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The Sunday St WASHINGTON, D. €., SUNDAY MORNING, JANUARY 2, 1921 cce e meoe= A nusement Che Pheater Il' is the custom to speed the parting guest, but one that levies slight tax upon the intellect this week. Democracy in its most.hr{filiar form was wafted in with “Hitchy-Koo” this week, and ‘will linger for a week longer. It is simply merry entertainment with no pre- tense at anything else, and, as it has not yet taken its departure, the good-bye may be yo?‘oned awhile. “The Man Who Came Back” held its own through its €econd visit, and did not wear its welcome out be- cause of its theme. It furnished a good lesson, perhaps, to precede the confing of the new year. It is good to remember that a man can _“c‘ome back” after he has made a fool of himself, even though the privilege has long been denied to woman. The only danger of indulging too much in the thought, however, is its possible incentive to try the downward shoot for the sake of the experimeiit in an individual case. Many a man has thought he could “stop when he wanted to” and lived to nn_gi he couldn’t. The safer course is not to tempt fate, but to practice the virtue oi avoiding temptation. * % ¥ ¥ A « = ATHERINE CHISHOLM CUSHING'S play, “High Noon,” seemed to strike a cloudy sky. Reasons were not hard to find, the chief being that the author divided her allegiance to her theme, leaving her a%?‘l- ence in a “whither are we driiting?” state at the close of her play. © inherent right of the children to be considered when their parents con- divorce is a theme in itself well worthy the best effort a can give to it. Its subordination in the play suggests the pos- sibility that it may not be popular in this day and generation. In Mrs.l Cushing’s work it becomes-tangled with a hysterical desire on the part of an attractive and happily married wife and mother to ru.‘ch out af!eg her “frecedom and the right to live her life.” This was her ' 'high noon, but it was certainly no indication of a peculiarly s_vchqloglcal feminine condition. It was simply a humanly irrepressible desire to get away from the monotony of cares and duties in the home and to have a bit of enjoyment and entertainment elsewhere: with the husband she loved and respected. It was a sad mistake to inject a he vampire and a femi- nine temptress for their supposed dramatic values. The one delightful remembrance of the play is Master Charles Eaton, who made his role a gem, despite the language put into his young mouth by the sophisticated author, because he was at all times and in the minutest detail the lovable boy he doubtless is in private life. Except where the author interfered he was an ideal boy of his age. * % % EPH SHILDKRAUT, the young actor, who has given rcyurkable demonstration of his dramatic ability, was unfortunate in his \y;:h- ington debut. “Pagans,” Charles Anthony’s “modern romantic play,” may have pleased Boston, but it_was apparently too rich for Washington, which, howévet, is quite willing to concede that Mr. Anthony as a dramatist is a fine concert pianist. But ius is said to be erratic, and fi;fil’s “Pagans” is his only offense. Even the musical world should iow that' the National Capital has long since been filled to satiety with the married hero who finds his inspiration and his igterest in an artist’s model instead of in the wife of his own choosing. as it Mark Twain who said he found something “like mules tumbling gl him monotonous”? - * ¥ ¥ ¥ > new year will open with the mirth and melody of the musical .comedy in all its forms. “Pitter Patter” will probably delight the patrons of the Shubert Belasco; “Love Birds,” with Rooney and Bent, the vaudeville stars, as its human features, at Poli’s, and “Hitchy-Koo, 1920.” at the National. “Pitter Patter” will come with the pleasing flavor oi New York isc; “Love Birds” has a reputation to earn, and “Hitchiy-Koo™ will be the same as.last week, and also the same as it has been for .m‘fi l:lm =The :pun:fu n:h that 'hlen casual ‘“Thdfl hfin— amusement N in. pleasin, form. wherever he may go. And theén e | Gurrend Attractions TR P S N e g s Do s b ; e production. .. ‘entitled 2 ié{ln"ot pretty htful romantic story, um | | music and cos! es” an Ve the averkgn e 1S said i have Com ing A ttraé’tions |Concerts ang imade a distinctive hit jn other cities, > 2 d uneti 3 At the Theaters This Week. Vith the Fons Fickey Girie, & hofed | Igectures support them, rathes than assume the huge financial gbligation of try- ing to —llhlll,fl( of its own. elaborate production of its kind ON!of interpre atiie t:iiks-on public qus show. Performance tonight, at 8:20 o’clock. - gl tour,” blending comedy, dancing @nd tions. Each waek the most vital sub- Mi d Hill, daint; tertainers, in comedy: 2 GARRICK—(Motion picture) “Last of the Mohicans.” Opens to- s-sl:-nuln‘ li“:u';a’;‘ el’l‘e:;nlune and{ | POLI'S—William Rock Revue. with local orclestras. Washington, with- excellent material “p: - : comed; rtet, lately featured in = couduttor, made desperate eflofts (o perpetuate a symphony orchestra, BBLASE‘O—l l;-g)er' fiatlt:r, musical comedy. Opens tomorrow | |5ilie"” Burke's “Frivolities.’ . and R Thi Ned Wk William Roek Revue. Janet Righards' Lecture. but hfl:“ !‘h'lf """““I 'm “:';u‘m’”‘:f m:’iv':l::ri:'um'w“l‘lh‘ POL?’ ‘:ljove ni?cf:;"c musical comedy. Opens tonight, at 8:20 It;{”‘uf’:;flefi.‘k:&n' 233:%:’.‘“ hve:’.l:'\;l NATIONAL —“The Storm,” -ffi'fifi.fii'fl-'}'ifl’fl;?fii'fiffif Miss Janet Mi-hards will begin : > a y g hine 7 o’clock. v these will come Halg and Levere in % comedy-drama, ary 10, will be the William Rock Re o oot Thess, Dty pporrowing the best from cities that can afford| | NATIONAL“Hitchy-Koo, 1920° (second week), girl and music | sombination number introducine In-| | BELASCO “Peggy,’ inusical | |Vie of 1870, described as “the MOR | er Theater. part accond of her cour. | { 3 * % %% . 0 music, with a cast of twenty princi-|jects in the world'e work are dis- - H P : > morrow afternoon. Ergottl, an unusual pair, and Piquo| | COSMOS—"“Topics and Tunes,” | |pals and thirty Broad ris. head- | cussed, inc 3 A:"L‘e M OOIB. ~of l’“"i'v""‘c el U,': ’.".‘;“'r’:“"" o= l“‘“q“""’;"g‘: S—“Two Vagrants” and vaudeville. Opens (new show) to- A aests o ysical compdy. -«lah;y‘;l Billy 4 van ":;'y"""i; Corbett ol home ot aipans - oTments both of. the Forrest Broad and Garrick theaters of that city; is ted as otney matues, s ocack s ing epecialty. ETY—Big Wonder Show, | |74, 2" S West Avey and o r . Bre A “Soul Mates” lle. E caction will b yers, Jue Quon Taj, West Avey a % not blaming” the:mayor. “The stand takén by the mayocs E; Love cosuorg_ - S:;‘:"no;:_‘ “’l"fi. c',:‘c’ff‘" le. Qpens. (new show) to o e e e mres urlesque. Dennia O'Neil, Irene and Bernice Hart. | Thomas Whitgey Surette Jan. 3. noo! "3 3 3 d Helen BTy Pam Faversbam. in~ “The. in That |~ e Storm. {5-one big Coenes A chorus of thirty | GAYETY—"Sydell's London Belles,” burlesque. Opens this after- | |Was His" <A Tray Full of Trouble,” | ‘The ‘Storm” is announced for a{ls not the least feature of the revue. noot, at 3 o'clock. Irom the Chrlatle studlo, will 1ead the | weeks’ engagement at the National other film features thal always sup- ; is quoted as saying, “is entirely within reason. Thete are many shows that are far too s tive. Of course, it is. necessary to have what is known" as ‘spics’ in the production, but it can be done in a.clean way so that no objection can be madé. The public, in the long run, does not like a' show that verges on the vulgar. They want clean productions.” Thomas Whitney Suarette will give the third of his series of lecture re- citals on “The Great Composers” in the auditorium of the Cemtral High School Monday evening. January 3, at 8:30 o'clock. The subject will b= “Topics ;n_d Tunes.” In comparing Philadeiphiz with New York, he 1s quoted 35 soring . Toilonlng S 3o Junxt Sunday. night; “Bethov he lllustras 9 2 ori, ying: “Here % iplement a Cosmos bill. - following a year’s run at the Forty-| Something new has been the aim of | ‘Bethov mong the illustrations theaters are-patronized by family parties, and they want a show that is “Pitter Patter.” Jotson and Winter Garden show. since | The last. performances of this |eighth Street Theater, New York: three | Manager Brylawski in procuring for |Mill be “Sonkia for ! Pianoforte, Op consistent with clean, decent living.” It would scem from this that all 1910 among his works. | weels show, shich has been Arawing | cnzagements in. Brooklyn during o |one of his big features next week the 53" composed by Bethoven in' 1803 ul “Pitter Patter,” the musical comedy | Ballard MacDonald-ls responsible for ccedented crowds during _the | SOSSEEI n X Werk the lana dedicated_to Count Waldstein. m:e;':l&":h': c:f':"'ti'.“" ""fl all :’"";";r: et co:l:eng 1o be | gucoess, will be presented tomorrow |the lyrics and Edgar Allan Woolt b::r!;’v:z'k. VIl be given today, besinning |t (e CMannatian. Gern Hacs s ors | Eod Fanena musical comedy 1n (ybe, B T in. Mlaoras Fokhely. SStertame A finds 4 ose who have to 3 e . e production has niat 3 pam. © “]fact, t] E i ty girls, tt sic, | SUsLS, seE L s g leave their own firesides on business frips to big metropolises. evening at the Shubert-Belasca direct | /000 *yiger the direction of Edgar L | Storm Thas raquested a Peturn en: |handsoms “eostumos and beauty in|No. L which will be given by the Na- =% : - from its half-year run at the Long- i 2 e tional Strin; rtet. of this city. Sare Theater, New York. The same | sicorcsor and Jullan Alfred -while the “The Passing Revue. Eagement, and at cach engagement |Staging. as well as an additional |tonal String Quaptet of ‘this city. * ; THE world is surely awry. The cable brings the news that the first | new capacity records have been the |something that gives it distinction. [fOT n g 3 sturdy | big cast and beautiful stage settings| are the ric . art| The Strand Theater, for the firs g lin; Max Pugatsky, second violin: little "republic of Switzerland has ‘banned Shakespeare’s pla: Y | that made ¥ one of the most DoPUIAF| Girector, and the Huct Beenic Srudios | weelk in 1021, beginhing. tomorrow, |UBVAFYing rule, according to reports|Added features will include Foster.|qiiucl Feldman, wiola, and Richard obscene. “Measure for Measure” transiated by Guy de Portales. ap.|musical plays of the season are.an-i "Sigmund Romberg will personally lead [announces Brown. Gardner and Bar- B and oAy I e e ahvys | LoTleberg, violonoello. " The National pears to have been the cause of it all, and it gave such offense that 5P | neunced, a special orchestra, which 18 accompany- | nett. in “The Passing Revue,” elabo- “ »”» and Shayne in masculine fun and|SLTiRE Quartet 5.3 new local organi- Bhiet of pob iy . i offense that the | The company, headed by Ernest|ing the production. rately staged and costumed and in ‘Peggy. melody: the Tack George Duo, in |Zation which witnesses to a growing h of police at Lausanne declared its ‘pornographic character™ left | Truex, includes Eve Lynn, who was troducing new melodies and original “Pegay 241 a " a ber of | apPreciation of music at the National him no other recourse. Leard here in the title role of “Ka- I o » dance creations as a feature act. The eggy,” & new musical play, will be |ongs and comedy, and a number of Capital and promises to become.an ini- * % k% ; tinke"; Virginia Cleary. whose New ‘Hitchy Koo, 1920. ~ |Wheeler Trio, gymnasts in “Twists, | the attraction at the Shubert-Belusco 2¢Ig 10 B¢ JAROUreed, . -, |teresting feature of musical life here. ALTIMORE has ranteed 243 York career was inter t 3 The new girl-and-music show, | Turns and Novelties,” wi e fol oW Theater next week. The book and|photopl Ay .' i1 be t aa. - B e Mm’"n, 4 ‘::l:mk bord ""“ a:“"’. Opera Company | attempt to join the Red Cross and|“mitchy-Koo, 1920," with its four|by Billy and Dot Zeitler, in “Originaliiyrice are by Fred Caryll_ and the |oa matiner foatuve and oMy Good-| Mildred Wellerson January 7. city in March, which will make the | Who was draf Y, the government {stars, = Raymond Hitchcock, . Julia|Bits of Nonsense: . score by Lou Dymond of Paris and first grand opera season there since 1911. Under the contracts, " € !as prima donna of the only mi Bandérson. G. P. Huntle: ris, assisted by George L. Spauldingl] jness!” a Sennett comedy. will make| washington’s music patrons will 1 3 , Galli- , G. P. y. the English |Tis, & in%|New York. b who will be heard for the first time in letimore .in opera; Hnrylzacr?ir:i:' g“kflmml‘np;(nlfd::: v l’(n:a’::": h;u'?;?; g""fdl'"'fl '[')'f o |d ;“C‘Q?‘ f"“m"' Zé‘x‘nefiy‘sfl&'fi l"'l)ll:i -Y.::AH\"?:‘uo‘rqe l'-‘li% The ey consists of James C. Mor- ffi&‘;’.‘.; nd head the lesser flm 2t~ | pave the first OPPALtunity to hear a i i 4 o ¥ ” = oyle an xon, with' t| (osconi "y m !ton, irgink 0 & 2 - - Rosa Raisa, Muratore, Bonci, Ruffo, Baklanoff, Edward Johnson, Galefis, | dancer and singér: John Price Jones, | Deothers will sontinnn s toy ‘an | Langdon apd Tom -Smith, champlon:{on Vitelnla® Oprien Mack, Biien “Big Wonder Show.” oo Well Lamont and Van Gordon will be the artists to be presented. March 7,8 erson, at the Natiopal Theater, Fri- and 9 are the dates set for the performances. Godsey, Skeots Gallagher. Virein “The Big Wonder Show,” a musicaliday afternoon, January 7 at 4:30 Eastman; Edward See, Joan Boul xtravaganza, headed by George P.jo'clock in a joint reeital with Patrick and a chorus of youth and beauty.| Murphy, with a cast including Mlle. | Kelly, the Irish tenof... The dance numbers are being super- ' Babette, Bertha Stoller, Clarz Evans,| Little Miss Wellexson Is credited Vvised by Allan K. Foster and the show \ the Perry Sisters, Morok Sisters,|with being a marvelous juvenile Was staged by Neil Twomey. After Frank Martin and Chick and Burt | musician. Just approaching her teens. “Midnight Frol- | N “who announce themselves nigl National’ Theater for another week. |funmakers, WAS SERAVECS Wilel Voo of the Ziegfeld “3f L les”; Frederick Hall,. James BIIliugs | There has been an unusual demand to. and others, including the RainbOWw [witness this novel and beautiful pro- \JOY: in Chorus that sprang into fame ghe | uction which has been far from satis- | ; The photoplay for the week w y 1 o i ht in New Yore for it feature’ Tom. Moore in his latest FROM~SHAKESPEARE'S “HAMLET" PRanty and vivacity: o “I"“ e dt8 Derformances aast week: | Golawyn production, “Duds,” adapted B 1! e e o LU es AN Acenery Are DUt | ¢ om the atory by Henry C. Rowland. Will M. Hough wrote the libretto TO MUSICAL COMEDY |and William B. Friedlander the catch It is a story of the aftermath of the& Week in Washington the piece will | Hunter, is annoufced as next week's | she exhibits a mastery of the celio M : Y ane ¥ e Iyrice. “Pitter Patter is | wil be gl tomione at 8y CEMANCe | world. war, concerning Capt. Phoebe 80 direot to New York. !attraction at the Gayety Theater. | which has been acclaimed by critics § 5 in_three aocts, five scenes. and pre- 2 B thket} of ttbe {‘A ;;i.:;’,‘.:".‘,‘?.{;f:fl -_—_ 0 0 0 - -e0 o ————_lot l‘h! east as an achievement of true 3 4 ‘olans for the by OULD you rather be & Shake- that there one was not permitted to| fons® ® Aovre (onE and dance num “Last of the Mohicans.” e serty In_this country. Minor films s bers. Among the several novelties { Eva Davenport)s Return. : St Fhar @he g hix Drotessionn spearean star out in Rich Hill | become so satisfied with himseif that | of in; f- featured * ROrh - t S tl h t debut in New York, at Aeolian Hall. of staging he most{ The Shubert-Garrick Theater this|30S B8 n e Po lg This year she extended her clientele florts toward f Mo., or 2 musical comedy favorite on | mprovement .would | realistic rain effect ever attempted.” X, beginning t JURING 2 rehearsal of “Love Birds” Brosdway? _ SEters 10 round oot vy Of. Shar- o d g o g adventures | will . entertaln 15 . patrons . With S & special call was made for the S0 myse OroRAS Omnrgte SR Brnest Truex, who has had both ex- | ence. but to my keen disappointment | wave orih o doins s e e G Meurtoe Tournenr's picture produc; Sydell’s London Belles, principals to assemble on the stage < e e SAbh kppesost (e periences, admits that, with all due :’lo:‘rlfl ihat because of my youthful| he is caught under an awning a:nn-: Shien has e aien o uans, Rose Sydell's London Belles, one of | o¢ ¢1a Casino Theater, in New York, |analtChampion” In which Grant|soloist with the Cincinnati Symphony respect to Hamlet and Richard II1|2PPearance I was fated to be cast|a severe storm, and whom he . car the oldest and best known burlesque 2 * | Mitchell has been appearing in Bos- | Orchestra and Eugene ¥sayve. companies on tour, opens a_week's ien- | the scene of Eva Davenport's greatest ton, will have its New York presenta- Her program will include foremost for juvenlle roles. z not _ escay v pe even thoi h and Romeo, he’s satisfled with the role| “Ii was a wonderful occasion, when | Riaseir 2t e b e gagement at the Gayety Theater this|triumphs. As she entered the stage|iion tomorrow night at the Longacre the bottom of of Dick Crawford, the bashful hero of | William Brady, having engaged me|mine in order to get away from fus “Pitter Patter.” oy Ouer Night” told me I was to| gentler sex. As the bashful young Truex was but six years of age :“7 e e part of a young husband | nian Ernest Truex returns to musical rhen he started in'his home town te|8nd, wear a mustache. 1t was'my | comedy after an absence of four years mprove upon Rhe interpretations of 3 . when he was seen here in ; Booth and Barrett. That was twenty- | Of mine, but, al Good Eddie.” ey which has been called photoplay clasaio and is based on James Fenni- more L\:cpeflhlllerlrdy clhllul& It has romance, pathos and thrills and Mr. Tourneur's first production |afternoon. The organization is old ini through the new Assoclated Pro.|name only, for its settings, costumes ducers' Association. {and uthlrmelqulvman!.| ?l;l{l ‘!flg.'. breezy . vehicle, -are claime 0 ref greeted by the same old house at- iny . g, has completed -act play, ; Orch “Two Vagrants.” the latest tendencies of the stage. - |tendants as though her last appear- | DAL COTPISISC, & one-act play.; The Philadelphia estr o X : 3 ance had been but the night before. | Ossip Gabrilowitsch, pianist, composer cello pieces, as well as her own com- door for the first time since her re- positions. tirement, eight years before, she was| Dodson Mitchell. author of “Co o 2 % orilh 12 ed” in which Madge Kennedy 1o piay- | Philadelphia Orchestra Jumry 1 with five yea £, He is now just thirty-| €NOugh (the play, I mean).and I found —_— Wil d Gordon D cludes - Joe ' Marks, comedian: Benny . be presented in vaudeville. one. As a child he was.a sort of boy|Mm¥self shorn of lip adornment. play- " am, /an rdon Dooley, who = Asked who had played at the Casino land *conductor, as the guest con- Wonder, and he still insiats that If| InE a little boy to Mary Pickford “Love Birds.” Howard, Mildred Campbell, Doliy Davis, have been leading a laugh riot in the | PRSI JCTCIed TECERCR RS DALY | with her. she replied: “A few of the| A 1, mrlanger completed -arrange- | 2UCIOr; Will be heard in the third con- Keith Greater New York theaters. jr._and the: Six|dear comrades who fiit past In IY!ments last week with J. Hartley Man- | New “ationat Thesior “ooemans 'Be, 8 Leonard, Rose Sydell, B will be at B. F. Keith's Theater this m"'l‘_g“._ g s sy‘#“ sx;i Stocking | mind’s eye. as 1 once more stand Oniners by which Lauretie Taylor will o Jreek. commepcing at tomorrows mat- | S5 iany'® no ngs’ are the historic €asino stage. warmly wel- | soon appear under his management in | orbisea The Comsert Wi b e Nature hadn‘t tepped in and stopped | Httle Eirl in “The Good Little Dey at Poll's Th 3 his th at fourteen he'd be “That was followed b ;. eater, Pat growth at fourteen he ® geat, That was T»:'m:m:y,l-o"'rfiey Rooney and Marion Bent will make thefr He began his studies for the m‘: liked me 80 much as the boy de-|dePut on the musical comedy stage.'in 5 ! v e In" o up.to-the.moment enc|comed by dear old Cavanaugh, our old |a new production of ~Peg oo My e at four, An old actor who had plafed | fect a2t €lever play that they [the musical production, “Love Birds | Eiien, Patterson, Willlam Foran and D I e ¢, o eeer | Glibort pad Byilivan property fman, are [ Heart” e R e s e, o . Jiiil. ana $ruex's father, a physiciam | “Then I Ieft boyhood behind when | RhIch MaX K. Wilner and Sigmuna|time. here, In “Two Vagrants,. a lags -Settings include views of 4 5th|Pauline Hall Lillian Russell, Anna = p mpest, Pauline L'Alle-| Mra Oscar Hammerstein entertainea | > "o ot Ri offices, 1305 G street. , Marie' farcical flareback to buffoonery, writ- nursed him back to heaith. Edwin|I went into ‘Very Good Eddie: 1I|iomrers have prepared especially for | aveuse Mingericl Shop,. the. oll ke o1 | e s 9 est, and “the. beauties of the 0asis | mand, Jamed 'T. Powers, Willlam Pru-|200 crippled soldiers at-the matinee | e e T s Sl eaveenl ¢ carller isical| 'eventeen years ago Pat Rooney ana Harry Casoll who, witn Cariaton | at Havaiia, Ciba" otte, Edwin Stevens, Robert War- |performance of Lehar's new operetta Pablo Casals April 1. siow his gratitude he devoted himseif | to remain in (hat field of enterisia: | MATIof Bent mado thelr Orst apearance [Hongland, 18 intercsted in the pro- {i | wick, Charles F. Biglow. Helurich| "Where the Lark Singa” at the Man-| Word has been received from abroad e e o o e iy poraest: | ment. but just as T would get inter- | ton" and wishing o oojo o tehing- | duction. ‘An added attraction will be[ Doy R, Marion Bent:|Conried, atterward dipector of the e e of the illness of Pablo Casal ‘What he began in gratitude he con-|ested in a singing role some one| o s 'i-hll g to enjoy the same!the English music hall star, Laddie{ & at INooney—DNlarion Dent. | Metropolitan; Jefferson De Angelis| e food Lo Ouele, the tinued for sheer pride in the child.|would cry ‘Boy,” and back I'd go to|5°0% ‘""‘;’;pl n Ifl“'tu-; comedy which | Cliff, & great favorite in this country & and Frank Tours” . 4 The Beggara Opera.”. Arthur Hop- [WOrl's NUestost oot e, Nas for young Truex was soon not only iknee pan has been theirs in vaudeville, they pre- | before the great war. ‘Others will in-| C'EVENTEEN years ago:a very, very = Founded ing' presentation of the modernized |scheduled to appear a > New Na- letter perfect in meveral Shakéspear-| “*‘Very Good Eddle' took me out e e ove Phpoqcers to open the|clude Joe Cook, with his’ “One-Man| . young couple made their vaude- Father Foun . T o (i anic, of Incee | it iR thisiiis conRer el e can roles. but displayed remarkable | of that 'class for good, however, sug | Protentious “Love Birds” at Polia ' A | Vaudeville Show." satirizing the ele: |ville debut topether in' Wastfukton.| i’ : 1| the st time 1n Americe st Mcqnror |star series, pnder the Jocal manage: Precocity in learning stage “business.” | since then 1 have spent most of my | B0Cial, train ng the 125 mem-|ments in the bill, and Betty Wheeler, e headtingis oo ‘The White Rats” [the arst time ia America last Wednes- | star serics. pnder the locat m 9 Even the objections of his parents|time creating the role of the young| npone oo ombeny to Washington, to|in . “Bits of Bverything”; the three|They were o d ; 9 ; o ey RN Vilteee " tha e Jere mon everruled. and Mrx % | busband. ¥ | celebrate the advent of Rooney and Eent|Misses Dennis, Ann, Cherry and Ruth, |the bill. and their future was as|(y;HEN Harrg:Carey produced “Sun- | Theater, New York. ; L e DaEoRes ante T T erself undertool e managemen stardom. wit] ntimental songs - 1 Some A b gy B ool i ""I ——— Rooney and Bent are surrounded by | I '{fil.:!:he i o tbm-t:«:"ds::; yet an uncertainty. During the in. down. some months ago he | «ywomapn To Woman,” a new play by |tickets for January 7 wiil be good a clever little girl, Helen Fairlamb,! An important character in “Pitter|an array of singers, dancers, comedians Evelyn, in “All Balled Up. ;[ tervening soventeen years this young | introquced & leading 1ady. As she | Michael Morton, which A, H, Woods is | APril 1. The next concert of the series ia cenes from the blays of the Bard. | Patter.” whose name is not on the| 454 entertainers, "including Hiissbeth Ryan ‘and Ryan, cccentric. dancers | couple Tose to the Very planacle of | wig g mere hild in appearance, and producing, operied in e Conn. | will 6 Eiven by Mme Matsenauer, ter tl came long engagements in urray, famous as an Irish comedienne ; id McIntosh and hi * ¥ y: ay night, and a substantial hit is Tated contralto, a e w atock companies, where Ermest played | Prosram is Ralsins, a little burro, who | Eva. Davenport, Deavywelght. funsiress, find Melntosh and bis musical maids, big-time vaudeville. They became|now to the seisbm, Mr. Carey kept her | ronooy, 'S 800 3 eubstancial Bit 18 | 8 0o, oy Corsr " Sanuary 21. hoy roles, notably the double role in[although seen for but a few minutes|who makes her first appearance since|kilts and t ¢ th ¢ | known from coast to coast as two of | rea) identity & gecret. shortly. A S Gl :“The Prince and the Pauper” and Aulus | during the second act is frequently|the Gilbert and Sullivan successes at ma!vrom:: of "the Day" 'and ihe’ Kina. | the most popular artists gracing the Now that litéhe Mignonne has more £ Margaret Lawrence, in association in “Quo Vadis. referred to by the other characters |n‘Cuhm Theater; Elizabeth Hines, prima | grams will complete the program. |vaudeville stage. than made §QO! p the leading femi- | Marcus Loew's new theater at Wind- | with Arthur Byron, made her first “I" was seventeen before 1 _ever|this musical a donna; Emilic Lea and Evel van: | Tod 5 3 d & visited New York. says ME Tmex.ldo'-u:"?e Drot. Hatiae m much to | Cugh. stars of the dance; Barrett e itk Mp. and Mes Timmie By | Naturally, they hated to leave vaude- alas sels It 3"'." Bl and as | had 16n formal opening auerr | sppearance Monday night at. Stam- 1 at omce got an emgagement|name because of his powerrul kick,|¥00d, Tom Dingle, Richard Bold, Harry | Vernon _Stiles, Hermine Shone and|Vile after all these years. But they|the 1agenus (RiEWest 1o SIeoty he ) 5oy The total recelpts of the firat day | o comone tiom - ne eoin® 3eo% with_Ethel Barrymore, in 8it| G a the Grand Cangen of Arick | Mayo, James E. Sullivan, Syivia Ford, | othars will be repested. are graduating now to stardom in an- | ju Harry s latest feature, | Were turned over to a soldiers' charity | Fiere and Caillavet. It opens i New by the Fire’ On tour, I di Gypsy Norman and many others. —_— - i o chance to act on Broadwdy -until | 5oVSral Years ago he carried tourists | %, Birda” ‘ia the Joint work of a | ” s h Ay A e by TSR York tomorrow niglt. 1 joined Lillian Russell,the; feliow- | o0 B N8k Lefer Be entered £he | noted group of makers and shapers of .. “Soul Mates. Strange to ‘say, they are making Mack Hilllard Nas engaged Virginia A g N e e e crtk R e i SR A e LT RS B B oty but that engagement on Broadiway( Was Jasper then, but he was re-|time” “The Magic Melody,” ‘The PHpof-RIpaQY 4D S 1w Foin wi seven- “Peggy,” the Savoy Pr Com- changed my ambition, not because 1|christened after prohibition and|Blue Paradise” “The World 1 3 :;t'r.n'l'lz::; '-:' the .(':om:: ::g;:, ‘);a::-fl fi‘:” they made their debut pany’s new musical comedy, wi on any stage, at Atlantic. of Yearned for the bright lights of that|home-brew came Into effect—at the| Pleasure’ “Robinson Cruso, ™ fil = tharoughfare but because I realized earnest solicitation of the press agent. | “Monte Christo, jr.” and every nm-"u flw:aen', ?,,‘.‘:'5:..“.'2‘; .‘1"3.3': ufm PM.-. {R'n:n:mmlu-ll ’::'5..:. s + 5 in Atlantic City next fluffi day night, by Sam IL Dight, nda s to be taken to New Tork | cine Larrimore is belng 'lor an extended run. - play.