Evening Star Newspaper, May 22, 1921, Page 66

THE SUNDAY STAR, WASHINGTON, D. C, MAY 922, 1921—PART 3. — ~ lainarily be considered so small a|office with the statement that he was | artists from 1550 to 1320, and it expressionism. archaic primitiviem— |here in the Corcoran Gallery and|supposed its meaning to be i I:m.mcr. | unknown. shows examples of the work of Ar-|in a word. renouncing impressionism, | ibat her government would sanction | commonplace about it—1he | ® Case 1-H contains various editions| There are copies of the Harper's|nold Bocklin, who. thoush born in|which has never been highly es- |its exhibition in America. known to human thought * And thcn O es O rt an rtls S the world-renowned book, “The | Magazine containing the objection- | Switzerland. i8 claimed by Germany. | teemed in Switzerland. 7 * % % % adds that “the inte T the fizure | rt of Making Enemies.” And | able reference to himself in text and LIf this collection as it stands is, in-| This exhibition trul: presents eXam-| piouivies are constantly being made |13 DOt in its meaning, hut in the re- ! _ 1 \ sponse of the use here to say that though illustration ‘in “Trilby,” as or ] John Hay, ¢ involved | published. for which the publi nally | deed. representative, then there is|ples of these “various efforts.” the ef-; h f {concerning the meaning of the ifigure. the “Adams Memoria ers | good reason Why Swiizerland has | forts of those not strong enough to be The collection of Whistleriana as- to attend at_the high court as wit-| S essed in | made frank public apol in a sub- | preferred not to contribute hercto- | jeaders. vet endeavoring to hide their e i the sculpture, sa i sembled by Joseph Pennmell and his | u for Whistl the complete ! Rreate B han himself the gen- | Sequent i&sue of their m. Some | fore to international cihibitions of | weakness under the cover of delibel ands here in this eity in Rock | The work ix cribably noble Wife und collaborator, Elizabeth Rob- | brief for the piai letters from | tle of making friend | will remember t er drew fart. The showing is far from | ate intent. A well known critic said | 008 SARCE TS sl and imposing. bins Pennell, now ‘on_ view in _the Whistler to his solicitor and cou | se 2-B contains catalogues of the | & caricature of Whistler under !'he [ worthy. | Fecently that modern art is without | + been given many | Gaudens’ mas print division of the.Library of Con- |und letters of congratulation to Whis- { 188 d other cxhibitions. Photo- | thin veil of a_character named Jo When one recalls the natural heau- charm, as is modern literature and = many |poetry and su = Eress. is of extraordinary interest and | tler on the celebrated verdict in h : shown of the memorial | Sibley. Upon Whistler's.objection. @ | ties of that brave country. | dramn and life itself. This 1R a past without nning. e without end, & Tepo: in itself a wondecrful tribute to one favor. With these manuscripts are|exhibitions in London and in Boston, | NeW chiracter was substituted. and|which has held her own with weeplng criticism. a bold of America’s greatest artists. Con-'shown a four-page circular issued by |and the quee atalogue of the lat- | & CODY is here shown of the telegram | great dignity and independence ment of modern art: for life today, as|ret! Wendell, said: ‘1 s experience. @ __ sidered in connection with the Freer the Fine Arts Society of London ask- | ter exhibition is included with these. | from Whistler to Mo Webb of | aspired to such lofty ideals, always. is not without charm, and if|¢ "h{ e "'N‘ o nothing Mmatters. Whistler collection. this comstitutes|ing for subscriptions to pay Ruskin's| Not of least interest are the series | 1:ondon. approving the author SV | showing is peculiarly pitiful modern art has lost this quality, then;further inqui e this = ere and be iful face and not “Happine: form.” Wwhat is probably the most complete | costs. | of books illustrated by Whistler, such | and obscure fricnd, Bald Anthony s people are not unappreei: e n0t an «rt that is worthy of ser and comprehensive record of an art-|{ In the upright portion of this case as “Historical and legendary These are lut a few of the many lof or blind o beauty b cnniideration or of preservation. |bevond doy+ 5 E 8 LT M ey et o astanco! § ist's life that exists. own photographs of the paint- | lad: Walter Thornbury: interesting items set forth in this|is said they are peculiariy suscep The modernists themdelves claim ! Fhis Comversation is Set (OFI writinz of th made th _j Mr. and Mrs. Pennell were Whis- = lozue of blue and white Nankin pory very remarkable collection its influence. - |that they are endeavoring to gmive|!he e b Aug lowing re f no exhibited at the Grosvenor Gal- | .7 /% b0 on S50 R Slion of Sir| A charming catalogue prepared by n there are 3y R sraphic expression to dynamic fore By nd amplitied | ;0 S0k » and shown at the trial | Henry Thompson. the Pennells, with introductory note be descr Py T e their | ; - 1o exalted in i ecu CEAnEement i Blac n case 2-13 is a show- | bY Herbert Putnam. librarian of Con are frankl v oo = o remaly homely T piheaanns p» t of Henry Irving, : Wity SR M oN. | Eress. has been published. printed at is difficult 10, GnA e ] e ihie ractAnat th s | Adums. by whose order the work was [ ESIO0S 70 SRl ik Jt began by admiration for | . howiin the Metro- ) which the light w ill- | the government printing office, With | or ta expiain. Possibly the explana- sl art and that a choice of subject is| 'd ‘as a memorial to his w dle In wak- -~ his w. it was interrupted only by Nocturne st v ced where it should be on |# Paper cover designed by Mr. Ten-|iion lies in the follo ' ve | open ! writin Richard Watson G o o & "7 his death. o o e Ie e pictures themselves and the pic- | el to the work of th i "Na one will deny that there is ugli- |82 The whole meaning and feel- | pid, & CCRL (o © For weeks Mr. and Mrs. Pennell | Y Mrs. Samuel Untermever, tures in turn carefully placed as | * ok ok k¥ which appears in the catai % in the world and that it is eas ing of the figure is in its gniver- lecting the material which they have | e urne in Blue and Silver—Old {ypits of a composition on a back-| An exhibition of Swiss art, which | biographical notes ) portray ugly strength than strength | sality and anonymity. My owun name & aterial which they have | Battersea Bridge.' now in the Na-i ground of peculiar appropriateness. is ‘making a circuit of this eountry | ~During the wWar SWitzerlond wox o hes Hut the great masters of | for it is “The Peace of God. la Farge * mow given to the nation through the | tional Gallery of British Aart; as well | ®qpare is a picture of the house in |under the patronage of the & thrown on i v " ot - works generations have!would call it Petrarch -Library of Congress, a part of which |as the three produ: only is on exhibition. ¢ at thetrial d as evidence | wpjen Whistl as born at Lowell, | minister and auspices voung artist ' ip admire are those who have|would say iccome eterna vita e | The collection reached “'ashim:lnn;aml Brown cArrangement in Black | ypiee: of th g house,” in which | Brookly . is now on view in | traveling ta p v manifcst. even the beau- | veder Dio! and a real artist would The Fur Jacket. I he lived. nd the house. | the Corco: allery of Art. living or 'k Lo of nd have given to!be very careful to give it mo name ©5 Cheyne w *he died. There | It in the introduction to|hom 1er o Which cheers and in- | that the public could turn into a lim re photographs of pictures ascribed | the catalogue that general ignorance | peared to mo: ' . a4 uplift . |tation of its nature. i i to Whistler incorrectly. and of many | prevails in this country in regard [of Swiss art: Iy T ionmong When the heavenly beauty of Swit-{ Mr. Adams much perplexed th portraits, both painted and modeled, | to the art of Switzerland, both ou | the nEth of charectr 1 serland 18 recalled. her cloud-capped | the figure did not convey its me h money on @ couple ofs ] in 1917. A portion was damaged by | the dampness. presumably on the way over. but fortunately the most valua- ble items es \gement in Gray oFr weeks Mr. and Mrs. Pennellill—Portrait of Thomas ¢ 1e." | of him by other distinguished ar the part of the genoral public and him without . Wountuin peaks, her lakes and laugh- {more universally than it ¢ « have been arranging thoese exhibits |owned by the (ilasgow Art Gallery.|”here is a series of books written | well equipped experts. This fact in | viduality. The vounge ; streams, her magnificent woods | in his “Autobiography S ey mhows e care A = Slonue e @ SoTies 01| abour Wihiskler, and thers dre cav - s it impossible to judge|animated by other feel ved aatiice MIoHeRs 1018 Pitital 1o ] e tures, bits of humor, a letter, for ex- | whether or not the present colléction [ to surpass Pim, placine thoir faith ) en a remnant of her peo- — forth. Its interest is widely varied. |lets. with the “Butterfly.” now so i P b The : Shonit : g i i ts interest ple. addressed to Whistler at the | is representative. Tt supposedly in-|in mod rench themselves to the pro 1t comprises pictorial . print- | rare. Among these are “Art and Art|2mple. addre £ the. P P e G cturnc . des the best w o glthe new problems * t as is now shown- [fill~ - ed matter, | manuscrints, orieinal| Orticss in which pamphlet Whistler [2cademy, and returned to the post lcludes th t work of the leading ! the v v h ar n ho drawings, etchings. photographs of | his_reasons for bringing action = AT il - paintings and of Whistler himself as | against Ruskin and made comment well as members of his family, the | on the proceedings in court. / 2 house or houses in which he lived. | Case is given to copies of the K 1n the Tamoas WhistIer Ruekin temt 15 e Skeithes of. the “Batter- AT LESS THAN YOU HAVE PAID FOR FABRICS euch as the writ i 1 by Whistler’ and for the cover design. show- The biggest slump yet recorded in Tire Prices solicitor summoning Wi m Michael | ing the extraordinary ¢ that Rosetti, W. C. Wills andsAlbert Moore | W t might or- Factory Guranteed Firsts A standard make of absolutely deper 32x31/, in. 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