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AMUSEMENTS. W WARE. _Violinist AMUSEMENTS. The Movmg‘ Picture AII)um BY ROBERT E. SHERWOOD. THE SUNDAY STAR. WASHINGTON. D._C. OCTOBER 17, 19% PART 3 I Best Dramatic Appeal | | i | Hollywood and Queen Marie OLLYWOOD is buzzing with spec- ulation as to whether or not Queen Marle of Rumania. now en| route to America. will seriously con sider the offer of $25.000 made her week by *Edwin Carewe for one day’s appearance in Tolstoy's “Resur- rection” film. The invitation. extended her majesty | through the Rumanian legation at Washington, expressly stated that, should Queen Marie accept the Invita- tion and appear in the role of a queen in the Tolstoy film story. the money given her for the single day’s appear- ance would go to any charitable chil- dren's organization in Rumania des- ignated by her majesty. Some in Washington have already expressed their opinions, stating that such an offer might be looked upon | as attempts to commercialize the | | In Tears and Fortitude SW YORK, October 16 (®).—| George Cohan has said of the theater audience: “‘Make ‘em lll[h make ‘em walt, make ‘em ci Vietor McLaglen observed that if hot | were phrasing it.. he would put the {laughter last. "I like to send ‘em away | with a grin. This started a discussion on the Fox Films set of “Mother Machree™ as to the form of final dramatic ap- peal best calculated to put the sum of the play's values across to the audience. “Everybody likes to cry,” sald Belle | Rennett. “We like to learn that in our | busy lives we can feel so much un- selfish sympathy for the other fellow. |1t an audience goes out drying its | eves. you may be sure people are sat- {fied “with the play, because it has made them satisfled with themselves.” “That's a new angle,” admitted Mc- | Laglen, “and it is a fact that pathos | is the eloquent interpreter of roles. Humor, tragedy, melodrama a} re- spond to pathos. A bit at the end of a clever play will go far toward | 30 ati0n | cumming up all values. “There Is one value, however. the greatest in drama, the greatest in | lite, which in its nature is the nega- tion of pathos—fortitude. If forti- | tude_is _the soul of your pl bravely borne distress, a sacrifice of self, it must continue to dominate |to the very end. It cannot compro- mise and must not be compromised.” Incxdem of War. \THAT Pola \egfis new picture, “Hotel Imperial,” is based on an | actual incident in the life of & news- paper man, is the revelation of Lajos Biro, the author, who was the front- line correspondent for four European newspapers during the war, Bester Lloyd and Vilag of Budapest, and the eue Frei Presse and’ Vos- sische Zeitung of Berlin. He was with the Hungarian army in the victorious counter-attack which drove the Russians out of Galicia in 1915 and stopped at a hotel in the small town of Tarnow, on the Galician frontier. When the Russians seized the town the general made the cham- bermaid the manager of the hotel, and when Biro heard the story it gave him the germ of the plot for “Hotel Imperial.” ¢ that chmpaign he B At Rauscher’s Concert Hall 1032 Connectient Avenue Monday, October 25, at 8:30 P.M. TICKETS _$1 00 and :"‘"M Plus Tax TR 1330 G S Man,” which has been refused a license in Londoh by the lord cham- | Louis Calhern has heen engaged for %% i1 |a leading role in “Up the Line.” Flor- | That shows how effective the vita- ¢ - |ence Johns will play opposite him. |berlain, will be presented in New York | phone is. 1| pavia Belasco last week began re. [ B gl il ot s In one respect the vitaphone is de- hearsals of “Lily Sue” the Willard |pora ~ o o0 ©OF thejleading: fetmhninc | Mack play in which Mr. Mack and : ficlent. Comedians, appearing hefore or through it, don’t know how long | Beth Merrill play the leading roles. “The Hell Cat.” a melodrama by to wait for their laugh: Mr. Jessel % | Guy Bragdon and Tom Burrows, will put over one nifty after another, but Anh;lr lerub, xl‘tc';"h‘ reached | he” (e first production by the new New Yorl rom ondon to stage ) 2 “orporatio “Thifs. Woman Dullness,” which: wilt | morowce: Enterprises Corporation. much that ne sald was drowned out | be produced by Dr. Louis Sunshine. A N W o N. Y. Symphony Orchestra WALTER DAMROSCH. Conduetor POLI'S THEATER—1:30 P.M. Three Concerta—Nov. 9, Dee. 7. Feb. 1 Soloists, SCHUMANN-HEINK PAUL KOCHANSKI, Violinist Otto Klemperer, Guest Conductor n, flekets, 8750, s 3. 13 & G Fhone M. ou-! THE geason is now open for “world AL premieres” of super-special fea- ture pictures, and the New York po- lice force is being increased to handle the rush. Last week witnessed the | first performance of Syd Chaplin in ““The Better 'Ole” at the Colony, and this week brought D. W. Griffith’s latest effort, “The Sorrows of Satan.” to the George M. Cohan Theater. Rmh pletures arfl scheduled to run “in- definitely which may mean anything from 2 weeks to 10 vears, depending entirely upon how the public Ieels| about it. by the appreciative roars of merri- | ment. Had he been there in person he would have waited after each . - | “God Loves Us’™ the first of the! wheeze for hours If necessary, the | A last ripple of laughter to subside. i i | season’s productions by the Actors'| | Theater, will open in New York_to- ST | | morrow " night. J. P. McEvoy Is the author. Francine Larrimore has been of- Yered the principal role in the forth- coming production of Hasil Dean's with the Irresponsible title of “Who This is only one of a series heavily frowned upon by the British lord chamberlain, but await- ing American prcduction neverthe- | less. | The last half of the evening's en- tertainment at the Colony was taken up with “The Better ‘Ole,” which proved to be an uproarious and highly satisfactory comedy of the British Tommies in the World War. It is too long, but the dull sprts are readily identifiable and will probably have been eliminated before these words struggle into print. Syd Chapuin. forsaking his female mpersonations. appear as Old Bill. he sturdy cnaracter created hy Capt Bruce Bairns g her in the dark days when it wasn U easy to make people iaugh. Mr. Chaplin is splendid. He successfully submerges himself in his role and thus retains the true spirit of the Bairnsfather cartoons. At times “The Better ‘Ole” is realis tic, and at other times it bursts into wild, hysterical burlesque. Needless to say the latter moments are produc tive of the louder laughs. | PR Between the vitaphone and ‘“The Better 'Ole,” it seems that the War- ner Brothers have another substan tial success on thelr hands—an enter- talument that will draw enormous crowds everywhere. Certainly “the vitaphone is due to change the whole a: ment industry—mo plays as well. It is too close to per- fection now to be rated as a mere ex- periment. With Al Jolson singing from the screen as effectively as he sings from the stage, there is no longer any doubt about the enormous value of this incredible machine. * ok ox % Bulletins. HOLLYWOOD, Calif.~When pho- tography on "Old Ironsides™” was com- pleted some months ago, it was an- nounced the Laurence Stallings had heen engaged to write the subtitles, then’ it was announced that Peter B. Kyne had been engaged to write the subtitles, and now it is announced that Rupert Hughes has been en gaged to write the subtitles: H. G. Wells, George Bernard Shaw, Blasco Ibanez. Ralph Spence and Anita Loos will probably be engaged later. (Copyright. 1626.) * K ok ok The opening of “The Retter ‘Ole” was not so muche a moving picture event as the latest demonstration of that marvelous invention, the Vita- phone, which has already been tried out in conjunction with the film “Don Juan On hand for the occasion was an other of those brilliant audiences (ll audiences at ail world premieres are always “brilliant.’ which is anothe: way of sayIng that many people wear evening clothes and don't pay for their tickets). Will H. Hays was there, talking earnestly with Jack Dempsey and Estelle Tavlor. The na ture of thig conversation will never be known, but it is reasonable to as. sume that the tactful Mr. Hays avoid- ed any discussion of pugilistic topics and that no allusion was made to the Marine Corps. Elsewhere in the thea ter T observed Ruth Miller, Cliv Brook, Adoiph Zukor, William Rus- sell, Helen Kerguson. Vera Gordon and Hope Hampton. Miss Hampton is as essential to events of this kind as i& the projection m ine. * ok ok % to Venus,” by IIurm\h was put in rehearsal last by A. H. Woodv, with a1 ~ast Includln[ Robert Warwick, Isabel El- som, Frederick Perrv and Diantha Pattison. It will open in New York November 1. “Hymn William Mrs. Wilson-Greene's Concerts Poli's Theater—4:30 ARTISTS’ COURSE FEODOR CHALIAPIN. " th Greatest Basso. with chopue dnd oreh A, L7 Arch Selwyn will sail for Europe | within a week to be present at re- hearsals of “The Garden of Eden’ which will be produced in London shortly before its New York presen- tation, visit to America of the royal lady. However, when one takes into con- that Queen Marfe has spent her life in the sincere endeavor to lessen the burdens of her poor and needy subjects, particularly the chil- dren, and that $4 will clothe, feed and shelter an entire Rumanian family for many days, $25,000 will go a long way toward this worthy cause during the coming Winter months and would greatly aid her majesty In this splen- did work. The {nvitation was tendered her majesty by the Hollywoed Chamber of Commerce in behalf of Inspiration Pictures and Carewe, who are jointly producing “Resurrection.” war:f.'l Chicago !IGIID 0\'(;'\ Contralto. Met. Opera ITZ KREISLER. ‘ olini/ OSTON SYM IIR(’II!‘IIA Serge Koussevitzl v ‘onductor. Wilson-Greene Concert Series Six Evening Concerts. 8:30 Memorial Continental Hall, D.A.R. "0 SCHIPA, Tenor Ch '{ITE F\GLI H SIN fl';‘fil.. lnpfl GA- H. flll;"\réfl al Y ORCRESTRA Fritz Reiner, Con- | Eva Le Galllenne has acquired .the rights to “Invitation au Voyage, N J. Jt Bernard, and will add this play | to her repertory season, soon to open in New York. “The Mayor of Zalamea,” which the Provincetown Players have an- | nounced for this season, was produced seven years ago during one of the tours of Louls Ditrichstein. Made- |laine Delmar had the principal - |woman's role. The English title was| V';ng:ll 1s Might,” and the transia- tion is sall 2 vely LE PARADIS. \fr::. sald to have been excessively L Paradis gayeties are now under full steam aheady with both Le Paradis itself and the Club Chantecler crowd- ed nightly with the smartest and most vivid elements in Washington society. The Le Paradis midnight vaudeville show is a new feature. The trio of Le Paradis cut-ups, Walter Kolk, Felix Solari and Frank Rothachild, are producers, actors and managers in this tablold frivolity. Kolk specializes in the sizzling new dances, Solari s the official songhird and Rothschild versatilely does a Jittle hit of ever thing. Dance music Is furnished the Le Paradis Band, led by Jack Golden, and at the Club Chantecler by the musical ensemble, directed by Paul Fidelman, with Bert Bernath as viollnist of the group. Tea dances at Le Paradis are given Wednesdays and Saturdays between 4:15 and 6:15. Walter Hampden will give a_spe- clal matinee of “The Immortal Thief" hefore an audience of clergymen at his New York theater tomorrow. The clergymen will be the guests o Mr. Hampden, A ILA\E7ZO One of the Holy Rosary Players. ap- pearing in “The Ghostly Judge” Octo- ber 27 and 28, at Carroll Hall. . . Arthur J. Lamb is soon to piit into rehearsal a new musical plece called “Are You From Boston?' The cast is characterized as “a group of Broadway favorites.” Mabel Terry Lewis and C. Aubrey Smith arrived in New York last week from London to appear in Ethel Bar- rymore's new starring vehicle, “The Constant Wife." The company supporting Ars. Samuel Insull in her Chicago pro- duction of “The Runaway Road" will include Louis D'Arclay, Joseph Mc- Manus, June Elvidge, Helen Strick- land and Marga la Rubia. Capltal Sideshows. c CAT1 &8 (60 musicians.) nlfls{n‘;I'.I':.‘\ TN ington Au Paul Wegener, who created the title | role of “The Golem" in the ploture of that name, plays the leading role in Rex Ingrams recently completed p picture, “The Magicia, NINTH Twice Daily Near F GAYET 2:15.8:15 LADIES' CLUB THEATER SMOKING PERMITTED MORRIS WAINSTOCK'S Sensational Continental Revue A note from the casting offices of “The Pearl of Great Price,” confides that Millie James has bheen selected for the role of Loneliness. + Miss mes is the daughter of Louis es. Her roles thus far have heen :l‘e\'otod “to less pensive characteriza- ons. JOHN M Season tickets for ahoye courses on saleat Mra. Gretnes Concert Burean. 13th ‘And G, Maln Droop’ The vitaphone program in connec- tion with “The Retter ‘Ole” i far more-entertaining than that used with “Don Juan.” The Brothers Warner, promoters of the enterprise, have seen fit to make the thing a little less operatic and more popular. Reinald Werrenrath staris off with “The Long, Long Trail.” and is fol- Jowed by George Jessel, with a hu- morous monologue: The Aristoerats, four talented melody boye: Elsie Janis, with a chorus of war veterans: Eu gene and Willie Howard. doing their usual stuff, and finally the great Al Jolson, who sings “April Showers"” and “Rock-a-Bye Your Baby With a Dixie Melody.” All of them are good. but Mr. Jol- son is no less than sensational. His expressive face and his thrilling voice —even his_urgent gasps—réproduce perfectly. When he had finished 1 applauded vehemently, actually heliev ing that he might he persuaded tol come back and sing again if 1 clapped hard enough. Noel Coward’'s play, “This Was a Real Comedy Is Elusive RA\\IO\I’Y GRIFFITH, the screen | comadian, has discovered and frankly avows that to some men com edy comes naturally and casually, while to others it is evolved lumber- ingly, with hard study and strained effort. Like many poems, much of the comedy {s pictured on the screen, smells of midnight oil and bespeaks a creaky mentality. “Personally,” he says. "I bank on the humorous value of discomfiture. The psychological reason goes back into the ages. We who are looking for the humor that always amuses | are concerned chiefly with the effect and how to get it. With A Cast of Smart Burlesquers A First Run! Feature Chorus Washington has net » any- thing quite so peppy. Radiant Beauties Dance Ensembles Colorful Settings Mirth * Galore At the close o wrote the stage play, which was pro- duced in Budapest with Sari Fedak, second wife of Franz Molnar, another Hungarian playwright, in the role which Pola Negri is portraying én the screen. The popularity of the play swept the entire nation. It was | produced everywhere in Hungary and has since been translated, as has the novel, into several languages. Its production was forbidden in Vienna and throughout Austria, how- the ground that it was pacifist in its appeal and would ineite eaction unfavorable to the cause of he central powes all the fire was the big thing and news of the fire had sent her sob story to the waste basket." “That's the way with humor,” says i Mr. Grifith. “You may have an ideal conception of what constitutes humor, but when you are making a picture you find yourself constantly confront- ed with elements which are so much more important than the comedy you have in mind. While I always want to be funny, 1 also want to be some. thing else while I'm b Whenever I succeed, th but if my picture is merel: they call it ‘another Griff 8V EE. Dance musi¢ and good times are not reached now by climbing, but by walking downstairs to the big Swanee ballroom under the Earle Theater, where both vaudeville and dance music are included in the nightly Swanee frivolities. Director Al Kamons of the Swanee Synco- pators has mapped out also a clever OutnIrtp. ’Er;l All “NEXT WEER—"4—11—44" “Ben-Hur" P he cinema version of Gen. Lew | Wallace's “Ben-Hur" at the Na-| tional Theater will bring to the minds | of older theatergoers the names and personalities of distinguished actors of the legitimate stage who appeared in the dramatic version of the story 1t will he remembered that “Ren- | Hur" was first produced as a play.at the Broadway Theater, New York. | November 28, 1899, In that original production Edward J. Morgan plaved | the title role, which in the cinema is | enacted by Ramon Novarro: William | Hart, then a notable figure on the Srambtlc stage, was the Messaln, the | part now played hy Francis X. Bush. | man: Gretchen Lyons, daughter of | the distinguished old actor, Edmund | Lyons, was the Esther. which role is | Visualized on the screen by May Me- Avoy, and Mabel Burt plaved the | role now enacted by Claire McDowell | the mother of Hur. Miss Rurt last | was a member of E. H. company. and in the Brieux | , “Accused,” she plaved the mother of the hero. i In the original cast of the dramatic | “Ben-Hur" Adeline Adler plaved Tir- | gah, the character now picturized by Kathleen Key, and Corona Ricardo, that brilliant and romantic figure of the legitimate stage of a quarter cen- tury ago, was the Iras, now imper- | sonated by Carmel Myers. Henry Lee | was the Simonides, which is now in [ the Sanbaliat, | Buhler and Thomas Holding. | the first layers of Old the hands of Nigel de Brulier; Em mett Corrigan was a picturesque fig- ure as Sheik Tlderim, now played by Mitchell Lewlis; Robert Mansfield was impersonated in the picture by Leo White; Edmund Col- lier played Arrius, the role that in the picture version i in the hands of that other veteran' of the spoken drama, Frank Currler; Frank Mordaunt played Baltha now fmpersonated in the picture by Charles Relcher, and the distinguished actress, Mary Shaw, was the Amrah, which character is pletorially presented by Dale Fuller. Of the original dramatic company a number are still living and playing on the legitimate stage. while nthens, notably William S. Hart, have hecome votaries of the art of the camera. During the 22 vears of the perform- ance of “Ren-Hur" on the legitimate stage there were naturally very many changes in the cast. Succeeding Mr. | Morgan in the title role were Emmett Corrigan, Willlam Farnum, Henry Woodruff, Orrin_Johnson, Alphonse Ethier, A. H. Van Buren, Richara Mabel Burt remained in the cast longer than any of the others who appeared in performance in 1899. She confesses that she grew very tired of the part after a dozen seasons, but was Induced to stay vear after vear hy Mr. Erlanger, who greatly liked her sympathetic interpretation of the mother of Hur, Vaulted Photoplay Treasures, NOT all the wealth of Hollywood, by a wide margin, i& concentrated in the jewels or the limousines of its motion picture stars. A goodly por- tlon of that same wealth is locked away in tin cans behind steel and concrete vaults in the form of origi- nal motion picture negatives, from which come thousands of prints that circulate about the country’s picture | theaters. On the Pickford-Fairbanks “lot” @lone there are no leas than 10 of these steel-and - concrete negative vaults. They stand in two rows. Fach vault is 10 feet square and 8 fest high. built of concrete a foot thick and protected hy steel doors with combination and key locks on each. An elaborate overhead sprinkling system protects “against fire from spontaneous combustion within, and by an ingenlous mechanical system | this sprinkling syvstem will function | ,any time the inside temperature at- tains 170 degrees, while the air ports are automatically closed and a fire slarm s automatically registered. | ‘Water would not injure a foot of neg- | Mary Plckford pictures made since she started her own producing. Even some of the early Biograph pictures, on which Miss Pickford toiled under D. W. Griffith for $5 a day, are repre- sented In thede vaults, for Mary bought all the original Blograph ple- tures that were available after she became a star in her own right. Her earliest efforts are represented ¢ much pictures as “The New Y which was Anita Loo: effort as a photo plavwright: “Beasts at Bay,” “An Arcadian Maid"" and | others.that she was able' to acquire for a few hundred dollars each, but which are rapidly becoming priceless. Along with these crude results of the pioneer days in the industry are the negatives of such later Pickford successes as “Dorothy Vernon of Had don Hall.,” which fortune: “‘Rosita,” ney” and “Sparrow Iast picture. These negatives represent the ex- | penditure of millions of dollars in photoplay production, and should any- thing happen to them there would be no more prints when the ones now in | Miss Pickford's vaudeville program with the assist- ance of his versatile co-workers, Nat Abrams. dancer; Al Norton, banjoist and clown, and Martin Reuben, singer. Club Pirate's Den. The stone will be rolled away from the mouth of the buccaneers’ cave at the Ciub Pirate’s Den, Saturday, Oc- tober 30, when Washington's newest club will be officially opened. At the stroke of 12, husky pirates, armed with cutlasses, dirks and horse pistols, will enter with huge treasure chests and empty their contents, and 20 singing and dancing waiters, also garbed as pirates, will gather up to serve the guests. Ghastly green lights will play over the scene, while two bands, garbed as buccaneers, with rings in their ears and noses, will play soft, weird Voodoo music. The club wlill be open for luncheon at 11:45 a.m., when the first band will go into action. Another band will start at 6 p.m., and a third at 10 p.m., continuing until 4 a.m. A JAVA. Following a gala opening last Sat- urday night, the La Java night club, at 1010 Fourteenth street northwest, is now In®operation for those who seek amusement in the late hours. ‘With Martin Rueben, classed as an entertainer extraordinary, acting as masker of ceremonies, each night the La Java floor_show offers much that entertains. Each week a new group of imported, as well as local artists will appear twice nightly. With this as the main attraction, there is also Tommy Thompson and his exceptional dance orchestra, who are entertainers, too. CAFE PIERRE. The Cafe Plerre, Washington's new- est night club, located at 1714 H street northwest. is attracting many of Washington’s amusement seekers in the wee sma' hours of the mornin; A feature is the Plerre Sangamo Band. a group of youthful musicians, headed by Emory Daugherty, who dis- penses subdued syneopation. The club, operated on the member- ship plan, is open from 10 to 3 each nigh V/ARDMAN FAR] — TROAT NS ALL WEEK— Another “Cabinet of Doctor Caligart”" i m @mm u P D L Toll House ; Tavern On Burnt Mills Reed Drive ant (hor:l- Ave. and_turn i m ' “T have read books by the score on humor. what it is and how to get it but my mind reverts to the girl who | won a newspaper contest for the best definition of the word ‘mews.’ She was a_telephone épérator, and when she defined ‘news’ as ‘thé new, strange and unusual,’ they hustied her away from the switchboard and made her . ‘sob _sister.’ ““They sent her out to gét a human interest story about a tenement fam- ily. When she arrived, the tenement was on fire. What she brought in was a tender, touching tenement-mother story, and she was astounded the next morning to discover that after CLUB MIRADOR West Bradley Lane, Chevy Chase Featuring Maurice Harmon and his Club Mirador Orcheltn Supper Dance 10 P.M. t For Reservations Call Bethesdn IM National Leagne of American Penwomen Presents Memnorial Continental Hall, D. A. R. Monday Eve., Nov. 1st Tickets, $1 to $2.50. No tax. JORDAN PIANO 00.. G Rt.. Cor. 13th FRIDAY "BV, Russian pany. Reautital Scenery r-‘hur Onlu n (TR _SMITH $330°0" 87, i| AT LAST Washington Is to Have Good Music Musio, that is pepular. d Musié that is popular at pepular oes, PRESIDENT 11th & Pa. Ave., Main 2115 $1.10, 75¢ & 50c Offer Florence Maore’s Successful Amusing Farce, BEG. MONDAY NIGHT PRESIDENT THEATER PLAYERS PARLOR BEDROOM AND = BATH By C. W. Bell and Mark Swan. MORE HAPPENS IN THAT LITTLE SUITE THAN HAP- PENED TO NAPOLEON AT WATERLOO. “LADIES OF THE E'EIIIG" ) THE THEATER PETITE NEXT WEEK SEATS NOW— JOE LEVITT Prescnts MILDRED COZIERRE and BERT MARKS WTH MIDNIGHT FROLICS Aliz f a Show/ { mMmuUsSIC A 421,652 Persons W MUTUAL BURLESQUE Throughout the Conntry i Popular Ammmnt Craze P of the THURS. MAT. ALL SEATS Sk SAT. MAT. 75, Ste Stlthfic.—| During_the Month of SEPTEMBER RS! Our lntertllnnwml he “30 CENTURY” MUTUAL Burlesque Creates New Stars WE PLAY LOEW'S VAUDEVILLE STRAND —_____BEOINNING SUNDAY AND ALL WEFK T on TRE ScmEEN | ALWAYS BEST FOR ATIONAL AnSO0LUTLLY IRCFRO Only Theater In Washington exclusively American o stars ot first BOX OFFICE OPENS SUNDAY 1 P. ALL RECORDS SMASHED ry_Entazement— Droadway Comedian JAOK WILSON with Warner @ault, So Willis Nonsensical Leyton and in “A Revue” L1 EVELYN “Getting Soaked" MARCUS SISTERS & CARLTOM REVUE Comedy, Clasy Offerings ). Warren_ . I\EA\F anc T!ITE Manipulatin HOR! & Co. Astisted by Ha “Something Somewha LESS Ditfarent PRICES—Nights, Orel §1.65: Bal. $1.65: $1.1 20 Bal., Al Mat Oreh.. Bal, sL16, M. NOT A VACANT SEAT SINCE THE OPENING NIGHT 4th AND FINAL WEEK Sti.rtsTodayat3I. M. Last 2 Performances Sat. Oct. 23rd METRO-GOLDWYN-NAYER $4,000,000 PRODUCTION BEGINNING SUNDAY MAT. AT 3:15 The Keith Management Takes Particular Pride in Presenting By Special Permission of JESSE L. LASKEY Paramount Character Actor exiatence have worn out. Hence the elaborate precautions against theft, fire and te, n WITH R KENNEDY'S TOLL HOUSE ORCHESTRA ‘or Reservation &S5 RosimiaaTee Mzt. Shubert ative, for each roll is packed in olled paper in a tin box and then sealed | ‘-flh waterproof tape. These 10 vaults on Falrbanks “lot” NOW OPEN ARNE| the Picktord contain about 10,- 000,000 feet of negatives, Inrludlnx the negatives of nearly all of Mr. Fairbanks' pic a 11_of the 'DANCIN ESSONS BY ¥ an: beginne Direction Lee 4. 4. Shubert v POLl’s TONIGHT Mats. Thurs. and Sat. Boothe, MONDAY At 8:30 50¢ to £2.50} UKRAINIAN RUSSIAN CHORUS sslan singers, I Say e -mfln u‘r IS COMING On Sumday tml-., Oectober 34 Waslungion Aldltomn TADY AND GENTLE- | Messr 7 private iessons. course: 7 Gleason & Truex, Present HE CHALLENGE OF YOUTH A new play by Ashier Miller, Staged by Prieatly Morriton With Superb Cast, Inclus CHARLES WALDRON and SYLVIA SIDNEY Bertha Kalich And Her Distinguished Company in Sudermann’s Masterpiece “MAGD A” Here is a play that has made a great stir in the world . the Magda that Kalich gives is color- ful and impressive. She is a strik- in personality especially equipped by her cosmopolitan ca- reer for the exotic quality of the role. Her company is worthy of the GREAT TRADITION.— Charles Collins, Chicago Post. M\lllc Th.t Every_ ZEE0 = 0 Mail Orders Now one Can En)oy Preceding New York i NOT “HIGH BROW” MUSIC NOT “LOW BROW” MUSIC B 't good 1} the simple songs of "y ’é..u ...T'..' “wondertally’ that vou 'III delighted. Prices Seats at T. ARTHUR Albaugh e ln num i (HIMSELF) In Association with Hardee Kirl In Wm. C. DeMille's Brilllant Suecess “THE MAN HIGHER UP” cal Tralning School, i nstruments rectly in_a Strictly private. an Class dance S evening with ot, Walts and '{lnlr\ R$ slg sli‘;" EXTRA ADDED ATTRACTION ROBERT GIIISIIOI.II The Eminent Australian Baritona SPECIAL FEATURE DE LUXE 222" | GEORGE GRIFFIN & C0. (Tne Compiete Do With ROSETTE in “FLIRTATIONS" Yy Gen. Lew Wallace Directed by Fred Niblo Contains Morc Thrilling . ct.on---Romance-- . eauty---Mighty Drama Than Any Cther Achievement ot thc Theater: N W CATHERINE BALLE LETTIE MARIE BARRE'IT WINl make You o Pertact Baoircom Dancer THE CA TLE CLUB | MRS MAE D VISON 1,of Bancing Masterg of Americs S '; M. Aesop’s Fables, Topics of the Day, Pathe Weekly AnAAn 4 courageous and frank exposition ot why the average yourh is eall “a member of the younger degencrn- rion.” A play as dynamic in theme as it is ‘potcartul in svection Prices, Eves., 50c to $2.50 POPULAR MATINEES Thurs. & Sat., 50c to $1.50 “Not to see this picture of Ben-Hur fortun, ot to have your children se —Time: WITH THE ORIGINAL MUSIC SCORE INTERPRETED BY A TOURING SYMPHONY ORCHESTRA OF 30 Orders Accepted' Wed. and _Sat. GLENN HUNTER With New York Cast in YOUNG WOODLEY o Mo slocted tale large anditerium in order our prices so popular that 2:15 & 8:15 Scenery and Effects by oren. MARI BOLLMAN je. 3Be: Oreh. 50 l KEN MURRAY & § Fddie o CHARLOTTE Clayton & Lenaie Bu “Fooling Around” Lorrl:nd"" i FRAKSON The Man of & Hundred Cigarettes ARCHIE & GERTIE FALLS In “A Few Hard Knocks” Evenings: Mats: Ba Nov. 1st. Immediately DAVID BELASCO ». LILY SUE A Colorful Story of the West In the Early 90's, with Willard Mack Beth Merrill And a Carefully Selected Cast Mon.. Oct. 25, Seats Wed. A gor- geous thrilling romantic operetta LADY FAIR With \ Phomes: Main 4484, 4485, 6823 m l m Bl”‘\ Tap. olo. Spa Brmar musnan. " New | arleston, Valenci | Olaag mm"“' {itar. Oct. 16th or Children Saturias. *Privaie Lessane ment N by Appointmént fiELEN .IANE MARR Disciple of Ruth St. Denis Denishawn Method 1619 M ST. WW. L arac- | FLORRIE LE VERE with LOU HANDMAN In Celebrities Assisted by Edythe Handman {1l Robert Eddi 'A‘I’ff‘ffl "A'IJDA\ BU lzl‘bl. ".P‘ -g "llL O'Neal, Nellie reen. of 1 ‘hest: oF'40 109 Glorlons volees. = FRANK. 9752,