Evening Star Newspaper, July 24, 1921, Page 36

LOEW’S PALACE ——TODAY AND ALL WEEK— it In Mazxwell Karger's -gurkfiflfl version of the great romantic comedy by Lloyd Osborne whick appeared in the Saturday Evening Post and which brings Mr. Lytell to the silvershest in his greatest comedy Ait! The story of a modern kright who turned a nation out darefooted just Jor a lassie’s smile! “THE MAN WHO” WITH LUCY COTTON AND VIRGINIA VALLI 4 LOEW-METRO PICTURE PALACE SYMPHONY ORCHESTRA “The Firefly” (Friml) ?_' T (TR UG P 00 LOEW’S COLUMBIA | BEGINNING TODAY AT 3 P. M. An intimate, real-life romance that peeps dehind the scenes in a million homes. The story of a wife who loved too well and another who fatled to love at all. Produced in a lavis) opulent setting and revealing a mew vista of the cternal problem of modern marriage. —WITH— MONA LISA—CLAIRE WINDSOR AND LOUIS CALHERN Fii ? R A CRANDALL'S 18th Street at Colambia Road KNICKERBOCKER - MATINEES SUNDAY AND SATURDAY AT 2:30 P~ TODAY—MON.“9u 4 PERFECT MIDSUMMER DOUBLE-FEATURE BILL VIOLA DANA IN “HOME STUFF” show pirl picturication 2R e mnu‘f"zl u:owll‘umu‘ Phconcs the companion star HAROLD LLOYD IN “AMONG THOSE PRESENT” Another IdfiIMir apecial with the screen’s cleverest comedion ot Ma best with MILDRED DAVIS leading the support NEWS——KNICKERBOCKER SYMPHONY—TOPICS OF THE DAY —_— s~ NOTICE = The Knickerbocker Will Be Closed on Tuesday, Wed- nesday, Thursday and Friday for Redecoration of the Interior, Reopening at 2:30 P. M. Saturday, July 30. Satarday—T OM MOORE in “MADE IN HEAVEN" De Lude added attractions—Musical Embdellishments Metro’s enlivents stranded T DT R RAND D STREET N. W, ly From 13 o’Cloek Noom BEGINNING TODAY, COMPLETE CHANGE OF BILL DIRECT FROM HIS KUROPEAN TRIUMPHS GEORGE MORTON ALIAS “THE BLACK DOT” STI e-u--u "h--m Features of mrAN &'Wfi‘fi‘"‘" TOM DAVIS & CO. Al Dances Present ‘‘Checkmated” m-m Photodramatic Presentation All Perfermances—Ofering MISS SHIRLEY MASON IN A STIRRING ROMANCE OF BEAUTIFUL SAVOY AND GAY PARIS “LOVETIME” Added Attractions—Nultiple Reel Comedy and News Weekly RANDALL'S. M E'E'ROPOLITAN —F ST. AT TENTH- e T VNN R T TN, THIS WEEK OFFERS A PERFECT DOUBLE BILL VIOLA DANA <IN HAROLD LLOYD "Home SToFF |AmoNG THOSE PRESENY Her Latest Metro Screen Classic His New Three-Regl Fumfest O A 70 Next Week beginning Monday, July 25 Warm weather has not reduced the quality of our shows CHARLES HART & CO, In MELODIES AND STEPS A Delighttul Singing and Dancing Produetion. Dalnty, Chie, Fascinating Flirty. PINTO & BOYLE l PAULI & DeHAVEN A Comedy Interruption With A Cleaver Team in Comedy. Songn, Musteal 113 Prancings THE GAUDSCHMITS Internationally Famous Clowns, With Their Almost Human Freach Dogw. WIKIBIRD & LEO RANSOM I EMILE SUBERS In Hawalian Songs and Melodics The Black-Face Monelogist. DUBBS AND WATKINS in the one-act farce, “The New Janitor” SPECIAL COMEDY FILM— MATINEE FEATURE FILM— “JUST IN T'ME” ‘THE WOMAN GOD CHANGED’ A Chester-Mermaid Comedy A Parnmount Pleture Shown at All Performances Shown Oniy at 1:15 and 4145 Chatter Special Film Features R. L Ave. AL NEILAN Presents WBSLEY mmmr MARJORIE DAW aad JAMFS KIRK HAMPTON ‘OF PLAGER T North Capitol und P sia. LIBERTY WILLIAM FARNUM in “IF 1 WERE KIN( DUMBARTON > Wl-o—-l- Ave. INA OLAIRE in PAST. “POLLY WITH A Sth at O Street N.W. SPECIAL CAST OLD SWIMMIN' METROFOLITAN CRANDALL'S "Sier o i THIS WEEK_VIOLA DANA, in STUPF. ' And HAROLD 'EIOYD, in “AMONG THOSE FRESENT.” m‘u’s KNICKERBOCKFR 18th St. at Col. Rd. TODAY 4 AND TOMORROW—VT ‘HOME STUFF. HA i_“AMONG ‘THOSE PRESE CRAND Auts ‘Theater, 9th & E Sts, TODAY AND TOMOR- ROW — KATHERNB MACDONALD. _in “TRUST YOUR WIFE." And COMEDY, “SHORT AND SNAPPY. CRANDALL'S 25vz7, Thentes 3nd Garden,14th & Col.Rd, D ND TOMORROW—LEWIS STOX by AYRALTI;.I Ill,\lCK in CURWOOD' 8N, BUCK J “THE ONE-MAN TRAIL® 1 H 1230 C St L SIR JAMES 8. BARRIE'S “SEN- TIMENTAL TOMMY, n immortal mas- terplece, brought o b7 an alletar cast. 1119 ° n. \, PRINCESS oo = o= BUCKLE i “THB TRAVELING SALES. T1* & N. . v S E SESSUE HAYAKAWA in FIRST BORN.' -- lrvl-. And_LARRY & 50, xr-—nmm Only—"‘The Pmple Riders," N SR E . NE Continuous from 8 p.m. BASIL KING'S Powelful Drama of the Unseen World, 5 By ances Sundey at 3:00, nday at 6: 0. AVENUE GRAND 645 Pa. Ave. S.E. AILY: 8 P.M. SUNDAY. « U} m’u“ 2 o oM IL RROW—STAR OAST, in Also—_TOONEAVILLS COMEDY—Also t STANTON GARDENS NOW OPEN. Street and R. JEAN PAIGE, in “BLACK BEAUTY." EMPIRE °1f = Street NB. WILLIAM FARNUM. in the big special, “IF 1 WERE KING." MUTT & JEFF COMEDY. TOPICS OF THE DAY. PTION. 3:00, 4:35, 620, 00, 2:45, 4:30, 8:: CRAND ALL’S Avello Theater and Garden. 624 H N.E, AN TOMORROW__SEENA OWEN, H.um POLLARD, 8IDE." CRANDALL’S TODAY—MARGU Ave. YORK THEATER GI.A”.CQM‘.C st CLARK. in Aucu JOYCE, ALICE LAKB, in “THE GREATEST CLAIM." Aleo CLYDE _COOKE COMEDY, L ] DON'T TICKL Daily 335 Jewish Home Life. ISH home life 18 sald to be de- picted with unerring reallsm in “Shams of Soclety,” the first Walsh- i’ Fielding production directed by Thomas B. Walsh. Not the least engrossing of lhe inter- ah party ce with the nage-old Jewish custom at feting a lad of thir- teen when he confirmed and enters the church. Director Wlllh. to make certain thal he got every detail of this h'n scene as accurate as possibl s said, enlisted the ald of a well known rlhbl. and together they supervised the scenes in which the merrymaking and reverent ceremonial of the b-rmn.lv- party is de Beveral Jowish families were invited to take in the making of the scenes and played their with pro- nnounced sincerity. Mr. ‘was par- ticularly anxious to strike a note of reverent restraint in these scenes especlally in those in which the rabbi takes part in the feast and serves the bread and wine. This, in fact, is sald to be one of the high lights of the pro- duction. The Queen a Fan. ROYALTY is becoming very inter- ested In motion pictures, according to Eve Unsell, well known scenario writer, who has just returned from London. Something new has arisen in 2| the way of “command” performances at the palace—for pictures. Dowager Queen Alexandra is said to be particularly devoted to them and has feit it keenly because her physicians have advised recently not to see otoplays for & time for the sake of | er eyes. She has given her lpecll.l Tepresentative a list of her favorites, 0 are Mary Pickford, uline Fred- erick and the Gish and she wants to see films in which they are starred as soon as she is able. New Camera Miracle. AL ROCKETT of the Rockett Film Corporation tells of a new motion picture camera that can perform miracles. For example, it can smooth the lines out of the face and make the aging star appear young egain. The secrets of the new wonder are Jealously guarded, and it is said to have been developed under the pro- tection of one of America's greatest actre: f this be true and the said actress does not keep the camera all for herself, there will be some great come-backs staged by a lot of clever girls who have been thrown into the discard by the cruelty of the regulation motion picture camera. The new miracle worker is also said to correct facial irregularities and to produce the most wonderful lighting effects. Mr. Rockett says it promises to turn motion picture pro- ction upside down if all claimed or- it Is realized. ARK Fea € Big Rides. And Ao An Retea Actrition SOL MINSTER AND HIS OWN BIG CONCERT BAND WILL RENDER POPIII-AI A.D CLASSICAL SELECTI TODAY FREE, 4t0 11P.M. DANCING AT THE BIG OPE ELECTRICALLY COOLED BALL ROOM For Proper Daneing WEEK NIGHTS ONLY. ' Rogers, GLADYS WALTON “SHORT SIII'I'S" TODAY AT 2:30 On the Historic Potomac THE STEAMER Chas. Macalester Leaves 7th St. Wharf at 2:30 to- dly—re urning to Washington at 6: .m., stopping at MAR- SHALL HALL en route. Fine flllmer served on steamer, $1.00- ‘Marshall Hal Steamer Charles Macalester Leaves 7th St. Whart Today—10:30 a.m.. £:30 and 6145 | p.m., for WASHINGTON'S FINES? AMUSEMENT RESORT DANCING WEEK DAYS. A Delicious Country Chicken Dllle'r Served for $1.50 at the all Hall Dining Room. Fares, 5lc; war tax, 4c; total, 56c. Come and- have a good time. Moonlight Dancing PENN GARDENS Blectrical Starlight Illumination A NOVELTY EVERY TIME YOU COME Prise Dance Every Wed. Night Our Orchestra Simply Makes You Dance NEXT WEEK'S PHOTOPLAYS, Columbia. “fhe Lost Romance,” William De picture of Edward Knobloch's Conrad Nagel, Lois fesaturi: wfl.non and Jack Holt. uring Hobart Bo: Byrne. llny. and based on a novel by Donn L Metropolitan. Alice Lake, in “Over the Wire,” the story of a girl who found happiness through hate. Knickerbocker. Alice Lake, in “Over the Wire ‘s “The Man of the Fore: in “Guile_of Women" Semon, in ¥The Rent Collector,” Bidney Chaplin, in “King, Queen, Jack. Thn as Meighan, In “The City of Silent Men. Fllrmng a Dancer's Poses. N irteresting slow-motion picture was recently filmed in a New York studio of Mille. Albertina Rasch, the Vienense dancer, who has just completed & two-year contract on the Keith and Orpheum circuits. On a spacious plat- form, built especially for the purpose, with a high and wide background of lack velvet, Mlle. Rasch gave an ex- hibition of dancing that was remark- abl running the entlre gamut of classic dances and poses as well as the toe dancing, spins and other poetic gyrations that come within the scope of the premier ballarina. Two cameras were used in the filming operations, one with a standard 16-exposure machine, the other with a capacity of 400 ex- posures. ‘The slow-motion camera, with the dancer garbed In a fabric of flimy, transparent gauze, sharply silhouetted against the black background, was en- abled to bring out the abnormal de- velopment and slightest movement of each set of muscles of the legs, arms ina upper body, both Individually and In relation to every other muscle. Mile. Rasch was born in Vienna of Polish parents. She danced at the Vienna Opera House, later becoming premiere under the direction of Richard Straus at that famous temple of music. After her triumphs in Europe she came to this country ahd held the first rank with the Chicago and Century Grand Opera companies. Degrees and Actors. [E fact that Columbia University, New York, recently conferred upon George Arliss, the English actor, the honorary degree of M. A. recalls to mind that, so far as is known, Otis Skinner, star of “Kismet,” is the only living American actor to have been honored by a similar degree Tufts College made him master of arts in 1895. Shortly after that time 1 Joseph Jefferson received an M. A. from Harvard, and many years‘later Sir Forbes Robertson, who mar- rled the charming American ac- tress, Gertrude Elliott, received a similar degree, but Bir Forbes has re tired from the stage. The final curtain has been rung down on the creator of ‘Rip Van Winkle. Mr. Arliss is an Eng- { s and by the process of deduc- 1 tloi d elimination Otis Skinner is the jonly living American actor to bear the ! honorary title of master of arts, con- | terred by one of the oldest colleges in : the east. A Beautiful Tribute. BEAUTIFUL tribute to the late Robert Harron was paid recently by Thomas B. Walsh, motion picture {director. A friend meeting Walsh one warm day all & up In neatly pressed white flannel trousers and spot~ less white shoes began joking him. JLily white s the name for you" he sal Walsh smiled, then soberly shook his head. ‘There was never a spotless, ‘lly- white’ man on Broadway except one,’ ‘and he's gone.” “Who was that?” sald the friend, curlously. “Bobby Harron,” replied Walsh. “If there was ever a clean, pure soul in a man, that soul was Bobby Harron's. He had_the highest ideals and he lived ip to them. If there is a heaven and jod's on His throne, Bobby Harror will be in the cast, make no mistake sbout that.” —— The Chicago Herald and Examiner, referring to the splendid patriotic work of the moving picture world during the war, in bullding up the public morale, promoting liberty loans and otherwise contributing to the onal cause, without government assistance, also adds that it was done without censor- ship. It says further: “Every consid- | eration whlch leads us to make the free- of the press a right fundamental to American liberty ought to lead us to make the freedom of the moving picture an equal fupdamental right of AmeH;ln | liberty.” YOU ST. 'REPUBLIC 2 st A-n ca’s Finest Co‘o:'.l‘ Movie House HAROLD l.‘.om in “NOW OR NEVER." MARG in “PAYMENT GUARANTEED." Chesapeake Beach —ON THE BAY— Washington’s Sait Water Resort Only Ome Hours Ride Frequent Traia Serviee Bathing, Boating, Fishing Hotel and C:fe'Sefvlee EFFECTIVE SATURDAY, JULY 23RD THEATER i ITY |for every character in the play. o| Italy, ! Courte ai WHAT CHANCE HAS NOVICE IN PICTURES? "WHAT qualities do you look for in persons applying for work in motion pictures?”’ The question was put to Fred Datig, casting director at Universal City. “Broadly upeaking,”” replied Mr. Da- tig, “it Il not in my province to look ::: 0w qualities or new tnnlenxd There ve ousand experienced. capa- ble players registered in my ofice, cov- | wi ering every type and temperament re- quired in making pictures. I have met all of them personally and have seen them all play various parts in different photo dramas. A full description of sach is card-indexed in my flles, while I have a mental picture of each in dif- (Q;;‘l;l roles. en a director brings me a manu- lcflpl of a story to be cast I run over the list of available actors in my mind and can visualize some player as ideal After asking a number of these actors out to the studio, where we talk about salary, wardrobe and other details, in some instances asking the advice of the director or star, we select the cast of principals.’” “But what chance has a newcomer in motion pictures, and what qualities tecommend them for consideration?” the questioner continued. “It s in the minor role, or even as an ‘extra’ that mew faces make their appearance before the camera. Even for these humble roles,™ Mr. here are thousands of persons registered in every studio. But now and then some unusually pretty face or some MAKING “ART TITLES" «ROM snow-capped mountain peaks that pierce the clouds an opal- escent stream of water tumbled noisily into the valley like a bridal vell.” That might be the opening title of a photodrama flashed upon the screen in conventional type. The poetic de- scription itself might please one, but let him visualize the letters gradually fading out on the screen and blending almost imperceptibly into a magnificent view of the very mountain peak as it sends forth a swirling torrent to bap- tise the multi-colored peaks, and how much more effective is the title! king titles which describe pic- rially the words is the function of the art title department at any large studio—just one of the depart- ments which contribute s0o much to the artistry of a production. Assume that a sequence of photo- drama deals with the teeming rush of a great city at nightfall. The title, as projected on the screen, might read: “Among those thousands who wearily take their homeward way when the fac- tories pour forth their human cogs was Sally S!mper." It would be obviously wrong to show a peaceful valley or our waterfall for that title. Instead, the held of the art title de- partment’ would take a cameraman to the Industrial district and record, with soft focus and the romantic diffusion of modern photography. the gaunt sky- Life's “Lovetime." (ONE morning at Hollywood, Calt, Shirley Mason's company sat about waiting for some of the chief scenes to be shot for “Lovetime.” the Wil- ltam Fox production which has Miss Mason as its star. A discussion arose among Some of the players! as to what particular period in life could be designated as “lovetime.” One of the ladies ventured thel opinion that lovetime could be de. fined as “the happiest moment of one’s life.” Another suggested that lovetime was “the time when two beings found that their ‘greatest hap- | in being togethe! Miss Mason closed the mposium ; by remarking that “lovetime is th time when a human being blindfolds himself or herself and waiks straight for life's coal hol Rider Haggard's “Beatrice.” THIRD “foreign” film has been acquired for distribution in Amer- ica by Goldwyn. Although made in the picture wi directed by |Herbert Brenon, one of the best known and most experienced American producers, and its star is one of America’s most novular screen and stage players. Marie Doro. The picture is “Beatrice” an adap- tation of Rider Haggard's romantic story of the rocky coast of Wales. Mr. Brenon directed it for the Unione Cinematografica Italian de Roma. Photographing was dona at the pic turesque Italian city of Tarmone The story concerns Beatrice G ger, the young daughter of the curate of a town on the Wales coast, who falls in love with Geoffrey Bingham, after saving his life in a storm on the water. Geoffrey’s wife, Honoria, had married him for his prospects, but when his bachelor uncle suddenly marries, her dislike for him cames to the surface. Geoffrey soon finds him- self in love with Beatrice. Though neither is guilty of wrongdoing, Bea- trice's jealous sister, Elizabeth. who wishes to marry a wealthy squire in love with Besatrice, contrives to make them seem so. To save Geoffrey's public _career, Beatrice, rather than have him drawn Into_the divorce courts, drowns herself. His wife soon afterward is burned to death and,; Geoffrey has only his little dlll‘hler to live for. —_— Jullette Day, who was recently seen !in “Scrambled Wives has been en gaged by Marc Klaw for his fall pro- duction of “We Girls. “The Nightcap,* a play of mystery and laughs, by Max Marcin and Guy | Bolton. started rehearsals last week. Jerome Patrick and Flora Sheffield have been engaged for leading parts. “The Marriage of Kitty,” in which | Marie Tempest starred for several seasons, is to be turned into a musi- ! cal comedy by Charles Dillingham for ! production next season. Victor Her- | bert is to furnish the seore. Samuel Taylor, who, is & resident of this city. will leave’ shortly to re- sume the management of “The Old Homestead” company, under the di- rection of the Augustus Pitou, Inc. The company will open the Sth of ' August. “Johnny Ring " and the Captain’s Sword,” whlch will be shown at Ocean Grove, N. J., totmorrow, is, & photo- play depicting the event, that had to do with the conversion and life work of Russell H. Conwell. The picture, besides its moral value, is said to be a combination of real art in direction and photography. Phoebe Hunt, the luflln' ‘woman in Ithe stage play. ““The Acquittal” wHl . make her first screen appearance as the leading woman in Rita Weiman's new { Goldwyn production, *“The Grim Come- | { | Rehearsals of me Belwyns' produc- r Megrue's comedy, e Evell." 'Ilh Willlam in the rolu. will start tomorrow. of | firs: striking personallf tention of the will compel the at- ll:w‘nflnr. and the ce to appear in a plcture. ““As the art of the screen is primarily “From my years of experience in Inter- the aye. If the applicant is a woman/ looks are the first requisite; but in the long run p-mnumy and intelligenca are the qualities which win success. To this must be added ambiilpn ) d the willingness to undergo the /iard: \ips of the game. “From my years of experience i./inter- viewing applicants for the screen I can lllly determine whether a girl s est and sincere or attracted to the lludlo by the gtamour of the profession. The latter type will assure you it is her |Ih-lon‘ ambition to become an ac trese, but I can nmlly detect the vanity of lhe ap She may b glven a chance to o ntmonhm. or s:rely dewfltlvc work, but will sel- m rise above that station. | ‘“We are always looking for unique personalities. A sparkling eye, a sen- sitive mouth, a distinctive carriage. an individual way of holding the head or unusually expressive features will al- ways interest the casting director and he will give the applicant an opportu- nity, even as an ‘extra’ or in & very minor part, to discover any latent pos- sibilities. ““Theoretically,” eontinued Mr. Datig, “motion _picture ucers are always) looking for new faces and for material for future stars. But these cannot be discovered in the beginner. We must wait until an actor displays unusual talent in some particular role.” FOR PHOTOPLAYS. line of the factory belt, shadowy stacks standing out bleakly against a cold gray ' ky; a wisp of smoke tralling sullenly over the city. To better “get over” the idea of closing time he might include in his panorama the plume of steam that leaps from the whistle when it shrieks the day's end. No matter how artistic an art title, it must not be allowed to violate or en- croach upon the sacred precinct of the director. It must never be more than a misty background for the printed word of the title, yet in a flash it muat prepare the spectator for the action / that is to follow, give him a clearer understunding of the title which may be 80 “gummed up” with poetry as to be obscure, and put him in complete pay- chological sympathy with r little Bally Simper, whom he will next see leaving the unsavory llcmfl' One might reasonably f an art director uses his film phowrnpmn' the factory, how Is he going to get the printed words into the same picture? He makes the photograph of the fac- [tory on all of the film except a little rectangle in the exact center. at is covered with a small mask. Before he | develops the picture of the factory he | will photograph a upon which the title is printed and the letters will jus® exactly occupy the space left vacant for the purpose by the mask. Of course. there are variations of this. such as double and triple exposures and fades and dissolves and irises and all the other tricks known to animated/ photography, but the usual way is as Aesoribed. Filmograms. HARLIE CHAPLIN'S new picture will be known as “The Idle Class,” | and not as “Vanity Pair” by which it was first made known. “The Porcelain Lamp,” made by the {Harry Levey Service Corporation for a | well known motor car company, is de- soribed as a beautiful story with h charming atmosphere of romance, which {fllustrates the discovery of gasoline and jts explosive powers aa applied to loco motion. Several inquiries have been received in this department as to why “Th 1 Four Horsemen of the Apocalypse” he ‘not yet been shown in Washington th- !aters. Rex ]nl’l'lm. its director, v an honorary degree from Yale for this picture. i Armament. Bayard Velller has become facetfo: with the board of censorship. he is reported to have sald, 'nll scenes which women expose parts of th anatomy which ordinarily are kept co ered must be ell mml«d it places m in an embarrassing position, becaus an important member of my compan insists upon exposing her ears. ! \ml- Dnll- is to be directed in + g production under a net prodlll:ln‘ unl! at the Metro studios ! Harry Beaumont, who was the direce ¢ when she made her first appearance the screen ten years ago. The pletu {will be called *“The Fourteenth Lover® It is by- Alice Duer Miller. Metro is said to have reorganized : i research department at Hollywood i1 der_the direction of Josephine Dilic: with the “most comprehensive Lbr.:. of reference books ever used in a m tion picture studio.” A moving picture studio joke has that “the moon, residing outside th three-mile limit, can get full when it | pleases. Unemployment, It Is said, has hit thy moving picture industry at Hollywood relentless blow and the actors are co! senting to appear at lower salarl now being “uly(hlnl to get a job. Associated First Nl(lmll Pictures, Inc., is promising some big surprises in the way of entertsinment for the coming season as the result of a recent conference of its ident, Robert Lieber, with Charlie ds ven, Dorothy Phillips, 'Donald, Buster Ktmon. Nellan, Anita SBtewart, Charl others. Im his vavdeville 5 " and is to show Il with a spoken prologue. ’ Edy has nlm out a iery lhll it is wrong to mix up Mirfam Battiata lnd Alma Rubens. They are not the same person, he says, and proves it by saying Mirlam is only eight years , barely fflhr !.el hl‘h, and weighs b\l! J Miriam was tl le crippled am ln “Humoresque. Lucien Hubbard, scenario editor of Unive , . ““We want stories of life—stories al people who are real to their lll(llor. and who can seem) real to us. Perhaps then we can make them seem real to the people In the theaters. We are not looking for strik- ingly original plots or a climax utterly unheard of In screen literature. Bost things that have never been heard of dewva thelr {nm“ Carl Laemmle, vr!llde’nt of Universal, says that famous novelists and popular fiction writers have done almost nothing for the screes nly not nearly =9 much the screen has done for them He thi that when their productions are flashed on the screen they bear only a nominal resemblance to thelr original stories. It is only those who have grown up in the business that <eem to count. “iss Du Pont,” the screen’s newest star, is described as a blonde beauty who won stardom by her work in “Fool- ish leu.l'i‘:nd nn;"l-‘ being ex:l::lold in “The e of s a rol c story by Du_Vernet Rabell, under the dlreeuou M Jmk Conway. Charles Dflllnghun announced lllll week the r‘ctl{‘n a number of plays which Fred G. tham bought for him while abroad. In his stay of four days in England Mr. Latham made final ). Slmdny !xl l» Hfllulm and 8¢ l Jally Matinees. Except Baturday MOORE'S RIALTO CLOSED FOR ON 70 ALLOW FOR THE IN- i The Tiustrious American Artiste ATy %5.‘," ',,':g,’,"g,', T O AL Theatrical shopping. He ia said to have Artangement With CHARLES FROHMAN, Inc. THE COMFORT o i = u DANCING. brought the manuscripts, scene plots Ll 70 PATRON 18 D G ohK a8 BREN 80 ARRANGED | et T TR ith London play R D T oNs WILL B OIvex 48 930AL, | JISON"SEz=- ™ i l It I |Thn play o] week hence in At- Bl i 1antic City, :nln‘ into New York for i an extended run about the middle of August. ALWAYS A GOOD SHOW Ninth ot E RANDALL’S THEATER arrangements for the rrocneflnn in this country by Mr. Dillingham next sason of seven London succel which is something of a recol A Rare Event in the Year's Anuals of Seclety and the Drama W FOR THE ENTIRE WEEK-9g First National Offers the Premiers Presentation of the American Beouty KATHERINE MacDONALD .bcm.s CHARLES RICHMAN ond an f Oslebrated A'K ts in > Ae Star Beausiful a Lavishly J“Nflll“‘ Dr;.:w of munmv “TRUST YOUR WIFE” s More Eaztra Added Lomedy Hi, “SHORT AND SNAPPY” 0 Mothers.” b Presenting Str J. M. Barrie’s Ome-Act Play, EFFECTIVE SUNDAY, JULY 34TH Alice Duer lmhr. -nl Be "Tom Moore's mext picture. “The Twelve-Pound ($60) Look” — G ARDEN TEATER said that Dimitri wetski Supperted by s Oskpany of Notswerthy Actors . mfl'lm! WILL, u GFIN'A.Y CLOSE FOR THE BEABON, TOM PATRICOLA JACK McGOWAN 25, Delrey ta Temous Musionl Oomady Star OPENING IN THE F "tbéo';‘" BEING THOROUGHLY FLIDNG E The IR~ A ttans which will take place at Oberammergau during July, August and September. Mme. Nazimova is said to _be nego- tiating for the use of the Earl Car- roll Theater, New York, to be com- pleted in November, where she hopes to head her own stock company. at usion of her metion picturs, the coast. IIIIIIIIIIIIIIIIIIlIIIIIIIIIIIIIIIlIIIlIlIIIIIIIIIIIIIIIIIIIIIIIIIIIlIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIlIII|IIIIIIII]IIIIIII!IIIIIIIII|IIIIIIIIII