Evening Star Newspaper, May 1, 1921, Page 67

D. C., MAY 1, 1921—PART 3 AMUSEMENTS "8 i AMUSEMENTS. THE SUNDAY STAR, WASHINGTON Amusements The Photoplay e UCH interest and more discussion has been aroused by the in- troduction of the human voice into his latest photoplay produc- tion. “Dream Street,” by David Wark Griffith, to whom admirers of the photoplay look abovs all others in photoplay production not only for the highest expression of the picture art, but for notable advances in the production of the photoplay. For more than a year, it| is stated, Mr. Griffith has been in close touch with the perfected mecha- nism by which it is hoped to make the silent drama really spoken drama, ] and “Dream Street” was so arranged in its making as to readily adapt it to the talking device. fany of us,” says Mr. Griffith, “who have watched this invention believe it is at least near perfection, and so useful that it will make a vital and enduring change in the motion picture industry. The combination o the film and the record gives a power to the spoken voice that is beyond the possibility of platiorm or stage effect. The resources of the film magnify the figure on the screen until he stands at the very elbows of the audience. and the refinements of the talking machines bring the voice in clear and natural tones to the most dismm' corners of the theaters™ * %k K X HIS will bring both joy and sorrow to fandom in the film world and | to many who are not fans in the degree of their enthusiasm .l'or the pheioplay, but who patronize it nevertheless for reasons of their own. Many there are who claim that the virtue of the picture story told in silence transcends all others and gives to the photoplay a distinctive charm. The only excuse for voice introduction, they claim. is that it wil] enal the director to overcome the scarcity of plays in “the screen languag nd to get by with many that might be better presented on the stage, and this probably is true. In the really great photoplays that have been shown, it is doubtiul if the voice would have hzlped and if its presence would not have destroyed that concentration which lends so essentially to the full enjoyment®ofi the picture stor Talking pictures, too, will ‘interfere sadly with those who are disposed—as is sometimes the case—to take a quiet nap while a picture is being run. and té others who prefer to do the talking themselves and to whom the movies have been a godsend in the way of theatrical entertainment. * ok ok K HAT with censorship and the blue laws. in addition to other vexa- | tions and annoyances. the serenity of the motion picture producer —in the past vear at least—has not been at a high premium. Now there is nother ghost arising above the horizon which threatens to Mivide opin- 1ons_of producers and the national board of review. This time it is the tariff and its bearing on the importation of foreign photoplays ghat have been winning far too much praise in this country to suit thé average picture maker. A prominent actors’ association proposes to raise the bars so high that these foreign competitors will not be able to ‘gat -into competition with the native product and possibly endanger the wzlfare of the 60,000 workers in the photoplay industry. y + _ Alired B. Kuttner, editor of Exceptional Photoplays for thg na- nonzlhhoinl' n.l' revie up in arms over the suggestion. “Is this the C “ way the association proposcs to meet the challenge of better pic- G Tares?™ he acks. One woeld think that o bods Thics incudes | ANNA Q. N1LSSON ANDERS RANDOLF ARETH HUG‘HES of our finest artists of the stage and screen would have more regard for lace Gard Columbia cultural values. For it is showing scant respect to the motion picture Pala srden art to treat it entirely in terms of commercial commodity. Art is not a mere thing: it is the most fluid form of cultural intercourse between nations. The artist’s appeal is to the world. and no artist worth his salt will willingly cut himseli off from one-half of the world. or allow the b 1 mn Pi NEXT WEEK'S PHOTOPLAYS, artists of another nation to be similarly confined. Is the motion picture Oto avs IS eek Paris Gowns in Pictures. ‘ THE SPICE OF VARIETY. industry, the fourth or fifth largest we have, to come into court and [ Du vou know how motion picture, uE\ H of us may play many parts in | the accredited authors are William plead that it is a puny infant industry which needs to be nursed along? Metropolita: our tme says an interestinz | Shikespeare—and Elmer Rice. That is ridicul f fit, a i The Oath.” a Raoul Walsh produc- = b Mr. has taken Romeo, the is ridiculous on the face of it, and would expose the industry to a OF | an released by First National as WTiter of the Go'dwyn staff, “but few of | jurp of ‘Romeo and Juliet! and gcarch)ng criticism of the apparent inability of the industry to pay for “ach {gne of its “big fiv 1 uS play & many parts #s a movie actor, | placed him in Arizona. one of the itself in spite of its enormous profits.” He adds: “Why doesn't it (the oras ‘diverca roles rougher states of the American com- monwealth. as Mr. Ruggles of Red PriscILLA ' Y < e ol g v | | DEAN -Rislto B 8 e B SCR V ‘ \ 4! — PHILLIPS Metropolitan trand actr manage 1o appear in | ®orgeous wardrobes of twenty Johnny& Hines, will be shown, thirty Pdfisian “creations,” “Sentimental Tommy.” |ring also. worth a large sum, with a totally | Sandys. a born dreamer, an in- le but lovable egoist. is its cen- : McAvoy. the association) go the whole way invok + “Sentimental Tommy," based on the ere 0 sach pleture? E | P e o W A N f law against \.EM‘; Enplish e and seck to invoke the contract labor | o, " IMCERta, TOMUS T nd here | Apollo. difterent outfit for euch plicture? | Knickerbocker. { “Toem Moore, picking a few of Nis|Gan ‘miaht say. Mr. Rogers is not " ae st visiting English actors as well as try to stop English. plays | alded as one of the outstanding pictures | mogav and:tomorrow, M , motion picture salaries do MOL WAT- | po o eor el Doaiotion for First <Characters at random. can boast that | mueh of a hit as a lover. it would and Viennese operettas from being given on the American stage>” |of the screen vear, will be shown at s vBo g * et { rant such ¢xpense on the part of in- | N7 “Phe Oz ving 5| he hAs ‘been a down-and-oute niseem. until he reads ‘Romeo and 4 y lan's Bob Hampto of P National The Oath Lying Lips. been Gracious, to what ends these argumeats do lead. Loew's Columbia Theater this Week. ' -pyegday and Wednesday, “The Pas: | dividuals. | First | National's “Not Guilty” and | Eng'ish noLteman, burgiur, a po- Juliet’ after his girl has declared T is goi o 04 e OO, el Gariay | slonate. Pilgrim.” and comedy, “Dead | But here is the secret. disclosed, i | Vitagraph's “Black Beauty ceman. & small-town politician. and. | {hal <he SOl newer fncber maryy i iashi le as w s i es, May McAvoy and Mabel " Basy” stine stone. | is said. by Jose: .. Percy, c - in a Goldwyn picture Soon lo be re- anybody but a.Romeo. D I P i to be fashionable as well as profitable for onc to become a | ferro are in itx cast.” The quaint Scoteh BRSi T, S oanT NG Yo Sxver wha ks Sharks AT the | Crandall’s 1Zased. a fireman, has a dream, after reading the book. ookworm, judging from a recent appeal sent out by the Photoplay- | ¥illage of Thrums its scene. and | 0 rehy's Knighthood™ Fri-| wardrobes for Benjamin B. Hamp- | randall’s. Will Rogers. in the year that he in which he sces lvn‘,]sni\':' ?fi.“.‘»';::;;; latest First National has been working in pictures, and jItalian lover, dre e during which he has become ome of | 0f (hat elder age. bul with o ew &, anmt Bopil fle stars of the!modern colts in hix belt for protec- b S % South. ! tion. The results are said to be v\:righu' League of America. a national organization.of screen, writers, wit] dheadquangrc in Los Angeles. Members of the league are being e + urged to delve into attics, old libraries and second-hand bookstores for |story's heroin Mildred Harri Alice Lake, in “The Greaterton's\pictures: T | pYeture, “Habit. “In well_organized all-star produc- ing companies, such as Mr. Hamp- and Harry Pollard. in “Bub- Saturday, “The Truth while Mz E is_credited with giving | bling Over | A sty S ; , ) " i {ton's, the costumes are-purchascd for screen, has been a cow re, ] ;‘;‘:’;-‘V‘"d books. or magazines which may contain the germ of an idea | hotable portrasal of ihe role. Y e Hukbandst [ them 53 o costaming exnort At the | Palace. | ¢rn loafer (they are said io loaf bet-enzaging and dramatic. screen production which has been overlooked by producers in their | o 11¢ Pl includes added screen a and of each picture these clothes are | Kisie Ferguson in “Sacred and Pro- | ter than the northern ones). @ moun- | i search for story material. musical attraction: Avenue Grand. put on sale at a considerable reducs |fane Love.” a film version of the | taineer, a tramp and, in his latest: o in the H : * % ¥ ¥ . «Without Limit.” Today and ftomorrow, Constance|liom from the original price. though |play in Which she was.scen here Photop'ay, a Scandinavian sailor. ictures in the Home. ENJAMIN B. HAMPTOXN. fne of 1 . = ithout Limit. T T Affar “and | they are scldom in need of repair. | recently. | “*'Life out here at the Goldwyn, L . Rl W - 1AL N, e prominent producers of the “Without Limit.” a drama of a|pHarry Pollard, in “Bubbling Over; | The actress who wore them has first | | studios has an infinite riety that ' A MONG the many and varied uses 7 c!ozmrv. has reached the conclusion that’if it is possibie to bring |man's gamble in money and souls and Tyesday and ' Wednesd Thomas | ::Immn ;\n her wargroht-. :ln buying { time cannot wither nor cus e of the motion picture, there has . 3bout harmony inside the industry. it will be possible to meet success. |8 brilliant Metro p-oduction feafur- |Meighan. in “The Eronticr of the| IR P T R L L Uy Paper Scenery. zass Tom Moore “Varietx it [N ! sprung into prominence a f€ature 5o fully the menace of censorship, blue Sunday laws and taxation, ~Efforts |5, Anna Q. 3 ars.” and comedy, “Dummy Love™pl b 1oL o e up o date have been unsuccessiul.” he states, at Locw's I [ e 2 lace Theater this week. |q day, Hobart Bosworth, i A i A due, I believe, to our lack i this afte The pice. |anursday, Hobart, Boswordh in 24| e XN T of courage to admit that the industry can never be united until an exhib- bemtnning e .yo:‘nn{nn'flT“,"‘“'";‘“" L o ’[ffl“.x‘h,:“""f;‘ WA DURCAT, EHe VItagraphstr; :{mr Is put at the head of the-national association. It may be startling | magazine story, “Temple Dawn" T e Il emedy lorchy-s|is commencing work on a new pic v e for a producer ‘o express an opinion such as this.” he adds, “but it seems | Ember Edwards. a girl who marriee gy izhthood”: Saturday, Alice Lake, |ture, “The Princess-of the Desert | fective thah the canvas and board | quite es - hir T By O | e, the fomily And atsionsd eysni, to me that the logic of the situation compels every fair-minded €MS.|, “weakling of & man. learns that{fMENNT L BHNHEN . 5 Comedy, | Dream.” based on a noveletlc by | scenery mow used on the stage and | JUh e buts himsoif inte the SRAY Sl gt o res of. on admit that our lack of harmony * * * is due t il ed man to |her husband is a forges. Who iS[Lp, g paey r ‘ j Ralph Cummins. with scénario written ;. ;0 gigios. The Rockett com- 2 fi%‘,..“‘ can’ submerge ones | vm: [}, | g, Ak the, lives. of the the positi £ th ek 1y A uc to our failure to realize escaping punishment merely through) _ by Thomas Dixon, jr.. author of “The d D e n s r Al KoL T0 _position of the exhibitor in the industry Mr. Hampton says the |the kindly philogophy of a gambler. | Clansman.” unon which “The Birth of | pany, producing at [Universal City. el e Tole of the hour—but that | Ta@iITund_ frigndsy Gar 13 Beinl exml}nor occupies a position somewhere’ between the newspaper, the | AD grehestral overture. the Pathe Empire a Nation™ was constructed. wiHl ‘make 4 test of it and. it found | is dFue in Hife as well asin plotures o e shpel i ‘&:\":efiby: cin iblicis 24 e § 1 2 o < b 1 4 3 il 10 meet the claims made for it. “On the stage next to that on!m zhZdeg g p chool and ths church as a provider of public entertainment tha | " Literary Digest topics and fea whieh Mr Moore is engaged is Will | of producers in this cit | potently appealing to the home and the | GOMEBODY hax invented a fireproof Sbice of sariety, One das one thin n \ | and one ways deep | tamsly as to warrs citat i paper scenery that 15 claimed to | 41d one day another, and slvays Q0 | family as to warrant the belief that ¢ Ve more beautitil, colorful and ef-| oo fore ot the actor. He never|may become mlmost universal. It eames himself mo matter how | the motion piciure in the home—of the i Today and:tomorrow, Tom Mix, in|, “The Secret of the Hi is," by the use it in fyture Rockett pr.®_ ctions. :,]:‘?-‘ him in an extremely peculiar, important position in his com. | " c® 2r¢ O" the Pro Hands Ot Tuesday and Wednes- | English novelise Willam Garrett, will | If it can be produced as caeaply as JRogers, in a new role for him—| .lImagine a zenealogyftraceable’ in ity - I «“Man—Woman—Marriage.” day, Owen Moore, in “The Chicken in|be used for Antonio Moreno's next claimed jt ‘will revolutionize motion [ that of Romeo. The picture is to.moving pictures of a fimily whose an- * k ¥ ¥ v == ge. the Case”: .Thursday, Radcliffe Fel-!pictyre. | picture Dery produetion. | be called ‘Doubling for Romeo,” and :cestors first set foot on Plymouth Rock a and continued from thdSe ancient days up to the presenf time' But one does not have to compass S0 vast a flight of yeirs to appreciate the value.of pic- tured records of event in the life of some loved one who has passed into the misty depths of the endless here- arter. One might even find keen delight or ddening pleasure in after vears in tracing one's own life in its spring- time, through its summer and into its fall of lenzthening shadows. It would be @ pardonable sentiment that all mizht appreciate The durability of the films are said to make them a permanent record. LIVER MOR! i T A — Harry M. Crandall announces as lows. in “Pagan Love"; Friday, Car- OSCO. in preparing the scenario for “The Half Breed," | the ehiet attraction this week at the {mei Myers, in ~Beautifully Trimmed. - his first big picture. is sai i s ! . is said to have also prepared *with 3 Metropolitan Theater “Man—Woman jand two-reel L, Ko comedy; Saturday, | claborate dalogar. becsuss wss Sormte ag Brepared o go with e an | Meiiopolus Fhestr, “yaromen sha (e thiLL Ko comet; Huriey, FASHION CREATIONS OF THE STAGE. picture. and what the actors have besn saying is far diff actors in a |4’y “big five” productions. It is nine,to Rosa.” and Episode 11 of the great- - the titles of the photoplay would indicate. =~ o CHerent from what |fuil reels injlength and its stors |est seria), “Son of Tarzan.” traces the histbry of woman through-| out the ages, while developing a mod- | Lyric. o ern love tale An ensemble of 4,600 people, with m| Today and tomarrow. Ela l mo ’ cast headed by Dorothy Philiips and pmerstein, in “Poor Dear Ma Sames Kirkwood. i$ shown in its va-|Kirby": Sunday. matinee only | rious scenes, including a battle of thegPolo, in “King of the Circus : Amazons, participated in by 950 hors. Pear] White,sin “Mount women, 1,450 male horseme 1.3002) Gladys W footmen and 900 civilians; festival ! “All Dolled Up": Thursday and Fri- ¥, Betty Compson, in “Prisoners of aine Ham- waret AN PAIGE. who won recognition | tu . > | ture will he “Strange i - X g Orst in two-reel adaptations of O.| from a story by \’hl‘rlres'rl':‘ap"hmr::‘::d scenes in the court of Constantine, fda - : g § 5 #ries] barbarian dances and other thrilling {Love’: first The Purple They will last forever. The old-fash: “B'"" s_stories ‘and is the star ofvmbe"'s“w‘ o esley Barry, wholycenes. 4 {Rider” No. Saturday. ‘Bill Patten joned daguerreotype will fade—the fea- lack Beauty,” in private life was a great drawing card | The orchestra has been augmented |and Carlyn Wagner, in * Midnight tures and face become indistinct as Rider” matinee onl. the ¥/ comes dar! { thes e, w ‘ Miss Lucile O'Hara and now is Mrs, | 1¢°¢ dave. will appear in the cast. |y, thirty-five, a special score has been Albert E. Smith. “A rose Ly any Associated First National Pictures|Provided. and minor features will be £0 on—the oil painting be- ened, and has always the other name, ete.” {aliihority for the "announcement | neluded 0 bl e s e AV e, - - e Frederick w, 9 = s ) 1t in#ald that Tilllen Gish sice d1=) the staEe Rext momn oy o Wl&ppear:on “Madodnnas and Men.” Y never changing and noi ulways disclos- - reciod & Blotire for Rt ot Do season. estadom s and Monet a stors of e |, To1ay and’tomoirow. Roscoe Ar- ing the real charm of « loved and lost Thy: Bt 15 Bot directing At prostr. Owen Moore. 8ays the Selznick news | gulit of ancient Rome and the infquity | puckle: 10 WBrwster M Dlone’s O Tar.n & ToneonbR SR e, R nd Wednesday, Marsha ew York, presented with alxefjan's “Bob Hampton of Placer : living players, is the at-|mp reday, “The Truth About Hus- | traction at Moore's Garden Theater this |\ ,g¢"; “Friday, Mabel Normand, in The Leader announcs i |"”“- beginning teday. It boasts of an |.ywh,i ‘Happened to Rosa,” and com- Maman ader announces that Manilla | impressive cast, including Evan Bur- e O Kiidh . s Gouverneur Morris is said to have tereen., !B Wild girl in “The Son of jrows Fontaine.' Edmond Lowe, Faire!gd¥s, "B IR, OG0 By 0fh 40 invented & term fo deseribe “almost | ep 2ol Will personally appear at|Bipney and others. Thousands are said | Jn¥ 1 DO/grQete, JO€, CAR O S0 anv moving picture reformer. Tt is | ety Performance today and tell from | to be shown in many big scenes. ”_Ir"w b and, Drateen comedy, “blueshevik.” Xperience how movies are made. An appropriate orchestra score and orchy & Lea miliar gesture or ex- pression for which one often yearns. Thefcost of the motion picture in the home is =aid to be far below the cost of oil or other high-zrade pictures, and the machine to project and repro- duce it is within the reach of all. Such pictures might often be invalue able' in the case of family disputes, v sheet, was born in Mallow, freland, N » ) . i 1 m N, ldwyn star, it is;and “leapt” to the stage from schoa]lziofl;?x? b; % Tom Moore. the said. began his professional career as | in Toledo, Ohio. & uper in a dramatic production of | Parsifal.” | William Fairbanks will be fe: it bill == | where vital interests of money, prop | atured | minor films will complete the bill. | whe i ¥, prop: Percy Hilburn, first cameraman at| i the Dhotoplay feature, “Western — York. eriy 4nd perscupl feeling are involued. the Goldwyn Studios. predicts. that | PeP “Reputation.” . . Indeed. the very sizht of the dead colored photography will be perfected | S P! e Toduy. Constance Talmadge, in seemingly alive again might prevent in two yeart @] Agnes Axvrex is to play the feminine| “Reputation” the mewest Universal |Mamma's Affair’; tomorrow. Agnes such disputes or mend the broken lead with Thomas Meighan in “Ca notoplay, starring Priscilla. Dean, will |Ayres and E. K. Lincoln. in “The Oliver Morosco is quoted as saving | RICKS" an adaptation of ‘the storiey | be shown at Mogre's Rialto Theater | Inncr Voice” and Vanily Fair Girls, that the moving picture is the miracle | DY Peter B. Kyne. this week, bej %..., today. It is|in “Hobgobling”, Tuesday, Bessie of amusements he stage has been | e bhsed on a novel by Edwina Levin en- | Barriscale. in “The Broken Gate,” and slowly building since the days of the| O¥ster Bay furnishes the location for | titled “False Colors.” Miss Dean is|comedy. “Turkey Dressing”; Wednes- “ek tragedies, while in comparison | MOSt of the exterior scy of Bisie Feer | Diatared in a ~dual roles. that of |day. Lionel ~Rarrymore. 'in “The: picturcs have sprung into mighty be- | BUSON'S new photoplay. “Footlights e edand daughter. The story re-|Devil's Garden”; ~Thursday, Jack | ing over night.” Tolves around the fantastic pivot of a ) Pickford, in_“A" Double-Dyed De-| Miss Annalee Vernon's selection of| *0I¥® sonating her mother—both | ceiver,”” and Harry Pollard, in “Bub- David H. Walluce. representing Wil. |1he best six bictures for releage {a | 51Tl impersonating her mother om0 e Over: Friday. Tom Moore. in | liam Harris. jr.. informs The Star that | May includes, “Decepti the' love| Mother and, caue t % | “Officer, 666, and comedy, “Scrappily the a s €| marked histrionic genius, but differ. 3 a v, ¥ el Piliarss Munciated Fuar Ne- story of Anne Boleyn and Henry VIIL| POTKN ST Glher Characteristic Married”: Saturday. Madge Kennedy, 5 probably film | Which was ed abry Sriffith’ ¥ 2 Fistic. . L roatungay - aned incorrect. In the report referred toBurke's stories of London's China:|%cenes are said to alternate with aj & - ihe Drimicwater piay” was | catied |town: “Sentimental Tommy: the iar. | sordid hackground, e i “Mary Queen of Sco rie story; “Sacred and Proi = Supplemental attractions : s Yot o N e e ang Lrotane Love: | omday and cducational reatures and Her Scuthern Accent. une A is. who adapted *The Fo aok o S n! q At Seore, Wi Sha g il s Horsemen of the Apocalypse” {ur’u‘;:!{;;{lfion’. the; Noihi ™ starring "Dordthy | f‘-i!m.}’f;");?n‘l”- as an overture. ATRICIA COLLINGE has been tell- . Bcreen. is preparing for a similar pur- e e ing Ashton Stevens of the Chicago pose Kranz Molnar's story, “A Trip to | Priscilla Bonner has been sclected Knickerbocker. i Herald-Examiner how she acquired . ‘aradise. to play the feminine ledd in “The Son The idea seems almost illimitable in its possibilities, and serves to present a new value in the moving picture tq humant(y. 1 | | links of a family chain. i | i | Grossmith Defines Humor. AWRENCE GROSSMITH, the Enge lish comedian, is quoted sayings | “There is no more aifference between 'EI’IKIXFh and American humor than there hetween English and American trag- edy! Al humor, whether it be English or American, depends upon the seriouss .ness with which the person trying to be = humorous -+ acts, ‘the fool. This may isound like a paraddx, but it is one of i the most extraordinary paradoxes which |are vitally true.. If an actor does mot * {enter into his humor with the full pos- Allen | her ¢ southern accent. Me. St.w:»ns{ . = of Wallingford,” the Vitagraph "l “Map—Woman—Marriag J . Rex Ingram is preparing for another | ductio, . pro: ‘s special production " for re-|says: ; St . A " L session of his senses and all his facitiw masterplece to follow his broduction | ct " o D o will be shown | “Never judge an nctress by tho varts | MISS FLORENCE ROCKWELL MISS GENEVIEVE HAMPER ISl s B - Wore a lovely aftin brocade evéning | &Kown as Julie fn “Richellen.” lose oneself in one " = === = - i sufficient, introsp: of the Ibanez story. Iis furnish To be humorous it is necessary o part. retaining fust clive faculties tn fed Vdusi o o 1] the sincerity of one's acting. | bandea the guaint came colter andileTs; 3% In 2l other branche MADELEINE KELTIE | wide flaring 'sleeves, as woll as the |15 Jos muinatoy. . And Bnceiy == .n Doheme" appeared ' sides and rounded hem of the gar-|Germany, France. England or America, {ment. ~ Miss Kelile wore an attractive | whether in trhgedy, comedy. musieal of little poke bonnet to match the coat. | Sramntic plays | The crown and top of the brim were — 4 "\ she plays. Just the same, I should | w. lint Bl of e ame is not: . solic - t y 4 tomorrow at Crandall's!she P | Was a radiant of paradixe” in but Mr. Ingram declares | o0 aben(eman and {he Do b":flli\?::c}kel'u:orkkr Theater, with a spe- |#8Y (hat there is more of the real| the play of that.name at the Relanco. the picture will give the fans a new |y, y Clarence L. Cullen, Wi jal musieal score rendered by aniup-close TPatricia inge Just | — = = ; > e the first of the “feature pict peial: mus - Suppose’ than there was in any of the slant at the screen i i ature pictures hestra: Tuesday and | Supp B i in two o b o augmented orchestra; Tuesday 18 ! nyal Waace Reite e plcture. e ional - Watats "Heore Wit | Beanqaiay, - Lionel, marrymore. | My ST A S, Wi e | FOOTLIGHT FASHIONS. Hell Diggers.” based on Byron Mor- | Desmond and Elinor Fair are in the | 0 M Xrngld Bennett's comedy. “The | her wit, her wistful distinction he BY ELENORE DE WITT EBY. Ean's slory, is said to take its name | Lo of AT e Yinrry Iol. | outlet in this beautifully written and | : Ax Munctta In T i his Tatest comedy, “Bubbling | Peautifully cast romance of the south. 7FHE past week in the theaters was) in a quatat wilk bonnet and caat. Ovet": Thursday and Friday. Bebe' And youmay be sure that we talked one of period costumes and eus-|———- —— — from the gold dre o v =ome ot The Carlfornia mining camps, ™| Kvan Durrows Fontaine started her ir o B is over at length. which mhy not i Daniels. in “Ducks and Drakes" with | this, oker at length. which mhy M0l toms, so that modern fashions were|brilliants, and the low, square neck | of Erench blue, while the facing was “Moonhsine” a comedy. and Satu - 3 r 2 | i ad Wi i vell o ink < i con-| “Babe” Ruth. in his miracle pla¥, Teng moments when she was utterly | completely excluded. The quaint|was also’ outlined with bright jewel| of pink silk, and the trimming con-| T r ; e el ctrese and 1 a fair|gowns of former days, however, arc| {imming. ~Semi-puffed sleeves cir- sisted of rosebuds —and ribboy( Headin Home." is announced by the professiona! career in the company : Associated First National Pictures. !of Ruth St. Denis, making a tour of Inc. is s0on to release ‘Gypsy Blood |the country with that dancer. @ ¥crecn version of “Carmen,” direct- | M -_———— Later | (300 " Willia ) s Fontaine plaved o sennartlyh ) day only. William 8. Hart, in "C ed by Ernest Lubitsch, who directed | vaudeville, prese Jey of the Mounted.” with the comedy. | ir LT e e i otow tha. Shosi:|streamers; Losir ‘Thoster for May . Paaaion e o e i e lantaduiies ; presenting -a werfes of|apeqad Eas | counterfeit of an Intelligent play-.cqually as interesting as, If not more | ders, und their fullness was caught| Miss Queena Mario as Miml, the = star. i Zicgteld. produscs ot “1‘4‘;:"“7,“2?.“: BOfut you did, T've heard” T said, so than, the “dernfer cris” of the 1921 | togethcr In the center with tiny black | maker of artificlal flowérs, in the| Harold Liovd's old character ot - iFollie 5 | coming back 16 it, “gb shopping for|modiste, for the adage’ that “History|YeIvet bows. White satin brocaded|same opers, appeared In a Quaker-|loncsome LURe 8,1, be, revived by With clusters of pink roses was usedlllke garb of gray with severely plain | h's brother. Gaviord Lioyd, in a series the soft southern speech of Linda|repeats ftself” s especlally true in| for most of ihe bodlce. but at the| collar and cuffs of white and a tiny |of one-reel comedies directed by Alf “Bob Hampton of Placer.” Marshall | Lee" jof ee . 9 . v. Wi o v i g . |the world of fashion, and fn looking | front it opened to show a panel foun- | apron of black. A simple design of {Golding at the Hal Roach studios. Nelisu's phorcolay. will he shows ef| 1 waa on the lookout; Til admity § ion of plain white satin, trimmed | biack appllque served as a trimminz — Crandall's Theater the first three days | trailled southerners who sounded [upon the creatlons of former cen- L hite pibed/ b : e The box office record at the Gayety \fi§ Mekvos of the current weck. TNt And one day 1n & New Vork | wrles we may casily (raco thelr ev- The whits pane] wis continucd i thé |4 the throni. WIth ht costume Misa | Thealer this season is sad to’how Rupert Hugbes hus written _the |loaniog women in oe one smallest| The gripptng power of the dreme|ohop I cams upon & shobklrl whose|olution to the present, | sKirt, the remainder of which was of| Mario wore a veritabla Red Riding|the- largest attendance of feminine £tory of “From the Ground Up.” Tom | intarewt oA i nanodon pictuca] ls-enhance the natural beauly of {speech was every(hing I deaifed. She| ' Two of ‘the plays of the week,|brocaded cloth. Later Miss Hamper|Hood cloak, for the color and make[patronage in the history of the house. Moore's new picture i 38 solutely a the Glacler al Tark settings had the most deliclous southern ac-|.pichalfeu” at the National and “La| wore n lovely ereation of cream-col- | were exactly like that of the falry b Cainay I picture ““find” in the stricteat sense,|and a cast including James Kirkwood. | cent. "An F. F. V" T told myself, 'who | g 101 ropreconted Franee | ored satin ambrotdered with pale gold | tale heroine. 3 “Zizl" a farce by Frea de Gresge and Ressie Barriscale is fo return to the | PECAUSe NOt only does she carry the | Wesley (“Freckles”) Barry. Marjorie | lost all her money and came 10 Work | quring the seventeenth and the nine-|fleurs de lis, with a bright touch of | Miss Florence Rockwell's Hawatian | Fred Jackson, will be produced fn At- ctage in a play written by her hus.|Chief emotional burden of “Senti-{Daw and others. The realistic cll-|in this nice shop.’ I looked at a 10t iaenth conturies, and the kowns worn|color added in the scarlet poppy|costume ‘n the “Bird of Paradise”|lantic City Ma¥ 16 by Sam H. Harris. band. Howard Hickman, who also|Mental Tommy.” but s noted for ajmax depicts Custer'’s last stand atjof (hings 1 didn’t need—just to hearij, both were s'rikingly similar, - | blaced at one side of the bodice. might be especiall: noted if one were { Irene Fenwick heads the cast. will be seen in the play. beauty that {s declared remarkable |the Little Big Horn, in the late 708 [her talk: I even bought some. Atling high waistlines puffed sleeves| Miss Madeleine Keltie played “the |studying fashlon sources. for fringes — |for its photographic value. She be-|Charles Ray will be pictured Wednes- Jast 1 said: and long flowing. skirts. Fashions, part of the contrary but noble- | and beading appeared in abundance| Alice Brady will be seen for the firs next picture will |KAN a8 an extra with Commodore J.|day and Thursday in his latest Fikt| “‘You'ra from the south? after an interval of two hundred | hearted = Musetta in “La Boheme" |on it. The foundation materfal was|time in a new pliv, entitled “Driftin Stuart Blackton and has had small | Natlonal release, “Nineteen and Phyl- 'No, I'm from Brooklyn.' the girl|years of panniers and crinolines, had | charmingly. As her role called for of a russet brown shade, while the at the Majest'c Theater, Brooklyn, this parts in “The Sporting Duchess.” “The | lix,” the story of a smail-town dandy | sald, beautifull v. southernly. |ryeverted to thegsimplier lines in vogue | mirth and frivolity, she appeared in | skirt was siraw colored. and the long | week. Elaborate scenic effects and a Disraeli” is to be brought to the |Devils Garden.” and a few others |who competed with a rich banker's! *‘Rut you must have lived in the|\hile the greal ecardinal directed the costumes with many frills and|sirings of beads were of red anl|Strong supperiing pany are prom- acreen by George Arliss, who achiev- [but they were small parts indeed. |on for the heart and hand of a pretty|south. I said, 'hefore you went 1o|power of the French throne. fancies. and perhaps the prettiest | white. On her fluffy dark hair Miss | ised. ed one of his greatest successes with | Hardly any one remembers her. But|girl “Scrappily Marrfed” will be|Brooklyn, else how could you have| Miss Genevieve Hamper. as Julle, was the one illustrated. It consisted | Rockwell wore a flower band with 2 . y = Tt on the stage. It is to be produced |in “Sentimental Tommy" she leaped |the added comedy. Friday and Satur-|such a lovely southern accent?’ in “Richelieu,” wore several charmins| of an empire waistline frock of white | cluster of large blossoms at the Ladies' Night" reached fts 300th by United Artists’ Corporation. overnight into the role of leading|day Bebe Danlels will he seen fn| *‘I've always lived in Brooklyn.|costumes, one of which ‘is sketched.|satin flowered in yellow, and a coat|side. Several bracelets of red beads|performance last week in New York -« = woman. and folks are wondering why | “Ducks and Drakes” a Iteal she told me, in the same delightful|The shori bodice was held in place by | of French blue silk, also spowing the |appegred on one of her wrists, while |and Is said to be the first play of Zatherine MacDonald's next plc- she was not discovered before. ture, and “Crowning Torch: way; ‘maybe It's my false teeth. shoulder straps studded with rows-of {high - waistline. Accordfon - plented | white~onew circled the-other, = - -ihe season o reach that macke of Yesterday” is said to be | productions. and sinee the pductions, . n she has a,releaxe of a picture produccd inibeen the iol of the smart met and ¢1% with Norma Talmadge as itslone of the leading attractions atop #tar’ The play of that name was|the New Amsterdam Theater made famous by Mrs. Leslie Carter. - : * engaged her for one of hlui Crandall’s. Charlie Chaplin be called “Vanity Fair. . . ’ . ’ . ; ( ,