The evening world. Newspaper, March 11, 1922, Page 18

. x ‘By Ruth Snyder. Oopyright, 1922 (The New York Evening World) by the Press Publishing Co, “have a few tricks of RESSES ve ¢ ow tric their own up their sleeves"”’ this season! Sleeves are going to great lengths to deccive the fashion hunter, But let me breathe a secret The range of choice is ad infiniturn Sleeves may be long; they may be short. They may depend upon the cuff for their finesse. They are flow- ing; they are long and tight. There are mandarin sleeves There are peasant sleeves. Sleeves of very light material may be puffed, singly or doubly. Pleated sleeves are favored by many. The old-fashioned leg-of- mutton sleeve has also been revi'ved. Then there are the sleeves which have been designed very full at the top and tight and snug from the wrist to the elbow The peasant sleeves are very much im favor. They may be made from the same material as the dress and @rawn into an embroidered wristband. Or, as is more usual, they may be made from a contrasting material and color, as the one illustrated of ma- Jolica blue crepe faille with black chiffon peasant sleeves embroidered with steel beads As to trimming on the sleeves— here, too, there is a wide variety. Beads have their vogue. Fur, espe- cially the popular monkey fur, is also fm much demand Embroidery, of fourse, has not been superseded. Phis is very effective in the long, Bowing sleeves when the embroidery Practically covers the sleeves in a Full sleeves caught into narrow band cuffs with dangling streamers added. What to Make In an Evening By Ada Newcomb. BROCADED POCKETBOOK. ROUND in the stores you find A brocaded pocketbooks and van ity bags which are most beau tiful but outlandishly expensive. Has it ever occurred to you that you can do one at home and pass for a rich lady, too? The simplest one envelope with its turned over flap shaped in a point or a square, just as an envelope would be Well, first you must decide upon the general proportions of the bag you wish to make and then you must cut the foundation from one or two layers of crinoline. Having once shaped that basis for work, you then baste over one side of the crinoline a layer of brocaded silk or brocaded ribbon or even of brocaded velvet. Over the op- posite side you then baste a layer of plain grosgrain or moire silk for the fining. ({ say silk of this sort be- cause it is the kind that wears best. ou can substitute any other if you ) ; Gil Ghia time the edges have beg is made like an “Send saad Season’s Sleeves Meet Every Taste loose, all over, scroll pattern, Sleeves Made of matching silk lace are not to be overlooked. One very charming gown recently seen was made of pale blue gray crepe de chine with sleeves of darker voile bordered with silver threads, But, as the illustrations on this page will prove, one's choice is prac- tically limitless. Sleeves have become the trimming areas of the newer frocks. They are the foil for the sim ple frocks so much in vogue Lace is confined on this frock to con- trasting sleeve dec- oration. Black chiffon sleeves that are em- broidered with thick gray wool. left unfinished, Now comes the time to catch them together. Take a strip of grosgrain ribbon of the very narrowest width that comes. Sew that as a binding over the edges all the way round, and the best way to do this is to push your needle in and out, taking tiny stitches with a silk thread, When that operation is completed you can sew the envelope together. on two sides by taking an over-and-over stitch right over both bindings. Then make a string to carry it by. Take three strands of the grosgrain ribbon that you have used for the binding and braid them tightly to- gether, This will make a cord which will be reasonably “durable and s001- looking at the same time. At the place where you attach the cord to the pocketbook you can place two decora- tive buttons, or two rings ox two small te give tia Apia ld A sleeve may be § iy tight at one end %% &. but it must bet: : loose at the other. £2 _THE EVENING WORLD'S | FASHION REVIEW SECTION, SATURDAY, MARCH 11, 1922. The Contrasting Coat and Skirt NY number of the new suits are A showing coats that differ in color and even in texture from the skirts that go with them. The skirts are pleated or plain, but they are usually of a darker tone than nA ay 0 ace Se the coat. For instance, there will be «a short, loose, boxed jacket of pale gray Kasha cloth that will be worn with a skirt of very dark gray cloth of the same variety. Then the little coat, which is made without @ lining, will be bound with a silk braid exactly matching the gray of the skirt. ¥ A very nifty little suit had a dark blue broadcloth jacket which was bound with white silk braid for a finish and worn with a skirt of pleated white flannel. Now, there is nothing niore effective than the brilliancy of dark blue against white, and any, woman who wishes to have an inter- esting suit for summer-time wear will delight in one that is composed of these two colors. A black jersey cloth is worn with i skirt made of black and white plaid fabrie A tan coat is worn with a striped tan and blue skirt. A dark sreen broadcloth coat is worn with # shade lighter of green heavy crepe silk, So, if you are a girl who likes to wear a suit, then this is the way to do it this season, You can get a good deal of variety by having one coat and several skirts to be worn with it, as your mood changes or as the duties of your day merge from one into the other. For this bro- caded dress the } shoukler cape & forms the 4 sleeves. 7 Sd : dubgRwood | 4 ] ONvUERWwIODR | has an extra ap- pendage this season if a loosely fitting band. sleeve ase a we >. i } p ‘ { f 'y —— Soroerer —_-