Evening Star Newspaper, July 26, 1931, Page 35

Left to right: Evening coat of emerald green crushed velvet, with collar in a darker shade of green, designed by Lucile Paray. Black crepe maro- cain afternoon dress.” Formal gown of blaclk and white silk jersey with belt of black kasha. Evening dress of natural colored curtain net with braided belt, The last three costumes by Lyolene. Marcelle Lely made the hat above of black felt, painted the under side of the brim with white lacquer, and trimmed it with black and white coq feathers. At the right is a tucked mousseline frock in shell pink tints, designed by Maggy Rouff. pinch each of ginger, allspice and cm-’ namon. Turn into a buttered baking, Good Puddings dish and bake for two hours, stirring| Cornmeal Pudding—Cook a quart of | occasionally. Serve with any preferred | milk in a double boller with a cup of | sauce. cornmeal, and cool. Add a cup of | Buckeye Pudding—Mix one cup each sugar sifted with half a cup of flour, | of raisins and hot water with one and one tablespoonful of butter, three eggs | one-half cups of flour, one teaspoonful ‘well beaten, a teaspoonful each of cin-|each of ginger and soda, one cup mo- namon and cloves and a cup of cold |lasses, the yolks of two eggs well beaten milk. Bake for three or four hours. |and flour enough for a stiff batter Indian Rice Pudding.—Heat a quart of 1 sifted with a teaspoonful of soda. milk in a double boiler, sprinkle in|Steam for two hours and serve with three tablespoonfuls of cornmeal an ny preferred sauce. cook with half a cup of boiled rice. Ginger Pudding.—Mix together thor- Add half a cup of brown sugar and a oughly one and one-half cups of flour, ' =% SR~ = R B IR - THE SUNDAY - New Hats and Other one teaspoonful each of ginger and soda, one cup molasses, two-thirds cup of boiling water and one beaten egg. Steam one hour in a tube pan and serve with either hard or liquid pudding sauce. Plaid Bags. Plaid silk scarf and handbag, in one | of the authentic Scotch designs, are| used with dresses in plain color. They are made of crepe. One interesting plaid, with a gray background and bright colors, is used with a black dress. Left to right: Midnight blue shantung coat trimmed with lynx, by Maggy Roufl. White linen dres Dana. Black and green mixed wool suit with black black wool bound with velvet, frem the same designer, ith lace insertion, worn with red patent leather belt and blue woolen coat, buttons, designed by Bruyere. Coat of heavy desighed by Irena STAR, WASHINGTO ‘D, C. JULY 26, 1931—PART THREE. °* Soft Effects Prominent Three hats designed by Agnes. with bands and bows of velvet ribbon in two shades of orange. at the right, chestnut brown crocheted hat trimmed ith these two hats is the new windbloum The brimmed hat has a brown crocheted crown. feathers. The haircut shown bob favored by Agnes. BY MARY MARSHALL, OLORS, like troubles, seldom come singly. That, at least, seems to be the case with the smartest of the late Summer costumes we have seen, and those designed for early Autumn are also more likely to reveal two or three shades and colors than one. The most obvisus way of making use of colors in dress is by means of a fig- ured material. This may show a simple geometric design in a color or shade | contrasting with the background, or it | may show a more elaborate print in which two or more colors appear in & variety of shades. For several Summers past prints of the more elaborate sort enjoyed great popularity—so much so that by the end of last Summer we had become rather fed up on that sort of thing. and were only too glad to adopt another means of satisfying our desire | | for color contrast, which fortunately ar- rived last Spring in the guise of the three-color vogue. This usually took the form of a dark, a bright and a neutral | tone—brown, orange and beige; navy blue, light bright blue and gray: black. gray and orange; navy blue, red and white; black, rose and gray. Sometimes it consisted simply of three shades of the same color—as pale, medium and dark blue or green, or beige, light brown and dark brown. - ALL these interesting three-color combinations have remained in good repute this Summer, and will con- tinue to do so, but there has been an unexpected revival of interest in prints. not only for evening and afternoon, but for daytime dresses as well. And if you are in search of a new dress to wear during August you cannot do better ‘ than to consider the usefulness of some “@reen felt hat | designed by Marcelle Lel; bgoose feathers and worn | with shaded g At the top, a hat of black che Below h brown and white Designs Show Contrast Figured Prints Rival Plain Colors in Coming: Fashions—Blends Again Are Popular for| Afternoon and Evening—Fall Styles. of the newer printed chiffons or silk crepes. | Among the newest Summer evening dresses those made of shaded chiffon | are vparticularly interesting. Chiffon shading from white through gray to| black was used for an interesting | draped dress, worn with a narrow red | girdle. Another smart evening dress | made use of chiffon shading from white | through pink to a deep rose. | One interesting way in which the color contrast is achieved in some of | the new dresses is by means of the lin- | ing or slip. Organdie dresses, either eyelet or plain, are worn over tafleta or satin ciepe foundations of contrast- ing or deeper tone. A pale blue may be worn over a deep bright blue or pastel green over bright green or whitc over a black foundation. ook ok GAIN the color contrast may be‘ achieved by means of facings. A | slightly flaring _three-quarter length | green jacket with a white skirt and a! sleeve with a scalloped edge may reveal | blouse of pastel green toned organdie. a bright silk facing repeated on tha Contrary to our earlier expectations, | cape collar. A new spectator sports the contrasting skirt and jacket idea is dress of white wool crepe had such| to be carried over into the Autumn| facings of light red silk and was worn | mode. There are new suits for Autumn | with blue and red bracelets. | showing hip length or longer jackets of | Among the evening dresses designed | bright green or red worn with black for early Autumn wear there are many | skirts and there will be interesting com- interesting and unusual color comfbina- | binations of mixed tweeds with plain | tions. A’ fuchsia chiffon is trimmed | toned materials. i en flowers. Beige Is * % kX% combined with cerise and deep purple. A figure chiffon evening dress shows & "J'HE new tweeds and tweed-like mix- background of dark Brown with figures tures deserve special comment and | of turquoise, light cream and gold. 4 During the Summer interesting color ' in the early Autumn mode. contrasts have been developed by zm‘ ill undoubtedly play an important part | Following use of contrasting skirts and jackets. sometimes worn with blouses of still another tone. One might wear a bright Left to right: Green dress trimmed with stone marten, by Lucile Paray. " frock; by Germaine Lecomte, trimmed with black English eyelet embroidery on white. Black “cain dress trimmed with white georgette, designed by Irene Dana. Suit, Irzn Chantal, featuring @ ‘ blacl astrakhan collar, Fashions Produced by French Designers Left to right: Dress of white crepe de chine and green triple voile, by Bruyere. Callot evening gown of ivory white crepe satin with necklace and bracelet of jade. Pink georgette dress trimmed with red. pink and vellow flowers, by Chantal. Flowered chiffon lame wrap by Patou. Dark green velvet hat, trimmed with orange ostrich tips, desizned by Marcelle Lely. At the left, flowered taffeta dinner pajamas w.th separate coat, designed by Patou. Yellow, lovender, violet and red flowers riot over the black background. the tremendous interest in brown as an | collections of advanced Autumn street utumn color for the coming season, | dresses. suits and coats of interesting , there will be tweed mixtures showing STaYS have appeared. combination of dark, light and bright 2 brown tones. Brown and green mix- | Steel Buttons. tures will be in good repute and red | o = tweed mixtures are also predicted. | Jackets of cotton, of silk and of wool Gray has kept in retirement for some are fastened with big flat steel buttons, » time, in spite of the effort of many |shiny and smooth. Many of these’" dressmakers to revive it. One would | Summer jackets, to be worn over sleeve- , hardly venture to mention it as im- | less frocks, are fastened once or twice » portant color for Autumn when s0 across the chest and not at the waist. much has been done to feature browns Others are open at the chest and are ~ and greens, but here and there in the belted and buttoned at the waist. Black crepe romain maro-