Evening Star Newspaper, October 4, 1925, Page 67

AMUSEMENTS. CONSTANCE TALMADGE. Douclas FAIRBANKS ~ Colunbio —————— I‘Jewsiand Cq_znment By W. H. Landvoigt. OMEONE has said that an honest endeavor to appreciate the relative | \portasce of things will palliate the twinge of more disappoint- ments, wipe away more sorrows and bring miore real joys into the | world than almost anything else within the line of human endeavor. It is a big truth when you consider it carefully. This week opens with disappointment in the hearts of thousands who were unable to obtain s to sce the forthcoming series of base ball games between Wash- n's World Champions and the Pittsburgh club, which thinks it.ought 0 all such the silver sheet oi the local photo- Icome, with the assurance that it will to be the world ch houses extends a cordial w pions. NOVARRO Palace. Filmograms. A McCORMICK'S problem as an opera singer is set- tled for a while. The Cines Co. zned her to appear as Josephine in apoleon,” a picture which is to be made in cycles and will take two ycars to make. . “The Vanishing American” road-shown, which means prices to see it. higher n thrills and in general enjoyment any- If you haven't secn Douglas Fairbanks tore for you which no amount of mere 1i you have scen him vou will find “The le entertainment to match g that base ball has to offer. as Don Q, there is a tr talk will adequately describe M nd romance of the ideal young officer of our glorious Nav - m: 1g and in his development, an entertainment that ma our patriotism and lift your mind into a higher and more profitable theme than that of mere athletics. There are other pictures also whose real worth will bear investigation. The purpose here is not to cast the faintest shadow upon the glory of our national game, the one great thing in this world of doubt and disappointment whose integrity is beyond the pale of reproach, but simply to point out that, with full allowance of credit to all things, there are “still as good fish in the sea as ever were caught.” If [3 have what you want to make you happy, vou, at least. 1d it worth while to make the effort to be happy with what you can ave, and the learn the great lesson that no one particular thing is indispensable to the happiness vou seek. Sounds almost like a sermon, but there i cat deal of real, satisfying truth in it neverthe HK'NI ANITY, in recent vears at least, has scemed to feel that notl life is really worth while if it hasn't a “kick” to it. The great mis- take many of us make is in defining what a “kick’ The modern theater (and before that the peccable movie) seems to be unable to find a “kick in anvthing but sex and its complications, sauced with salaciousness. The movie, however, perhaps even before the theater, discovered that life is full. or may be made full, of delightful thrills that are utterly impossible in the world of what the pious call “the forbidden”; that in honest senti- ment can be found a delight, a genuine bliss, that has no relation to what men call sin. The great trouble has been that sophistication has affected ise sentimer Women will weep copiously during a play whose t reaches the heart, while men will brush away the tear Ils forth if they were ashamed of it. What's the use? Honest| rs, even as hter, are never associated with shame. The great to impress the fact, and the full realization of the fact, nity that tries to find in its mad rush something—any- | ¢ will serve to lessen even for an instant the grip | Men often, and sometimes women, smile even | magine they get a thrill out of that which in their quieter regard with mortification. When the realization of the truth behind it all, when honest sentiment is allowed to take its proper place in the minds and hearts of men, we may expect to witness the banishment from stage and screen of the harmful things that have held u sure and which have prompted the desire for censors. . in the mak- 33 both to ce * * HE Mo in its recent exhibitions delivers a challenge to the stage that those who have consigned it to the public censor may well regard I consideration. Last week’s pictures any one might see and En10¥ without hesitation or regret. Can the same be said of last week’s play: Tt is a promising sign, for even the dullest may see that the Movie is in- fluencing ge production. And if one is cured of bad habits the other is likely to follow suit very quickly. There is another thought i this connection which will bear careful nursing and develop- ment. When cheap, meretricious expedients utilized by producers to en- tertain the general public have been sized at their full worth and relegated to the background, somebody will have to get busy in providing plays and pictures of real worth, for once the whole public begins to realize that ele- ments that shock, even though they may win laughter or impart a thrill, are not indispensable to honest enjoyment, hopwoodian indelicacies will lose their entertaimnment value and authors and producers will find what the public wants in better things. * e N the current endeavor to find “literary stuff” for public entertainment lific prod nnounces film productions of “The son Gregory; “Durand of the Bad Lands,” by 1d “A Man Four-square,” by William MacLeod Price” another Raine story, in preparation. ent investigators, will doubtless help the wmaterial for future pictures, but even necessary to tread with cautious step favorite stor even to the extent o hiand upon the impulsive title makers and others who nity to inject what is considered necessary as a “box- punch. ¢ of the noted authors of the world have grown very bitter ainst the makers of film productions because the literary punch departments of the several studios have sought to improve upon their creations. vitile in m of k¢ will office * K ok ok HE screen latterly is displaying much better pictures. This may be duc to the recently inaugurated “Greater Movie Season,” whose im- pulse was to scrve the highest class of screen product earlier in the season | than had been the custom theretofore. The trade publications report great abundance i productions, great ough, it is to be hoped, to supply the entire picture scason, which practically means the entire year, with tures as good as if not better than those that are now being offered. Film Daily reports that the usual Fall shut-down in production will occur earlier v vear than ever in Hollywood—probably about November 10—and that many of the studios are now “cleang up” their last pictures for 1925. The Warner Brof however, have already begun making their first produc- tions for the 1920 Fall season. which shows how early a good idea must get into the production head before it begins to manifest itself upon the screen, * AUDE ADAMS, J. E. Meador and J. P. Bickerton, secretary of the feador-Robertson Productions, Film Daily reports, have gone to FEurope to consult with Rudyard Kipling on the film production of “Kim,” and the same agencies are reported to be interested in the film creation of “Mandalay” and “G:ngha*Din." * * ,ONSTANCE TALMADGE is reported to be on her way to New York— if, indeed, she has not already arrived there—but only for a month’s vacation, after which she will return to the Pacific coast to make “East of the Setting Sun.” An equally interesting bit of news is that Peggy Hopkins Joyce is going to make a picture abroad, with Erich von Stro- heim as her director. Von Stroheim is conceded to be able to create great pictures—if the finances hold out. Sy Sy HE English film producers are becoming disturbed at the report that “Just Suppose,” A. E. Thomas' play, filmed with Richard Barthelmess as its star, is founded on the Prince of Wales’ visit to America. They thiak it shows bad taste. dshipman,” impersonated by Ramon Novarro, with its story of the life | | has | Zukor to make a film for the Federa- | County, Calif., to Mary Pickford also | includea Mary | lotte P. Smith, as a grantee? |a lesson to those who sneer at the € Vand Afleen Pringle is to e featured nex n The Reason Why which Conway will direct for Metro-Goldwyn Mayer. athe will release as serials with the next vear “Wild West," Green Archer” and “Janie,’ the Coast Guard. list of ‘“exceptional issued by the national board of reviews is headed by *Si fried,” and includes “The Gold R “Phantom of the Ope “Don “The Merry Widow.” “Havoe.”*Marry Me. Sentucky Pride.” “The Goose “The Unholy Three” and It looks as if Connecticut had taxed the movie almost cut of existence within her borde veroft Pictures by _Adolph Ernest Marks of I been commissioned tion of Jewish Charities to be c: *No One Shall Want.” What a derful title in this day and gener tion! Alan Crosland will direct John Barrymore in “Don Juan.” Marie Prevost and Matt Moore are to be starred in “The Cave Man.” Gilda_Gray and the “Aloma of the South Seas™ company will go to Porto Rico “to shoot ext 2 Film Daily vs Washington mus e hands and exhibitors ar reach an agreement on | 4w . for the coming yea The music s and sta hands hav demanded a 30 per cent increase, it is said. It is being claimed that no greater picture_was ever made than Univer- sal's “The Phantom of the Opera,” which will soon be shown in Washing- ton, Ernest Luhitsch and company have gone to Toronto to film scenes for ‘Lady Windermere's Fan.” ‘The Midshipman,” the Navy pic- ture, with Ramon Novarro as its.star, had its premiere in Los Angelés yes- terday. Base ball may be the national game, but the movie is giving it a close run. As might be expected, Famous Pla: ers has secured the signature of Percy Marmot to a long-term contract. In the effort to improve, the Movie also is beginning to realize the value of act- ing as an auxiliary to pretty faces in “photodrama.” There are those who believe that Will H. Hays has con- tributed somethipg, after all, to the Movie. Did you notice that Douglas Fai banks' deeds for a million dollars' worth of property in Los Angeles Mrs. Char- Here is mother, mother-in-law. Lou Tellegen in “Parisian Love” is pictured as a distinguished Parisian scientist, whose kindness and depth of understanding brings about the re- generation of two young people, a girl and a boy, who have been thrust by misfortune into lives of crime in the Apache dens of Paris. Clara Bow and Donald Keith have leading roles. The picture was directed by Gasnier. Erich von Stroheim’s production of “The Merry Widow,” featuring Mae Murray, which critics are calling the greatest production of Von Stroheim's Miss Murray’s careers, will be seen shortly at Loe Columbia The- ater, it is announce Donald Crisp, who directed “Don Q., Son of Zorro,” one of the most will- ing villains in picturedom, says that D. W. Griffith killed him forever as a player of romantic parts when he cast him as the brutal father im “Broken Blossoms” and in a Bill Sykes charac- ter in Griffith’s earlier picture, “The Escape.” The new Crandall Colony apartment, store and theater building at the cor- ner of Georgia avenue and Farragut street northwest still continues to boom along toward completion. The work of setting the steel framing is making rapid strides and the archi- tect,” John Zink, insists that he told the truth when he stated that the new playhouse will be ready for for- mal opening by the first of the year. The Colony Theater will have a seat- ing capacity of 1,500 om one floor. ‘Washington girls with "swe;ueu ’ in last year’s graduating class at Annap- olis will have a chance this week to see how well the middies can act be- fore the camera. Not only the 1925 graduating class was filmed in Ramon - BROOR_ CLIVE. Awmbaseador LEATRICE. JOY Tincolw AMUSEMENTS. JUNE MARLOWE. Rialto Navy‘s Pet Picture. MON NOVARRO, the Metro- Goldwyn screen star, is said to| have been chosen with the approval | of the Burtau of Navigation of the| Navy Department as the hero of the | big Navy pleture, which was filmed Annapolis last June, under Navy Department super. visiong “The Midshipman™ is further | claiméd to he the Navy's first attempt to_glorify the Annapolis midshipman. When the department wis approach the Metro-Goldwyn-Mayer or- ganization with a suggestion that such a film be made, the proposal is said to have met with an immediate re- sponse from Navy officials, who had long_desired to give the count: graphic idea of the life of an embryo admiral during his four-year course of training on the Severn. It was made clear to the producing firm, however, it is claimed, that the Navy itself must have the final say The Midshipman,” | as to was with that Chris! and into all details, and it understanding _that Cabanne, with R: his supporting comp moved Carvel Hall at Annapolis ‘ed for the best part of a m Summer, filming cadet nnual June commencen s 1 ound for the st Cook, commandant of nd Comdr. Herbert 1t is claimed, were d iled ise Directo ne’s pro. luction, and therefore, it can be : sumed that “The Midshipman™ most accu e and authoritative “The Midshipman” will be remer bered as the picture that, for a time, was expected to bring President Cool: idge hefore the camera to present the 1925 graduating class with their diplomas, but, as is well known, Mr. Coolidge declined, and Secretary of the Navy Wilbur took his place. This forms one of the big scenes of the it to super Lpicture. “The Midship- in- all Novarro's new plcture, men,” but 2400 midshipmen appeared in the production. Nothing Else Butt,” the celebrated Navy goat that accompanies the Navy team to the annual Army-Navy foot ball game, was immortalized in cellu- loid for Ramon Novarro's new picture, *“The Midshipman.” Baldpate Inn, perhaps the bhest known hostelry in the United States, has been reconstructed by Douglas MacLean for his current Paramount picture, “Seven Keys to Baldpate.” Because of the tremendous popularity of the original George M. Cohan farce, it is estimated that more people have seen the interior of Baldpate Inn than have ever inspected the interior of any real hotel in the country. In case you might be interested, be it known that William De Mille, who made the forthcoming Paramount picture, “New Brooms,” is a keen student of Freud and Tridon. He picks with care each of the persons in his unit. “I never do anything which some one else can do for me,” he has said. And that, so it-s said, is a secret of success. ‘While making “The Golden Prin- cess” Betty Bronson learned to read the Indian sign langpage. This pic- ture was taken in thé far Northwest. Edna May Oliver in the cast of one of Broadway’s newest successes, “The Cradle Snatchers,” has an important role in Bebe Daniels’ next picture, “Lovers in Quarantine.” A consider- able part of this picture was made in Bermuda. While Pola Negri “Flower of Night” she suddenly sneezed. Paul Bern, the director, clapped his_hands together and ex- claimed, “Zhat reminds me—snuff boxes.” And so the research depart- ment was put to work fiffding out what style snuff boxes were used in California in 1856. That sneeze gave. the research department two hours’ work. was making The easfest job in the world, accord- ing to Paul Bern, director for Para- miunt, is .to select pretty girls. He passed it up in favor of the casting department when 100 pretties were needed. “But,” says Mr. Bern, “the hardest job is to pick ‘types.’ ” With “The Pony Express” James €ruze celebrated his golden film anni- versary, for “The Pony Express” was his fiftieth, all of them for Paramount. Although he has had feature roles on the screen for 10 vearrs, Montagu | Love paid his first visit to Hollywood when he went there to play in Par mount’s “The Anclent Highway, soon to be released. Greta Nissen, King on Main of the Walsh's “Hassan.” featured in “The reet,” will play one principal roles in Raoul elaborate production of _ John Peale Bishop, writer and for- merly managing editor of Vanity Fair, has been appointed by Jesse L. Lasky to fill the post of title editor for Paramount’s eastern photoplays. For the past year Mr. Bishop ssisting Julian Johnson in the and editing task, and with the fon of Mr. Johnson to the rank of supervisor of production Mr. Bishop succeeds him. Edna Somers, the singing sou- bret with “The Temptress” Company, the current attraction at the Mutual Theater, is one of Broadw: known “blues” singers and w featured at the Parody Club when she accepted the assignment with the Mutual burlesque attraction. Not every turtle can swim. What kind are you? Willlam Beaudine, who is directing Mary Pickford, recently ordered a turtle for a scene in a bog. It was turned loose in the swamp and immediately sank. Property men r cued the animal and tried it ags with the same result. It was a mud and not a water turtle. and lost a chance for screen fame as a result. When Frances M. Robinson, field secretary of the Radio Corporation of America; George Clarke of the same corporation; Fred Huber, president of the local Radio Merchants’ Associa- tion; Abe Dresner, vice president, and the officials of broadcasting station WRC last week, finding themselves in need of talent for their matinees and nights during the radio exposi-- tion, appealed to the “Crandall Satur- day Nighters” they got what they wanted. . One of the greatest screen comedies that Washington has ever had the good fortune to enjoy is promised in the near future at Crandall's Metropolitan Theater In Harold Lloyd's latest feature-length picture, “The Freshman,” which is said to have more laughs to the square foot than any funfest ever devised. Lloyd is cast in the role of the college “goat’—the kid who is constantly kidded without knowing it. His por- trayal is said to have just.the right | touch of pathos to make it a classic. has | Director | fashion domination mon Novarro | Paris, Girls, Get This. ROM movie Hollywood comes a tatement that American women have only the vice of “dewdads” to blame for their failure to lift the of France and ‘American women persist in spoiling gowns with amentation” n, 2 man dressmaker who itutes himself a_film owntrodden feminity cment to the Rue de la forms t1 e stuck and fushions that ha ve done o becaus: Ltive e con- fined to a single idea. “American women are not content with the ingle id. wn of the French designer but insist on loading it with supplementary beads, tucks, ribbons, ete., until what was a great painting in’ cloth becomes a mere garish circus poster. “A distinctive school of purely American design is growing, thanks to the motion picture, but it will never attain definite importance until ican women realize that ‘dew- ' form the dividing line between nd bad taste. ¢ 22 vears old but al- ready internationally famous, came to the “Music Box Revue” from Parls and is now under contract to Cecil | de Mille, to uphold the De Mille repu- tation for “dressy” pictures. Colleen Moore's Brother. E makes his debut in a life-long role. He's a brother to Colleen Moore, both on and off the screen. Cleve Moore couldn’t have chosen a happier part in which to make his bow before the cinema public if the part of Dick Sundale in the new Colleen Moore-First National . production of ‘We Moderns” had been especially written for him. Israel Zangwill, when he penned the novel on which the screen story is based, hadn't an inkling, however, that it was to give impetus to a screen career. Cleve was born in Port Huron, i Mich., as was his celebrated sister. After he journeyed through five dif- ferent schools he discovered he pos- sessed the same natural bent for the mimetic art that is his sister's. He became an office boy to a moton pic- ture executive—just to gain admission to the “lot.” Later he was made script holder—to hold the typewritten ory of the picture being made and make notes as it is photographed, He performed this task on “The Lost World” and . Colleen Moore’s three photoplays, “So Big,” “Sally” and “The Desert Flower. This contact gave Cleve an insight | into the technique of acting, and with this knowledge added to screenable features and an instinctive sense of drama, his choice for screen honors became a matter of course. Jane Cowl to Gloria Swan- son. JANE COWL, the noted actress, thought so much of ‘Gloria Swan- son's “The Coast of Folly” that she wrote the star expressing her appre- ciation. This is what she said: “I was deeply moved by your superb characterization - in “The Coast of Folly.” It was extraordinary—so piti- fully true and developed with so much mastery. It is a rare joy to see such Br art on the screen. “When it over I wanted to get up and cheer, and that supplied my only regret of the night—that you | wonderful « 'Photoplays At the photoplay HOUSES ThiS \Veek. PALACE—~"The Midshipman.” ¢ COLUMBIA—"Don Q . evening METROPOLITAN- RIALTO— ed and evening TIVOLI—"The Danger AMBASSADOR—"The White evenir RAL ning. LINCOLNy i colored )- noon and even rac “The W “The PALACE—"The Mid non Novarro, the ve wramouche,” will make ince on the screen at Loew this week, bs z this af the star of “The Midshipman, Metro-Goldwyn sduction he Annapolis al Ac June, with the co-oper: Navy De ind with mors : midshipmen and high off in the cas the Ni 1 a - written stor by Carey Wilson directed b Christy anne, Harriet Han mond, Wesley (“Freckles”) Ba Margaret Seddon, Crawford Kent and other screen favorites in Mr. ) ro's support, “The Midshipman” of- fers thes first s sntation of the trials and triumphs of a midship- man’s preparation for a naval career, along with a_romantic story woven around a midshipman, who, at the start of his second vear at Annapoli befriends a vouns “plebe” wh ter, arriving for the commer exercises, fascinates him. The however, is already betrothed to society idler. who resents his tions and attempts to ruin his o Harriet Hammond is credited with « tion of the g 1s her brother the villain. omedy, Mi; ews reel, Tonic of the Day and orchestral embellish- ment by the Palace Orchestra will be added attractions. METROPOLITAN—“Graustark.” So_great has been the demand to sce Norma Talmadge in First Na- tional's picturization of George McCutcheon’s romantic novel, * stark,” that Crandall's Metropolitan Theater announces fts continuation this week, beginning this afterncofl. This highly diverting tale of an intrepid young American and Miss Yetive Guggenslocker, whom he val- fantly sought abroad and who turned out to be the Princess of Graustark, has been given a thoroughly modern treatment. The romance begins in a traln shed when two dining ca stand on opposite tracks. In one is the princess, in the other Grenfall Lorry, American “go-getter.” What follows comprises one of the most delightful of screen diversion: The role of the American is played by Eugene O'Brien, who has been declared in this subject ‘“‘the perfect lover.” Others includé Marc McDer- mott, Frank Currier, Wanda Hawley, Albert Gran, Lilllan Lawrence and Winter Hall. Dimitri Buchowetski has .made this love drama a gem of artistry. A new issue of the Metropolitan World rvey will also be shown, together with one of O. Henry's original stories, “Shoes,” a tale of Yankee resourcefulness in the tropics; a Pathe trick reel, in which a whole flock of Ann Penningtons are shown 4n -di- versified executions of the *Charles- ton,” and a musical program arranged and conducted by Danfel Breeskin for the Metropolitan Symphony, including “The Evolution of the Waltz,” com- bining “Blue Danube,” “Merry Widow, ‘hree O'Clock in the Morn- ing” and “The Midnlght Waltz"; an orchestral picture setting, “Deep in My Heart,” from “The Student light.” RIALTO—"Tracked Country Rin-Tin-Tin in “Tracked in the Snow Country” is the photoplay at- traction at the Rialto this week. It is a drama of the North Woods, and deals with the secret ownership of a gold mine by an old man which a half-breed attempts to steal from him and his daughter. There is a young forest ranger in love with the girl, and he aids Rin-Tin-Tin, the faithful dog of the miner, in frustrat- ing the schemes of the villain. This canine star, it is sald, has been fur- nished with a number of new thrills in this story of the eternal snows of the Far North, of strong men and tender women, and of an outlawed dog who tracked his enemy to his death. June Marlowe, David Butler, Mitchell Lewis and Charles Sellon arel the principal “humans” in the cast. n the weren't there in person, so that I could show you how I felt and some- how give vent to the pleasure I-had in seeing such craftmanship.” A special musical prelude to the picture has been arranged by Mischa Guterson along with other musical numbers, which- includes Mendels- Prince,” and the exit number, *“Twi-| Snow | This Week evening. rnoon and s afternoon and evening. afternoon and evenin Mo movement), played siano: Henry Sokolov, ard Lorleberg, cello. v the Rialto Orchestra, uterson conducting, will be “Raymond.” Comedy en- mance” and the 11 complete the “Don Q, Son of Zorro.” Douglas Fairbanks' latest triumph. “Don Q. Son of Zor been held over by popular demand id w con ue as the feature at Loew’s ¢ the current weel, be; this afternoon. “Don Q. Son’ of Zorro. eved one of the most fascinating pro- | ductions that Fairbanks has brought o the sei It is based on the novel, “Don Q K. and Hes- keth . and ‘was directed by Dor tha cast that includes arner Oland, Lottie rest and Mr. Crisp him- - sequel to Fair- “The Mark him in his ro himself and as COLUMBIA | Pickford 1 {self. It is banks’ st dual ro Don Q, h 1 e ry conces aristocrat ¢ the son of a h 1d California who is sent to 8y 0 to be edu- cated. wins the favor of the Queen and a beautiful senorita, but the hat- red o 1 officer of the Queen's guard | who resents his attentions to the beauty and his popularity with his sovereign. lle is accused of a murder he never committed, and to avold dis- grace he pretends to commit suicide and becomes an outlaw, Mr. Fairbanks’ enactment of the role of Don Q, Son of Zorro, among other things, features his apparent | mastery of a new art—the manipula- tion of a 50-foot-long bull whip, with which he performs a series of veritable wonders. Morning showings of the picture on week 5 con- tinuing AMBASSADOR—"“The White Monkey.” Barbara La Mar will be seen at Crandall's Ambassador Theater the first three days of this week, begin- ning this afternoon, in First National's film v of John Galsworthy's story White Monkey,” with a supporting cast led by Thomas Hold- ing, Henry Victor, George Marion, Colin Campbell, Flore Le Breton and Tammany Younz. The picture was directed by Rosen, maker of “Abrahs and sets forth an | intensely dramatic recital of events in the life of a London society pet. An ble, “The Hero Wins"; the : Rev and pipe organ em- bellishments will be added features. Wednesday and Thursday, Alice Joyce and Clive Brook in “The Home Maker,” directed by King Baggott, from Dorothy Canfileld’s novel; also Harry Langdon in_“Boobs in the Woods™; Friday, Madge Bellamy, sup- ported by Ethel Clayton, Charles Far- rell, Freeman Wood, Robert Cain and Katherine Perry in “Wings of Youth also Eddie Nelson in “Hot and : Bruce scenic, and Topics Saturd. Richard Dix supported by ted by Frank s in Christie's Sportlight and rtoon. TIVOLI—“The Danger Signal.” Jane Novak and Robert Edeson ad the cast to be seen at Crandall's Tivoll Thegter the first two days of this week in “The Danger Signal,” a rousing drama that reflects all of the romance of railroading. Others in the cast include Robert Gordon, Gaston Glass, Dorothy Revier, Lincoln Sted- man, Lee Shumway and Mayme Kelso. Macic Sennett’s “The Iron Nag,” a Grantland Rice “Sportlight” and the Pathe Review also will be shown. Tuesday and Wednesday, Glorla Swanson in Paramount’s “The Coast of Folly,” directed by Allen Dwan, {with _the supporting cast led by Alec B. Francis, Dorothy Cumming, Jed Prouty and Eugene Besserer; also Hal Roach’s “The Big Kick,” a new Ly- man H. Howe “Hodge Podge” and Topics of the Day: Thursday and Fri- Richard Barthelmess in “Shore adapted from Hubert Os- Belasco play, made with the co-operation of the United States Navy, and featuring Dorothy Mackadll; (Centinued on Fourth Pageg