Evening Star Newspaper, June 23, 1933, Page 34

No More Gangster Films, According to the Moguls‘m That This Type of Picture ‘ Warner Bros. Announce Is Out for the Coming Year—‘T"Ietro-Goldwyn- HE gengster is dead. Lon —what? Well, the cinema dustry doesn't quite know. Mu- sical films are on the up and up, “straight” dra arc hav- ing their innings. comedie or less died (who comedy of late?) certain, according “the reign of gangster in D tures is definitely on the wane and he will sc\m\l dis- pear entirely. .pThxs is 0. K with us, except in 8o far as it may interfere with the pleasantly fierce roles which Paul Muni does better with than the gangster himself. Although you may remember that Mr. Muni is anxio do light, sophisti- cated comedy, an that he would give his best molar to have N Write a play for him (as who woul it is still not easy to forget him Scareface, or as the tcriured hero of “I'm a Fugitive From the Chain Gang.” We can do without Georgie R posing as Mike the Kike. But we can- not do without Muni. His cheek is particularly adipted to the long. lean scars which have been etched on them His mouth can be twisted down to seem particularly dour. His smile c construed into the bitterest kind of a meaning. And he can fight and snarl and roughhouse with Johnny the Bar- ber, or any of the tougher hombres, with proper vehemence and no care for his_grease paint Edward G. Robinson gentleman who fares better with cinema rogues and rascals. While it has been proved that he can do comedy if he wants to, the public prefers him most as & glowering menace, whose deeds of wrath plunge him into a nasty death at the end of the film. . to Jack L is another If these gentlemen are to calm down | —and Mr. Warner says that out of the 60 to 80 films to be done by War- ner Bros. during the coming season ot a single one will have the gangster for a hero—what will they down to? ‘Well, Mr. Robinson is to play Na- poleon, and Muni is to do something called “Massacre.” which, oddly erough, doesn't sound like derella story. If n yarn it has, at least, the promise some fancy fury and some of the trick anger which Muni conjures up so nicely. Napoleon it is easy to imagine that it Muni's next step may be Marc Antony | or Julius Caesar or one of those clas- sical boys far removed from East Side gutters. At least these men are not to go soft on us. Although the Warner bad men are out of fashion (the Warners first raised them up to fame) they will have | at least some salty cronies as their off- spring, and while the latter may not | be out and out villainous, they will at least have a touch of evil about them and keep up that old, old tradition, that all is not fair weather, even in the land of make believe. * ¥ % x Metro-Goldwyn-Mayer “Forsaking All Others.” will not boast about it This, as first presented to a Washington audience (in spite of the efficient mimings of Tallulah Bankhead and better than average Fred Keating), seemed at least the runner-up for the world’s worst play. Minus that Bank- head cartwheel, one or two witty lines and the scene at the church the play could go “bye-bye” without a qual Proof of this was evidenced during the opening night performance, when a noted drama writer from New York was observed to be sleeping soundly somewhere to the left of our left shoulder during acts I, I and IIL * x K ox Yesterday's mail ‘brought a letter thipped from the Santa Fe train going West. Out of it tumbled a check. On it was written “E. Melcher—ten dollars —for atmosphere.” After cudgelling our brain to think why we should re- ceive a gift for “atmospher wve noticed a brief note which had come with the check—and which, signed Glendon All- bine (production manager for the “An- chors Aweigh” company). informed u: that this sum was not really for us, but for local beauties, Chris Eekengren and Margaretta Wright, 0 had danced at Annapolis in the dance scene of this film from 4 in the afternoon until 10 that night Yes—you still get 85 for being an extra. Nice going— ladies! has bought We hope they - You can't get awar West spell these da film companies arc each other in bri the eye of the p for instance, that ner Bros Barbara ‘with 13 men, includ! same time saying that MRS. JEFFERSON DIES Last of Immediate F. mily c 74 f Joseph Jefferson e Associates WEST PALM BEACH. | Mrs. Edna Car spearian actress member of the fam son. famous actc Wa The Washington Juvenil Club presented its “Stars of T Tevue last night in the Jewl munity Center auditorium appreciative audience the stage and radio artists wer their routines in an rtal ner. Each participant, wit dances, contributed equelly to the duction The clever stags ar lighting system added much smoothness of the revue. D. Davenp: and F. Simon directed the performanc which was followed by danc: ¥ DANCING. BALL ROOM DANCING-—LOW SU: Tates. ciass Tuesday evening ate less by appointment. LEROY H. THAYER. 1| Peyton Penn Studio. 1715 F N.W. Met. nw. to 11:30 p.m. with orchcstra pointment. Met. 4180. Estab. 1900. [ By E. de S. Me ve 2 be | calm And with Robinson playing | g songs and MMER Icher. Davies’ “Peg O overboard for H; Cruise” to make cent West conscious 100 per Rumor b that Clifford Brooke H er, 6968 sday evel The: of a new feature y for a Day.” will will face t ge of the shif p's short wa Dancing ford pic > Tumor th This puts s Lightner has and M 1 ve Germa way back to Holly s, Mrs. McArthur will “pursue” her screen career. THE EVENING STAR, WASHINGTON, D. C FRI.DAY. JUNE 23, 1933 IMONTGOMERY PLAYERS PRESENT “TEN NIGHTS” cur Group Handles “Gay Nineties” Play in‘Fine Style. “Ten Nights in a Bar Room.” the | melodramatic hit of the “gay nineties,” was presented last night at the Be- thesda-Chevy Chase High School by the Montgomery Players with their usual skill. William W. Pratt's- play, that | meant to the prohibition amendment | what Stowe's “Uncle - Tom's Cabin” {meant to the Civil War, seemed last night a bit too trite in this modern era of smooth and coherent stage presenta: Lacking nothing of the ordinary enic end costume effects that | necessary to set off the actors’ real ability to crs were 2s thorough (even down to a an piano) as the legitimate W. Smith, as the drunkard hit of the evening with his par arly real impersonation ticul Eugene F. proverbial “hick” left littie if noth- ng to be desired with his acting and jon. The philanthropist, portra:ed by Irving M the ini enacted by Thomas P | were understanding and person- able in their role: Jene Plummer Rice, as the wives of the innkeeper and drunkard. were com- v successful as the unhappy The cast was completed by J. Mahlon Selby, Ralph S r. Stanley E. True, Pauline Whitac leanor Coates Teit- man and Robert C. Horne. Piano ac- companiment. con: ing of tunes that were of the same vintage as the play, by Kay Dawson Hill, who was attired in a costume of the same period, was one of the surpr hits of the evening Esther Whitacre presented several spe- clalty dances. F.LC. Lecture and Recital Draw "Two Washington Audiences Otto Torney Simon Gives Talk at Arts Club on 1al lect Simon at t named Sor pictured the |with a skillful presentation of appro- h Mr. Simon made bility of his apparent the with Schubert |sonal ac his friends who had been a this little coterie ¢ ‘With tender un | of the endu | Schubert displ: or privileged member of f artists standing he spoke ader hardship which s happy nature and his unouenchable genius. A deft touch here and there was enough to | underline the points of charact, made Schubert beloved by his frien the happy-go-lucky existence they fol | lowed and the sincerity of a friendship that bordered on worship and which lasted until his death. Schubert’s enor- mous musical output and the various | phases of his development were skill- fully sketched with a humorous slant | | that aided much in fixing dry facts in ‘(htz memory. Small anecdotes, :'ich a3 Schubert’s habit of visiting the restau- | rant frequented by Beethoven so that { he might gaze on the great man from | afar, brought out the simplicity of heart of the younger man and the rare fineness of his nature. In such a fash- ion. with loving comprehension, Mr. Simon bridged the years between Schubert and the. audience and made | him, his friends and his music living g placed his audience com- Y h the comp s fol and e 7 Rose B rville ing of ered fo if r a pare al stu- bers in lebrated Life and Work of Schubert, and Students g Present program at Barker Hall. By}Alicc Eversman. that, it was the sum total of their work that deserves commendation. There was a distinct style in what they did and a complimentary reflection on their teacher in fact that they sang as if this style was entirely their own and personal expression. Poise, finish and enthusiasm were evidenced by each of the singers according to their capa- es and brought the conclusion that cse are some of the results of their good ning. There was an artistic turn to even the simplest song thai was most satisfying and a finish that many public singers have not acquired. ver, side by side with a sincere pleasure in the generally fine singing was a sense of disappointment that some flagrant favlts were permitted to remain. The unforgivable tremolo w: present in the voices of some of the be: cingers and that equally unforgivable fault of attack known to vocalists as “scooping.” Any other defects that might have been cvident were directly due to these two blemishes on & vocal- ist's art. With these eradicated, it would be safe to say that last might's student recital would be worthy of an admission fee. Particularly noteworthy was the sing- | ing of Estelle McCuan Gates and Kath- ryn English in the duet “Mira Norma,” frem Bellini's opera “Norma.” Mrs. i ve a splendid rendition Erlkonig” and the “Liete " from Meyerbeer's “Hugenots.” Gates’ beautiful so- prano was heard in the “Vissi d'Arte” gria, the Arensky-Koshetz “Valse” and la Forge's “Song of the Open.” The unusuaily appealing tencr of John Mur- with its remarkably beautiful and L tomes, seemed particularly such numbers as the air from Arne; Charles' louds” a Forge's arrangement of “Estral- jita,” although he detracted from a trilling tone quality with which he sang the latter by a mose interpretation. g, and a splendid cli- m m, was the “Celeste Aida” aria from the Verdi opera. Thomas Leef gave “O Du Mein Holder Abendstern,” {rm “Tannhauser,” with musical feeling. nd, from a group of three numbers rach, William Hayghe did his be “+ in “Ombra Mai Fu,” from Handel's “Xerxes,” and Irene Finch Woltz in Griffes’ “By a Lonely Forest Pathway.” ners who did credit to themselves tremendously long program, too | y to write of in detall, were| e Edward Wendel, May Stanton, rry Crow, Reginald Clark, Maurice | Thomps:n tha Brckaw, Charles ghes, Fanchon Rawlett, Hummer Ac- ticn, H. Phelps Clark, Frank Jenkins, Leis Lillie and Henry Nestor. It was a | sure 10 have Mr. Marville at the | piano, for he gave the greatest support | to his singers and put the finishing | touch to one of the mest successful student recitals of the season. a fine prog Varied Races in Florida. TAMPA, Fla. P)—Rev. J. A. Phil- 1 charge of the Latin Mission of t Episcopal Church South, s there are in Tampa 17,000 In- ,000 Cubans and 5000 Span- Key West, 5.000 Cubans and ds and at Tarpon Springs 500 Greeks DOES YOUR HEART PalpitATe? 9t wite when 1010 Fistare N RUGGLES GRETA and 40 Maddening RKC waven A BETTER sHow KEITH’S CONDITIONED AIRC NISSEN Maidens Piry, arg, o170 ndenn®/ the “onay Frear 7 COOLED _CAREFULL best advantage, the play- | Smith, in the role of the | Day, and his antithesis, | Fay Flieder and | SCREEN ODDITIES oLGa BACLANOVA 1S ONE OF THE FEW WOMEN IN AMERICA WHO CAN DO THE DIFFICULT RUSSIAN EMBROIDERY. SHE LEARNED THE ART IN RUSSIA AS A TOM TVLER. APPEARING IN CHAMPION . | would mean their release from every-day lowing completion of “Hold Me Tight.” store clerks who were hired by Director the picture. will be used in “Berkeley Square.” visits the noted, painter in his studio for most interestin| scene to another in a “beer dissolve” in icals were added to a large stein of heer completed and another would be started | probably would be unattainable to them_ ordinarily. David Butler to bring added realism to | Butler was so impressed by intention of carefully studying the picture in the belief that he will discover new screen material among the previously inexperienced girls. Twelve artists were given work in copying 20 of the famous paintings made by Sir Joshua Reynolds, celebrated artist of the eighteenth centu: v Leslie Howard, as Peter Standish cf the film, BY CAPT. ROSCOE FAWCETT. ALL OF HIS RADIO EARNINGS TO CHARIT e CLANCY OF THE MOUNTED,” 1S AN OLYMPIC WEIGHT LIFTING One hundred girls in Los Angeles eagerly watched the mails” for word that | drudgery to a career in the movies fol- They bad received a screen test, which The girls are department their work that he has announced his The copies a sequence of the picture. One of the of the assignments given the artists is four large canvases show- ing “The Tragic Muse” in four stages of development. Theatergoers will see an_innovaticn in the trick of “fading out” from one Salt and chem- “Lady of the Night.” The stein to make it foam excessively. was then placed before the camera lens so the filming of one scene would be through the billowing froth of the beer. | BAND CONCERTS. | By the United States Army Band this evening at the United States Capitol at 7:30 o'clock; William J. Stannard, leader; Thomas F. Darcy, associate leader. March, “The Guiding Star”...Stieberitz Grand sceens from “Attila” .. Verdi !Solo for trombone, “Thoughts of { 5 Pryor | First movement from “Military Sym- pHORYZ s ! _Haydn Waltz, “Gold 2nd Silver”........Lehar ‘Symphonic Prelude”. Beghon Cashua y Huayno, “El Condor Pasa.” i Robles ..Gounod to Tropic,” Alexander “The Star Spangled Banner.” By the Community Center Band thi evening at Garfield Park at 7:30 o'clo! James Miller. director. March, “Under the Double Eagle,” Wagner , “The Belle of Mex- Jo | Excerpts from “Faust”. ‘Marrh. “From Tropic “Barcarole” .. .Offenbach ‘American Patrol” Meacham | “The Washington Tribune March,” James Miller | Overture, “The Spotlight”....Brockton | | One step, sclected. | "Bowl of Pans ..Reynard | Losey | | March, “Gloria LAY “The Star Spangled Banner.” ! By the United States Navy Band this evening at the Walter Reed General | Hospital at 6:30 o'clock; Charles Benter, Jeader; Alexander Morris, assista “Overture in F Minor' . Fantasy, “A Summer Day in Nor- way" iivere...Willmers Grand scenes from the opera “La Forza Del Destino™.. | Saltarello from “The Italian Sym- phony” Mendelssohn Waltz, * Ivanivici “Prelude March, “Soldier of Fortune *Anchar's Aweigl: “The Star Spangled Banner." 2 | Lotteries to Build Roads. | China will raise money to promote | aviation and bufld highways by means of four state lotteries. HE'S HERE — IN PERSON WALTER “OKAY” O’KEEFE PILOT " LUCKY STRIKE * MAGIC CARPET . KELLER SISTERS & l.Vl" THREE SWIFTS . FOUR NEARTS co 1:50, 4:35. _WARNER BROS _COMFORTABLY Where and When Current Theater Attractions and Time of Showing Palace—"Peg o' My Heart,” at 11:15 am, 1:20, 2:20, 5:30, 7:35 and 9:40 p.m. Fox—"“The Girl in 419" at 11 am. 1:30, 4:25, 7:20 and_10:10 p.m. Stage shows at 12:20, 3:15, 6:05 and 9 p.m. Columbia—"“When Ladies Meet,” at 11:30 am, 1:35, 3:35, 5:40, 7:40 and 9:40 p.m. Metrepelitan—"Gold Diggers of 1933.” | at 11 am., 12:45, 2:30, 4:10, 5:55, 7:35 and 9:20 p.m. R-K-O Keith’s—"Melody Cruise,” at 11:38 am., 1:37, 3:40, 5:43, 7:46 and 9:49 pm. Earle—"Baby Face” at 11:15 am. :20 and 9:55 p.m. Stage shows at 12:55, 3:15, 6:30 and 9:05 p.m. ell; Sister,” from 11 a.m. | Tiveli—"The Devil's Brother,” at 2, 3:50, 5:40, 7:35 and 9:30 p.m. Ambassador—"“The Silver Cord,” 6:15, 8:05 and 9:55 p.m. SPRINGFIELD, I, June 23 (®).—A! new trial for James “Iggy” Verecha, 17-year-cld confessed slayer and men- tal defective from Chicago, was ordered yesterday as the Illinois Supreme Court reversed his conviction and death sen- ! tence. Seadide, Chesspeake Boash, M, HAPPY HOURS Swimming Dancing Amusements Salt Water Pleaty Poel o Them “Join the Big Parade” 11 leave District ay .. COOL THEATRES TODAY MAKES MAE WEST'S ... "SHE DONE HIM WRONG" TAKE A BACK SEAT. ... BARBARA ANWI(K IN WARNER BROS. VITAPHONE DRAMA Babyface WITH 13 MEN INCLUDING ME EARLY PHONE MA 3344 25 TO 1 P. M. THIRD OF FESTIVAL SERIES LAST NIGHT| Band, Orchestra and Glee Club| Give Program in Outdoor Theater. [ The third of a series of Summer festival programs, consisting of a glee club and mandolin orchestra, was pre- | sented last evening in the delightfully | cool Sylvan Theater in the Monument Grounas, under the joint auspices of the Community Center Department and the Office of Public Buildings and | Parks. The program was opened by band | numbers by the Washington Boys' In- dependent Band, under the direction of | Clinton J. Brown, jr. who contributed a number of marches and overtures, | concluding their program with the Na. tional Anthem. Folldwing this concert was a joint program by the Kilo-Watt Glee Club {of the Potomac Electric Power Co. and | the Columbia Symphony Mandolin Or- | chestra, divected by Sophocles T. Papas. with the glee club leading with two well sung selections of & popular nature, “Rolling Down to Rio” 2nd “Deep River.” Throughout the program of the glee club the work of J. K. Marshall, | tenor, was particularly noticeable in up- | holding the tenor section, as well as iving strength to the entive club, Mr. arshall later appeared in a solo num- ber, “Your Eyes Have Told Me So."| Harry J. Yeide proved a capable leader | and held his sometimes over-joyous club to moderate volume, which, in Oley Speaks' “Sylvia” was particularly en- Jjovable. Interspersed in each of these recitals | by the club and orchestra was a soprano | solo by Alma Harris, accompanied by | Estelle Wentworth; a tenor banjo and | mandolin duet by Herman von Berne- witz and Franklin C. Anderson, an ac- cordion solo by Rachel Storer, who also | provided piano accompaniment for the mandolin _orchestra. 1 The orchestra, under the direction of | Sophocles T. Papas, was then heard in | a group of selections which included two Russian folk songs. “Black Eyes” and “Polianka”; Gillette'’s “Au Moulin,” | Francke’s “Intermezzo,” and concluded with the march, “Zacatecas.” For the second part of their pro- gram the glee club chose a group -of selections from the Gilbert and Sulli- van score of “Pinafore,” which naturally included the buttercup’s singing and capering. Coupled with the Kipling- De Koven “Recessional,” the buttercup’s caperings were not brought into very much notice and consisted mainly of a quiet rendition by the club and H. W. Moiineau. hasso soloist. The club concluded with “Winter Song” and Dvorak’s “Goin’ Home.” J.N.H. | ALAN DINEHART TO WED OKLAHOMA CITY GIRL | By the Associated Press. LOS ANGELES. June 23.—A studio | romance that star‘ed eight months ago | in Hollywood is to lead to the altar; for Alan Dinehart, 37, stage and screen actor. and Mozelle Brittonne, 21-year- old Oklahoma City girl, who is under | contract to the Fox Studio. They filed their intention to wed at the county marriage license bureau today. | Dinehart has been in pictures for | two years and formerly appeared on the New York stage and in vaudeville. He wrote and was starred in a play. ! “The Meanest Man in the World.” and was co-author of another, “The Patsy.” | He once was married to Louise Dwyer, formerly his leading lady. | MOONLIGHT TRIP DANCING Wonderful dance floor— Boa! stops et Marshell Hell Pork. WIISON LINK 7TH ST WHARVES NA 2440 Four bests daily for Marhall Hail Perk Two daily (excopt Sundey) for M. Vernon o Pt Syt Fjsiote Lips™ Theater Besutitul er in . ACADE ¥ faniiac shiey Juiser et ol g S usical_Com 15 rri | ASHTO! CLAREND! KEN MAYNARD. “BETWEEN FIGHTING MEN." Serial and_Comedy. CAROLINA '™ & N'C Aw sE “STRANGE JUSTICE TRUDER." CIRCLE w385y 'rot KATHARINE _HEPBURN. 'CHRISTCPHER_STRON( DUMBARTON i L and ZASU PITTS in UT A medy. ANACOSTIA. D. G. JAMES DUNN_in “SAILORS’ LUCK.” PRINCESS 1119 BSt. NE Lin. 2600 DU T, Rl Rk gROAREL PHILLIPS HOLMES Ml Bapais Ho in URY_LINER." i | STATE nom. o Western Erceiti Souns | , DOUBLE FEA ®ith GEORGE DAWN" with NA| Wi N N.E. tpment | in “LUX- | R earrorr. T : o Troubice TAKOMA o | . WALTER HUSTON in | “Gabriel Over the White House"” o | HIPPODROME X Hei o x| (Clive Brook in “Cavalcade” | m’fi)—ifiw" Robt. Montgomery in |ARCADE | Joan_ Crawford. ‘PICK UP" SCARLET Comedy. [ N LU DIRECTION SIDNEY HYATTSVILLE. MD. Today Today We Live AMBASSADOR c.:'*; IRENE DUNNE. -SILVER 5RD." | T Chase Comedy. Fred waringo o | 624 B St NE e |APOLLO | Matinee—2: LIONEL BARRYMORE. * | _W. C._Pields Comedy. | CENTRAL ™™ *, Smoking Permitted in Bal JAMES DUNN. ZASU PITTS. “HELLO SI: " __Comedy. JACK_HOLT. FAY WRAY. “WOMAN | I STOLE"_Kennedy Comedy. | 1230 C 8t. NE | DICKIE MOORE. “OLIVER TWIST. g | | { WARNER BROS. THEATE __Radio_Row SAVOY 14th St & Col. Rd. N.W. TIM McCOY. “WHIRLWIND." Serial __and_Barneit Come 141l N Matinee LAUREL _and __BROTHER.”_ Cartoon. Ga. Ave. & Quebes St. N.w. JAMES CAGNEY, ALICE ITE, * - TURE SNATCHER .~ Tokings. JESSE THEATER '*3.* ¥y™ z, R. C. A. Photop! SYLVIA SIDNEY and GEORGE RAFT in “PICK UP.” “Jungle Mystery. " No. 11.. Comedy._ 8port_Champion. | SYLVAN .14 Lo M9y MONKEY'S_PAW.' _ “Jungle Mys- tery. No. 7. _Coimedy. | xé)l(LAvan DIX agd 'EDI IVER in TR o&“f Park e—2:00 P.M. HARDY, “DEVIL'S on. ** Comedy._Cartoon. AMUSEMENTS Out Where the Movies Begin Diversity in Pictures Favored by Producers. Salary Cuts for Stars Again Urged—Perils of Screen Life Illustrated by Bickford. BY MOLLIE MERRICK. | HOLLYWOOD, Calif,, June 23 (N.A. N A).—Producers_have differing ideas about pictures. Harry Warner thinks stars are getting too much money, and that a readjustment of salaries will have to be made, with less going to| topnotchers and more to the lesser fry, thus equalizing the division of income. He said nothing at all about executives’ salaries, so far as I know. B. P. Schulberg thinks that there will | be a gradual increase in motion picture admission prices by Autumn. “With a revival of generzl trade, the present low theater prices cannot endure,” he declared. “Either a controlled inflation or & pick-up of business will result in higher theater prices. “The new product for next season will be diversified,” he said. “Cycles will never run to the extremes they did & few years ago when every one was making musical pictures or gang- ster films. Cycles will be avoided. My own pictures will strive for diversity of theme and true variety. The theater business was the last to feel the severity of depre: . ‘The box office is highly sensitive and is the first to reflect an improvement in mental condition of the public.” Hollywood's best dressed extras have to exhibit more than extensive ward- robes. They must be able to dance in any manner suggested by the atmos- phere of the script. It may be a modern New York night club. Or a waterfront dive. Or it may be an English ball. They must be able to dance in the manner of aristocrats or with the casual eccentricity of the modern toughlet. George Raft recently commented on | the perfect response Hollywood's trained extras can give to the demands of a director when it comes to a diversity | of dancing. I can't resist this account of a film | ctor's troubles as sent to me by the studio: | “Charles Bickford labors at present,” the account runs, “with a body that is black and blue with bruises and a voice that is reduced to a husky whisper, and yet the public still claims that a film actor’s life is a bed of roses. “The punishment came as the result of a role he is playing in Cecil B. De Mille's ‘This Dx and Age’ As a| racketeer he is kidnaped by hundreds of schoolboys, who bind and gag him | with adhesive tape and lower him by a rope tied under his armpits into a pit | of -rats until he confesses to a murder. “Working under hot lights, the tape | became securely fastened to his wrists and across his face, and it was only with the loss of considerable skin that | it was removed on several occasions. Dangling in the pit with the rope around his_chest his lungs were con- stricted. Despite the handicap, the script required that many of his lines had to be shouted, which went on for hours on end. It meant a strain on the vocal chords and throat muscles m‘lm the Jungs could not function ully. “The result was an almost total loss of voice and a rasp which came in handy for some of the scenes, but which put him out of the running until he could be doctored to resume his work in the picture. Besides this, the chafing of the rope and the man-handiing by a mob of several hundred boys necessitated the nightly ! arnica. iodine, what have you." What! No deviltry from the rats> Now just how did my exhilarating narrator of these experiences overlook that chance for & thriller? 1933, by or (Copyright ming IN CRYSTAL WATER POOL AND DANCING IN THE Spanish Garden With Orch. of Fifteen S Bathe at Chapel Point These Hot Days Salt Water Sandy Beach COOL PICNIC GROVE Daily Bus Excursion Leaves 10 A.M. Capitol Traction Bus Depot 1416 F St. N.W. Round $ l Trip FREE ADMISSION TO PARK in Washing — o *ICAN BE HAD ) I MEAN DAVID MANNERS JACK LA RUE 145 o ip MENT « BECAUSE SHES COT WHAT IT TAKES. .. 1F YOU Gp WHAT NS KEPT MIM BuUSY. BLONDE SIRENS MADE HIM D122V \...———/ ... Only Three Days Left To see this sensational screen success . ac claimed by more than 75,000 Washingtonians! ANN HARDING MYRNA LOY~ALICE BRADY F RANK MORGAN