Evening Star Newspaper, October 26, 1936, Page 34

BY E. de S. MELCHER. HERE'S nothing like getting mad on Monday. Its the perfect day to get things off your chest—so here goes: Ladles, for heavens sake, take your hats off at the movies! Things began to get bad six months ago. They have gotten worse. It's due, of course, to the fact that hats have changed. Last year you could sit behind a soft, squashy headdress and get a view of Garbo, unless the lady happened to be an amazon. This season those soft, squashy masses« have been transformed into Eifel ‘Tower monstrosities. If the hat it- self doesn’t shoot up like a giant pudding, some kind of a feather darts ©off it and soars to a ridiculous height. So that with the slightest movement of the head that feather or that pud- ding shuts *out anything but the smallest view of the screen, and you | spend your afternoon leaning this way and that, frightening your neigh- bor by-the intensity of your gyrations, and so hopefully hoping that the | feather will suddenly snap in half that | you have lost half of the picture. It used to be considered some sort | ofean unwritten law that a lady, upon settling herself down in a chair, took her hat neatly off her head, stuck the hatpin in the lining and then went quietly to work on those chocolates. Occasionally, if she had on something that didn't rise more than an inch | or two off her brow, she would turn | around, unleash her best smile and ask if the hat bothered the people | behind her. The rule then made those people say, “No, it doesn’t"—for the | obvious reason that it didn't. But now when you say, “Lady would you mind very much removing your hat?” with that “what?” that the lady shoots around at you, with that glare, with the rest of the row transfixed with amazement at such & request, and finally (if she gives in) with that bitter fanfare which goes today with the taking off of one of those long, skinny, bewildering, lop- sided chapeaux, you know perfectly ‘well that you would have been much better off if you had never suggested such a thing, that hats today are evi- dently made to be worn in theaters and not to be taken off. *We still plead, however, for the gentle decapitation of these hats in the film houses. We have even talked to Betsy Caswell about it and threat- ened to write her a letter. +Go ahead—but you can't very well expect to take a hat off a woman when the woman doesn’t want to take her hat off.” Oh, can't we. Wait till we get that next feather in our ear. In spite of the weaker sex’s shrinkage from fisticuffing, we guarantee a nice lit- She says, | tle “wrastling” match right there in the aisle. Capital’s Dr AST Monday’s Tecitation concern- ing local “celebrities” (to whom a Mrs. Smythe wanted to be intro- duced) having occasioned s certain interest, we beg to augment this list with those who somehow didn’t ap- pear, and assure the public, and them, that they are just as “big” for ap- pearing this week as they would have been if they had appeared last. For instance, there’s: Frank La Falce—The Warner's head publicity gent—whose able ad- Jectives have put such performers as | Ina Ray Hutton on the map. Mabelle Jennings—Columbia’s new verbal nightingale, who can floor al- most any smart guy with her wisdom. Osgood Roberts—The Mayflower orator, whose only mistake was to let Harriet (it somehow came out as Helen here last week) the Ziegfeld cigarette girl, go to New York. Pete Macias—Whose Heigh-Ho or- chestra is the best dance music in town. Rudolph (“Dolf”) Berger — M-G-M'S chief local representative, and so successful in his job that the company won't let him go to Holly- wood, where he belongs. “Willie” Wilcox—Probably the most popular person in town, and an Eng- lishman, at that—(you know, he owns | that nice Seco Theater in Silver Spring). Jimmie Lake—Well, if you don't know Jimmie there’s no hope for you. Dave Sadel—Pharmacist extraor- dinary and husband of Irene Weber Sadel. Steve Cochran—Why Steve should be this far down on the list is a mys- tery, since, of course, he should have been No. 1 man—or 2. At any rate, he is the theater's heartiest champion, and the National unquestionably would have to fold up without him. He's got two particular pals, his bull pup and “Dutch.” Tony Muto—Will Hays’ right-hand man, a giant in size and information and probably the best dawgonne critic (next fo Andy Kelly, Nelson Bell, Betty Hynes and Don Craig) in town. Mrs. Tony Muto—Ditto (cept she's no giant structurally). (More, if the hat business can be settled.) ama Groups “No More Frontier” Selected to Start Arts Club’s New Drama Season. BY HARRY MacARTHUR. “Ko More Frontier.” This with Talbot Jennings’ is the first time the play has been done in Washington, and when the people up at the Arts Club first began THE Arts Club starts its drama season off tonight talking about it, all they stares. Seems no one had heard of Mr. Jennings’ play. that “No More Frontier” is something of an Ameri M AMetag———=——— of the pioneer spirit through tiree generations Every one who has come in contact with the piece since the Arts Club has been rehearsing it has come away filled up to here with enthusiasm. Denis E. Connell is directing and Maud Howell Smith is the production director. There'll be Hugo Inden sets, too. “No More Frontier” will be re- peated at the club tomorrow and Wednesday nights. Curtain is set for "8:30 pm. Now that the annual one-act play tournament is done with until next year, 10 of the local play-acting groups will indulge in another con- test This time it's to be a sort of double-barreled affair, with the plays being broadcast over the radio for the | @id of the Community Chest. Groups | will be judged on production alone, | and not on the plays, as all of the radio playlets are part of a series, “Other People’s Money.” The first broadcast will be over WMAL Mon- day, November 9, from 7:15 to 7:30 pm. The rest will follow nightly, ex- cept on Saturday and Sunday, same time, same station. The Bartfield Players, Players’ Club, Pierce Hall Players, Blackfriars Guild, Montgomery Players, National City Players, F. B. 1. Theater Group, Thespian Society, the Troupers and the Little Theater of Takoma Park are slated to Chest broadcast. Caroline McKinley, Denis E. Con- nell and Prof: Marvin T. Herrick will be the judges. With the sphinx, the statue and Caesar’s well-sculptored nose scarcely laid to rest in the storeroom, the ‘Washington Civic Theater starts to- night on its second production, the Chodorov-Walpole success, “Kind Lady.” Director Day Tuttle will start selecting his cast at tryouts to be held tonight and tomorrow ‘night be- tween 5:30 and 6:30 and from 7:30 on at the Theater Workshop. Tryouts are open to all members of the theater’s production group and Where and When Current Theater Attractions and Time of Showing. National—"“Plumes in the Dust,” at 8:30 pm. R-K-O Keith’'s—" The Gay Despera- d at 11:43 am., 1:43, 3:43, 5:43, %7:43 and 9:43 p.m. Capitol—"The Devil Is a Sissy,” at 10:45 a.m., 1:35, 4:25, 715 and 10:05 pm. Stage shows at 12:35, 3:25, 6:15 and 9:05 p.m. Palace—"Big Broadcast of 1937,” at 12:10, 2:30, 4:50, 7:10 and 9:30 p.m. . Earle—“Valiant Is.the Word for Carrie,” at 10:45 a.m.,, 1:30, 4:15, 7:05 and 9:50 pm. Stage shows at 12:40, 3:30, 6:15 and 9:05 p.m. Metropolitan—“East Meets West,” at 11 a.m,, 12:45, 2:35, 4:20, 6:10, 7:55 and 9:45 p.m. Columbia—*“His Brother’s Wife,” at 11:15 am, 1:20, 3:25, 5:30, 7:40 and 9:45 p.m. Rialto—“Six of a Kind,” at 2, 3:57, 5:55, 8:02 and 10:09 pm. “Man of 2:29, 4:22, 6:15, 8:08 and 10 p.m. Little—“The Gilded Lily,” at 11:20 am. 1:31, 3:33, 5:35, 7:38 and 9: pm. Ambassador—“Valiant Is the Word for Carrie,” at 5:45, 7:35 and 9:35 p.m. Howard—"China Clipper,” at 12:30, 3:50, 7 and 10:10 pm. Stage shows at 2:30, 5:50 and 9:05 p.m, got from most quarters was a series of blank But it also seems “Cavalcade,” the story there is still time to apply for mem- bership. Seven roles for women and six for men will be filled. Robert Whitelaw Wilson, new chair- man of the group'’s Campaign Com- mittee, is launching a new drive for season membership subscriptions, aiming for a host of new members be- | fore “Kind Lady” is staged, November 18,719, 20 and 21. Ruth Perrott, Charles Grunwell and James Rawls won the scholarships at the Studio of Theater Arts which Constance Connor Brown awarded after tryouts held last Sunday and Monday. They are now entitled to | the full six-month course, which in- cludes instruction in acting, speech technique, stagecraft, eurythmics and participation in plays produced by the studio. Gertrude T. Barker, impersonator, | will present a dramatic reading of Channing Pollock’s “The Fool,” to- morrow night at 8 o'clock at the Chevy Chase Baptist Church. The reading is being sponsored by the Sunday Evening Club, young people’s group. The Montgomery Players are putting J. B. Priestley’s “Laburnum Grove” into rehearsal for presentation Decem- ber 4 and-5 at Leland Junior High School. Tryouts were held last Wed- nesday night to select the cast. Doris Dewey Day is directing. “SPEED AND SPARKLE” IS PLAYING AT GAYETY NFORTUNATELY, “Speed and Sparkle,” which would be the current shekel-coaxer down at the Gayety Theater (James J. Lake, les- see), does not quite fulfill the ex- pectations aroused by its name. Lag- ging at times and sparkling inter- mittently, the show falls somewhat below the exceptional average estab- lished this season by the Independent Burlesque Association. Several proven favorites, however, are on hand to justify inveterate patrons in doing business at the wicket. Benny “Wop” Moore scores with his comedy scenes (watch for the wartime item) and displays versatility in pre- senting an original dramatic sequence, portraying an Italian laborer’s reac- tion to the death of his beloved daugh- ter under the wheels of an automo- bile. The Sunday matinee house re- ceived the effort most appreciatively. Bates and Hunt offer little on first appearance but become their very funny selves a bit later. Sunya Slane, she of the smile that defies erasing, is in her usual fine form, with dark-haired charmer Vilma Jozsy present as the other adept spe- cialty artiste. Mille. Zuelaka takes the featured dancing spot,and Martha Patte contributes pleasing vocalizing. Charles Raymond, meriting place among the increasing number of better-than-average tap dancers on the circuit, offers two numbers, while Harry White adds a stair tap effort of note to his “straighting.” Capable assistance in the scenes is also lent by Tom Fairclough. Jack Keller handles his songs in the usual de- pendable manner. —C. A M. LANKBOOK You get variety and velue bere. See our big stock. E. Morrison Paper Co. 1009 Pa. Ave, Phons NA, 3045 4 AMUSEMENTS > MONDAY, OCTOBER 26, 1936. Take-Off-Your-Hat Era, Returns to Theaters Designers of Feminine Headgear Bring Old- Fashioned Request Upon Heads of Modern Movie Fans. Myrna Loy and Jean Harlow seem to be very resolute about something here. Myrna, how= ever, seems to be having more success ignoring the blandishments of William Powell than is Jean, trying very hard not to smile at that remark of Spencer Tracy’s. Lady,” which comes soon to Loew’s Palace. Tito Schipa and Symphony Given Rousing Welcome Dr. Kindler and Orchestra Greeted at First| Concert of Year—Tenor’s Voice Blends Style and Sentiment. BY ALICE EVERSMAN. D R. HANS KINDLER and the National Symphony Orchestra were wel- comed back for their sixth season with rousing applause yesterday afternoon at their first concert this year at Constitution Hall. new concert master, Harry Farbman, also was given a generous The greeting as he came in to take the place formerly occupied by Frank Gittleson, New faces were seen in some sections of the ensemble but, in the main, the men who have been the nucleus of the¢gmm™M8M8M M M M M ™ orchestra, who have progressed stead- ily year by year under Dr. Kindler's direction, until they built up an organ- ization recognized as one of the major orchestras of the country, were all in their accustomed seats. Their loyal audience expressed its appreciation in no uncertain terms. In spite of the interest in the pro- | gram which presented numbers each in themselves carrying a special bid for attention, it was the guest artist of the afternoon, Tito Schipa, tenor of the Metropolitan Opera, aroused the audience beyond the limits of ordinary enthusiasm. Mr. Schipa, although qualified as singer by two adjectives—Italian and operatic— which immediately classify him, is & tenor who holds & surprise for his listeners by his non-cofiformity to his classification. He abandons the usual bravura style of opera for lovely bel canto and his manner of doing 5o is not customary with singers from his country. The freshness of vocal tone, which once was his in great abund- Noted Briton SARA CHURCHILL, Daughter of Great Britain’s Winston Churchill, will appear on the stage of Loew’s tol Theater with Vic Oliver the week of November 6. Miss Churchill met the comedian in the revue, “Follow the Sun,” in which she started her the- atrical career, and a few weeks ago startled London official society by coming to America, supposedly to wed him. Her brother arrived to thwart any wedding plans, but the two still appear together _ on the stage. AL B:::.I}E\'T;: Va. Hard rd -$10.78 = -HEiE 9.50 Stove Speci Bt 0,507 pes. 3850 Buckwheat, $7.25 Pocahontas Stove, $10.40 Smokeless Egg, $9.50 Withes! Bitumineus Coal ¢ “Smoke or, Sost, 80 . $8.50 Blue é'gg, 50 Bard - Structure Pa._ Bituminons 75% Luamp Coal, $7.50 50% Lamp Coal, $6.75 Lump delivered in com Saent thom The. fine Thewins vou ot who | | ance, is somewhat lacking now and he has found many ways of avoiding the demands of dramatic singing and the use of the upper register of his voice. Yet, in spite of this, his singing yes- terday was beautiful in color, line and interpretation, giving the greatest pleasure to his hearers. Group of Songs Pleases. | Donnizetti's “Una Furtiva Lagrima,” his opening number, suiting the plain- tive timbre of his voice as if written especially for him, not more effec- tive than Mozart'’s “Il mio Tesoro” with its clear, classic line and artistic exaction. A group of songs to which Federico Longas played soft, guitar- like accompaniments, all of Italian character, was given with that delicate blend of refined style and rich senti- ment which has become identified with the proper interpretations of German Lieder. Particularly notable were Caccini’s “Amarilli” and Barthelmy's “Pesca d’Amore.” It is with singing of this type in which his fine taste is above question that Schipa has created a special place of his own in the public’s esteem quite individual from that of other operatic tenors. Four encores, including Handel's “Where're ‘You Walk” and & composition by his accompanist but partially satisfied his enthusiastic audience. Variety was the keynote of the program which Dr. Kindler selected for this opening concert. The mag- nificent “Entrance of the Gods Into Walhalle” from Wagner's “Ras Rhe- ingold” seemed particularly fitting after the reception accorded the con- ductor, with its triumphant phrases and rich harmonies. Immediately following was the charming “Symphony No. 88 in G Major,” by Haydn. It would seem that in this symphony Haydn gave him- self up with zest to the play of all the delightful moods of which he was master. Perhaps because of the genu- ineness of his inspiration it stands as perfect an example of masterly work- THENRY HALSTEAD || ' and His Orchestra | | \ | Dinner $1.50 Glove Theater Restaurant Met. 0770 m 505 K St. N.W. with dinner. o PA. BLACK DIAMOND—Bite- Bt p e Sire. $5.50; 35% Lass. 750, 00% Luwmy. 80.75. 5 MARYLAND SMOKELESS—A Egg Sise, $10.75 b B oS Vosa! isl Steve (balf Steve Stove. $13.00: Nut. $13.00: Pea. $11.00; B. W. Size. $8,70. Dial Nu.nms or Jackson 2000 X O NIGH1 Cafeteric Only Tender, ‘)‘Ll 'J Roast Beef. LOTOS LANTERN 1 733 17tk 8t. N.W, | toral.” | is preserved throughout, it is narrow The four are in “Libelled manship, igenious ideas and all pre- vading charm as he ever turned out. It is full of sualight, delicacy and the happiest emotions exquisitely sketched. The orchestra’s treatment of the symphony in each movement was excellent in phrasing and dy- namics, although the present -tone quality of the ensemble is not flexible enough for the spirit of the work. While a gain in sonority in each sec- tion is noticeable this year, the strings have lost some of the clear, ethereal color which characterized their play- ing formerly. Without this ascending quality, the balance of the ensemble suffers. Novelties Well Received. ‘The two nbvelties on the program were Mary Howe's “Spring Pastoral,” performed for the first time in public, and McDonald’s “Rhumba,” given its first hearing in Washington. Mrs. Howe has written more original com- positions both as to idea and or- chestral treatment than “Spring Pas- While the initial atmosphere in scope, growing monotonous from | lack of diversity in either theme or harmonic manipulation. In contrast, “Rhumba” disclosed a wealth of tonal color which embellished the sparcity of its rhythmic foundation. The work attempts to elevate to more artistic levels a native dance rhythm and is cleverly constructed toward this end. Its appeal to the audience was unmis- takable. ‘With Liszt's “Les Preludes” played in commemoration of the 125th an- niversary of the composer’s birth, the program was concluded. The read- ing was notable in many respects, although here again, the unevenness of the ensemble was once more no- ticeable. The breadth of conception was well sustained throughout, how- ever, the stirring climax being greeted with thunderous applause. Dr. Kin- dler was recalled many times at the | end of concert which so successfully inaugurated another season. Beauty Play Presented To Children Season Opened With Satisfying Drama -at the National. ERTAINTY that “Sleeping Beauty” would meet every test for the opening of the ‘Washington season by the New York Children's Theater gave an excellent reason for the offering of that play Saturday at the National Theater. Its great advantage is that it is drama of misfortune that produces no painful thoughts, and that even the ranting witch, with her curse, is an entertaining person td juvenile audi- ences of today, who know that she is a character of fiction. There is also a sense of satisfaction in acquaint- ance, with a tale which for genera- tions has been one of the classics of childhood. ‘Two or three years ago this same production was offered here by the company that represents the growing dramatic prestige of Clare Tree Ma- jor of New York, who dramatized it and directed the company. Those in the audience who had seen the pre- ‘vious presentation felt that there was a real improvement, giving a measure of the gain of the company in stage facility. In keeping with the name of the affair, there is plenty of beauty in the settings and costuming, and the com- pany revealed capacity that empha- sized the attractive nature of the story, while there is no lack of clever comedy in the scene that shows the royal household gradually falling into slumber. ‘To the younger members of the audience there was magnetic charm in the character of the sleeping beauty, the Tsarevna Marya, played with fine spirit by Jewel Morse, while to the older and more observing audi- tors the part of the Fairy of Happi- ness, played by Lucile Moss, was suf= ficient to arouse admiration and ap- prectation of graceful playing, which dominated the development of the play. The cast as & whole revealed a quality that impressed the audience, and represented an appropriate open- ing for a company which has become a favorite in Washington. ‘The next attraction of the organ- | ization will be “Mrs. Wiggs of the | Cabbage Patch,” November 21. D.C. 0. “Plumes in the Dust” At National Tonight ENRY HULL, the Jeeter Les- ter of “Tobacco Road,” re- turns to the National Theater to- night as Edgar Allan Poe, in “Plumes in the Dust.” ‘The new play about the great American author's life was writ- ten by Sophie Treadwell, after three years of research. The drama is being produced by Ar- thur Hopkins. The company supporting Hull is headed by Mary Morris, Charles Kennedy, Fredrica Sle- mons and Amelia Romano. Woodman Thompson has de- signed the settings. EYE TROUBLE? Investigate Now Your esesight under- soes © chanses rom childhood to old e. Glasses just right you_ severa m: be M. A. LEESE Optical Co. 614 9th St. N.W. The Biggest Laundry Bargain in Town!! ALL FLATWORK and WEARING APPAREL Finished by Hand It’s foolish to pay higher prices for your weekly laundry— it’s dangerous to pay less, Dupont brings you qum{n'flh economy in ECONOMY FINISHED SERVICE. Just thi , in AND FLAT WORK * this splendid all-finished service, EVERYTHING IS WASHED AND 1RO NED, WEARING APPAREL FINISHED BY HAND AT NO EXTRA COST. If you have a large family, if you are a working Mother—try Economy Finished Service now. The only exception at the price are men’s shirts, which are hand finished at 7c each extra. CALL MRS. HUNT Co. 7020 Let Mrs. Hunt tell you why ECONOMY FIN- ISHED SERVICE is such & big value. Let her quote you prices on cleaning curtains and slip covers or any laundry service. Phone her now, up to 8 P.M. tonite or any time tomorrow. CO. 7020, DUPONT LAUNDRY LAUNDERERS AND DRY CLEANERS CO. 7020 AMUSEMENTS. AMUSEMENTS, AMUSEMENTS. | BELASCO THEATER Starts Tuesday Evening BIG THREE and HALF HOUR SHOW Franco American Films in Ass. With Pathe-Nathan Presents THE AMERICAN PREMIERE Victor Hugo's “LES MISERABLES” Photographed on the Original Locales Made Famous by the Book Starring the Famous French Star, HARRY BAUR Because of the Length of Th’s Production There Will Be Only TWO SHOWS DAILY—Matinee at 2:30, Evenings 8:30 ALL SEATS RESERVED ONLY. FOR THIS ENGAGEMENT, NO ADVANCE IN PRICES Seats Now on Sale at Box Office ® Complete English Dialogue Titles Smoking Permitted in Balcony and Loges . ves at 8:30 Mats. Wed. & Sat, 2:30 ARTHUR HOPKINS presents Plumes i Dust’ 4y SOPHIE TREADWELL MAX GORDON Presents PAULINE LORD w “ETHAN FROME ADAPTED FROM EDITH WHAR- TON'S NOVEL BY OWEN AND DONALD DAVIS e DEVIL 15 4 SISSY Freddie BARTHOLOMEW sacuie wicxey COOPER * ROONEY eonsTAGE e FoAT 13 TH " focws PALACE THE BIG BROADCAST of 1937 JACK BENNY BOB BURNS s GEORGE BURNS. MARTHA RAYE GRACIE ALLEN BENNY FIELDS BENNY GOODMAN and his Orchestra w. € ALLISON FIELDS SKIPWORTH Charlie Ruggles, Mary Boland, Burns & Allen in “Six of a Kind” The Award ‘\‘V’l‘:nrr of 1934 “MAN OF ARAN” Flaherty's Superb ‘Saga of the Sea’ 25¢ to 5:30: 30c—10c after 5:30. Choice 10¢PARKING AFTER &= 110 L R oW KEITHS = W1 A WASHINGTON INSTITUTION NINO MARTINI “The Gay Desperado” «4 LEO CARRILLO IDA LUPINO oming. b KATHARINE HEPBURN HERBERT MARSHALL “A WOMAN REBELS” KREISLER This Evening, 8:30 P. M. y's (Droop’s). 1300 G §t. Open After 7 P. M. T HILADELPHIA ORCHESTRA EUGENE ORMANDY Conducting Soloist—JOSEF HOFMANN OCT. 27—8:45 i Tickets, $1.00, 1.50. 2.00, 2.50, 3.00, 3.25 Season tickets. §15, §12, $10. $9, $6. §5 T. Arthur h Bar 910 G St -HAMIL IC_CO. 1t will pay you to see SHERWOOD before you SHERWOOD 0ILBURNER Visit Showroom 1723 CONNECTICUT AVENUE, N. W, Open Uniil 9 p. m. PHONE Decatur 4181 Last Two Days, Banned in New York “SPRING SHOWER” WILLIAM SEABROOK “ASYLUM” Roosevelt Auditorium. Tickets, 50¢, 75¢ Tonight, 8:15 Call Wilson Teachers’ College. Na. 6000 ACADEMY or P!I‘l,e‘gl fi.ual s?h;?“llll | B. Lawrence Phillips' Theatre Beautiful nt! From 4:30 P.M. | SHIRLEY TEMPLE in “THE POOR LIT- | 7 TLE RICH GIRL" HARRY CAREY and | HOOT GIBSON in “THE LAST OUT- CLARENDON VA, | ASHTON oo Sras REoR: Yaumorr | _DOWNS in “THE FIRST BABY." |CARDLINA lithandx.C o T Y NOROBERT TAYLO) AN SAYNOR ~5M /N . JanET, in “SMALL TOWN ey CIRCLE 2105 Pa. Ave. NW. Free Parkine. 2009 K St. WARNER OLAND and HELEN WOOD ia CCHARLIE CHAN AT THE RACE TRACK.” _ Comedy. _News DUMBARTON Wisconsin Ave, Carrier Air Conditioned WARREN WILLIAMS INI SHAW i) “THE CASE TH LVET CLAW. _ News and Comedy ALICE FAYE in “SIN Wb Between Acousticon Faul LITTLE 'TE_COLBERT in CLAUDET “THE GILDED LILY,” With PRED MacMURRAY. JWEssm 1119 B St ¥ St N r Conditioned THE_BRIDR HUNTER 10 York le Fea WYCK in HENRY Continuous From 6:00 PM. “MARY OF SCOTLAND, KATHARINE HEPBUR! M STANTON 6th and C Sts. N.E. | Finest Sound Faninment { Continuous From 5:10 P “LET'S SING_AGAIN.# HENRY ARMETTA. “FLORIDA SPECIAL" _with JACK OAKIE and SALLY_EILERS ATE| @70 Wis. Ave STATE-BETHESDA feintist i PAUL MUNI in | “story of Louis Pasteur.” | COLQR MUSIQAL & X:IEWS. FALLS CHURCH, VA. LEE STATE NO PARKING PATRICIA ELLIS ‘DOWN_THE AETCH » WORRIES FRED ASTAIRE and GINGER ROGERS in | in ~SWINGTIME ™ I TAKOMA 2,2 tternut Sts. o *Parilas Trambles ¢ JANE WITHERS. IRVIN §._COBB and SLIM SUMMERVILLE 'in | “PEPPER WALT DISNEY'S “THREE LITTLE WOLVES.” ~ |HIPPODROME_* ¥25.f Eddie_Cantor_in_“Strike Me Pink ] CAMED ™7 sires,Xo. RANDOLPH SCOTT in “LAST OF MOHICANS " Adolphe Menjou_and A“:: Fave 12 “Sing, Baby. Sing.” March_of" Time._ ALFX. RICHMON! odny Tomor. KAY FRANCIS in “Give Me Your Heart.” WILO mocwigre e Gary Cooper “General Died at Dawn.® TAMBASSADOR L& & #.Col Rd_ Col 550l GLADYS GEORGE in_ “VALIAN THE \\'r;?fi FOR CARRIE. — ARLINE 2 APOLLO Phone Line 3338 JOAN CRAWFORD and ROBERT TAYLOR in "THE GORGEOUS | IVALON Conn. Ave. st N.W. €1 3 “ANTHONY ADVERSE, With FREDRIC MARCH and OLIVIA DE HAVILLAND. Peature st 3 NO ADVANCE IN PRICES. AVENUE GRAND &3 InaA%s Matinee 2:00 PM STMONE SIMON in “GIRLSY DORMI« TORY ' CFNTRAL o 25 Oth St Met. 2R11 “BENGAL ~TIGE RIA_ VA, Direction of Sidney Lusi 18 with 621 W St. NE. R with JONE TRAVIS. BARTON MACLANE and WARREN HULL. _ Popese. POTONY G2 Ave_and Farracub COTONY S ‘\7'\""{:»:";\':»0” “ANTHONY ADVERSE. With FREDRIC MARCY and OLIVIA DE HAVILLAND. ~Feature at 2, “NO' ADVANCE IN PRICES. I3 - 7230 C ST N.E. HOMF — pl00 e Notioa “ANTHONY ADVERSE.” *No ADVANCE IN PRICES. PENN Tenna. Avenue S.E 6th and th § d i >:00 P.M. : and FRED WINGTIME." 4n¢ A OR _and RY E in “STAR FOR A NE]_HY;‘ WARNER BROS. THEATERS ROGFRS _and_ FRI ASTAIRE In ‘SWINGTIME.™ YOR ~Ga. Ave_an bre R A : FAYE in “SING, BABY. SING. Mickey Mouse. JESSE THEATFR "abh2N" Carrier Air Conditioned. “STATE FAIR,” WILL ROGERS and JANET GAYNOR, Comedy. o SYTVAN it B Ghusnt “SING; BABY, SING.” ALICE PAYE. ADOLPHE MENJOU, Com, Cartoon. PALM THEATER °7%is% “THE CHINA CLIPPER,” PAT O'BRIEN. BEVERLY ROBERTS, Comedy. Cartoon. BERNHEIMER’S DANCING. “LANGLOTZ STUDIOS,” 2 Private lessons day nl classes every Wed. Asses Wed. ni 1. 9100. 2 The Edward F. Miller Studio 814 _13th ST. NATIONAL 8093 1f It Is Danced. We Teach It ko T | KATHLEEN WRIGH' nk{au'cm'ma dancing classes in 6 weel 1 fi. George Le Claire teaching beautiful b room dancing. 6 private lessons. S$10. 1000 _C t 4 . Ave. (Ent. 1 | Met. 7300. Adams 9381. nn. Al 711 K St. N. ) “"RAN | ‘T'I_H: Waltz-Fox Trot-Tango-Rhumba-Tap Talented Teachers Private Lessons BEGINNERS—ADVANCED—CLASSES, 758 1811 H Si. N.W. Hrs. 12 te 9 p.m. NA. 3367 d