Evening Star Newspaper, December 3, 1922, Page 64

. AMUSEMENTS. THE SUNDAY STAR, WASHINGTO! AMUSEM ENTS. Juvenile Photoplay Taste. | Music and Bictures. CREATORE. famous orchestra lead- 5 er and bandmaster, is a firm con- 'ALTX!O['GH juvenile attendance l!l ness of dramatic values and a definité vert to the idea cf combiring high- not! nscruction and scene motion picture theaters comprises | & :ml:;':: ct:f! x::\‘:\'.l(:lncl‘s ctioniandiseno, & S the Mok iof eomblning | ® much less percentage of the ETOSS: j,yenile so far beyond the fairy ator()l' “If there are any two arts that har- patronage than is popularly supposed, | and extravaganza in perception ’"“| monize perfectly they are the motlon it ha: thel lways been one | taste that it {s inevitable that the b 28, mov T Cl o T '€ | isual “children’s matinee” should fail | plcture and muslc, in the latter ca of the problems of the motion DI | gismally of its purpose. the symphony orchestra particular- ture eghibitor. Special children's| At the last meoting of the advisory |1y" Creatore declares. matinees have frequently been under- | board Mrs. I, L. Volland of fll"';"u‘“‘i' “Tt is interesting to note how sym- taken, and as often found to be com- | dren of the American Revolution phony orchestral accompaniment with es, gely te act [ Scribed a recent visit to Crandall's Dot (!la“f;gn‘;',;lrt:lidn';rnsl)1:;\'1391-{:»; For heater. The children were |® picture intensifies the action. It ac- ' - | ventuates ever: pressio; - thken of'the Jhvenile Viewpoint, taste | quiet and attentive and made an ob- | {55, U4 P8, CUY Lol e Gl T evehologs. It has been thought, | viously clear distinction between the | L0, [ 5 otne 8, So, the BUsicly] and until recently with no_tangible :io?:raemd the bad in the action ndCEeuica in ‘nndible atmosphere reason for believing otherwise, that picture. o - |about the Incident on the screen that audience necds be | Miss’ Elizabeth Fisher of the mu- | {ilre el e anectator. 1o onhar e era ish enter- | nicipal piaygrounds spoke on the ple-t; T0t*Chn tonselousty. tainment—rai sies and | tures of Washington's p aygroun: ikewine it o meone i8/joyous the the like. in the various sections of the C|>- music helghtens the Jjoy; if it is One of the most important and most | Which were presented to the asfecla” | dramatic, the grip upon the speetn- valmable findines, however, of the | tion by Harry M. Crandall Theseiior iy intensined; if (hrilling action Ppub = and educational ¢ were taken by Mrs. ‘.n*m roh Is being flashed before the eyes the partment of the Crandall Theater: { Ithodes, supervisor. on her tour of tRe | harmonious * audible accompaniment Washinzton, D. C. Harrict Haw- | cities ?f’\l'!h'.\vlfx‘;l\“:m‘ggr:::: Jised 10| makeg the picture development much Shecan - | aemonstrate ¢ s ha mor e ¢ Deen & fean | e in ihis work In the Natlonal ] 00, SASILINE then df 4t were shown the need of) pital. 4 “So much for the effect of music or and! David R. Covell, Trinity ! upor Dictures. It Is . generally noc «. ar-| Church Community House, pointed|ynowledged, and has been since the cen- | out that the d e exerted by the | days of the earliest cinema entertain- which | motion is remarkable. Many | m¢nt, that music aids the films. But EORGE PROBERT and James Crane have been engaged for “Zeno,” which Lee Kugel is produc- ing. “Thin Icev will be produced at St. Martin's Theater in London next sea- son, according to announcement. The Keith vaudeville circuit opened a new theater in Dayton, Ohio, last week, the circulit’s ninth Ohio theate Something has gone am! Oliver Morosco's plans for Li rillo. “Mike Angelo” will not be p sented as a play untfl January and in the meantime the piece is to be turned into a movie. Fay Bainter's debut in “The La Cristilinda” has now been indefinite! postponed. Harris has acquired ihe “Jcebound,” a play by Owe which will be produc season. to imbue the juvenile pro ranged for special Saturd Samuel Goldwyn has hought tations. with those qua D A. H. Woor i = 10 Wi st the iind na stim- | ohildren come to Trinity House from | {crs fian been admitted concerning the Shang bt e ulate interest in the theater as a | homes where there is little or noO |go0d effect of pictures upon music. this comedy by Montague (ilase after nd me de- | discipline. When the picture begins, | Here are the facts: H mitement. | confusion ceases. The children, ac-| “The large symphony orchestra, rd is|cording to Rev. Covell—and his find-{such as is to be found In a few of stors of | ings have been corroborated by the|the high-type theaters of Amerlca, is in the Dis-|experience of the Crandall public|generally made up of first-class . direot con-| Service department—appreciate the [ musicians. These men are capable of the theatrical reason. Earnev Bernard and Alexander Carr, of “Partners Agaln,” will be Abe and Mawruss for the films, urce of information ,pment as well as A, H. Woods, It is rumar tact .'mx m.'“ The fi (Itiriate victory of the good. Children {playing the best of music well, and grflml.ed Lowell Sherman t step to tiate he i i o Board into the comme | Teaent “What have' heretofore been |realizes his full duty, he selects & e e LS tions that Ihte ine comnilation known as “children’s storles,” fairy | large measure of his scores from the SbennTaTN W otk Atk e sl 3 tion { Stories _and _“sissy” stori They | works of the great masters. He will in the cast e i the Dicture theater. The | want life, follow the action thought- juse the trivial compositions only CRnt. Rudolph Schildkraut will make his first appearance on the English speak- ing stage in the mext production of the Players Company at the Province- town Theater. This will be “Th of Vengeance,” opening la {month. where it is necessary to supply a popular effect, and the large portion of his synchronization will be made up of the finest musical works. The reason for this is that in these works are to be found the melodious phrases which express all kinds of feeling. fully and can judge of the meritori- action with only a slight modi- tion of the adult viewpoint. luced these facts the ice department immedi- ps to put them to the rams for the speclal Sat- of the board, without vious exg in t ship” branche the said, found many of th victions 1o be merely i orie The priv in the Metropalit niember: a Pro v juvenile matiness were at once thrown s = SCTEPNITE o Iysis of feature and ed upon pres ly the same e Bl short-recl rex with the membe that had always been applied : s of e fioar O Ship of 1he Tovird, ardd mich i to the assembling of bills for adult PhOtOPla_‘ySThlS %ek : “Boses Negan lane Wec In fact. the po consumption. the only difference be- Pt s brief edu- five that snecial care had to be exer- —_— Ethel Barrymore' gown of rowe | Longacre Theater, and Juliet,” will be ready first of the vear. It is Selwyns will introduce J Julict about Christmas time 4 in choosing subjects not too cated for juvenile comprehen- Lo i il .| Frock of allver cloth worn at Fay Bainter'z aimple red dress worn Fanny Stedma ave reached the point where umviunm their director knows musi¢ and Keith's by Gladys Gerriah. “The Painted Lady.” sutin, embroidered in pearl and Saturday, Johnny Walker, suc- l Love. Iy Dad.” i ported ware e Cowt o experiment has been ®ere 4 cosstul. it is . that fntervals for service are being folow resultiwas sald/tohave | "l;{“,“‘x““m“‘!‘“ U5 e riatterniat Home BY ELENORE DE WITT EBY. are most admired by the public. lana the scalloped hem drooped dectd- LGCL 4 Child mind, | icio interest a8 “Safety first hy- | 5 B theat . ST = “Of course I don’t mean that it is edly at each side, nearly touching the { .. ooion o Torm b 0 L 10 == e T s miaatical selenico: eter . Today and tomorrow, Thomas Mei- T eater golng public has grown | gimeut to speak funny lines—the | floor. Large medalllons of white beads |, Secrels.’ the Sgm °F TS B 8o calle Eldenclapadiacoan E i : | accustomed to regarding actors|hard thing It to speak them at exactly | in the form of fantastic flowers were | SUCLION Starring Hargar o &han, in “Manslaughter” ; Tuesday, Kath- opens Chr! and actresses as ones Wwho lead|the psychological moment. ‘There is appliqued here and there on both | 2508 FUFISIRR Wb (0 W FONT crine MacDonald, in “Domestic Rela- b > < s 5 Pl x 2 rhythm in comedy as well as there | bodice and skirt, while the neck and |10 Blos : : Are Pl(rt"r()s In luenc"'l “;rlters? tions”; Wednesday and_ Thursday, Nor- | Charmed lives, who never are i1l and | i Tyi' {f hiusic, and the whole of- | scalloped hem were edged with single | Fulton Theater. Edward Rovec is)) g ma Talmadge. in “The Eternal Flame": | Who never grow old. They seem toifect depends upon the ubility of the vs of bead: ’;e" hl’h‘ lzfl"““ D O SRosR (00 Nl Friday, Gladys Brockwell, in “Pald | think that the footlights cast & magic | actor to sense it." | Gladys Gerrish, another Keith on theolidays § = ." _and Saturday, Alma Rubens, in “The Valley of Miss Bainter till loves her role of ' tress, appeared in a lovely frock have been made recently into photo- glamour, and that the people behind| v,/ "oy i “East Is West.” but she | silver cloth, trimmed with ribbon as examples = :hflnh always play mlke-be:le\'t'. (hln}(s ‘;‘t'rlu good n.!r her n'i' sheet flowers. It was m;mx(.n(;d with a tight S = i aughing or crying, as the action of | vastly erent ones for awhile. And basque bodice and a wide i Covercd Wagon.” which James ! Hippodrome. the play demandas’ But Fay Bainter | that of Lady Cristilinda is s dificult | ened out at the hips, s king for Paramount Pic- LyIng Lips”; tomorrow, Alice [ had a very scvere cold when she|as it is different Sightly bouffant. A bertha collar of filmed almost as it was. The Golden GIft”. Tuesday, | Pityed “The Painted Lady” last week, | “Docent it seem odd.” she con- milver bordered the decollete ¢ lessen the need of a Wedneatay fand “was "so ill ‘that she scarcely | tinted, “that T shouid piix an entire jiminutive sleeves drooned | ieeaonls : esday. | {hought che could go on with it. Her act dressed in an old bath ! their edges 4 tiny bit beneath the lace ary scenes ; pluck, however, carried her through, Huppiness, sadness. emotional —cli- “The girdle was of light blue used into correlation in land she laughlngly suld that she was muxes—all in that 3 ey ribbon, trimmed at the front 251 Lenore Ulric began her secoudt 3 in “Kik1” in New York last weel, character has outlived all th Leroines in the hig city. performance a silver pu: presented to Miss Ulric. has never missed a performance, 1 the anni- versary marked her 418th apprarance in the role in New York. al erario in wel of tomurrow be ilent Men.'" Wi most quality of suyle o« of today almost fluerced b All the actors who have pis wor'd P R s § : 5 D i ost_vital nts. 1 risoner of | glad her role of the Painted Cris- the dressing gown hand p : n oval of pale pink rosebudsf Al S0 chk peets ot e N st a Y, Monroe Salis- |tilinda was a “weepy” one, for her dingiest possible colors. for we were framed in green leave stock and all now playing in st There #s an indicat ect the entire book, practically give he Great Alone. eves were tearful and her nose shiny, | supposed Lo be very Poor, you know. Ann Pennington. the star wore Ler |0 be orsanized fnto 4 wicat ni trend of present-day fi it a new plot, change around the char- o any wa |and I wanted it to look old and worn.” usual “baby clothes"—fluffy creations | saclety, This ARa0Uirrnes Yerite s i 3 entirelv and create a new Story. Olympic. Incidentally, Miss Bainter doesn't' Miss Bainter's other costumes were such as any Hitle girl would love to | through Snn Masor, BESEE 3 7 F0r in ph While thi . dependent on the yw care for sad roles nearly as much as limited 1o a flufty creation (for she have for her favorite doll. The fluffest | Last arn T ing less appar novels and skill of the adaptor, might result, and * and tomorrow, Cecil B. De-|she does for comedy ones, and she's| was supposed to be a circus rider). and most adorable was of delicate | REwW Torke WIE8 JIECR short Storie. while writers are drawing bas often done so, in @ better picture | Mille Manslaughter Tuesday, | hunting for another new piay and a simple dress of dark red fabric yellow chiffon edged with white lace [t atly @ Nayer S re Tectiy to the | he Grieinal was @ nocel, 1t 1% | Alice Lake, In “Kisses and Ben| ~IUS lots casier to make un audi- ' trimmed with blue bralding. frills. A huge sash of yellow ribbon i Silovnt e Sukious il mere emotions by by wonds, the reproduct of o story thatl. et 2 ' Benjace than to make it laugh” she _ Fanuy Stedmau, appearing at tied in a bow t as big ax A Selwyns are o ous a and aders arned o care for | TUrpin. in “Step Forward™: Wednes- d. *And I like to do difficult things, Keith's, wore an unusually attractive 4 : fastened the ties o their would ur. soe |day, Anna Q. Nillson, In “Why ¢iirls | for there’s so much more satisfaction gown of vivid pink satin. The blouse Ann's wig. A | 2" i which evi sereen Cve Home,” und Larry Semon, in|in them. It seemg strange to me that was cut in two wide panels. which streamer of Hght blue ribbon dangled !“Dew Drop Inn in_ “Sherl Sennett | comediennes receive so little notice partially concealed a camisole of cloth from one shoulder, while medallions | for their work, but the fact remains of siiver. The neck line was bateau, of blue and pink buds, framed in that the emotional actresses are the und, of course, there were no slewves. white lace. dotted their way around ones who are termed ‘great, and who The skirt was cut on circular lines, the abbreviated bit of skirt Tt is not know his version will Le and London. the his pury had not win] : K l‘ndu.\i atic could be transiate 3 ily to thel with . s ot > 4 7 : i Charles B their swer wedium and yet work diil | Denn round A 5 the Shulierts : Saturday, Geraldine live the not suffer. It remarked on_time | e font Fanne ana Kitty Wa | Theatrical Pinch Hitting advantage. ple of the pres: tle tim: d b tedious espisode 5 of “The Timber Queen.” Show of 1922, has developed a sibdecrdays: William A. Brady ix at Atlantic ¢ :f,”“s'u’{;[ T r‘-llj!mr‘-r" of it all is, {md:'l\n;ll‘():']; = new line of stage endeavor. While he ———— e resting up after five production e ? il s g B a Princess. ih veral tar “spots” in the pro- C 5 5 The ta ction writers from those who as several regular “spots” In i ‘Warfi . | Comedy Four—Rill Beyer, Fred Nor- s or a ¥ pro- adaptor is bec a O T the awar form ond| Today and tomorrow, “Monte|gram, wher ho appears alone, he 1s| NATIONAL—Warfield as Shy- | e e riner and Al Campbell— | Sathering his forces for an early non, result: th picturable it- { cristo: sday, €I s Rar. 3 1al stopgap. In baseball harmony singers, who have won fame | o+, o Paits stand out ark v, His becomes risto”: Tuesday, Charles Ray. in|also the official stopgap. I lock harn Siuers brightened up Paris I Wednesday. of “The Deuce of Spades”: Glass. in “Cameron he would be called a pinch hitter.. pavid Belasco will present David = \"firctorun photoplay will supple- When, owing to séme mechanical re- Warticld as Shvlock in Shakespeare's | mint the bill, with the usual added " ant of Venice” at the attractions. quirements in the productlon, it is L next week, beginnin, 3 necessary to change the order of the ay, December 11. with matine Wl [ numbers and an extra number musi uy and Saturda. STRAND—"Little Lord Roberts.” ask more “tion and elimination Then ture of become a reality, if | Gaston tovels that it has hecome so. gar Selwyn's play, “Ge the biz Imadge, The ) a Cormack and ot William Fox spectacta, |of the world. To begin with, 1 am |Reginald Goode, as Solanio: Herbert | Sor' e e tronge o 11 "8 and the L X 4 lice Vel 4| Ranson, as Salarino: Fuller Mellish. D e ronpe o . Alice Lake and Con- jobliged to be in several states of mind. | [G3 (5) 00 “Cnarles Harbury, a8 | reatnre. Abmeon tha bing the MIm{Under such circumstanc mountain resort near Los A: D | Holidays e S5 | Prices T | {2na Wednesdas 525 Reserved Seats. Matx.. Except Sat. and Sun._and Holidays. v oman’s Hate,” Paul |l have to keep my materfal for my e e e Y gle, Foman : Balthazar; Percival Vivian. as| g AGHR ests o ialene Yereen Beginning Next W Dec. 4, d_Endi, Nixht. Dec. 0, 1922, || Parrot, in “The Flivver.” and Pathe Re- | rezular appearances up-to-date and c 'S | differently, the story is one of society {a bit odd to e et andiEndIng SUnENIK ce Pat O'Malloy and Pauline | sort of fiuid In my mind. Then I h‘*“gf""fl ,_%"‘_"‘m i“‘“‘r‘f" Strassberg. | and not of Indians. Wheeler Oakman {playing the now famous Alfred Lunt A SUMPTUOUS ARRAY Stark, in Wild Irish Rose.” and | must have stored away in my Lmagl PG dwhvdl Crandsil as Isonars 2 Dew sl portoass abe principal stage role in Willlam De Mille's cin- comedy, “Busy Bees'; Saturday, Gareth | nation and memory several sets Hot Ward de Wolfe, as jesters Nick | coaractery, S D:&r;n“x subfects will | 298¢ 100 "ot “Clarence.” the Booth Returned From Europe. the International Hughes, in “Garments of Truth.” and | material to use for emergency, wher | {08 WIS 08 (NG churts 1. Brown as « ducal messenger; Miss Mary 1 Mr. and Mrs. Carter De Haven, in “En- | I am sent out unexpectedly. It would Tarkington footiight comedy that the | PHGILIe red almost | rhe settings are by Ernest Gros and | ¢, s Jame Thomas Mei- | Xnnl.ln'(v).':l}l"'f'"l“g‘;"’ lt!;‘;a'\l!::_’ ot au-| ococuted under his supervision. Nor- | goorors M :(L::rl{f;l{:: lng"?‘f_) big | written into his plays ma ghan, In Cecil B. De Mille's “Manslaugh- | AIGRcE we have In L0 e Spearance [ man O'Neill of London has composed | Jeading the cast is Bert Tabr a Goy. | interesting characters ter”; Tuesday, Bebe Danlels, in “Pink |1 «ryhl:."m;?m the audlence and find "‘.l?h’e"‘:;’:;‘:‘ _"‘gfi‘;f;;ob':;&!:,mghd"‘man comedian. Assisting him ~efil possibly none more engrossing than e e e B e Ejent i predominant mood. Audiences|the personal direction of David Be- -'}f,e’t:;;;m’:_‘lnd‘“d';"_"}“n“;‘:‘mfid‘l‘:h this amazing character he called The Popular Composer ver': Wedneaday, Betty Blvthe Injare distinctly different, = Sometimls|lasco. who will be hero for the entire | oy’ prima donna: Merodise La Fay |Clarence, in the play of (he same T v in Bunsnlnal] you have an & h 1 there | engagement. which will be followed | aiiiyFotta: Emily Dyer. ingenue, smd the part, incidentally. that Mr ey o Toyias came. Honna 2; | tocere. “Then ‘you must fall into ite| mmediately by the engagement at|Barry Melton, leading Taay, " Reid assumes. i ® the Baskereitlen and Dan Maton in | mood and let vourself go. At other "‘;hl;’f'fil“!"“h";'f';‘h”:'u‘;fi;:;,.};,".","‘c'e winn | Florette, a_contortionst, and Without attempting at all to out Hoon. Tuttle’s Grass Witow' : Eriday, | times you have a restrained audience, | | The lensth of the performance will | Three Jolly Bachelors, harmony sing-{line the plot. it may Interest pro odd and but there is | tertaining the Boss.’ be comparatively easy to keep all of & a L y s P A LR TS JRerERiIne Sl | Phese nben ot materiar in mind, i¢ It |Servoss. in the role of Portia: Mis: GAYETY—"Keep Smiling. Palace advances this week as i York were only @ matter of remembering Mary Ellis. Nerissa; Misa Julia Ad-{ The attraction next week at the|chlef attraction. ork. | them. but they must be altered almost 58 Gavety Theater will be James| Booth Tarkingion, of course, has Today and tomorrow. win HARRY RICHMAN *:55” EDWARD DOLLY ¥ Bl 5 = : R18 Newy Siaslas BiAnolcsne James Oliver Curwood's “The Valley of | There are several different sorts of [ FRCSESEte the T8 /ZE OF 118 SEFIEE | ers, will offer specialtie spective spectators of this picture to |Stient Men,” and comedy, “Kidding restrained audiences. Some respond | RrOTRCY 5 02 LI T dtineen. Wow that Clarence bursts on o the EMII IE [EA Uncle": Saturay, Viola Dani, in “June to" vigorous effects, While others can A Valontine S Soene—one should not say burste, o7 & 2 June can) i ot rste doe Madness,” and comedy, “Ocean Swolls.~ be aroused only through subtlety. | POLI'S «The Passing Show of alentino Successor. |he resily comes,in most abiceliy s Tn “Rehearsing for Vaudeville.” With Clarence Rock and Sam Kaufman Julia Nash—C. H. 0’Donnell |lim-Mchughlin&Evm&Bhndle » T seem: from the American expeditiona 1922. |JT_meems aquite a coincidence that|from the, AMILIEH,Tocor Amer- Tomorrow NIght || The winter Garden's tenth annual|~ Rex Ingram. who gave Valentino|ica. He seeks emplovment and he revue, “The Passing Show of 1922 |his first big chance at fame and|buttresses his plea with the assur- And All Week ||wii be the atiraction at the Poli's |almost immediately loat Valentimo's]ance that. having been in the Arm Theater next week, beginning Sun- In “Almont Single.” “On a Little Side Street.” Oaly theater {n Washington effering exclusively Ameroan and forelga stars of frstrank |!day, December 10. {services as a result, should be the M h‘n w e.d This newest revue from the New | producer who now introduces a rival Chung Wha Four N atinees Wednesday and Saturday York Winter Garden is in two ucts|of Valentino's in the dark-haired, Stella Tracey & Carl McBride In “Bits of Exclusiveness.” and_twenty-six scenes. It Is staged | .1 ‘ecea debonal € ’, 3 by J. C. Huffman and produced under ¢ -eved, debonaire Ramon Na- The Season’s Most Important Dramatic Event! Pe alvection ot 3 3. PShubert. | The |varro. Such is the case, however. book and lyrics are by Harold At-|and. under the circumstances, one|**@OME three years ago. S ianiey. The muasic 13 by AL |rather marvels at Ingram's willing George Hassell. “T held a re- fred Goodman. The ballets and Ness to accord such opportunities to musical numbers were staged LY a player who Is almost certain to go Allan K. Foster. fortune-hunting in the movies the hearsal with my wife, myself and my The featured members of the cast |moment fame comes to him. Chinese Exponents of Harmony and Fun. Mary Gautler's Pony Aesop's Fables. Pathe News Pictorial. “Boy” & Co. Topics of the Day. Organ Recital. TOD AY 3:00 ANN PENNINGTON 8:15 Mitty & Tilllo, Chieftain Caupolican, : and All of Last Week's Super Acts. > ER 4 DIRBCTION OF Washington's Littls Theater Charming—The Classic of the Capital 7 bank account. The bankbook was the weakest member of the sketch by far, and T decided to ‘build up’ the Danny Dare, George Anderson. Alex- it he happens to have under contract comlic. e 4 IN HENR 'AILLE'S GREAT PLA’ ander Frank, and Wilbur De Rouge.|an actor who may leave him after| *I looked about me an scoveres K BOTATY TELAY Two added attractions are The Mack- [he makes that actor's reputation, it |that the really wealthy actors are weys and The Lockfords. There will lstill does Ingram no good to have|the comedians. George Cohan. per- 2 matic successes of the year are a|W. Grifith after Griffith himself {nard is rolling in wealth. Presenting the Foremost Foreign and Native Artists and Attractions feature of the entertainment. achieved wealth and fi fortably we (TENDERNESS) [ e o harioulatty acrantas | Deniels, e mare e St e WEEK BEGINNING TONIGHT AT 8:20 \ it i o - B. F. KEITH'S—Belle Baker. ect and create screen stars by the |mean above the lv\"l?-?\mdr:'d-llm 5 “If ever our stage golden fevived Dy this somsien, with S50 gros: mark, James T. Powers comes DIRECT AND INTACT FROM ITS PHILADELPHIA RUN such a8 our times Seldem ses iluminating ‘the AramaAtursy of & master.—N. A At Keith's next week, starting De-[" 1y one particular, though, Griffith f'““",;’ this Claseoand then some. S Evening Post. cember 11, the bill will include Belle land Ingram are ulike, and that is|does Joo Weber, to say nothing o NIGHTS, 50c to $2.50 ] Baker, one of the most popular |their determined idea of making the . Al Jolson has alread POP. THUR. MAT., 50c to $1.50 STARTING MATINEES SHATS THURSDAY || comediennes on the vaudeville stage: |director ~ paramount. In photoplay | nasasd Tauder. it and 1s soaring to- SAT. MAT., 500 to $2.00 NEXT MONDAY _ Wednesday & Saturday Mail Orders Accepted ||the two Danish Phlegmatics. the |production and picking players for |ward the million mark. In a com- P g Evenings at 8. Matinces at 3 Stanley brothers, Ben Merhoff and |their ability to act only and not. for | paratively short time Douglas Fair- J/7&S HURTIG widk Prior to the New York Engagement David Belasco Presents Ibach's entertainers, with Allen |their ability to-get their names into | banks has entered the Morgan class. MESSRS SHUBERT \ \ Quirk; James Dutton and_company. electric lights. His case and that of Charlie Chaplin Bresens, MR WARFlELD Jack Joyce, “The Boy With the| However, Ingram has not only|are exceptions. but even in the flicket A S L Smile,” and several other acts to be {placed varro on the threshold of {drama comedy is appreciuied and R as Shylock announced later. © |stardom, but he has also brought tolpajd for accordingly. Even our miin- WILLIAM SHAKESPEARE —— _lthe same position that dark-haired|gtrel inen, who rarely appear on THE MERCHANT OF VENIC BELASCO—“Troubles of 1922." [briuiy. arbara La, Surr”who has {fiaawis: copmt theie weaith 1 @ CHANT OF VENICE Go Jessell's “Troubles of 1922+ |the chiefl (and practicaily the only) [ures larger than those accumulated PRODUCED UNDER THE PERSONAL DIRECTION OF MR. BELASCO, ||, Gaorse Jesactis FEROUtIen OF 995 lteminine role in “Trifiing Women.” | by our so-called “legitimate setor "RE 2] Ingr: g t production. Miss La vl P 0 Pre that the pub- ‘WHO WILL BE HFRE FOR THF. FNTIRE ENGAGEMENT famous Courtney sisters, be “the | 3B 0056 he recalled for her |y ‘Which allgoento peyre e 1 tax): Nights, Orch.. $3: Bal., $8.50, .60; itk O e Wl 'aad Buts, Orone. .80, Bal, 5, $1.00 amd Wi, B4 Bav. 4o, “2 |iattraction at the Belasco mext week | ongciment of the role of a temptress | worth two sermon-dramas. At “leas beginning with matinee, Sunday, De- ;" earlier Ingram productions, as my theory a little over ATIONAL THEATER: cember 10, Mile. Ann' Codee with |\l "85 Her Sterling interpretation of | thise xears ago. and I've been hugging ‘=———————————————— | Frank Orth headlines the strictly | | ;minent role in “Quincy Adams|it closely ever since. It was then that vaudeville portion, with Edwards & |8 PRORINCRL TO% (0 “Sart Director | s aros bye 1o Shapespeare and be Emanuels, Gertrude Hayes, the|cj rence G. Badger of the Metro pro- | gan to brush up in the antics of the Walters &nd George Jemsell, htmselt, | SIarence 0. Badger of e Mo s’ Ta | E30, (0 brush up it has been a spring providing other specialties. Marr from Rex Ingram. fresnet of contracts, but of course I —_— can only sign one at a time. Now that . W L %o ves. T admit it, COSMOS—“Future of the Ad. The storm scenea In D. W. Grifith's |1 &m a comedian, oh. Nrse | Se0r L AUF = R AT ious oftering_em- | “One Exciting Night,” are being de- . ,. = 3 3 MOTION e e o and feature danc- | scribed as the most elaborate under- | bank accounk has gone considerably ? PICTURES D mder. the unique title “Future | taking in the way of transferring to |8PO¥S POX\ _\ (icopish eves at the / ‘ o S o I e {h announced s the lead. | the motion picture screen tho drama | Before, T Ieast, SCCC S0 Shaten: lV|A” MART'“ & : MA fag attraction of the Cosmos Theater |of the elements. Its atmosphere was | SRR S, Bl preakfast food to me, ToMoRRo T. bill next week. It will be presented |provided by a most epectacular storm | byt i I may say so, some breakfast LY"“G OVGE‘ \AN 4:0 by Mignonette Kokin and a lively |that struck the Atlantic coast during | foods are lacking in substance. Vet 1 company of good lookers and fun-[1922. Special effects, of course, wWere|thrived just the same. and it was my AND THE ORIGINAL CAS PRESENT Weeks in New York | pr a v, l DAY makers. introduced by studio. methods. AS|physical bulk that started me on the Others will include Knight's Roost- | produced the storm is an epic of na- | gunny side of the road. ers, In “Fowl Play.” a unique exhibi- fture that provides a climax for the| +The public belicves that any fat man tion of feathered thespianism; Ethel |plot itself, which is an eerie, mystic|can be funny. That is far from being MoDonough, in “Milady’s Busy Day,” sort that g ssived only i the final|true. Some years ago there was a play by Neville Fleeson, and the American scenes. e B _ |in which the obgse hero was may to N L L] 1 = Will be @ dis- wnd again. even when published se- . in “The Riddle Woman," and : 2 : i r ‘ith the Shubert vaudeviile unit. hund, the peo- rally, as a stirring, realistic and pow- The Golf Bug ‘Added S Om ln ac lOnS witl A b y & erful ma—almost an epic of the |matinée attraction, Ruth Roland, in RED ALLEN, in “The Passing tolen Swee in London next May. Tarkington's \/ sn and Saturday. Johnny e S : [ r Am the Law. | be hurriedly added, Mr. Allen is sent l‘l::, ’\“,‘,’_',‘{".j}“" n-:s[;n'* to includé | Next week the Strand Theater wil i 5 ) out Anson, as Duke of Venice S eT e tile programihieadel ERY littie comes out of Hollywoud 11 . Savoy. “It is the hardest sort of work I|Laren’as Antonio: Walter 1. Percival, taine . e o nnilve \Y% hene dash concarming vailate = = ) Vi i - v “y as Gratiano; erbert Grimwood. 5 a Sdnrn = ~, = g 3 @ : Today and tomorrow, Theodore Rob-|ever did in my life.” savs Allen, -mkfl Prince of Morocco: Albert Bruning. as | iive Say aad Jack Hill- James 2o | Reid, the photoplay star, who. e - AN ___Eh — erts, in “The Old Homestead" ; Tuesday | I have been In vaudeville in all Parts|Typa); Horace Braham, as Lorenzo 3 . s Ac-{ &t accounts, was conval St ‘!aunched since September 1. He is Comedy Pays are Willle and Eugene Howard, sup- | Ingram, of course, has not a great < ported by George Hassell, Mlle. Al-|deal of choice in the matter. grms ‘weak part of the act. I found that the gorn, Fred Allen Sam ghash. Ethel [task s to make each succeeding {best way to ‘feed It was to change my | utta, Francis Renault, Emily Miles, |photoplay production bigger and bet- ious to the Atthur Margetson, Fred IWalton, ter than the one preceding it apa |l of work from the serious to I also be seen the famous Winter Gar- [that actor's light under a bushel, as ist. While he writes den beauty chorus. This show dif-[it were. In this respect, at least,|pia founda- fers from its predecessors insomuch {1ngram, the producer. seems to be |tion was laid by acting. L Good- |that travesties of the leading dra- | usurping the place left empty by D, (win was an example, and Sam :.-ril ran ) |1 thrust_ upon me. but beeause | discov In the Spotilight | married.” will Le miven & try-out in Vstock ai the Ly j more, week 4 ¥ nees f Minturn in the pri ipal parts. Casting has zotten under way for the company which will support Lau- rette Tuylor in “Humoresque” This dranatization of Fanuy Hursts siory. will be done carly in the new year. { I s the singing of the folk mong f Rosenblatd, the phenomenat * his art in one-of guises Mr. Rosey- 1l about Furop: d those rarer songs f Jtalians, Tus- oSt 1 s nd he < diseove: Ive peoy cilians, French and Of the selected est for Some Jove . s ansion of a yigorous Others merely litUn . droll and playful, ingenuons happiness. Others ar. Lou Halt conge with 4 the latest 1 § Shitn cludes eville cireuit, wton i Westex the fre cloping 1 o with a twe . i Which he has the as # pumber of precocious He o far with he & el will recogr mg face of James Mort [ laseo this {¥Fox kn | years. t the Bi-, He was oue of the comedians for two the “Rose of ax Jumped awaiting the dy in whil berts Lne Ove Tried,” o timo i 5 i NEXt ventu rumored will b g after the v. Mr. Dand: performance in Treato. cmployes turkes suppe £ evervthine reu! Thanks siving pher y rkey anherry sauce, Three extra larg rkeys were consumed by the plas- .. cular ] ksgiving gOCS 10 that he 1y @ iy man around Wheeler household. | aries the monetony of 1 the lawn with tuning the p e suddenly 14 develons a ridding the L the dead 1y on a certac Viig ~pent man r brand of the ®tory much foo general h He cxcus: = 1 one event seon that = ¥ will equip from of it in the : 1y reaches ador C of St larence in 1ily safely throu, some rather rough eocial channeis after which he commits the paradox of falling in love with the governess An amazng character this Clarence and ¥ one of Tarkington's o@des: and most n, ‘h. hell, nobody loves at | That was a good ‘situation i by that T mean the mere juxi lof the character 1o the scene and line |caused an exple 5 ‘ “But the actor ~d not have been « comudian. an idea. And T want 1o tak rtunity of sav- ing that funn : seldom found in musical ¢ v books. They have to be plucked out of thin air and fitted into situations by the comedian himself i1 hay ortunity of proving {my theory night passes that inew business isn't introduced. T make 1w mental nota of its effect, and perhaps {the very thing 1 try tonight will never be used tll 1 play another part. “And so 1 have become a self-groomed | comedian, not ause comedy w {ered what ton people of the stuge calize—the vast opportunitios that i ust_beyond the footlights in the laugh of an audience. To Cure Flapperism. HAT motion pictures will play ax important part in effecting a cure for flapperism is the opinion of a number of educators and others Prom- inent in social welfare work. H v Eugene Walters in ade « ture photo Ly George Terwillis | pie Ine. It de | x moral fiber and he Jideas about modernism, who juvenated and become woman’ of refinement and breeding. It bears | the title “What Fools Men Are.” | A commitiee representing the Teachers' Callege of Columbia Uni- v ¢, who saw the film, is said io {be now planuing to make use of it in connection with the endeavors to develop growth of character on tie part of the modern girl. This plan, it is said, is also now heing con by the students’ gov- t conference at the Randolph Macon Women's College at Lyn burg, Va., and was first suggested at the conference of anch of the Motners’ « eachers’ As ity recently i i 5 1, who effect, that if the flapper would s herself on the screen as others -a her she would soon come to her senses.