Evening Star Newspaper, March 29, 1923, Page 41

WOMAN’S PAGE. ASHIONS of 1880 seem to be coming more and more into prominence as the season ad- X vances, and it looks as though they are going to offer some Inter- esting compejition to the Egyptian modes. There are two distinctive characteristics of the period, either of which will identify a gown as be- YOUTHFUIL. _DINN TYELLOW TAFF AND BUSTLED. iR A, GOWN OF longing in the 1880 aroup. The first is the flounce. the second the bustle. A fow weeks ago 4 theater audience tittered «nd giggled when one of the best-dressed actresses on the appeared in a frock with fBounce just below the knee a wide line of place for evening wear as crinolin The gown sketched is a youthful model of pale yellow taffeta, trimmed with a bertha collar of cream-colored lace. The bodice s fitted to the figure In basque fashion, with corded seams at each side, so that the soft material is crushed in folds. An odd finish, which takes the place of a girdle, is effected by turning up the lower part several inches, like a cuff. The skirt 1s long and narrow, and at the bac the all-important bustle. It consists of one large puff of yellow taffetu. from which hangs a trailing end. cut so that It falls in a zraceful spival cascade. A pretty model for afternoon wear is devcloped on riore conservative lines. The material ie soft, flat crepe. | | BERTHAED | screen | j collar may !of { tightly around the crown and brought and the color gray. The frock is cut in one piece, with a bateau-necked and kimono-sleeved blouse and a long narrow skirt, with a plain belt of doubled crepe marking a low waist line. At one side a wide circular panel is Inserted, and its rippling end ex- tends several inches below the hem line of the skirt. The most interest- ing feature of the frock, however, is its trimming of ribbon tabs in blue and gray tones. Clusters of short- notched Tibbon pieces are poised on each shoulder, and at the edge of each diminutive sieeve, while ribbon bows appear just above the sleeve hems, thelr ends dangling below the sleeves ltke fringe. Ribbon tabs four or five | rows wide outline the entire length of | 1~ frocks at one side, a few on them ng hidden benesath the while 1 NOS pows m- lca of | s quite novel, ! t the needed | t to the de le tiaily fol, and the biu, ount ol « sray b a, i The coat H » is A stunnin model of navy blue Gerona cloth lf. cut on the long, narrow lines so | populir at present. and fastens over in a diagonal line to one hip. The be worn high or low, as the weather dictates, and ‘the sleeves are long and loose, flaring at the wrists, The distinetive feature of the | wrap is its embroldered motlf, con- sisting of tiny circles dotted all over the surface. These are worked In gay colors, green. henna and yellow, and are crossed by long stripes of black embroidery. A bouffant bow at the hip, with a long end almost touching | the ground, adds the finishing touch. | Milliners display a decided penchant for bows this spring. and the chapeau iliustrated proudly flaunts a huge one on the side to demonstrate that it is quite the latest thing. The frame is dark purple felt and the shape helmet. Ribbons in shaded tones of rich maroon and purple are wrapped over to the side. where they are dar- ingly blended together in the fluffy how that almost reaches shoulder of the weare =e | the | Your Home and You BY HEL There is b one’s good Lreeding, training and clean are exhibited more than in one's | room behavior. Carele untidi- | or lack of thoughtfulness for no way in whi ness, ness, | others nowhere shows up so unpleas- 1y as in this tiny inclosure, which | is, in most cases, used by several | persons for the very particular care | {of thelr bodies. i { H A hostess told me once that she al most invariably judged the good or bad bringing up of her guests by ti condition in which they left the bath- {rcom. Water flung carelessly around on the wal lto the fact th 1ae { teloupe la dozen THE EVENING STAR, WASHINGTON, 7 d Sh 10 |7§ orecdst abel Aok e Novel Spring Style. The pattern for 1690 cuts in sizes 36, 38, 40, 42, 44 and 46 inches bust measure. The embroldery pattern 622 is 1bc extra. This style is particularly adaptable Trans 622 of mature Luilld, due t the breadth of bust is broken up by the novel collar and the binding down the front gives a straightline slenderizing effect. The dress opens flat and so is very easy to launder. Price of for the woma . Orders xhould he ad- he Washington Star Pat- : Bast 1Sth street, eaxe write name dreased to tern Rureau New Vork ¢ and address FEED THE BRUTE Favorite Recipes by Famous Men. INGTON COMFORT. alifornia Dessert. My idea of especially sood to eat depends son What upon California, and upon the time of vear, and after all it might only mean sert to most of us or two: Spo slice thre and two or three peac stripped dates, meats and @ few nu thoroughly chill and honey and WILL L A something out one-hulf a can- or four ripe figs these. with handful of walnut : grapes, with strained cream (Copyright, 1023.) “Just Hats” By Vyvyan al ' BEDTIME Farmer Brown’s Boy and Jumper Get Acquainted. Tis sometimes well to find we must Put faith in those we fear to trust. ~—Jumper the Hare. When Jumper the Hare darted in at the open door of Farmer Brown's sugar house he gave no thought to what might be inside. It looked dark in there, and he had a feeling that it might give him a hiding place | from Reddy Fox, who was almost at hie heels He had no real r on for feeling that Reddy would hesitate to enter there, but did feel n this he was right. Even had Farmer Brown's Boy not been there, Reddy would have hesitated to go into that house. You see Reddy is always suspecting a trap. So great was' Jumper's fear of Reddy that he ran right over the feet of Farmer Brown's Boy without even knowing it. It wasn't until he had crouched in the darkest corner that he saw Farmer Brown's Boy at yall. Then his heart jumped right up in his throat. Anyway, that is the way it seemed. He knew that he was {safe from Reddy Fox, but it seemed {to him that he had escaped from one nger only to fa of this when closed the door. pe then Poor dunpe thump! L fright. With thut door close wits ape. ALl his dife he h depended on his long legs for safety Here they would he of no use at ail He wished, he hed that the had remained ou in spite of the fact that he had been so 1 that he couldn’'t have run muc further. ow Farmer Brown's Roy stands the little people of the Green Forest and the Green Meadows and their feelings. He went about his work in the little sugar house just as if Jumper were not there. He took great care not to go near that corner in which Jumper was crouch- ing. He took care to make no sud- den movements. As he worked he whistled softly. He seldom looked at Jumper, and when he did it was merely to glance that way. You see he was try s to make Jumper feel that perhaps after all he hadn’'t been seen. Little stopped e s0. How ok did with his an heart ove tl i under- by little thumping. Jumper's heart Presently he Facts and Fairies. - h vou wouldn't teach chil- dren fairy tales. I wish you'd put your energy upon the destruction of #uch myths as Santa Claus and Cin- rella and all such fantastic notlons and work to teach children the truth. “Te«ch them to face things as th are. The gentleman who wrote that to me was very much in earnest. He {was so much in earnest that he did !what so many earnest souls before (him have done—closed his mind to any idea of what was truth save to hé one he had chosen for his own. He @ made the one final mistake—he pelieved he knew the truth, 1 0f folk who believe that. e a frosty blight that lays low all the flowers that beauty-loving {folk have planted in the gardens of ;n.o world’s thought. One blankets iis pet fantasies and shelters the deli- cate tendrile so tentatively feeling {out the world of facts, at a signal of such frosty presence. ! acts are not always what they jseem, even to those who cherish and {love "them best. STORIES ¥ito keep D. C, THURSDAY, MARCH 29, 1923. By Thornton 'W. Burgess. stopped shaking. He began to think that he hadn't been seen, and hope began to grow. He didn’'t move. No, indeed, he didn't move. He was too wise to do that. As his fright grew less, hope grew greater. Perhaps that door would be opened again, and he would have a chance to slip out. After a long time Farmer Brown's Boy kept going a little nearer and a little nearer to that corner In which Jumper was crouching. It was only a very little nearer each time, | hardly enough to be noticed. At {last he sat down Just a few feei from Jumper. Jumper's heart began to thump . Still Farmer Brown! tgok notice of him, and | heart stopped thump- Fred Feernot and the Cannibill Cheef. Scene, Fred Feernot pursued by a angry tiger. Fred Feernot, This is a fearse ix- perience. 1f I ever live to tell the tale 111 tell it all rite. Little did T think wen I got up this morning that 1d be heing pursued by a angry tiger the same day. O well, sutch is life. Its a good thing Im a champeen run- ner, everything comes in usefill if you ony wait long enuff. O, G, heers a gang of cannibills setting erround their camp fire and me running so fast I cant stop. This is werse than the tiger, this fe. Ack Cannibill cheef. Step this way. slave, and you're jest in time because my last ‘slave jest dled this morning from overwork. I°red Feernot, Cannibill hief. 1 shine my royal toe nales. Fred Feernot himself. Its a good thing 1 happen to have this hunk of | rope in my pockit. 11 jest tie his foot to this tre wile Im pertending to shine his toe malcs and then run like the dooce. i Laco plays a prominent part, not| only for decorating milady's ward- | robe, but for her boudoir as well. |One of the newest ideas for window | drapery is the use of lace and fringe. | The two side drapes of silk are hyng | no his frown’s low, began voice. S0y soothing | to talk in a I Jest as you sa Step this way, slave, o Ack 3. Canmibill cheef. Hay. ha top. Wats holding my foot. Hay, ware you zoing? Feernot. 1 don't know but I gOt a good start. Good by forever. Frod Cannibill cheef. Foiled baffled! The end, PAM'S PARIS POSTALS PARIS, March 13.~Dear Ursula— The latest fan opens to form a pea- BUT _AF COULDN TATIO OUTS A WHIL T TH 1ELL Ol > HAND. 3 TO ETCHE Very, very slowly he put out a hand toward Jumper. ‘He didn’t touch him, but simply held his hand there. Jumper tried to draw back. He drew just as far back as the corner would let him. But after a while he couldn’t resist the temptation to smell of that outstretched hand. The hand atdn't move, Suddenly Jumper knew that that hand was friendly. He didn't know how he knew, but he did know. Farmer Brown's Boy was a friend, a friend to be trusted. Slowly Jumper hopped out from his corner and be- | gan to cxamine the inside of that | sugar house. He and Farmer Brown's Boy had become acquainted. ht, 19: Bu ) nation touched a dreamer herc and | s e e became | COCk with outspread tail. The pearls nearness, and strangers became neigh- | 4r¢ held in his beak and are caught bors, and hope took the place of fore- | Fonud the wrist of the wearer. boding, and wonders that the facts PAMELA. never dreamed of swept the truth a (Copsright, 1023.) little closer to the great heart of the universe that men call God. So. I can't stop teaching children about the fairies. I must do my best alive In them that glow of | hope of the unreality of some of the bitter facts that confront them, fan it into a, resolution to turn over those facts nd see if underneath | them there isn't lurking a fairy whose | | dazzling wings will carry them for- | {ward to some newer, bigger form of | truth, that will oust the old one, aud replace its bitterness and hardness nd coldness, Humanity seeks the truth. but it loves neither hardness nor coldness. And I take it, neither does God. who | made us and breathed the breath of | life into us. I the tired people, who have faced grim Things You’ll Like to Make Window Drapery. There was never a time when the! world needed its story tellers more Ilhml it does now: never a time when | tacts for weary vears—only to see | stretching ahead of them an endless |array of the same hard, cold kind— FEATURES. B EAUTY CHATS By Edna Calorie Discoveries. The best way to understand the subject of sclentific dieting where calories must be taken as & measure of food and where the various food chemicals must be understood is to consider the human body as an en- gine. An engine burns fuel and the body burns food. A certain amount of fuel fed Into an engine will make that engine capable of a certaln amount of energy, and so it is with the human bhody Holt, the children’s speci found experiments th. i needs 100 ¢ pounds time | calorles for weights, and tha fully grown he nced nly 44 calories for this amount. This is, of urse, because he is substituting new tissue for old and building additional tissue until he is fully grown. After that there is only substitution. The sclentists a century or more ago were so pleased at discovering that the average need of a man is 2,700 calorles a day, and at discov- ering the caloric alue of certain foods that they kept strictly to the analogy between the human body and the engine. An engine will run if given a sufficient quantity of one sort of fuel, but the human hody needs a mixture of fuel. One potato has a loric value of 100 bhut it would not dvisable for a n requirin 10 ¢ ries to get by eating Potatoes each day and nothing elsct in the French revolution the € kno ¢ that eag was i pro- thought that e poor could get pr ein th needed by eating protein | which was -5 poun ¢ the be ti tein great | { curl time he is | I cheaper and easier to get than meat, Gelatiin ~was {ntroduced inte the hospitals with dreadful effects, for the patients became sicker and many of them dled. Sclentists went on working to discover why. Miss Eighteen:—It is quite natural that your hair should show the effects of your serious fllness, but do not worry about it for it will come in again as your strength returns. It is best that all the old hair drops out as it is probably dead and If you ean keep your scalp well toned by mas- saging it daily. or massage with a tonic three times a week, you will fiud a new growth re cing this fall- ing hair. If you do not have a good hair tonic, 1 will be glad to mail you the formula for one. As your hair recovers It is likely that the natural will_return to it Lilian W.:—The shampoo you are using is very drying to the hair. Try another kind and see if that will not help. A lather made from old-fash- ioned “castile soap wmakes a mood shampoo for hair such as yours. Feed. the tissues of the face and throat with a nourishing cream and use an astringent once each week. Kitty:—Paint some bitter aloes un- der the finger-nail tips and the un- pleasant taste will remind you of resolution each time you forget and start to bite the nail: ————— More than 150 languages and dia- lects are current in India and Bur- nd the distinet alphabets t intries, many of which very elaborate, outnumber all others in the world An thorit clares that evesight collars cula the subject dc any cases of defective due to wearing tight which interfere h the cir h of blood to the head THE CHEF OF THE DRAKE HOTEL CHICAGO — Says 6tk December 1922. Mesars, Lan & Perring, 241 Wese ¢, Now York City. Gendlemen : consider it my As Chef of The Drake Hotel, 1 duty to sce that cur LEA & PERRINS SAUCE THE ORIGINAL WORCESTERSHIRE WOMEN! DYE 1T Every o often a |needed more to escape to that higher, alm, cold fact” emits a little chuc- | better place, where the heart may kle, turns over on the other side. and, | warm itself in its dreams and the the tiled floor and even jon the towels: the bath tub or wash | i bowl not scrubbed out after being Suggestive of 1840. those slit models. has Leen cut YOURSELF FOR' T Another one of THE BOW'S EVERYTHING O, SMALL HAT OF PURPLE FELT. it did look bi odd, and @ day or so ago one of the smartest local ~hops displayed a spring coat having the same kind u flounce around the lower edge. Bustles have sound, for its nar sKkirt a v Perhaps vet only of rather « terifying made such a lasting -=| SEMART GERONA, COLORED CLES. ympression during their brief reign that they have been the subjects of \uips and jokes ever since. Fashions ve come dvngerously near the ustle stage seVeral times during the Jast few yearsiibut each time they stopped at the ‘A‘nulers. However, SPRING COAT OF NAVY ENHANCED BY VARI- EMBROIDERED CIR- babilities that in a month ‘»hre swfruf'ks puflsd -in exaggerated aws at the r be as common- N THIS | | te i | used. but left with a grimy sediment | adhering to the sides; towels untidily that the print fingers remalns on them Is not folded caretully H but drawn throgh by one corner, leaving a shapeless hodge- podge of the fabric—all these un- pleasant habits mark the guest who is nelther fastidious about his own person or thoughtful for others. The most immaculate, spotless care i should be taken of every piece of bathroom equipment. The soap should be rinsed after being used and the, surplus_water wiped out of the soap | rack. The face cloth should be wash- | | ed in soap, rinsed and hung up neat- | {ly. Towels should be used only to dry the face and hands. not to clean them, and they should be refolded in the original folds and hung with the initfal outward. The tub and bowl should be thoroughly scrubbed out} and rinsed, and one’s personal tooth- | brush, powder and other conveni- ences ' should be taken back to the| guestroom. { A fault is apt to be confined { ounger is that of being ! in the bathroom—splashing, sing- The trick of | used so | of dirty and these over the ack, | that to guests noisy ing. whistling and so on. running a silent bath is not known by every one, yet the noise of a cata- ract of water fllling a tub wakes many a guest in a small house. To obviate this, place a bath spray over the faucet and let the tube lie on the bottom of the tub. The tub will then {fill silently and no one will be dis- | turbed by it. i 1 i PHistory of Bour Name BY PHILIP FRANCIS NOWLAN. VARIATIONS—Tyacke, Teake. RACIAL ORIGIN—Ceitic. SOURCE—AnN occupation. This group of family names comes from a language which but a few gen- erations ago finally became extinct. This language is Cornish, and perhaps better described as a dialect of the Cymbric branch of Celtic, falling with- in the same classification ag Welsh and the ancient speech of the Bretons in northwestern France, which also has died out. Unlike the family names of the Gaelic Celts, the Irish and the High- {1and Scottish, which are almost exclu- isively mere perpetuations of clan { names, the Welsh and the Cornish have | developed many family names from oc- { ¢ pations and from the names of local- ities. This group of nanies appears to have { been developed out of the Cymric word | for farmer or plowman, “tiac,” though i this origin has not been established { entirely beyond doubt. One ‘thing is certain, however, from various governmental and tax records, families of this name, or branches of the same family, have from a very re- mote period been located in Cornwall, and have been landholders. In the absence of more definite evi- dence to the contrary. the probability that these names originated from the descriptive “tlac” or “farmer,” must be accepted. —_— Chicken With Creole Sauce. Clean and prepare the chicken as for frying. Roll the pieces in flour and place in a heated baking pan, which has been well greased with three tablespoonfuls of melted but- ter. Sprinkle well with salt and pour one-half a cupful of cream over all. Cover, place in a hot oven, and bake until tender. When done, remove the cover and let the pan remain in the oven until the pieces are nicely biowned. Serve with creole sauce. 4 | ! | | ! The brim, as vou see, away entirely at the back, leaving a real old-fashioned ‘“shovel” effect in front, with each corner prettily weighted down with a ‘rase. The crown is covered in &ilk, and the brim is bordered to match. MOTHERS AND THEIR CHILDREN ‘When Raw Eggs Are Prescribed. The finicky child who requires raw. nog. Break the yolk of an egg into a deep glass, add a teaspoonful of sugar, the juice of an orange and an equal amount of water and stir. Beat the white of the egg' stiff, add a teaspoonful of sugar and one- fourth_teaspoonful of orange flavor- ing. Pile lightly in the glass and sprinkle a few vellow grains of the grated orange rind over the top. (Copyright, 1923.) behold, Cinderella in all her glory was never more radiant than this! No? Well, there's distance. » fact could have been harder or colder than hat. But the fairy wand of imagi- i |t A Star Who Can Blush. If you other fans like to hear about | Glenn Hunter as much as I like to write about him, we'll have a fine time every now and then. For Glenn is almost the Dle; is almost the pleasantest person I know And 1 qualify with that “almost” only because so positive & statement as I must needs make with- out it would seem to be a trifle, well, forward! The other day Glenn was a guest of honor at m club, the Woman Pays. Fle sut vis-a-vis across the table from me, and looked rather shy and rather amused and altogther Glennish. It is Amazing how spontaneous he has re- mained despite a really epochal su Cess. Because he has been “Merton he is none the less Glenn Hunter. He charming. 3 I tarally. being in a woman's club, with women to right of him, women Yo left of him, everywhere women, Volleying and thundering, quite natu- rally I asked Glenn what type of woman most appeals to him. - It's just the sort of & question that would make Glenn blush. It did. Girls, Glenn can still blush. But, with the heartlessness of my sex, I persisted, | { "‘Well, you see. there are so many i of beauty Kinds O ught, poor lad, that that would let him out. After all; so there are! But I sald, “I know, but which vou like bes K 1 you see. T mean, it's like this —there is the beauty of face and form, and the beauty of the mind—beauti- ful thoughts, I mean—and then there is the beauty of the spirit. After all. every one can't have all of these. It ZUit "wouldn't be fair. I mean, very few women have this ideal combina- tion of all these types of beauty. But to me, a woman who has beauty without spirituality is just like a flower without perfume. T mean, quite often. you'll see a face that an artist Would call ‘all out of drawing.’ and vet it will be so lit by a beauty of spirituality and intellect that it will have a charm far more lasting and strong and lovely than mere beauty of line and feature. “Perhaps I am too romantic, but I confess that I don't like women who slap you on the back and shout about state rights and women's rights and nNot a Blemish Splioh: Shia thntics. are. el tively concealed. Reduces unmatural Isyohe and corrects mfiu mp-’ R Ocfor Totel 3o FERD. T.-BOPKINS & SON, New York City * Gour Oriental Cream ud’s The Diary of a Professional Movie Fan BY GLADYS HALL. santest topic, as he | and finally Glenn | | ezgs will usually like an orange eg8- | ¢aid, with some desperation: | jaded mind rest in drifts of | beauty. T can't stop teaching fairies vou | see, because we so much need them. 1 +Coprright, 1923.) may | on a bar. Waists Skirts Coats Kimonas Dresses Curtains Over this bar, forming a { jvalance between them, is a wide silk | l }fringe, in rainbow or pastel shades. The lower edges of the side drapes are finished with narrower fringe to ' match. Deep lace, dyed to match the ¢ predominating color of your boudolr, { is hung on a bar under the drapes, close to the window, and forms a deeper valance under the fringe. | ! The drapes can be made of plain silk of a darker shade than the lace, or | of changeable taffeta introducing the ! ’r-\lors usged for the fringe. You will find a_window treated in this man- ner very charming. FLORA. (Copyright, 1923.) Menu for a Day. BREAKFAST. Cereal, Chopped Figs and Milk Scrambled Eggs with Cress Toasted Graham Bread Coffee. LUNCHEON. Mutton and Potato Stew Beet and Lettuce Salad Bread and Butter Raisin Pudding DINNER. Vegetable Cream Soup Chicken with Creole Sauce Mashed Potatoes Salad of Riced Carrots and Cress Canned Pears. Custard Sauce Coffee. Tea. studio as in a drawing room or salon Glenn, by the w , aside from play:- ing his unforgettable role of Merton, in the stage play, “Merton of the Movies” has also just completed, an adaptation of Pefcy Mackaye's “The Scarecrow” for the Screen. It is a story of Salem witcheraft, and Glenn will appear for the first time, I be- Iieve, in a costume part. In the en- thusiastic vernacular of a gtrl I know, “He looks as beautiful as be acts!” (Copyright, 1923.) Glenn Hunter will s00n be seen on the creen in “The Scarecrow.” the tariff and the income tax. I don't mean by that that I don't like ‘mod- ern women’ and independent women. 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