Evening Star Newspaper, February 19, 1928, Page 56

2 AMUS EMENTS. Horrors of Aii War. 'HE story of “Legion of Condemned recounts deeds of courage and diffi- ance of duty when grim-visaged war commands them. Part of the record of the exploits of camera men and pilots in_the making of “The Legion of the Condemned,” |Tesult, it is said, was a vivid bird's-eye | Paramount’s melodramatic romance of | the air. are herein set forth. | Imagine sitting in the cockpit of a | plane that falls 6,000 feet in a crazy tail spin. An automatic camera is lash ed just back of the motor, directly fac- ing pilot and passenger. Up 9,000 feet the pilot ostensibly is killed by a bullet ani the plane plunges down to earth. | ‘The sun, the ground, the clouds revolve | dizzily about the stricken ship as ni twists, turns, somersaults in its mad dive. That is the sort of thing those | making this picture had to do for lhciri daily assi ent. 1 At the head of this daredevil crowd | was Director William Wellman, a m-’ mer ace of the Lafayette Escadrille, | whose back was broken in air n\mbm.‘ He is also maker of “Wing the | world's premier teller of fiving stories | for the films. Then there was Lieut. | Rudolph Schad, credited with *“14 enemy plancs,” a companion of Baron ! Richthofen in the famous “fiving cir- | cus” Here also was Capt. Sterling C.| Campbell, third ranking ace among the Eritish. and Ted Parsons, who fought fve vears in a French squadron. Gary Cooper and Fay Wray, the pair of lovers in the romantic leading roles, | have ®to appear in hazardous air s qQuences, too. Other players got their | share of air dangers. It no film for the faint-hearted. | In “The Legion of the Condemned" Director Willlam Weliman wanted a moving “shot™ of activity in a trench while the latter was being strafed by a squadron of airplanes. Cameras in |isfactory to the director. culty far beyond the routine perform- | cameraman volunteered | parachute | obtain the desired effect in this man- AS A BLIND HEROINE ' ships” caught the action, but not sat- Finally one make a| drop with an automatic camera strapped to his foot and thus| ner, with the battle raging below. The view of the battle from the eyes of a plunging, daring airman. | One of the biggest thrills in the film | s the strafing of a loaded German roop train by a plane bristling with | nachine guns. Seated at the elbow of | the bombing pilot, the spectator (in this case the camera) swoops down like an eagle from the sky, and from behind death-dealing muzzles sees the enemy soldiers raked by a seething storm of bullets. Then, in the flicker of an eye. the film-goer is placed on the train and | feels the horror of what the soldiers | must have felt when the spitting plane | plunged directly at them. Stalking death while weaving in and out among the gray. overhanging clouds: gxgt is what the motion picture airmen id. The intrepid Lindbergh aroused a | new and keener interest in fiyinz and, according to those who were instru- mental in creating those first spectacu- | lar productions, the film industry is| pointed toward more and more Aair| stories. It is their undivided opinion that many a screen play of the future is going to be unwound from the cock- pits of airplanes. ! Paramount led the way with “Win; Then followed “The Legion of the Co demned.” and by means of automatic cameras and unique angles, spectators are taken into the seats of fighting pianes and sent whirling through space | to harrowing experiences which hereto- | fore have been known only to those who | fixflua'l\' went through the air battles of the war. Goes in for Adventure. TE would rather batile a tempest than juggle a teacup. He would tramp 10 miles over mou rails to_get _one shot at an el or a deer. But Wallace Brery would not step across the street to make a| fourth at bridge. The whine of wind tearing through the rigging of & sailing vessel is a blood-stirring lilt to Beery, and the| gurgie of a swift-running mountain stream is his favorite melody. A big upstanding individual with the me of a giant and a soul closely attuned to the nature he loves is Beery. Adventure has always been a beck- oning Lorelei to him. It was the call of adventure that led him to leave home when he was 16 and join a circus. It was the de- gire for new adventures that caused him to go to New York and seek a place in musical comedy. and it was the craving for ncw experiences that, decided him to cast in his lot motion pictures when he was alrcady a musical comedy star. : It was yearning for excitement with more than a tinge of danger that| caused Beery to gamble his life for thrills on the dirt tracks of California | as an automobile racing driver. It was his restless, adventurous spirit that led him to pilot a little boat into high | seas to rescue two stranded sailers off | a rock a few miles from the rugged| coast of Catalina Island. It is his Qesire for physical action and his love for the outdoors that leads him to g0 on long hunting trips to the most in- sccessible parts of the West. “It wes during my days 2s an auto-| mobile racing driver that I _got my/ biggest thrills,” Beery says. “It wasn't| long after I started in pictures that the company sent me to California. Road racing was in its heyday then. with such drivers as_Barney Oldfield, Teddy Tatzlaff and Bob Burman the kings of sport. We were turning out almost a picture a week most of the| time and I didn't have as much time | as 1 wanted for my practice driving. but I would get off for a day or two at the time of each important race " “Sm!lmmmenmlngnll 2 re.” lied to a question. “I| mmo mmnu at Visalia cne year | and copped first money in 8 coupie of Fresno races. 1 also won the last Australian pursuit race staged on the @id Ascot track in Los Angeles.”/ | While his role of “King Richard the Lion Hearted” in “Robin Hood stands out as his favorite part in mo-| tion pictures, Beery says that he en- | joyed the making of “0Old lronsides ! mors than any other film he ever piayed in. And he has made 234. “1 remember one time Jim Cruze. in fishing on that picture, thought he had hooked the whale that swallowed Jonah. Jim always had a line out Shen we were cruising and had & place MInK \ sone. 5 iawme & Sango fox irA, W Cay ang cxe. Clase Grohestra ¥ Frank. 8O0 lirowsn wnd Riuge Danciox m: Secured. %11 15th st n.w. Main w. F. Miller's Studio L 2 DAVISON'S PO r GRLPHINE JAC i sie e S b Ao “TCHERN SCHOOL ERNIKOFF-GARDINER OF DANCING e A1t of the avaegn " Norn a1e_ BEATRICE COLES aaecine 8t Bali STAGE - DANCING TAUGHT RO TN 5 B LOW DOWS :{l""l'l " ‘”’hlllh AN WiING ofwrmitomnd wppearanes) Wy hA 5 Months COLUMBIA STUDIO 1107 F St. N.W. Fetephone Frankiin i 3 Open 1t am. Lo 11 "Helen Jane Marr School of the Dance Clarmes w 8 G every i ©f Lance Art fe winid dnkinicre Special Children's Classes Taught by Miss Marr o it puple Studio: 1422 Mass. Ave. NW, Telephone Deatvr B4 . fixed on deck to hold his pole when he | Mary Philbin, who is co-starred with Conrad Veidt in the Paul Leni production, “The Man Who Laughs.” Mary plays the part of a blind girl. New Remedy for Wér. In the midst of the fray action pauses. Suddenly the soldiers charging nort turn south and those who were retrea ing north single off to the westward. couldn't be there to handle it. One day I slipped over the side and gave lme a tremendous tug. Jim saw | pole bobbing furiously and he| dropped his megaphone and made a| dash for it. He started to play in the line and I held and jerked. Finally he saw me.” Beery won't say much about hisf] cue of two men off a jagged rock a| misfortunes at the hands of her mi'e or two from the Catalina shore. | | faithless lover in the pitfalls of the i It was nothing, he asserted stoutly, but| city. the new film. “Tillie's Punctured | An apparition approaches from the he gots many a good chuckle from th2 | Romance,” allows the green country gIrl | trenches. It is the lions going over the t a motion picture star saved | to join the circus and when action | toj lcrs from the sea. | there begins to run its course the plot It was on a rather a stormy morning | calls for the circus to go to war. that Beery. while glancing at the sea| So it comes about that W. C. Fields, through his binocu'ars, saw two men ! the circus ringmaster, trades his high t 2 on a rock that protruded out!silk hat for a steel helmet, and the He | other actors also get into uniform. NSTEAD of the old story of Tillie's D. Who ever heard of such a thing? Lions in France! We didn't, either. It is one of those things cooked up in the mind of a Hollywood gag man. one of the odd twists which make novel movie entertainment. Tillie never was in- i water. waving frantically. THE . SUNDAY STAR, WASHINGTON, D. €, FEBRUARY 19, 1928—PART 4. AMUSEMENTS.’ Sound in Screen Comedy. Wl-m.l talking pictures apparently have met with a fair degree of success, Harold Lloyd is one who is convinced that the voice will never be successfully synchronized with motion picture comedy. “To begin with, I do not belicve the public will want talking screen com- edy.” says Lloyd. “Motion pictures and the spoken drama are two distinct arts |and when you try to unite them I am skeptical of the results. Nevertheless 7 am {rank to admit that some excellent | progress has been made in this field. “The action in motion picture com- rushed to his little motorboat. accom: panied by George Godfrey, negro prize | fighter who took part in “Old Iron- | And ¢ new idea in “shock troops” is | tended as history. introduced when, amid the thickest! So the lions meet the enemy, of the battle, the circus lions forsalc everything is theirs. and heard about Howard's next De Mille Studio produc- tion for Pathe, Chandler Spra is preparing the screen story, will as- | sume his duties as head of the Studio scenario department, it been announced. writer of the Los Angeles Examiner, | Sprague entered the motion picture world when he wrote the adaptation of | Gentleman of Paris” and “Scrvice for | Ladies” are among his recent scenarios. | California author, by Fox Films, will | be brought to the screen as one of the sides.”. He took the two fellows off the | their cages and break a way for liberty While the battle raged the principals, kIt was a difficult task and took | through the most warlike of the oppos- | appcared as German soldiers. Fields. | nearly an hour. but he got them in all | ing lines. | Chester Conklin and Louise Fazenda right. Ana what a razzing those two! Here is the battle scene: | were dumb-looking privates in the reat sailors g2t when their friends on shore The San Fernando Valley of Cali- |rank. Chester got so excited that his mustache fcll off for the first time in i his long career, Fields started juggling hand grenades and Louise in her heavy boots stuck in the mud and had to rescued fornia—where the company had gone | on location—is full of soldiers. A thou- I sand or so of allied troops advancc through the barbed wire and across I shell-battered trenches. There is smoke everywhere from bombs and shrapnel. | A thousand or so of the enemy back up toward a neighboring pig farm while all the rifles crackle. Decing ':Last Cab é:enario. PON th> completion of th2 scenario for e Last Cab” William K. eral, was sound asleep in the back of a limousine, in the parking arca attached to the battlefield. Scarpé by a "‘g]at."”fi e, who | Fox has | Formerly a newspaper man and staff | ‘I'VE done many thrilling things,” | I couldn't move. My wiil power seemed ‘ “Camille” for Norma Talmadge. “A Brog' picture, “The Missing Link.” now | crbs and drowned. showing In Washington, “but working | “Meanwhile Charley Gay, the trainer, with ‘the cats,’ which is filmdom’s slang | was shouting at the top of his voice for lions. has never given me a kick-—'and cracking his whip off-stage trying not until yesterday. ““The Last Cab,” an original story by Charles Puffy, will feature Rudolph S 5 ‘Then I got oneto regain the beast’s attention without Schildkraut. Hector Tumbull 15 the pig enough to make up for all the |spoiling the seens. Then suddenly he B ; others I've missed. whipped out his revolver, the only time P L | with Numa crouched over me. He was|and fired into the air. Another Darlmg 5‘01'}" slapping, growling ng lpl‘.L:nx at t;\e “That broke the spddl. Numa leaped " " .| trainer off-stage as the action of the |off of me and sneaked into his cage. Y ’;E‘f' "‘;',"ng‘b PUI | seript demanded. 1 was registering | The gate clattered down and the next ELRORE NI VR arling. | plenty of fright. All of a sudden the second Charley Gay was bawling him | big lion stopped. His silence became |out in a torrent of excited French. | oppressive. I looked up quickly and he |~ “Then he turned to me: ‘Eef I did | was sitting there motionless looking i not get his attention when I did.' he right in my eyes. Then I got that thrill. | sald. ‘he would haf siapped you silly.’ outstanding photoplays of the 1928 see- son. according to Fox executives Miss Darling, who has syndicated her stories in the leading cities cf America, has been called “the woman Francis Bacon,” and is responsible for | some of the most widely distributed witticisms in the English language. Her characters, drawn from life, are declared thoroughly vibrant with the joy of livin, They refiect modern conditions, always with the kindliest humor An All-Eng{ish Se arscn‘ THIS season Winthrop Ames has pro- duced only pl and operas writ- ten by Englishmen, his three new pro- cuctions having been “The Mikado,” by Gilbert and Sulliv; ape.” by John Galsworthy, and “The Merchant of “West Point” Army Opinion Sn| cadet in a romance of love and foot ACTORS make perfect soldiers. ys Maj. Raymond G. Moses, U. 8. A, of th> tactical department ! at West Point, after working with a | crew of men, headed by Willlam Haines, | at West Point, with regular cadets ap- who came to the academy from Holly- | Pearing as actors. wood to impersonate cadets in Haines' | vised the military detail new picture, “Wrst Point.” | The great Army-Navy foot ball game According to Maj. Moses, a member | With the thrilling finish, along with of the West Point instruction staff, the | spectacular maneuvers and dress | group of actors proved perfect material | parades of the cadets and scenes on the | for military training at the school. - ggdwrli ln::r:r;;d on the famous ah(umer " 3| . | “All of them including Haines,” | t inton, are among the in- e e ea e pre. | fald, "had some milltary expericnce, | teresting details of the big production. sented 13 plays and 3 operas, Of the |but still it was amazing how they 430 FRITZ S plays, 6 were American, 1 French and{ grasped every detail of intricate drill, § English. The 3 operas were by Gilbert | and were able to appear in ths maneuv- As far as American playwrights are and Eullivan. ers along with the regular cadet, after | *but a single rehearsal. It was astonish- concerned, Ames has offered 25 many | ing to the officers.” PO -t n native dramas as he has English in the | In the new Metro-Goldwyn-Mayer | past decade. Haines plays a West Point | T picture, INTERNATIONAL FESTIVAL 'GRANDOPERA FIVE GREAT NATIONS COOPERATING WASHINGTON NATIONAL OPERA EDOUARD ALBION, Genera) Director POLI'S -- "7nie s --Feb. 13-285 Promptly 8:15 ..MONDAY, FEB. 20 Bily Griffith at the Pia SDAY, FER 23 Conduotor, ron .o anyy. . ... Tantzel, Hinekisy, Ko ) A : Cavadore, $ucker, Bascherks, Tu METROPOLITAN OPERA COMPANY Krom the Metropolitan Opern House, New York Chy GLILIO ANA enern EDWAKD LEN, A Genern) M, 4 PERFORMANCES--APRIL 18, 19, 21 “NORMA' - Punseite, Telva, Pinsa. **BORIS GODUNOFF'’--huttaptn, Tokutyan, Hourakaya, ¢ “ROMEO ET JULIETTE “TANNHAUESER"" Chorus—Orchestra, 65—Corps de Ballet Orders for seats now helng Bled ut Mra. Wilson " Conrert Boremu wow's, Kth & G Muln “Tha Internat! Comedy ¥ Back from a tour of ¥ South America ELTINGECVERNON " “My Caravanw' be | dom’s traits. All this time Mack Swain, the gen-| said Syd Chaplin, star of Warner | to be drawn right into those big )’ellnl“ I was lying face down on the floor , he used it during the whole picture, | ball at the Government's Military Acad- ' emy. Much of the picture was taken | Maj. Moses super- | America’s Greatest Male Impersonator M KITTY DONER “Twenty Minutes in Paris” JOB ENGEL e “TRAVESTIES ON POPULAR SPORTS" { edtes is too fast, or at least should be {too fast, to attcmpt to synchronize i¢ }wuh the talking apparatus. Anyway, | the voice has so little bearing on cinema ! comedy that I don’t believe any one { ot this time contemplating folning the | itwo. It is action and little else, that nts in screen comedy. | “This branch of the industry is one | which I think can lay claim to being an absolutely distinct art. It would be impossible to reproduce on the stage | for example, one picture of our own making. ‘Safety Last.’ You could never ! obtain the same effects we got through the camera.” | His latest effort, “Speedy” is said to be so fast moving in its action that the human voice would be way out of place . associated with it. e e { Pictures and Story Writers. | TTHAT motion pictures now regulate l the story matter in popular weekly and monthly magazines of national cir- i culatfon is the belief of Douglas Z. | Doty. scenario writer for De Mille. ! “During my years as editor-in-chief |of Century and Cosmopolitan Maga- zines.” says Doty, “the greater part of | our stories were written with no thought | | of picturization. The high points of | many of the stories which formed the | | backbone of our best magazines were | developed along the line of character | studies. | “Recent years have seen a revolution- |ary change in manuscripts submitted | for publication. They are, in the ma- | Jority of cases, action stories. |” “This condition has been brought about by the impelling interest of the | motion picture industry. A great num- ber of writers, those nationally famous as well as those practically unknown, now write with one idea in mind—to have their storfes published and then sold to a motion picture producer.” Saw His O:m Fhserall | QITTING in a closed auto on a side | street in Westwood, adjacent to | Beverly Hills, Jack Sturgls, screen | player, watched his tuneral go by one | recent California day. | The day before, Sturgis, in the role | of a walter in a night club, was ac- cused of giving the police information | and was taken “for a ride” by leaders | of a crime ring. Before the ride ended Sturgls was killed and his body thrown by the roadside. Gangdom aiways buries its dead, and that's why Sturgis had such a ioyal funeral with elaborate hearse, weeping mourners and the like. | Westwood, you should know, is the location of the outdoor studios of Fox Films, where they are making a picture called “Dressed to Kill” directed by 1 Irving Cummings, and the funeral w: | Just an exemplification of one of gang- g Span 0‘ Llfe Fxlmed. | ’C ART STUDIO has filmed a “thrill” sequence conceived some | | years ago by the prolific playwright, Owen Davis, for Johnny Hines' First National picture, “Chinatown Charli | a film adaption of the old Owen Davis play, in which five vaudeville acrobats, the Mazzetti Troupe, were employed to perform the difficult feat of making = “span of life.” The men were coupled together. swung down to form a human bridge, | 30 feet long. between two buildings and | 30 feet from the ground. enabling Louise Lorraine to cross and effect her escape | from a Chinatown den in a street set built to represent Pell street in New York's Chinatown After the leading lady made the crossing Johnny Hines followed, gagging his own version of the escape. ! More Than a Mere Actor. ‘\VXLL]AM POWELL, who won wide | recognition by his work in “Beau | Geste,” in “The Last Command,” now | being shown ;g Washington, supports | Emil Jannings®™ It was his good work in the legion picture that won for him | his role in the Jannings picture. . | Powell is said to differ to some extent ‘lmm the usual screen actor in that he| | indulges in what he terms “imaginative | research.” Whenever he is assigned a new role he furnishes a background to the character from the cradle to the time its action is created for the screen “Acting is merely a matter of imagi- nation on the part of the actor.” he! says, or at least his press agent credits ! ! him with saving. RACHMANINOFF POLI'S, MARCH 2, 4:30 'BOSTON SYMPHONY . ORCHESTRA | Serge Koussevitzky, Conductor 5, 4130 POLI'S, C! Beats Now, M Or T4 Dreep's 13¢ 4 6499 Beginning Sunday Matinee at 2:15 IIAIIIXINO 00D Ang ALPHA HALL “And She Believed Him'" By James T, Dutty ADDED ATTRACTION TAe Typical American Boy' Mascor 'of ind 4. K. F. Witk WARD 4 DoOLRY SUND. AY THRER ] Sally Eilers and Matty Kemp in a Goodbye Kiss.” Mack Sennett, well known in the photoplay world as a pro- ducer of comedies, personally directed the picture. | ANOTHER WAR STORY FILMED Hope for Prize Fighters. T'S an easy matter for a famous champion heavyweight to break into motion pictures. Fans are anxious to see him But what of the championship con- tenders who almost get to the top only to fall back into oblivion, forgotten by the public? Which is another way of calling at- tention to the fact that Tom Kennedsy once a rival for champlonship hon succeeded s a motion picture actor purely on his merits—not as a prize- fighter, but as an actor. His fistic fame long gone. Tom played the part of the hard-boiled top geant in “Behind the Front.” with Wal- lace Beery and Raymond Hatton. He was so good that his services were re- tained for “We're in the Navy Now.” ‘Then Paramount signed him to a con- tract, and his menacing comedy is again to be scen in “Wife Savers,” the late:: Beery starring production, now show- ing in Washington Lights Warm the Players. “”NTT.R visitors in California who are lucky enough to get inw picture studios cannot figure out how the players keep warm, especially if they happen to wear costumes suited to Midsummer or fashionable evening wear. It is not an uncommon sight to see a director sitting wrapped in an ov coat, his cameramen wearing eith overcoats or sweaters, while direct in front of them will be a group of women in flimsy e g attire show- ing no signs of disccmfort. California has a mild Winter clim: but it is possible for anybody to around a big movie stage and develop a longing for an open fireplace The answer to the my: 4 lights.” Ci though th in Midsummer. cen scenes they pull wraps about them and do not mind the surrounding coolness at all. scene from the new war picture, “The De Millg: S 3-Ye_zg—£)1d Star. | OLLYWOOD'S youngest candidate for stardom, discovered by Cecil B. De Mille, only to be lost before he learned her name, has been found again. She is 3-year-old Shirley Louise McLellan, biue-eyed and decidedly blond, who lives in Hollywood with her parents, Mr. and Mrs. R. G. McLellan. Little Shirley made a personal call on De Mille at his studio, in response to the noted director’s request. pub- lished in a Los Angeles newspaper. Although nearly a score of proud mothers visited the De Mille studio or called on the telephone, each giving the impression that her baby daughter was the one whose photograph ap- peared with that of De Mille in the paper, all doubt was dispelled when little Shirley appeared De Mille immediately stopped work é Tarzan a palam;no. **PALAMINO,” the story of & horse, | is the title and theme of Ken | Maynard's Western feature for FPirst National Pictures. The horse in ques- in order to renew a friendship that! tion will be, of course. Tarzan. Ken's began when the little towhead was first partner in y daredevil stunts. seen by him among a group of in- The name “Palamino” is that of the terested onlookers watching nim film breed to which Tarzan belongs. This scenes in the residential district of Los particular strain was brought into this Angeles. country by the Spaniards during the De Mille wanted to see Shirley on conquest of Mexico. Cortez. it is said. the screen. having become interested would ride nothing but a Palamino in her baby personality, but the next steed. day Shirley was not among the many _ The story is an original by Marion pectators. She had been visiting her 'Jackson. grandmother on the o:hc}: s:d;;‘ of the city and was not at her home in i Hollywood when De Mille combed the, When Tragedy Is Amusing neighborhood for her. i Now that she has been found. 1t 1s' J¥ § Man falls over a cliff and breaks announced. De Mille is going to see ~ p nis neck thats s funeral. that his casting director ut i a man falls over a cliff and bre: the cliff, that's & “gag” in s ey ‘Wife Savers.” Paramount's Wallace Beery-Raymond Haiton comedy. is sald to show when and why hairbreadth es- part in the first picture possi who can tell. possibly Shirley will be spelied out in el some cay Picture Has a Purpose. \WITH the full approval of governors of most of the 48 United States it is claimed Cecil B. De Mille will make startling disclosures of condi- tions in State reform schools in “The Godless Girl.” Before deciding on the subject mat- ter for the picture, De Mille and hi: scenarist, Jeanie Macpherson, were correspondence with the chief exe tives of the various States. Tentative plans for the filming of a story in a reform school background e outlin- ed to the governors. and their opinions and comment requested. ‘The response was said to be immedi- ate and emphatically in favor of a production which would bring to light the 1nadequacies of most of the institu- tions whose aim is to reform juvenile delinquents, the consensus of opinior being that such a production would serve the double purpose of institut- ing improvements in the method of handling young law offenders and of Currenfl Hulory> Lectures CLARA W. McQUOWN Every Friday, 11 AM. The Washington Club, 17th & K o Admission, 65¢ SHUBERT BELASCO TOMORROW ut 8§30 WED. AND SAT. MATS. 230 CORNELL ANO LMW CAST i o in the ntry Stands et Maugham's Most s Struggl Success the ere of a ut as W. Som. Most Striking Katharine Cornell's Interpretation of the Role of the Calculating and Passionate Wife Characterized [+ Is Brilliant Work of Her Career Exotic Atmos, Maugham'y “The Letter Fine ¥ This Intense Drama of « Woman’ Glamarous w York S ed by Guthele NEXT MON. SEATS THUR. WINTHROP AMES' GILBERT & SULLIVAN OPERA COMPANY i “THE MIKADO" “IOLANTHE" siu. “PIRATES OF PENZANCE" MAIL C%DERS NOW SIND, 5N MU0 aRLD BTAMEED AN VELOPE WITH PROFEN REMITTANCY Tues & Thus &t Mt NIGNTS- Ok, §330: M [t Bak ies wiie WER ML oGk Wi M A b, 810 Thel wal dee. [TNTN " nooMa uw R TR ey [ e sAY wat (I MY lupesmruxm JERITZA dissuading the youth of America from PR T committing criminal acts. Seits ";—G___:. ;_n:! 7, 4:38 In gathering information on the sub- ead 483, T Ty ject for the story, which was prepared for the screen by Miss Macpherson De Mille is said to have sent young men into several reformatories as in- mates. In several cases not even the officials of the school were aware of the fact that these boys were not crim- irals, their commitment to the institu- t'ons having been arranged by State officials. Consequen the informa- tion obtained was authentic and pro- videc Miss Macpherson with material with which to present realistically life in a typical reform school NEW YORK PHILHARMONIC ORCHESTRA ARTURO TOSCANINL Conductor TUES., MARCH 6, 4:30 NATIONAL THEATER 00. $1.50 . 13306 st ~tore 20 Bl Tickets. $1.00_ £2.30. T. ARTHUR SWITH BURE 1a Ritt's M Gaye Presenting | Octelte and ' BAND BOX " «;’ | O8YEs \Acas Time come NATIONAL TUESDAY NIGHT FIRST TIME ON ANY STAGE M FLORENZ ZIEGFELD WORLD'S GREATEST OPERETTA ORGANIEATION, DENNIS KING THE THREE PUSKETEERS VIVIENNE SEGAL LESTER ALLEN VIVIENNE OSBORNE D AYVONNI‘Z D'ARLE n Clarke, Reginald ¢ Dumbrille, Vewd 3 M N Robert . Burms, Harrict Hocter. Catherine Hayes, Cliflord Grey and IXTEEN ALBERTINA RASCH SOLO Muslo By Rulolf Frimt Book by W Aatheae Xe Clitford Qrey. Ensemdies dv Ric: Settings dv Jasepd Urdaw. O NORMOUS BINOING EX: A Jochim, N DANCERS e P9 Waistouw 3y Aldectiaa Prices—Mat. S0k, $1.10. Nights SO $1.10, $1.88. Starting Suwday Matinee at 3:30 Daily Matinees at 2:30. CECIL B. DeMILLE'S KING”KINGS Fdapted by JEANIE MACPNERSON Returning _for One Week Onlx! Nights 8:30 l = FAREW TODAY ar 3:3 RAVEL %tx UNCENSORED MOTION PICTURES PARIS BY NIGHT ' oocad NEWMAN o COLORED VIEWS FOLIES BERGERES "'~ t= B A I YT S