEWART BERT LYTELL 4nd Fsmm’dhw luunlu NEVER THE TWAIN SHALL MEET Aesop Fabdle—Pathe Review BATURDAY TOMMX essie Love R F o ton s Fomantio LUCKY HUR(S :E Chas. OMase in “No . .ther to Guide Him”—Sportight RO OO RO WL ey | T The enthralling Great Sufiflu W‘fli m —Magnificent Settings and PMetog- raphy to Delight Mz Artistio 4 THE DARK ANGEL a Great Love end an Attempted nllWarulthuB CHROMATIC PROLOGUE, IMPERIAL MALE QUARTET—“OUR GANG” FU NEW WORLD SURVEY-—CONCERT OVERTURE, “SONGS OF THE PAST” WASHINGTON'S FINEST ORCHESTRA, DANIEL BREESKIN, CONDUCTING pieperios avaxiey co.or awemica|[f{HINHHHTNEAHAIOETY RANDALL’. AMBASSADOR I -18th and Col. Rd. SUN.-MON.-TUSS. VILMA BANKY RONALD COLMAN And a Cast of Distinotion fi Stirring Romontio Drome, The DARK ANGEL Aesop Faodle, “Air Coole@*— Extras ‘WED.-THURS. THE IRON HORSE An Epio of America’s K Transcontinental Raiirood Bul ing, With o Ulu! ol Thousonds, MADGE BELLAMY 6E0. O'BRIEN FRIDAY HOOT GIBSON Helen Fergweon ond o Universal Cast in en Western . SPOOK RANCH IAge COonley in “Below Sere”— orie SATURDAY “BUCK™ JONES In @ Virile Droma Who w-. Hu.‘ lzo:‘." TIMBER WOLF O ke Foreen dimeneg Senas SPLENDID uummm‘u PROGRAM FEATURES A RO 'RANDALL'. [CENTRaL SUN.-MON. JANE NOVAK RllBT EDESON IIANGER SIGNAL Bonnett's “Snoesing Beesers'— the Review TUES.-WED. IICEARD BARTHELMESS Dorothy Mackaill, Ted McNomara and @ Great Cast n e Fim Vn;:n of Belasoe’s SHORE LEAVE *Owr Gong” in “Boys Wl Be _.l’_'_ THURS. RICHARD DIX With Hasther Ralston end o Stellar m’um Paremount's LUCKY DEVIL Neal Burns_in _“Soup to Nuts” 'RDAY ALICE JOYCE CLIVE BROOK R DI ST én Dorothy HOME MAKER IIIIIIIIIIIIII|IIIfllIlllllllllllIllIIIIIIIIIIlllIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIlllIIIlIlIIIlIIII i m( i ,;" ;r i AN Ty Nv' l’“| | NAL lmnm SYMPHONIC OVERTURE-ETC. PRESS" Based on the st Henry James rormau and Walter Woods