Evening Star Newspaper, November 25, 1923, Page 100

Page views left: 0

You have reached the hourly page view limit. Unlock higher limit to our entire archive!

Subscribers enjoy higher page view limit, downloads, and exclusive features.

Text content (automatically generated)

Sittin’ in a Corner. Tell All the Folks in Kentucky. Fox-Trots. California Ramblers. A-3944 Midnight Rose. Not Here—Not Thers. Fox-Trots. Club Deau- ville Orchestra. Mamma Goes Where Papa Goes. Somebody’s Wrong. Fox-Trots. The Georgians. Dicty Blues. Do Doodle Oom. Blues Fox-Trots. Henderson and His Or- chestra. A-3 THE SUNDAY Charles Hackett Columbia Symphony Orchestra Toscha Seidel YEAR ago we startled the phonograph world by announcing A an entirely new method of making phonograph records— a method discovered, patented and perfected by us—by which the insistent and strident scratch of needle noise was prac- tically eliminated. With this announcement, Columbia New Process Records leaped, almost overnight, into tremendous popularity. But won- derful as has been this success, there are still thousands of phono- graph owners who have not yet known the joy of owning and playing Columbia New Process Records. It is to convince these thousands of phonograph owners that the Columbia New Process Record is the greatest improvement in record making since the invention of the phonograph, that we, in co-operation with Columbia Dealers, make this remarkable offer: For only 25 cents, we will place in your hands this sample Columbia New Process Record featuring four classes of music— Charles Hackett, the greatest American tenor; Toscha Seidel, the famous violinist; the Columhia Symphony Orchestra, and Ted Lewis and His Band, illustrious exponents of irresistible dance music. It is a standard size, 10-inch, double-faced record that would sell regularly at four times the price. Go then to any Columbia Dealer and purchase this special Columbia New Process Record. It is an infinitesimal price to pay COLUMBIA sy 7 STAR, PHONOGRAPH WASHINGTON, D. (.— GRAVURE “This special demonstrarion Columbia NewPoces RECORD Showing the lami- nated construction of Columbia New Process Records The outer or play- ing surfaces are made of a sub- stance over which the needle travels almost inaudibly The centre core is built much harder to resist warping. SECTION- ~-NOVEMBER 25, 1623, 7 Ted Lewis and His Band To prove the unmatchable quality of Columbia New Process Records, buy at once from any Columbia Dealer this special demonstration double-faced record—featuring Charles Hackett, Toscha Seidel, the Columbia Symphony Orchestra, and Ted Lewis and His Band. for the pleasurable revelation it will bring you. Take the record home and play it on your phonograph. Play the dance record first—a medley fox-trot of popular favor- ites by Ted Lewis and His Band. Note the faultless recording of the music. Note the nicety of instrumental balance—distinct- ness without blare. Note the perfection of tempo and rhythm. Note the sparkle and verve. These are the things that have made Columbia New Process Dance Records the choice of dancers everywhere. Now, turn the record over and prepare for a real musical treat. First you will hear the needle faintly whispering. Compare this with the coarse filing sound that greets you from other makes of records. At the first note of Charles Hackett's gorgeous voice even this hushed murmur vanishes. Then, rich and warm and smooth, his voice floods out in the strains of Schubert’s “Serenade.” Here indeed is a thrill for the music-hungry—the world’s greatest tenor in the world’s greatest love song. Listen carefully and you will pick up delicate shades of phrasing you have never heard before on a phonograph—expression that has always been lost in the rasping grind of needle noise. Remarkable as is this quietness. it is not exceptional to this record. All Columbia New Process Records have it. When Hackett's solo ends, Seidel’s violin picks up the “Ser- enade.”” Then, from this master’s marvelous touch come tones of COMPANY, 1819 fifi -Out To-morrow—Columbia New Process Records Land of Cotton Blues. Mamma Loves Papa. Fox-Trots. The Geor- gians. A-3987 75c DANCE MUSIC You've Simply Got Me uckoo. 1£1 Can't Get the Sweetie I Want. Fox-Trots. 78¢ California Ramblers. 3688 75c Old Fashioned Love, from “Runnin’ Wild." My Home Town in Kan- from “Little Jes- mes.” Crumit. A-3997 75c Dreamy Melody. Male Quartet. ShannonFour. Out There in the Sun- shine With You. Tenor Solo. Charles Hart. A-3985 7Sc 1Love You—Intro: tle Jessie Ja from “Little James.” Pretty Peggy—Intro: “Little Cretonne Girl," from “Earl Carroll's Vanities of 1923." Medley Fox-Trots. The Columbians. A-3989 75c A-3993 7S¢ A-3996 75c Poppy (Amapola). Tan- go Fox-Trot. Step Easy (Pasolindo). Fox-Trot. Spanish Tango Orchestra. A-3988 7Sc Manhattan Beach. Marches. Band. Fletcher 995 75c Chansonette. Easy Melody. Fox-Trots. Paul Specht and His Orchestra. A-3992 75c POPULAR VOCAL MUSIC You've Simply Got Me Cuckoo. Oh! Min. Frank Crumit. A-3984 Sunrise and You. The Road That Brough* You to Dale. The First Nodl. It Came Upon the Mid- night Clear. Quartet. MARCH MUSIC Under the Double Eagle. Columbia A-3990 7 SYMPHONY AND CONCERT SELECTIONS To a Wild Rose (Mac- Lucia Di Lammermoor Dowell). Violoncello —(Mad Scene) “Ar- Solo. Pablo Casals. don gl'incensi” (These 80817 $1.00 flaming tapers). (Donizetti). Barbiere di Siviglia— “Una voce poco fa” (The voice I «'en now). (R Soprano Solos. ence Macbeth. A-6233 $1.50 Kuiawiak (2nd Mazour- ka) (Wieniawski). Duci de 81055 $1.00 Al Jolson. T8¢ Violin Solo. Kerekjarto. . _Edwin A-3983 7Sc di (Boito). Tenor Solo. Charles Hackett. Plaisir d'Amour (The 80604 kst dian $1.00 of Love). (Mar- =SURE T8 —_— tini). L'Heure Exquise (The Hour of Dreaming). (Hahn). Mezzo-So- prano Solos. Carmela Ponselle. A-3999 $1.00 Hungarian Rhapsody No. 8. Parts 1 and Il (Liszt). Piano Solos. Mischa Levitzki. A-6232 $1.50 Broadway, incomparable beavty unmarred by the needle noise that obscures and muddies in ordinary records. A second of intermission, and you hear the immortal “Serenade” rendered by the Columbia Symphony Orchestra with all the fidelity to the tone of every instrument that is given only by the Columbia New Process Record. This process by which all Columbia Records are now made is the exclusive property of the Columbia Phonograph Jompany. No one else can use it. That it raises phonograph music to its right- ful place among the arts, you will admit when once you have heard a Columbia New Process Record. So, go at once to any Columbia Dealer and buy the record offered here. Make the test of the New Process Record for yourself. Convince yourself of its noiselessness, of faithfulness in repro- duction, as compared with any other record of any other make you own. And then thereafter purchase Columbia New Process Records. Columbia New Process Records can be played on any phono- graph. This special demonstration record is manufactured and sold to you for 25 cents solely for the purpose of convincing you of the superiority of all Columbia New Process Records. Columbia Records are regularly sold at 75 cents and up. NEW YORK CITY Satisfy yourself for once and for all of the superiority of Columbia New Process Records. Go to any Columbia Dealer and buy this Special Demon- stration Record. Take it home and play it in comparison with any other record of any other make you own. ALCO-GRAVURE,INC. New York Bultimore St.Louis Cleveland Kansas City

Other pages from this issue: