The evening world. Newspaper, July 22, 1922, Page 16

16 THE EVENING WORLD, SATURDAY, JULY 22, 1929. Are Verita Stil mn Ee Li a a) Your ‘ ; & Decide on the Dress Period That Typifies QO] 10 the Ideal Costume. mit By Margery Wells. een a TORIAN Mi88 HA8 HER FOaeUy HAC own type, £0 vy are the colorings of thin | PLACE IN FRONT OF in every period of ry, and you and you will ( of the wult on thois CENTRE—WITH HER id unadulterated If {9.ex POWDERED WIQ AND Personality and You May Contrive ee , We. period do you asa type It ts @ very nice eat A (tn long watat and {te brilliant RIGHT TOP—THE Vic- , you Kk Late ‘ly Tuusstan in character, | THE FASHION PARADE, are one of ther are wearing h you ¢ No matter what age your shape !s very much ,at living up actly what the Russian l¥ies 1ove to HER PANNIER 8KIRT patternag after, you will be able to to your beat possibilities wenr, though they may do it along |8HE STEPS FORTH wear the clothes of that period dur- less adapted lines. FROM HISTORY. LEFT—RUBSIAN &M- ing this winter, for there are so many The Russian Influence. BROIDERY AND A Rus. styles avallablegand so vast a num We hear so much about the lean Period Accessories. ber of divergent designs stamped as ing of modern fawhion in the direc Hie sure, when you decide to wear | SIAN LINE ARE Two fashionable that you can silp Ito tion of Russia andiall that sho atanda Period clothes, that all of your acces. | NEW STYLE POINTS, any clase where you feel at home for in the way of dross design, But sores are in keeping with the design (——————______1»«1_<. Of course, there 1s no need of look- as an actual example of what is be. Of your dress, Your shoes must be ing as though you were ready for @ {ng done, there can be no better Just reht, your wrap must be in fancy dress party when you @f sample than the embroidered auit in character, too. You muat take note of Gressed in period manner. You Can the picture, with tts bloused Jacket your head dress. You must see that follow the lines and the designs of a certain period and more or less adapt them to what“is the prevailing mode. The Victorian Mode. Now see the girl In the picture, with the full taffeta skirt and the Iittte, fitted bodice drooping off from the shoulders in a regular Victorian line She has all the elements of the mod- ern style, and still she ts distinctly faithful to the Victorian period which she has’ chosen for her model Then she has carried out the gen eral scheme of the Victorian era by adding a head dress that 1s low abou: A her neck and a rosette of formal look ing roses clustered close in at one side. The dress, by the way, Is done onic in one of those soft rose tones that might almost be gray or silver In cer- tain lights, but which always carries with it that tendency to glow and be warm, which the pink threads give as their gift to the general ef. fect A Pannier Dress With Dres- » den Taffeta. So many printed silks are belng given us and so many beautiful und gorgeous colorings are included in them that it is up to us to find legit!- mate ways and means of using @o that they will show to their ut- most. Now the dress with draped and Pannier sides has always been a favorite with girls who recognize theth own types and wish, more or less, to stick to their characters through the wearing of their clothes —and the sorts of dresses that they choose. The pannier dress in the picture is, course, quite true to type and thé gray hair mounted high asa head dress is a trifle exagger- ated. But the {dea is there just the same. If you have the same pretty fort of a face that the girl in the picture has, then you, too, can wear thie sort of dreas with the greatest satisfaction and the chances are that you will lookb etter in it than you @e in most other sorts of clothes. your hat is in keeping with the rest of the arrangement. But then, if you are mailing up your mind to be a pertod person, Why ones you purchase the accessories you have them left over for other purposes and other occastons. ‘The little, short toed shoes are per- fect for the Victorian modes, The high boots are just the thing for a Russian ‘‘get-up."’ And so on, you will find for every costume things that go along with it and help to make {t a perfect thing, RIBBON. LOWER FLUTED FLOWERS SUNSHADE, ONE'S HEAD, LEFT—THE CENTRE CERISE CHIFFON AND THE FRINGE 18 A FAINT BLUE LePT — LITTLE ARE TRAVELLING 'ROUND THE OUTER EDGE OF A YELLOW LOWER RIGHT—A PARA- SOL 18 A SUNFLOWER OF TAFFETA TO POSE OVER 18 The Parasol brella, The girls carried them rather in fun than for any real purpose. They were nice on the beach when the hot sun was too hot, and then they were dragged along the boardwalk more as afterthought just at the start of the fashion Rut then the girls began to dis- cover that they really did look rather ovely underneath the shade of the iffy parasols, They tried colored umbrellas first, Just by way of ex- periment, Then they took to frills, and now the parasols of the day know no bounds The parasols on this page are all designed to go with the duMer sum- mer clothes and to serve a# accentua- tions for the beauty originally spoken by thowe ctothes. One of them, the one that looks F TRST it was the Japanese um- i \ women. There are the hat, has created a most Cretonne Is Both Effective and Smart XH populartty this season of bright cretonne frocks is T not confined to this country, for on the beaches and Face tracks of Durope the use of brilliantly flowered material ts generally evidenced among the well-dressed sleeveless styles and elbow sleeve models, which are attractively cuffed with linen or bound with tape of white, black or one of the gay colors. A oretonne hat to compleie this costume for beach wear or for use on most informal occasions is worn in a large, floppy-brimmed model, or in a c‘ose fitting shape with a soft rolled brim, caught at one side with a flat bow or simple ornament of black or white, A dress of black and red figured oretonne with a poke bonnet shape hat of the same material, the girdle of the frock oatching ©3 one hip with black patent leather flowers, which are also set about the crown of the unusual and attractive ensemble. How to Make a New Bag of Your Old One By Grace ANDBAGS are a great necessity to every woman, but, to their Aisappointment, they wear out too quickly. By fixing them over it will be possible to make them last much longer. If the frame at the top of « velvet or a silk beg breaks and the rest of the bag is in good condition the old frame may be taken off and « frame whioh is specially made for this pur- pose can be easily suwa to the top of the bag or a casing may be made an inch from the top for a draw- string amd the edge can be bound with ripbon. If, on the other hand, the frame is good and the material in tho bag is worm, new material may be attached to the old frame, and if the me shape is desired a pattern may be out from the oki bag. There may be dif- floulty in attaching the meterial to the frame, and in this cage it will be necessary to perforate the frame. By so doing the material may be very easily sewn on. ‘The lining 1s subject to wear more By Janet Winslow lke a sunflower, 1s made of @ series of petals cut from orange taffeta, shaped into ovals and pieoted about the edges, Then in the direct centre of the umbrella there {s massed a series of black ribbon knots to simu- late the centre of the flower that the parasol purports to imitate. ‘Then for a facing there 1s a gathering of a lighter yellow chiifon peld softly to the shape of the umbrella and de- signed to constitute, as It so admira- bly does, a flattering background for a pretty Nead ‘Then there is the parasol with the fringe of ribbon loops about tts outer edge, These ribbons are placed one almost directly on top of the other so that they form « thick and waving mass of fluffiness that, as the parasol turns ebout, makes a fascinating frame for eH the fiuffiness or the M. Black. Quickly than any other part of « bag. Generally there is a plece of silk around the house just big enough for a lning. Fold it and sew up the sides and then put it inside the bag and at- tach to the top. Fancy tape sewn over the stitches where the lining and the bag are joined together will give it the finishing touoh it requires, Colored silk bags which are faded , may be embroidered with silk or wore sted {n an all-over design which wif / Perhaps you have noticed the # wooden bags which have become se popular and which so many women are now carrying. A great many of / the leather bags have wooden frames and if you have an old one which | hes become shabby the leather may be removed and the frame may be | painted any desirable color. “There is @ preparation which comes to prevend paint from rubbing off and which wifl also make it waterproof. This have disappeared and you will be im the height of fashion with one of the new wooden frame bags, Grows More Popular plainness of the gown that happens to be worn along with the parasol. When these sun umbrellas a: closed they are almost as pretty in thelr way as when they are opened, for the fluffiness 1s so arranged that when the umbrella closes there ts that Interesting handful of bright color’ and material which cannot help but be an addition to the general costum if it is composed with the least sense of artistic effect. e Another parasol in the picture has a row of still Ittle frilled ribbon roses placed regularly about the edge. Thi you aes, would be a more effective thing to carry with a simple morning dreas—one of thone draped crepe da chines, for instanoe, Or {t would be good with one of the full afternoon taffeta frocks if the colors were blended nicely,