Evening Star Newspaper, April 1, 1923, Page 51

The Sunday Star WASHI GTON ARAH BERNHARDT, wonderful woman that she was and consum- mate actress that the world acclaimed her, died so poor that her interment in the tomb she had long ago prepared for her final rest- ing place, according to news reports, is unlikely, if not impossible. ‘Whether this be due to the extravagance of the woman, or because a close-fisted world did not accord her what she was worth during her life- time, affords food for thought. Her pre-eminent genius and accomplish- ments undoubtedly deserved much, certainly enough to render her old age free from financial worries and her body the sepulture she desired at her death. The intellectual world loves genius, but it gives only what it has to for its enjoyment. The individual in whom it shines, even though courted, is in the matter of contact but little more than toler- ated. Whether erratic temperament and eccentricity are inseparable from the mortal gifted beyond his f8llow men g not, they are invariably attributed to the genius, so that he basks in a world unreal, unloving, unsympathetic, in a sort of artificial atmosphere, almost despised, while the divine spark is adored in him. Genius often demands much and seems to feel that more is due, no matter how mich may be bestowed. That is one of its weaknesses from the human standpoint. But when the world is called to the deathbed of a genius whom it almost universally has adored, and to whom it pays the tribute that has been lavished upon Bernhardt, and finds that the want of money, perhaps, has rendered the closing hours uncomfortable, and that even the induigence of a.whim as to a last resting place is denied, it finds its envy, if it have envy, stilled. It must fcel abashed at least at its own lack of generosit B ¥ %k k S PECULATION in such an instance is like mental cfiort expended upon | the intangible. But the situation has its lesson. The pl rs of the theater, that banish many of the cares of life with their mimicry, that give the best there is of them to give for the comfort, the entertainment and the education of others, often face poverty in their old age. Do they deserve it? Ts the world generous, even just, to them in the heyday of their E | highest achievements? We find the manager and the producer | piling up his thousands and retiring in his luxury when his "labors” are | over, often long, long before; but seldom are we astonished with the wealth and luxury of the player, and if the greatest of them all be symbol- ized in Bernhardt, what can be said of the least of them, or even of the The world is lavish with its words, but it hives its dollars and parts with them only when it has to. And so we find among our lesser geniuses of the theater equity associations, fidelity associations, White Rats and what not, composed of the player folk themselves, and banded together to fight the avarice and oppression of those who, when a good actor dies, are opulent in the expenditure of words over what he was, but | who cared little except for his ability to make money for them ‘when he was living. What's the use of being a genius? But then geniuses of the theater have ever been noted for their generosity and theifwiliingness to serve others less fortunate. | average * hington's theaters was memorable for bu OLY fact—there penitents enough to crowd to overflow at ey performance a theater whose attraction’s proudest accomplishment was that it offended cosmopolitan New York, which tried to rulg it from the stage and was unsuccessful. It surely was not an evidence of popular taste at the National Capital. The pity is that we have so many curious were good people among us who are willing to take a chance just to see what ickedr may be like. The dep.orable play is being held over, we arc ormed, Zaster week attraction “in response to irresistible pop- ar demas Here again is food for thought, for serious thought ¥ % er one or more unsuccessful attempts, He Greenwich Village Follies, a is with us once again. A striking feature of its advance notices has a pious ring. True, there will be girls and beauty and colors and song d fun and all that sert of thing, but think of it, the management is publicly boasting of the fact that the dresses of the chorus will be longer Is that good business sense in a city that clamors nd more plentiful. S r three weeks or more of “The Demi-Virgin * % x LICE Brady must have the profound respect of all who ad age and perseverance along with undoubted theatrical talents and skill. Miss Brady's career has been unmarked by the sensational. She has given an excellent account of her abilities as an actress, both on the | tage and for the screen. Her new play, while not bearing a very close relationship with the Easter season, is yet vouched for as one worthy { her artistry M EANWHILS carcer, and with worthy material, and more, we are told, of the kind Who knows that if troubles continue to accumulate Washington may not be entirely dependent upon the stock company for its theater. Worse things might happen, and in the ace of such a possibility—even George Arliss has suggested it, it is not d policy to be well 2nd thoroughly equipped for the occasion. | * ¥ ¥ ¥ _ N the not far distant future we are to have the National Theater Com- pany's first production, “As You Like It.” “The National Theater Company,” we are told, is the nom de theater for the “Producing Mana- gers’ Association,” not a playing aggregation collected by our well known and distinguished Washington manager, W. Harriman Rapley. It is under e direction of Augustus Thomas, the Judge Landis of the theater, and Lrings with it charming and talented Marjorie Rambeau, along with ire cour- the President are contin their successfu ers theatrica tomorrow evening. POLI'S—“Greenwich Village Foll: PRESIDENT—"Six Cylinder Lov tomorrow afternoon. COSMOS—“Hilda"—] quite a group of well known and popular players. ~W. H. LANDVOIGT. Producing Managers’ Production THEATRICAL event of unusual interest is the National Theater Company's production of “As You Tike It,” which comes to Poli's Thea- ter' the week of April 16. and even David Belasco taking their turn. The Washington engagement is sald to be one for prestige, the National Theater movement rightly starting from the national capital. “Following the one week here, “As You Like It” The Natlonal Theater Company !s|\ii1%he seen In o New Tork theator something new—so very new that|for & limited engagement. few' know of its existence, putting it stmply the National Theater Com- pany is the nom de theater for the Producing Managers' Assoclation— the organization of important theat- rical managers who are a factor in New York productions. So often it is sald that the theatri- cal manager is some one interested merely In the financial success of & venture, that the careless thinker might conclude that a group of man- Demands the Public’s Verdict. PLAY producing Is not only an ex- pénsive but a cheerless enter- prise without public support. There 18 no response from empty chalrs even to the most moving acting. And aside from everything else, it may be that the public has sounder reasons for . agers would mean & group of men |its preference than ‘wiser” minds interested merely in the financial | M3y guess. 3 L It is well, therefore, to bear fin success of a theatrical production. Perhaps it is to disprove this popular fancy that the Producing Managers' Assoclatiop, under the direction of Augustus Thomas, has decided to produce some plays in order to show the public that a manager can be as artistic as any “little theater” group, This may be called a noble gesture, certain it is that it will be an ex- pensive one, as their first production would have to play In & theater the size of the New York Hippodrome— to capacity audiences—in order to mind that when a play is presented for judgment the public's decision co’uclmsbtorhmucr{’.” s aybe the public has a right to 1i what it likes. s Considerations 1like these, it s claimed, operated in the selection of Sallsbury Field's “Zander the Great™ by the Charles Frohman Company in starring Alice Brady. This new com- edy i8 by an American, is American in theme, locale and tone, and it is In- terpreted in its chief role by a popu- lar, American star. Its author and 2y the expenses of this venture. producers, _therefore, challenge tho Pitho mconery and. costumes for “AS pabllo verdict as to its merits‘and its ess. You Like It” are being done by Lee Simonson of the Theater Guild. The cast Includes Marjorie Rambean, Norah Balfour, Margalo Gilmore, Hor- tense Alden, A. E. Anson, ian Kelth, Aronld Lucy, John Craig, Ernest Law- ford, J. N. Dunn, Bdgar Norton, Per- civel Vivian, Frank Arundel, Jerome Lawlor, Edgar Stehli and Arthur Lud- wig. | The rehearsals are under the dirce tion of Robert Milton, and the ex- perts will be called i from time to time to iend & hand in the finisning PE9oaas, Johm Draw, Arthur Hopkina, —_— Dan ‘Coleman, the Irish comedian at the Gayety' this week, a Bos- tonian by birth, ccmmenced life as a clerk in a commercial house. He joined the 1st Cadet Corps of Boston, 2 military organization, which had an amateur theatrica] club and in this organization Colefnan really he- g theatrical career. Julian Eltinge, the famous female imper- sonator, also wos a member of the cadets and nat that time a ballet dancer, L opens tomorrow afternoon STRAND—“The Flame of Life,” vaudeville. GAYETY—"American Girls,” burlesque. KEITH'S—Mrs. Jean Acker Valentino, vaudeville. BELASCO—"“The Demi Virgin,” farce. Performances today Naynon’s Birds—“Musical Maids.” Currenl Attractions| AT THE THEATERS THIS WEEK. NATIONAL—Alice Brady, in “Zander the Great,” comedy. Opens ies,” revue. Opens this evening. e,” comedy. Opens this evening. New show opens ew show Opens this afternoon. Opens this afternoon. HOWARD—Colored repertory company. NATIONAL—Alice Brady, “Zan- der the Great.” “Zander the Great,” in which Alice Brady will begin a week's engage- ment at the National tomorrow, un- der the Charles Frohman manage- ment, should appeal especially to women, for in this new American comedy, by Salisbury Field, Miss Brady portrays the noblest type of woman—the heroic and unselfish type. Yet Mr. Field has not created, nor does Miss Brady play, a weak sort of woman. Their joint projection is the wholesome, reliant type that in- stinctively does for others, but does not find reward in tearful self-pity Miss Brady's role, it is sald, always charged with great good humor and a keen and quick insigh Its charm is pervasive, because this charm is a totally unconscious prod- uct—an innate possession. Everything, it is asserted, that Miss Brady has done In the theater thus far has been an exercise of the pow- ers that ultimately will secure her a commanding position, and in “Zander the Great” she will tap within her- self sources unsuspected by her ad- mirers and display a versatllity that will confirm the conviction that her career has merely been the unfolding and play of a superlative and com- prehensive technique which soon will stamp her as one_ of the great actresses of the English-speaking theater. Miss Brady has been given a fine supporting company.- Jerome Patrick is her chief player. POLI'S—“Greenwich Village Fol- lies.” Heralded as “a gay, glittering, gal- loping antic,” the third annual pro- duction of the “Greenwich Village Follles” comes to Poll’s Theater for this week, commencing tonight. Each vear a new version visits Washing- ton and each edition is a distinctly novel.and artistic contribution to the native girl-and-muslc stage. For sheer beauty of design, texture and Zabric, Lor gayety, caler and smartness, these revues are gener- ally unsurpassed in their field. This third annual production is said to oven outdo both its predecessors in its lyric and melodic fancles as well as in its fun-making phases. John Murray Anderson, weaver of light and color, devised and staged the entire production. His De Lipsky transformation scene is the most striking novelty. Through an adroit manipulation of lights on scenery and costume Anderson trans- forms & modern ballroom into a moonlit garden without lowering of a curtain or the shifting of a plece of scenery. Thes"Snowflake” number— a symphony in frost— is another. So, Jtoo, is the “Music Box" episode, the iBeardsley number in black and in ver, the “Last Dance” and the Reminiscent Melody This “Follles” is prodigal in_its numor. Satire, travesty and bur- iesque vie for the spotlight, and no master soclal, politic or amusement edifice is safe from its witty jibes. The ide=cn i interpreted in all its vari- ations. | Among the players are Ted Lewls, Bin.. wacstu lastuian 01 SONK; Joe B, Brown, versatile comic; Eva Puck and Sammy White, whirlwind dancers; Bird Millman, expent aerlal artiste; J'Hanlon and Zambounis, Molly Dodd, Valodia Vestoff, Marie Holly, John Mahan, Roy Purviance, Reed Hamil- ton, Maren Berdine, Albert Deano, Basil Smith and thirty artists’ models fresh from the metropolitan studios. PRESIDENT—'Six Cylinder Love.’ The President Players will present during Easter week, beginning to- night at 8:30 o'clock, with a special matinee tomorrow _afternoon, the screen version of Sam H. Harrls' comedy, “Six-Cylinder Love,” that ran at the Sam H. Harrls Theater, New York, fifty-four weeks. This will be its_first appearance in Washington. “Six-Cylinder Love,” by Willlam Anthony McGuire, was rated as one of the most wholesome and appealing light comedies of the New York sea- son. Harry Manners has staged the Pres- idens DMW#. with Wanda Lyon e 1 , D. C, SUNDAY MORNING, APRIL 1, TED LEW1S and his BAND ~ Polis ot = 1923, VALENTINO Reiths Sascra BEAUMONT Belasdo { Gau‘dq [ana Fieteher, sense, For the first time in in oddities no supported Anne Sutherland, fLee Patric George Sweet, Washington, Guy D'F Rita Coakley, Robert|Carl Laemmle's Untversal production Lowe, Harry Shutan, Sam Spedden and |of the scrcen version of Richard | Constance Brown Harding Davis' story, “The Scarlet | The story revolves about the effort of a voung couple who attempt to find love in a cottage and support an expensive motor-car on the side KEITH'S—Mrs. Jean Acker Val- entino. Mrs. Jean Acker Valentino opens at Keith's tomorrow in “A Regular Girl,” which has been written especially for Car,” in which Herbert Rawlinson has’ the stellar role, will be shown as the photoplay feature at all perform- ances except Saturday and Sunday ievenings. Richard Harding Davis was a master of adventure story tell- ing, and this story is one of rare ad- venture and ambition In the interest of the right, with a thrilling election campalgn as an outstanding maker of excitement and suspense. With it will be shown a film laughmaker of farci- use in_Keith vaundeville by Edgar|cal type, the inteyesting and educa- Allan Woolf. Mrs. Valentino Is not|tional movie chats and the Interna- new to the stage. When scarcely |tlonal News, including a fine serles of Bernhardt picture: Last week’s attractions will make up the bill at each performance to- day, starting at 3 p.m. GAYETY—“American- Girls.” sixteen she was playlng minor roles in Lubin plctures, after which she betook herself to New York, where, |after a season in stock, sheé played |on the road the lead in “Within the Law,” Then she entered pictures. Assdciated with her gn the Keith | bill, as the extra featuf®, is Restilll, At the Gayety Theater this after- who has come to America with all|noon Dan Coleman and his “Ameri- |nis latest European juggling feats.|can GIrls” will present a new musical Restilll is known as wizard” juggler. The third position is occupled by Winsor McCay, cartoonist, particu- larly noted as the creator of “Little Nemo,” of the comic supplements, a character that attained such signifi- cance that a comic opera was written around him. Others will be Mabel Ford, her revue and jazz orchestra; the Run away Four; Allaman and Harve Mason and Shaw, in “All for a Girlle, by Neville Fleeson and Albert Von Tilzer, and Les Splendid's continental Iroller skate experts, with Keith pic- torial features, Aesop’s Fables, Topics of the Day and the Pathe News. Today at 3 and §:15 p.m. last week's bill, headed by Edward Arnold, in “The Storm,” will be presented. BELASCO—*“Demi-Virgin.” The Shubert Belasco Theater an- nounces Avery Hopwood's “Demi- Virgin” as its Easter week attraction, with performances this afternoon and evening. COSMO0S — “Hilda” — Naynon's Birds—DMusical Maids. An éxtraordinary triple-headliner Easter week bill is announced for the Cosmos Theater, opening at the mati- nees tomorrow. It will bring Billy Swede Hall, an old Cosmos favorite, ith a clever company of farceurs, in “Hilda,” the newest vaudeville laugh- ing_concoction; Naynon's Birds, de- scribed as one of the most beautiful and interesting features in vaudeville, combining both glory of plumage and feats demonstrating wonderful train- ing, and Jackson's Musical Malds, a quintet of charming girls, who are good showmen and have constructed an_offering of unique entertaining qualities. Each of the acts is of the stellar type and each entirely differ- ent from the others. With them, also, will comoe Me= “the world’s | revue, an Irish frolic, in two acts and many scenes. The producers have had an eye to youth and beauty in se- lecting the girls for their ensembles. Every one, it is said, Is In her teens or early twentles, comely and with youthful vigor and enthusiasm. Coleman will be supported by a competent cast of farce players in “Silent Partners” a two-act musical plece, replete with song and dance numbers. Alma Bauer, Anna_Propp, Hilda Leroy and Jeanette Buckley will be principals, who will contrib- ute individual specialties and lead the ensembles. Charles Lane, Dutch comedian; Van and Rector, vocalists, and Hazzard and Speliman, dancers, also will offer vaudeville incidents. There will also be diversity as well as attractiveness in the musical numbers and the specialties. For instance, while Anna Propp and Jimmy Haz- zard sing “Build a Little Home for Two,” the chorus girls will build it out of scenery—house and grounds filling the stage as the “newly-weds” enter the gate of their cottage. “I'm Doublin’ Back to Dublin,” led by Mr. Coleman, will employ a comedy trol- Tey car unique in its details. A Dramatic Novelty. t An interesting dramatic sensation} of the season will take place tonight | when the Colored Folk Theater of Chicago opens an engagement at the ' Howard Theater In Oscar Wilde's | “Salome.” 1 This negro theater company has bden the sensation of Chicago for| six weeks where it plaved a remark- able repertory, including Wilde's ‘Salome,” Shakespeare's “Taming of the Shrew,” and “Comedy of Errors,” Moljere’s farce comedy, “TheFollies of Scapin,” and & modern “expression- ist” play in twenty-two scenes. It started Its work in a racial theater in the South Side of Chicago, but made such a tremendous impression that a group of white people brought Crath and Deeds, in songk and origl- the company into Erlanger's Olympic nal ideas in comedy; Mario Merle, a Theater in_ the hoart of the theater vocalist of Powers, a0d Nip district and ta- the Ast Museum, the |and the Hugt | cle. followed The sta, now as eve ids the Foll n TOr up to wol n in current fash- |y t1on. No longer is the feminine ankle to be the plece de resistance of the | Coming Attractions Al Jolson, in his latest success, | highest =6 Its g* “Bombo,” will come to Poli's Theater | Sunday evening, April 8. It is s ew York and Chicago that * is Jolson's best work. It is run for : the D STRAND—*The Flame of Life fan- tastic spectacle, with a story found- ed on the life of Christopher Colum- | bus, and music that is firmnly footed usuzl tures. in Broadway “Bombo” concerns the dual person- | Priseilla Dean, emotional actress of alities of Gus, that naslonally famous |the screen cen in he es character of Mr. Jolson's, and Bombo, | photoy ¢ Flams of a. the servant of Christopher Columbus, a rather prominent person in history. There are modern scenes and historl- Universal he eal nes, but that all makes Dez of worth Bombo.” and “Bombo” is Al Jolson sses to her “Bombo,” in brief, is a gorgeous fo it is spectacle buflt for the expluitation 1 of the talents of/ Al Jolson. There vau rogram will p t are fourteen scenes, the girls are i, hig Marty B many and the business of discovering “Stofen Swee wholesome America permits then 1o apPear | cal confection. with a brillant fetch s ladies-in-wai and Arnold Grazer and Myrtle majesty, the Queen of S musical comedy ish beauties of lesser dek Hughis Clori legged sallors on the good of'the army of @ and as a welcoming oty alvadorian tom-tom da bttt n A. Bati ed musictan Fritzi_von Busing ah Norah, o s o dred Keats, Vera Harry ting of Turpin, Albert Hc 2 k Ber- . nard, Bennett Sisters,’Mile. Phebe, Jeanette Dietrich, Anf Mason and STRAND—“Indian Reveries.’ i St Teddy Hoffman are som play- & ers wha help Al Jolsor 7 5 i NATIONAL—"It Is the Law Elmer Rice, that youn who startled the theate: sons ago when he wrote has raight from claim ed for by Ch cluding J the be title th the Th “It 1s attraction ater next April 9 will National ning Mond; from New York, where it had a llant run at the Ritz Theater, s tly closing at 3 Samuel W sentat is from the story by Hay- albot, erstwhile newspuper an and author of a play called 1 8 new se he Truth Wagon,” which was seen | Will b the yerss, in New York some vears ago. Ientucks Its plot revolves around the theme e cd that a man's life can jeopardy twice fa in murder. Th circumstantlal evide nd a love story runs through the GAYETY—Dave Marion. entire play. It was staged by Lester oo a0 . o i Lonergan and the sett s were made et = by Livingston P The cast includes Calvin Tho Arthur Hohl, Dorothy Shoem George Drury Hart, Willlam Inger- soll, Rose Burdick, W = Hane Robert, Counstance e andra Onslow and man COSMOS—Romeo, Adelaide and the Hughes Girls. From the very high vaudeville will co Theater next we s girl dinary dance revue Sight Steppers.” in th by featuring high tilting, A quartet Russe in semble. A “Wood ber b music of that name, a veritable sensati tory of the act cmbraces urique and beautiful featur members o will come to W forn; 3 N sa | April | Reflects Radical Change in Dress. the E old order change | pivot T‘i! great metropolitan musical revues It seems but that the musical ~comedy hinged upon the judicious = exploitation of the feminine form In silken tights and subtle veils. But thé skirts are com- veste: age 1des and ing down seemingly beyond recall [is claimed have the And. as they are coming down from ned look s you fn a point an inch or two due south of |counter ft the knee until they sweep the foor |album of the hotel lobby or the ballroom. It is th of John .\Y‘Ir(lt 50, t0o0, are they coming down upon | Anderson, the “Follies,” the stage, according to late reports, |that an oceas ar I8 a psycho In so smart a revue as the een- | loglcal necessi vue, but tt wich Vilags Foilies the lan entire lin St T e A nide of The. artis 22 P iy R 5 et ana seen. In other days mot too far re- | his coworkers 1 decided tha had the skirt ruled for | one of the fi the F chmar deaux’s volu moved they paraded by an _endless | panorama. Now they are so unusual that they are commented upon. Miss Marfe Baudeaux, one captivating beautles abou Former Usher | of w th e om ow Producer. T is not given to avery one to have [sure whether the managerial the cherished ambitions of youth f‘“:;’“lgk a;z:x;!fl; T;m;uly to him ; N | € e strionic honors. 2 realized, especially when such ambi- |Guant trips gnie fongra. tions peint to lofty places “grea paint mosphe Droved alluring and fostered the desire There is little doubt t e ang STedving dusin young Sam Wallach, native son of | (o importance of the managerial oa Washington, who will present his|was not beyond his gaze very own show, “It Is the Law,” at| 1o be cquipped for either the Natlonal Theater next week. got |, IMERG Foune Wall his first theatrical job as an usher|of Acting, at the same at that very house the germ of the|missing a chance while theater took hold of hir He had|“front of hoise™ o day dreams of the future, not the|himself with the exee least of which was whether he would | Later Wallach asso Sy, ever stand forth as an important|with the firm of the late Henry figure in the theatrical world, and |Harris, now being managed dominating all others was the ambi:|widow. a sister of Mr. Wallac fion to bring to Washington his own | There Is no doubt tiiss Saritec Production stamped with the approval | tion had its advan and switehea of Broadway, New Yor! his fate. However, those who k When the theatrical germ took pos-|Sam Wallach feel that he would hase session of Sam, which was on the|won his way as an actor quite as oer first day of his Job, he was not quite ! tainly e e Fine Arts Club and the Chicago Uni- M. Hilai = Versity for a series of performances. | Hilaire Belloc, Friday “The Chicago crities were a unit in | M. Hilatre Belloc, historia declaring that the performanc ist, publicist and authority o essa; wor this remarkable company were an |affairs, will lecture e At event in_American theatrical history 30 pm., und “Poetic drama has rarely been given Knights of Co with so much understanding, ap- | ol His subject he situation Gilbert K. Chesterton has ribed Mr. Belloc as “the man who has made preciation and beauty,” was the com- | Rurey ment of the Drama. ~All critics dwelt on the beauty of the voices and ex- > @ | the greatest fight for good things of pressiveness of gesture "of these | 3 g hon of time 3 players. Mall orders for tickets may be ser The company is under the direction of Raymond -O'Nell, who gained his stage training at the Moscow Theater in Russia and with Max Reinhardt in Berlin. Bach of the plays he presents in an entirely novel manner ln set- | tings, direction and lighting, “Come: of Etrors,” for instance, being given to the Knights of Columby School, 1311 Massachusetts northwest Evening Arcade. stertide will be celebrated E 1 | Arcade tomorrow night with an 1 a t settin - i:it-;lna?Ezer‘l)«;zra!‘):l‘rch‘;!m{:‘;&_ & | ter fete of unusual beauty of dec A protessional matinee, at which | {34ONS and 2 snecial dance program, the leading white actors in Wash- [y, S(10% OF €8 rolling” dance ington will be the guests of the com- | o (1€ Syent, of the ovening, pany, will be given at the Howard gid wonvenirs for mil mremh ncers Theater = Tuesday afternoon &t 3 day evening & novel “poverty” dance o'clock. will be staged under the auspices of Pe——— T . K{;.;\Turg}[\ 'j'( Brother's Mutual Re- i 1 ef Association. The Moving Plcture Janet Richards Tomorrow | Operators' ~ Assoctation will give & Miss Janet Rickards, whose regular course of twenty talks on “Public Questions” ended last Monday, hasi been requested by many of her pa- trons to give one more talk before movie ball Thursda; orchestras, electri taking of “movies” of the dancers A game of basket ball, with all-star teams from Baltimore and Washing- ton as opponents, will be followed by a big dance, for the the benefit of night, with two 1 effects and the leaving for Europe for the summer. |ihe disabled veterans of the world The extra talk will be given tomor- | war row, Easter Monday, at the New Ma- Aosurose jam o T sonic Temple, bezinning at 10:40+am. | Ernest Glendenning will pias It is entitled “An Up-to-Date Review |prineipal role In “Amnathems of the Vital Questions of the Hour, Homo and Foreign. the Linglish version of Andre play is presented in New York, *