Evening Star Newspaper, February 1, 1929, Page 32

| and frigid lack of shading as was here | I MUSIC ’ shown, solo by Suzanne Savoy, was more effec- The second group, composed of harp | noff, second violin; Lydia Brewer, viola, and Watson Baumert, cello, the first movement—animee and tres decide— was interpreted faithfully to instruc- tions, the cello especially good. The tive. The first selection “En Bateau,” | short sscond movement, with its pro- A DEBUSSY PROGRAM. "‘flldh -n;:ll)cl:‘llo?blim:gflby ‘2: de Sayn, | vocative pizzicato work, wtl: h;\l golgd ad, p: rly in muted passages, | rhythm, and much more the hinting The second of a series of three g retreshing beauty. Miss Savoy's sec- | than the hammering of a theme: ex- Franco-Belgian festival programs, pre- | ond number, “Arabesquel,” was marked | pected of the composer’s most whimsical sented by the Societe des Concerts In- | by sonorous deep tones, a careful feel- | moments. In the third movement—an- times, under the direction of Elena de | ing for the music. In’the last number, dantino—there was a distinct feeling of Sayn. was given last evening in ths Wil- | “Clair de Lune,” the audience was im- | witchery and charm. Debussy's unex- lard room of the Willard Hotel. The | pressed with the-work's poetry. It was | pected sonorities,. his passage of almost festival is under the patron: of the |a liquid, but concise, rendition; the | startling phantasy, all the reflections of Belglan Ambassador and fingering and the pedaling were har- | his complex, but peculiarly direct musi- Ligne. Last night's program was de- | monious, finely sustained tone was given | cal emotionalism, were more satisfyingly voted to Claude’ Debussy. when needed. It was quite easily one | felt than former). ‘The passages for Few composers have the power of | of the most sympathetic things of the | muted strings levely. swelling to sufixtlnu phantasy to the extent that | evening. | full strength and clearness later i, and Debussy did in his best works. A man In the succeeding quartet for two vio- | then again into’ the hushed tendern passionately devoted to the evocation | lins, viola, and cello. played by the|of the early style. The final move- of fugitive moods, illusion, irony, ten- |Elena de Sayn String Quartet, composed A ment-—tres modere—sustained the derness, sympathy, impulsiveness, and |of Miss de Sayn, first vialin; A.-G. Za- | achievement only passab} indifferent to the established aspects of reality, he resorted to composition S ra s the long sides an outstanding note—and off-the- p face models—are in these colors: which, in’ his time, caused him to be stamped as a revolutionary and an Beautiful Floral 4G by \ & Lido Monet - Brioche Tributes g I / . Navy Castillian anarchist. Abandoning the sentimental MrriNery, THIRD FrooR. $5 and up vARD & LoTHROP 10™ 11™ F axnD G STREETS Spring Heralds Bright Shades in Felt and Sisol Hats, $10 These smart hats of felt and sisol epitomize the mode for bright shades—destined to be foremost this Spring—and appropriate for wear now with bright dresses under fur coats. Intricately cut brims, draped in new ways to give themes of romantic music, he sought to convey—by hinting rather than by | obvious or literal composition—the | nuances of emotion, the veriest sug- gestions of sensation, and to enchant his listeners, not alone to divert them. | It cannot be said that, except in a | few instances, last night's interpreta- tions caught the full subtlety and sen- sitiveness of Debussy's spirit. For this | reviewer. at least, the opening trio for | flute, viola and harp, executed on these | i <* respective instruments by Armand | Gumprecht, jr., Lydia Brewer and Su- zanne Savoy, was a thing of abysmal deadness, S as prosaic as Debussy | was not. The first (pastorate) movement | was uncertain in execution, lacked a | sense of sympathy among the three | players, which was but'little achieved in | the succeeding interlude and finale. Certain passages of the flute were in- | escapably reminiscent of this instru- ment's stirring quality in such things | as “L'Apresmidi d'un Faune,” but if | Debussy confessed himself enamored of “the sweet gray tones” in music, he could scarcely have meant such stiff W. M. Moses & Sons Since 1861—Sixty-Eight Years of Public Confidence Main 3770 F Street at Eleventh 9 AM.to6 P.M. 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The pajama ensem- bles are beautifully trimmed with Alen- con-type lace. Pajamas, 15 Nightgowns, $§16.50 Bilk Underwear Bection, Second Floor Triconese Underthings BLOOMERS—Marvel- fit bloomérs in white, pink, peach, platinum and Riviera. Sizes 5 to 7. $295. Extra sizes, $3.50, VESTS — Tailored. In pastel shades. Sizes'34 to 42. $1.95, COMBINATIONS— Beautifully tailored. $3.95 and $4.50. Glmuuk'gl:g!rn'g: Bection, Smocks - Are Gay These smocks will take their place in the work-a- day world cheerfully and brightly. Broadcloth or rayon in “Cavalier,” “Campns,” “Raglan,” or service models. 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Section First Floor Silk Attractive bordered styles in black with white, green, navy, red, purple and-brown. Also Duroweave Umbrellas, Umbrella_Section First Floor Washington’s Younger Set Approve These New Spring Fashions Animation is the Keynote of 'Misses’ Jane Wandl Frocks, $35 ) There is a dash, a swing, a grace to these new flat crepe frocks that say, “Youth and Paris” in every line. The crepe model—sketched— has rhythmic movement in the full tiers that begin under a snug hip. Black and Spring colors. Misses’ Procks, THIRD FLQOR. Youth Nonchalantly Swings a Cape over’ Her Spring Coat, $69.50 One of our collection of new coats is this one of blue basket weave, with gray caracul collar and a curving inset that outlines the cape. Others of bordered tweed, ombre cloth, kasha and basket weave. JunioR Misses® AppaReL, FOURTH FLOOR. 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Made of durable fabrics to insure length of service. “Knickers, sizes 7 to 18 years Shorts, sizes 4 to 10 years Wool . ..$2.50 to $5 Wool .. vereen..$2.50 to $3 - Corduroy .........$2.50 to $3.50 Blue Flannel or Serge Riding Breeches. . $3.50 to $10 Corduroy .$1.75 Hiking Breeches.......$3.50 to $10 Imported Jersey Bleyle ....$3.75 Blouses, $1—Shirts, $1.50 Of madras and broadcloth, in plain colors and stripes. Boys’ Srore, Fourtr FLOOR, Pajamas Increase in Popularity -Lounging Pajama Ensembles, Sleeping Pajamas, $2 and $3— $30—Two new models in our col- “Tom Boy” pajamas are very mod- lection —a replicz of the. white ern with their tuck-in: blouse in i‘fc‘:& e:e inc}‘l“(r;:n—g-a‘i‘;?r: it dh "; H}:!:; “checks”—the newest vogue. There piece ensemble in Marine and Lido are also new tailored models—for blue. the tailored girl. Neoricees, TrRD FLOOR. i CoTTON UNDERWEAR,, THmD FLOOR. 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Sizes 1974 to 2134, Felts Silks Crochets New Spring Colors Girts' MILLINERY, FOURTR FLooR. Smart Young Things Wear Short-Vamp Pumps, $10 This new blande pump, with clever Colonial tongue makes the " foot look inches smaller and extremely youthful. Also in patent leather. Misses’ Smoes, Trmp ProoR. Pumps or Oxfords for Growing Girls Round-toe patent leather one-strap pump, with cut- outs and covered military heel. Sizes 274 to 7, $8. Tan calf oxford, with genuine alligator tip and saddle and crepe sole. Sizes 234 to 7, $8. Some with printed calf trimming, $6.50. Crmoren's Smozs Fourta FLOOR.