Evening Star Newspaper, March 19, 1930, Page 33

STILL LIFE wfi—’\ Bonry O oo drn g T T Mt Wbt Honers et MOVIES AND MOVIE PEOPLE BY MOLLIE MERRICK. HOLLYWOOD, March 19 (N.ANA). —Consider the situation from any angle you will, the fact remains that this morning Hollywood's most famous male star and most highly-paid female star are in difficult positions, so far as their movie pictures are concerned. Jack Gilbert’s story, “Redemption,” taken out of the can, rehashed and given a preview down the country, again had unsatisfactory results. Yet, thanks to an astute mind and a series of situations which left him master of the moment, he holds the most tremen- dous contract in Hollywood. The money runs up into a million or more. The time limit is almost three years. And Ina Claire, the lady whose ex- isite expert art commands $100,000 e picture, has had Barry's play, “Holiday,” stricken from the register. Ann Harding is doing it. Ina Claire may have had something to do with that herself. She told me frankly the other day that she was weary of being & Park avenue lady— she wanted to play the humah being that she is for the public to see and Xnow. i ‘This actress is-a human being, a round personality, a vital, wonderful ‘woman. The never fails to re- m\a sucl person, given the el to contdet with them. The barrier of cold sophistication and the flat mechanism of g _screens are & bit thick. If Ina Claire gets the chance to play & human being, as she wants to do, she'll go over—and how! Doris Eaton is still-vigorously e: ing that she didn’t know Herb jored of her. And Mrs. tent in telling (In their | ing colors is still an unsolt xplain- Nacio H . Trig. . Artifices, . Growing out, . At law; & suit. . Discloses to view again. 2. South Amefll:l-n monkey. . Dilatory. Resinous substance. . Swords. . Final of a spire, . Parasite insects. . Sudden panic, . Exploits. . Apply. ANSWER TO YESTERDAY'S PUZZLE. THE ORANGES GROWINI ) ON THOSE TREES! ALL |l \yHen MY LIFE IVE WANTED T|in ) one's mode of life Bisetlrid ill help just as much as to travel, its said. o ['m eati Tunch on the R‘Kw;t‘sfl " WEN- Moo SHORT-CHANGED ME- NOuU Sa® FORYN CENYS BND NOUVE KEPY FFTN-FIUE CENTS- HERE 18RE- | s | 8E JUST You SAY You ARE A LAWYER . THIS 1S NOT A DIPLOMA. TH'S ISA BARTENDER'S LICENSE FOR 1905 HONEST, INTELLIGEAR, COURAGEOUS, HAND SOME,LOYAL EACE oF THe DEFENDANTs RIGHTEOUSNESS SHINES FRoM HIS BROW, iINTEERITY SPARKLES IN HIS EYES AND LOVE, UNSWERVING APPLICATION To DUTY, COuNTRY, THe FLAG) MOTHER, DIX1€ AND GLORY ARE SHowN IN THAT MANLY CHIN=, one of the cinema group. In those there was more ri ethom 24 stage and the screen. All that is being | BUO FISHES oo, mef ?“:. ironing. ot e people of the g Pearl Eaton is directress of dance at one of the larger studios. And the re- mainder of the Eaton family are lving up to their name by operating a res- taurant. -Now Doris takes her share of village interest by becoming the inspira- tion of the tuneful Mr. Brown, accord- Tum TOU~ tines and divorces—it lke & lively stay for the Eatons. But it's all in the Hollywood picture. The companionate kiss comes as & ;louyvood eunmm;hn to un. Companionad kissing has been considered just a feature of making mild whoopee. You kiss the gai standing next you at the lemonade bow] and nobody cares. Old So-and-So would come in with his wife and there would be a lot of xmp;nm': 3 tlu'" vrmloan:lel nds lve con o lute and newcomers would express sen- THE CAR AND WINDY timents about “not missing a chance like this,” and back up the word with SCENTS A PuT To FRE€ DON'T BE SIWN— 1 WAS TAKING HIM To HEADQUARTERS WHEN YOU HOPPED ON THE CAR! T THOUGHT YOU WERE TAKING THE JUDGE To POLICE HERADQUARTERS, A GUY HOPPED ON THE RUNNING BOARD OF THE JUDGE A LIFT OUT OF TOWN, EH T WELL, IT ISN'T GOING To WORK, BUDDY ! OVER ON THAT LONELY & RomAD ! S How the ancients mixed paint- mystery. Many pictures on the walls of the ex- cavated city of Pompeli look fresh even WHY DIDN'T You INTRODUCE ME 10 YouR. FRIENDS INSTEAD OF IGNORING ME AS THOUGRH | WAS YOuR NURSE OR VALET 2 WELL THiS 1S Tie HoreL ! 1 HoPE 'msrzsgmza o ‘S At THE BOYS PRETTY HARD / AND NO DOUBT MOSTOF ‘EM COULDN'T/AFFORD. T SQUTR \ 'I R VI S | ) 4 i 1'D LIKE *O BORRY THAT LAMP AN’ GIVE IT TIME ‘THERE WAS A FELLER NAMED ALADDIN AN’ HE HAD A LAMP AN’ ALL_Y’HADDA DO wAS RUB 1T AN’ Y/COULD "HAVE ANYTHING Y'WANT? LINDBOIG o= ANYTHING ! By GENE ByR! . Pertaining to the calf of the leg. g . Intuition. . Describes. . Intimate, o Auha:l yabu. nes " Dog in “Peter and Wendy.” - Smal. biier b1 68. Relinquish, " . Units. . Aromatic plant. . Passable; coll. Down. . Box. 2. Central portion. ;P . Abandon all hope. . Incidents, . _Cleanse, ito of Luzon. . Make a certain kind of lace; var. . The wild olive, . Incloses. ise. . Raise. 5 City in Rumania. Ambition. GEE,MISS SALLY, I'M SHOR GLAD YUH WOKE UP IN TIME = HOW'D YUH DISCOVER . Exigency. . Active, . A pith helmet, . Pertal . Element in atmospheric air. 56. Mentally sound. . City II;lm-l:, . Son of Seth. Spanish toadfiah. —.cmmtut 4) I EXTRA FFETEEN i CENTS WhAS FOR TH' GUMDROPS UM SWIPED AN STUCK N MER POOKEY, WHWE M BACLK WAS TURNED - VIDIA THINK THIS WBS A GIFT SWOP? FRIENDS ? THEvRE NOT FRIENDS. THEYRE JUST THE GENTLEMEN WHO FIGHT WITH ME ALL DAY ON THE GOLF COURSE AND QUARREL ALL NIGHT WITH Me PLAYING BRIDGE- e THEN 1D BE THE AN’ THE PEANUT- MAN WHY, L DREAMED 1 WAS DANCING WITH YOU AND 1 WOKE UP O FIND: THE FOOT OF THE BED ON