Evening Star Newspaper, April 22, 1923, Page 59

AMUSEMENTS: THE SUNDAY STAR, WASHINGION, -D. C.,.APRIL ' 22, .1923—PART 3. AMUSEMENTS, 2 < hite satin and pale yellow chiffon. |8ide panels, each outlined with squir- 2 =H . St t ‘ - P 1 4 . audienes in front of him, which h = 3 Zhe bodice, of satin. was cut in|Tel trimmed the skirt, and extended a t I d g e 1 . which he ia 3 2 a ble to shake off, when he uri esque eppwng Stone ol?ame | | Fashion Creations of | | 5.5 .o faimion. withost sieeves and | 2oise IMohes, below its” hemiine; and | as /vot In Spire Botors gios BHakaroft when iiie woly; i the Slflge. . finished with a bertha collar of | sleeves to add the final touch. | . T assume. of course. that the plaver = : G - e . chiffon trimmed with a narrow ruch-| Eva Shirley wore an elaborate cre- = L h Instance has experience, skill FREQUE.\A‘LY the claim is advnmcedfl‘\:n Eprca:fid in 1|:m|1e rl‘&l“noi":‘: ing of self-material. The collar was ;Nun of steel gray satin, beaded and RANK CRAVEN, who has had ex-|out in front of my eyes. And. then il . says Miss Fred- that burlesque as represented by » umbia_cireuit; « LAITan S0 | n— & 2 gathered in a slight!y-rounded neck- | fur-trimmed. The bodice, fitted in o h & author 4 | before its vividness could leave me,|80IC d these requirements i Sualeat “mmlz“ b been | BCL her start in burlesue. Kate Pull- | A BEVY of protty girie flitted|fii'at the front, put dipped o & low | basque fashion, was fastencd At one || 1:’”““‘“{ bot! k" ‘:;’m ul % "k“;"w W Tl it ohed ey Gk adl v s certainly able to adapt himself | man, now with Recsco Ails, was with through “The Perfect Fool”.at at the back, Wike a reversed fichu. | Side of the front, and the opening |l¢2ding player, takes e #tock In|for two days straight, le tha fires E medium. To say the reverse the training school for & host of | tose Sydell's “London Belles.” on the |\ oot ool TP (06 0 The chiffon skirt was quaintly bouf- | was defined with a beaded motif. A |the theory that a playwright's best of genius were still burnine is g Tt 13 reducing the intell:. Dlayers who have progressed to fame | Columbia circuit: Rosco Atls was also | : g fant over Its straight underslip of |high choker collar of gray caracul|work is usually achieved In moments| “But that's just the way it didu't © of the actor to a pretty low e N D oK naeavor | & burlcsauer o:iginally; Delano Dell. | the usual quota of musical produc- | satin, ‘and scallops at the lower edge | bordered the neck, and was opened a | ”rt % 2SS RCUEREL 0 BT & nappen. b in of stag YO |now in musical shows. appeared with | tions, for even the “chorus men” were | gave a dainty fnish. Double ruws of [ few inches at the’center front. The |Of Inspiration. It has been vorite | TuAs @ matter of fact, the o “As well say that a portrait painte - Harr)y Jarboe of the Gayety The~| Alls in Fied Irwin's shdw; Grace and | )iy 1y girls! As might be ex-|Chiffon ruching figished the hem, and | Sleeves were voluminous, but tight |pose of many authors. {to me during a pinochle = s{i8 80 accustomed to painting portraits Vater now offers a definite catalog of | Berks. a dancing team in vaudevlile, THE randh K an additional band circled the skirt|bands of fur gathered the folds at the “I know there are those,” Craven |Ought to b good " that when he turns to landsc: s o raoes o davotess!| o ceo withithslMery Eoundava:band | PO0LET Wich o Ch IS ELY (00 the | helow the hips. while satin daisies | Wrist in “bishop” style. Bright red |said recently, “who would love to read |stage, 1 said to my wi iUs er | PUts human faces on cow a1 y k s = Al K. Hall was a featured bur- boards, there were many attractive were scattered at random over bodice | beading appeared above the caracul |that in turning out ‘The First Year' I|been 3 - re: 3 He may be a poor landscape painter of musical comedy and vaudeville— lesquer bufore he entered vaudeville. | cogtumes. The first series represent- | @nd skirt to add an exquisite touch of | cuffs, and furnished a vivid ornamen- | filled my old brier pipe and sat gaz- |necessity and ha but that is a matter of lack of talent names that were first programed on | e ed “What we fell for in 1850, and|trImming. tation, Which corresponded With the | ing into the fireplace, when uddenly | in Which I hiad been appear 3 and not a habjit a theater bill by burlesque producers. | Smith College alumnae are having |, . i A 2 | Miss Flo Newton. also appearing | fringed medallion placed at ong side | the inspiration came to me; and how | York, had gone on the road and man- Great writers have been able {o e e e allod 0% | sroanalor b oheAe sa s atioik : included “Miss Bustle,’ rple and | in Ed Wynn's production, wore two | of the bodice. _The skirt “'-"; o f‘!“l I seemed to see the characters form- | agers weren't crowding me with of- {turn from poetry to prose and prose Rart jot jthe s | - and | javender silk, “Miss Sleeve,” in black | altractive evening gowns. The first | satin, veiled with four panels of ac-|ing iy the glowing coals of the logs, |fers of new parts, so I had to get poetry “without confusing their d Ashby Deering for a recent issue of | theater parties In honor of MisS g white lace with a huge crinoline | 1145 a[T«; ep fose taffeta over white Egmi:& n!;:é:'_l Kffi:geétlfirll:;h‘:;;"‘: and how they acted the comedy right ' busy and write one. ums, Great composers got neither a New York daily. but he missed Maude Franklyn, a graduate of Sm % 2 g 4 he bodice, of lace covered Le iss § T el e e Bl L RS B B e F song habit nor the symphon: skirt of cream-colored satin. “Miss | with two side panels of eilk, was held | small turban of gray caracul to com- habit. Burrs and barnacles don't habi urrs and barnacle n (5= X several names that figure large in! College, now playing in stock here at E - - 1 I b lete her costume. . e . P Zquestrian” in a voluminous draped |in place by narrow Jjeweled - shoulder | Plete hi t gt i t g o cling to good minds present day theatrlcals. |the Shubert-Garrick Theater. Miss| Labit of tan fabric trimmed In brown, | SraPs, and was trimmed with a ELENOBE DB WITT EBY. clors an eans o xXpression. Hiti The Columbia wheel entertain-{ Frankiyn comes from an old New |,nq “Miss Bather” in one of the lu- | qulce,Of lace at the bodice top. _— i tments scem to give training &1d &) Hampshire family. Her father 15! dicrous affairs, which hung to the| Which extended around the shoulders| ore than 300 American cities saw | A CCORDING to Pauline Frederick, all a delusion. One might say, v s perience that mak owner and editor of a successful |ankles, topped by a huge cone-shaped | was composed of successive rounded h;’;{;ir*‘“‘:'r“':_‘l’:"-“'[‘;lc';a‘:lvag:"’ug“_f::) the notion that a player acquires | equal justice, she claims, that an e o usical shows or vaudeville com- ’ footlights. Taratively ea At all events bur-|newspaper. She is the first”young panels of rose taffeta falling over a | Miller- 1 shown. in sereen. form | ixed movie habits which he or she | perienced actor in the spoken dr: |mitiG play or miay , Y ey ‘tor such famous|woman from her “old home téwn" to| T e ifted forward three-wlace foundation. Lo i todey i ; egiti : aciulres s ined. ifes e e ey ey iesquie INAz:bean (fOsTIEUCE SLRtDg | ORI LROm e ol home tomnl e | quarie D century for the tollow- T The second frock had a bodice of gold |At Loew's Columbla toda brings to. the legitimate theater, is acquires a fised idea that there is ment of effective t aue. but aitors and foins i varfield, ; consequence many members of t ing ene, Greenwich Vil- . supported by sparklins nds | 7 z e “Miss tral Park” in an ultra-mod- and the girdle was a garland of va: greater fame. = B o i y it ) s sorc others Henry Duffy and Arthur Leslie,€rn riding habit of white satin. “Miss | colored flowers, e dome othe < Soant 1! White W walked haughtily across| M . 2 R USy . SRC SRS o 1 Ona Munson appeared at Barton.. comic star Smith are congratulating themsclves | 1 gtage in cloth of gold, with a trafy | Kelth’s in a stunning afternoon gown 3 Adolph Zukor. . . presents ows, was & columbia wheel fa . ulati ‘ 4 ‘;;(,r:LT|\nJ:A|1hu| concert star | 0N securing for Washington produc- | embroidered in jewcls suspended from | of flame brocaded velvet trimmed d gan to first { Shis ; elasso's | the should wilssuspended {rom | ot \iame - brocaden valve [trimmed /B : id opera singer, bowan o B8¢ { tlon the xights 1o Davld Belaso's | junced past gowned in white chiffon | plece. with a bateau neck, edged at g 4 O e anivith mred | o ColdiDiggers. The play, |t 18 lyeagéaiw it crya the back with a fur cellar, and N Sa uey Beruard began yith FICC {aid, has been released to no one else | Th: isy scene introduced Janet armholes to the tops of Wwhich 5 = “\Vine, Woman and | {OF Tepertoire production. Miss Petal” in a frock of 'attached bell-shaped sleeves. v i 1 McCullough, of |~ 2 ot v * graduated from . : i e \lagher and | . o= orl © thelr own / : “Big 2 Columbla bur- ; - K Seusatfonal dancer | '. l - Passing Show,” graduated ‘ ’ om: the burlesque stage: Al Jolson, P his Lrother, Harry tarted hli 5 v . : rles ; Lugene and Willle flo\k'-l | : : burlesquers before lhe}l : 4 : Winter Garden forees: | : : i e SWEEPING THE COUNTRY LIKEACYCLONE | , , de MILL . Emle e B s THE TALK OF AMERICA ! ~ L ’ ST Revue: Florence Mills wast lieves will Stepping-stone to $" comedian, was | wich Dixon's s o et il ' D ' e BARON FERSEN Wieal sitows before the created the . ERARDS N - 2 ol o e Sl o rencty 2N BARNEY G THEODORE ROBERTS, s e \ nL‘url_\l in burlcsque T"i\vn" ll\l!‘)’ join- & . _ s . & N TOMORROW, APRIL sz, AT 8 et R preducionl i 200,000. RECORD-BREAKING REVUE » o : MAY MCAVOY and - T i dman, _who .aurette Taglor, in “Humoresque.; " 5 < SDJ ; IL 24T a3 featyred nd starred tg Columbly OF \ CONRAD NAGEL a epdhe remtent Powert R rannun. Worked for | + Hastings | i : § = . e e | e on. na y THE They Thought Him with “Lady Butterfly,” was with o i 8 4 \th ; : / Just an Old Grouch! pldem Crook™: George Sidne: g R ! i e Bt bl : o - : * WITH THE FUNNIEST COMEDIAN ¥ TWESTAGE until a $400,000 diamond 7 X n vanished into thin air and fiVRBETE tarring_ as Busy Iz A b 1 Rickel, Harry Watson and the lz E = & i £d Wrothe burlesque stars in e “Me, Him an ; James C. .\l\«;rmn. s fo of Morton d Moore. g e W hee! attraction; c scandal clouded the happiness TONAY COPE |5 b RETTY TRoger Imhoff, with John Murray e R ; 0 “BROK Andersons companies, was originall - ¥ THE,MAN WHO NEVER SPEAKS Then the crabbed, lovable S e old Grumpy flashed to the fore H v 1 s / RAPHAEL — buriesque comedlan: Tna Haywood. like a rocket and how things N.W. Wiinter (Gurden primsidonne, Wes | G AND A LARGE CAST OF BROADWAY ENTERTAINERS did happen! lesquer A mystery romance of young * sivuttar - with ) S 21 ~ SCENES BY, JOSEF URBAN ~ 2/ hearts and old heads! NEw STANTO .ath&, C Sta. N.E. Shutta, Here's Theodore Roberts in | Wy . AL TonAY AND \ wan (soubEstte it o SR : COSTUMES BY LUCILLE anp MME. FRANCIS his best and funniest part. In in e Louise one of ‘the greatest pictures ) R T i bt “B0Z0"OUT TAXICAB RIDING of Buggpe and Willie, was with “But- | BROADWAYS MIONIGHT FROLIC f Broad y,” In burlesque; g mon Tony: Hermard | : ; BY EVERYBODY THE BEST i Pt = 2 : DR e PRESENTED AT POPULAR PRICES the columBia hesh 57 | - WEXT WEEK » MIMIC WORLD 2 ¢ B to musical comedy i The Lid Lifters”; Ben Bard kP 1, in Wint Garden At Fearhed e v SGirls o 1a T, T THETHI Carte”; Lilllan Fitzgerald, featured il | LT i ittt with Eddie Cantor, appeared in “The = Uerois) ;;ix"';'c ring in "Qh, Lady, Ty ¢ / THE10.000. ILLUMINATED CHURTH Scene Rurlesquers”; Vie Casmore, now i " THE SCREAMINGLY FUNNY THEATRE Scene in ever filmed! |, \ : e ) SN NEW THEATER > 3" : in STHE DELLS OF SAN { g2 WEEK BEGINNING Sunsliine __GODDESS, Adapted by Willlam DeMille from e taminn TODAY e icotiieites SUNDAY, APRIL 22 CIRCLE 203 P%: hvr. P Woarn TARKINGTON. * CAST OF THIRTEE: NOTABLE PRINC DUMBARTON 1340 Wiscousln Ay, CRINOLINE_AND_ROM 2. ree Merry Whirl” v k] Maude Haywood, with Eleanor | CRANDALL’S Painter, in “The Exile, was with | “Hello, America”; Julia Kelety was Arima donna of “The Sporting Widows,” Midgie Miller of “Spice of - 1922” was featured hhyl I\l:f. Sploxel on the Columbia wheel, orman F5 Street at Tenth—' first played in burlesque, then vaude- ville and is with “Greenwiclf Viliage Fellies.” 2 — s Ted Lewis got his first Stage ex- Today Doors Open at 2:30 P. M.—Daily 10:30 A. M. to 11 P. M. = s N perience in burlesque and Solly Ward | B ot fhom buriesyue - to D& THIS WEEK “Bu N7 s o z = == || CRANDALL'S “Music Box Revue. The ranks of vaudeville fairly teem FEAHRECRERE D A BILL THAT RANKS WITH THE SEASON'S BEST & list of all those who have trans: STARTING THIS AFTERNOON ferred their “specialties” to the SUNDAY, APRIL 22 —. CRANDALL'S "™ v N il MILTON MOT ‘cuits would be too extensive to pub- sh. A few of the more conspicuous stances of burlesque beginings that Lave lead to vaudeville follow: Sophie Tucker was initiated to the stage in one of J. Herbert Mack's Co- lumbia showe, Fannie Brice was seen a few vears ago with “The College (zirle,” Emma Carus was originally in burlesque with Robie's nicker- bockers,” Harry Fox gained his first recognition in burlesque. Blossom Seeley was a singer in Fred Irwin's ;Majestics,” Clarice Vance entered vaudeville from “Gay Morning Glories,” Kate Elinore was a bur- lesque ‘ccmedienne while she “team- ed” with her sister Mary, Bert Baker was a featured comedian with the “Bon Tons,” Billy Arlington was fea- tured with “Golden Crook.” the Morin sisters were “Taxi Girls” before they entered vaudeville. Catherine Crawford, a Keith head- liner, was with"Al Reeves: Jack Con- yay was with “The Liberty Girls,” ' . the Watson sisters long starred with Jo"' ! Max Splegel's shows, Emmett Calla- : ONCERTS | 4s the Young Rancher The Brilliant Dramatist : 5 Whose Notions of Wife- Husband Who Pre- CONVENTlo ferred a Home to the \ y Duty Savored of Broadway and the Gay Career Sought by His \ K . e P i oty 1 ' Bubtorti, Tmpereonated by AMERICAN GUILD of ERennn v meesiee = S| MARGUERITE \™\f ~/ FRANCELIA 2:d Annual Convention, April 23-25 NqnmCA;—Lo;%fiEsm DE LA MOTTE \ - " BILLINGTON and Clubs RGEE 0 Round Keith. Orpheum, Loew and other cir- ROw ¢ CODY. GLADYS HULETTT VE. DOLORES CASST snd STAR CAST. in * PART 7 IQ SAV n CRANDALL'S “30.2%,.0"Con. ma. Mats.. 2 p.m. Daily. 3 pm. Sinday TDAYAND TOMORROW—JACKIE €00 . in “DADI & L NG BELLS pollc Theater 4 H . N.E. Pany :KMILE WINS CRANDALL'S Y0m, o st MATINEE SATURDAT AT 200 PAf dan "ite LIBERTY Production Fi “AROUND THE W TAYS™ (Last_episnde) U WALTER T. HOLT, Conductor. IN P mnual Concerts, Mon., Tues. 5 \ IN i I A HEAD ol B oy | Y ; PRINCESS 2112,1 5% ~ T'XHIBITS _ Free to . - | [ S R DAILY ' Puablic \ | | - i G 9t 10,102, 4t0 8 N Of Leading Manufacturers FRED NIBLO'S PRODUCTION n.m::”:J:'.f.":y"'v'f:(fl':"':}u.u. N From the HEHFIJ Miller~ — . Blanche Batés famous AT CAreeT. SUBSCRIBE NOW \ n Broadway Stage il oy tord eraphl tors Ninth Seanon METRO Success Woon: ¥ Grotas THE STAR CONCERTS \ PICTURE W aat NOAL AR Season Tickets 1 . . 7 Concerts for $10 - DANCING. . Best Seats HUDDERING shoulders and cocktails! . e e e - ; —Painting her lips and the town red!— i o A at the National Theater Burning }\:p' c'lrg:re_ttesh and moon{ltt roads o ARTISTS : . . ; ini every night!—That’s the way pretty, viva- ) . AN Thi H. I R Th hly Entertaining Com- V 4 b 3 o Mme. Schumann Heink Firtation ofog:gatuntiu'ici);fzrrz‘::wlt)'gl’:'y:tffii %z::d: ind o Sutccension, of Mighty' cious Sylvia Fair was learning all about the i TROE ASD MES ACHEIS STEDIO. The Sfost Famous Oonralts Climazes That Compound Suspense #:d Are Prolific in Thrills. flapper follies while her famous mother was i : 1'bm Fiato laton by sppotatmest P Pablo Casals = pense s ppe Frahitin' & hiehed. 1o o : away, growing even more famous!—Don’t ranklin 3 inhed 1900 DAVISON'S FF 1320 Mnw. The World's Greatest 'Cellist AUXILIARY ATTRACTIONS & 3 3 2 rs. Paul K ki miss this amazing story of a woman’s career ; h 70u o dance criectly fn o few lessons 1 Kocha: o S HARP SOLO—“FANTASIE”"—MISS VIOLA T. ABRAMS T %n smilng oo, - : T YSE WIL] TG Pycher of Raclmenuot sl ; { ” y CED WITH A GREAT CAST INCLUDING d - eiie, Dubcat. siudlo. Phe R 3, i T Shon CHRISTIE COMEDY—“A HULA HONEYMOON roncas it o o mtsane L) | B WORLD SURVEY. VISUAL SYMPHONY (First Time in Washington) / TCONDUCT MOTTE—HUNTLEY GORDON | Toschr o Sraingas S st Program o CRavesiThpmas “DANSE MACABRE.” N. MIRSKEY, CONDUCTING. A Famous Soprano T ll, F "EST one“ T To Be Announced Later E s Season lic:deln (7_concerts), $10, $7.50, w As “ l " G o s I a 35 (plus war tax). Applications belng received by T. ARTHUR SMITH. Inc., 1308 G Strect : : SUBSCRIBE NOW ; 5 o and_private lessons in all forms of | WARD CRANE—CULLEN LANDIS .} ; Cas e riots Jose 1 B o 'ICUT_AV MAIN 2 CA’ At 719 9th st dance