Evening Star Newspaper, August 22, 1926, Page 58

THE SUNDAY STAR,' WASHINGTO De Pachmann at 70 Adopts New Method BY JOHN GUNTHER Correspondent of The Star and Chicago Daily News. LOXDON. England. August 10.— It is written that \ladimir De Pach- {mann once threw up his hands at an interviewer and said: | “It is true that I can play Chopin | better than any one else in the world ~but can 1 help it?" Miss Mary Louise Sullivan,: organ- ist at the Shrine of tha Sacred Heart, is spending her vacation at Atlantic | City and Blue Ridge Summit and (Wil be away about three weeks. The =olo quartet for the coming season, it is announced, will he com- posed of Miss Mabel C. Latimer, so- prano: Mrs. Anita Gauges Howard, By Helen Fetter. i GENOA, Italy, July 31 HE Mediterranean, with its constant, varying undertones, seemed ‘1‘th X:;er\-ieuer was a e st - Al _inamed Meyer Levin. music enough without later the drive along the claborately scal |1t is a remark highly loped horder of the coast between Nice and Genoa—a long day’s Pachmann, great pian! voung man | I believe him. typical of De | t, great eccen- | : 2 Sk {contralto: Robert M. O'lLone, tenor, journey and a dusty one in an automobile—a prolonged symphony "ri‘&kffl"i.'.:fl?ml'fi'fi’l o Is also @ and William R. Cross. bass. of ratural beauty. The famous Cornish road underneath; giant, bold | nlq man who has made an enemy or | .o icEUIAr choir rehearsals will be resumed the middle of September. Estelle Wentworth {two by his playful, malicious wit De Pachmann is still publicly play- mountains. such as the “Carmen” bandits inhabit, towering above every the .regular soprano soloist. Miss Lillian Chenoweth, Chenoweth, day for a trip to Florida by Miss Chenoweth has been re-engagegd | AUGUST 22 MUSIGRAPHS day in the absence of Blanche Kerr, accom- panied by her mother, Mrs. Elizabeth water. left Washington on Fri- as contralto soloist with the quartet at the Church versalist, of Our Father, for the coming season., a ni- position she has held for a number of years, and will resume her duties in September. THe National Medical Association, ; fad Tittle uillestiranAleALI N AT Ser b0 fagay it wbikas | D as returned | which convenes in Philadelphia. Pa. bend in the n,m“_ little villages huddles 4 3 e - y sl ing. But he must be near the end | from Atlantic City, \\'h’lre she sang | August 23-28, will have ;eflll]l'la gl‘)c‘n Testling in the alkaline dust on the water's edge, provided a fascinating now. He is aimost S0 ‘lun*:\l\d!lmfl‘g\‘n joint concerts with Paul Alt- [artist Clara Roma, wife of Dr. b transit from the land of Debussy and Uorot into the land of Verdi and 8%ain he has taken “a favewell tour use. Metropolitan Opera tenor, on |Otho Peters of this city. She will ! 3 In perfect good faith. always to be|the Steel Pler last Sunday. - This 18 |make her appearance August 23, ve- Leonardo da Vinci called back temultuousiv by his pas- | the eighth consecutive vear that Miss | fore and after the wévrf me address While <till on the edge of ltaly it gave opportunity for many com- | &ionately falthful adherents. He willl Wentworth has appeared in speelal | of Mayor Freclann Keoteim of ot 2 * : : play till the last bar hums in his brain. | concerts on the Steel Pler, and the | delphi g parisons and provided especially an inspiration for one of the great OPEras | T Keard him In London recenily. and | comeet” on Sundas evening e Te | SR o ¢ . . = e . i b rond vas -1 Miss Alice M. Lew E S ctor of the Teuton, Richard Wagner. It is in Genoa that the famous Holy all the old fire was still there. j tended hy approximately 8.000 people. |in the public schools fl,',l ‘:;\em;‘:il:t‘ri(t'v‘ Grail, the motive of Parsifal's quest, may be found in the cathedral. Genoa, i ‘;‘}ll‘"a\‘;rx‘\"-!‘fih mnlm“vd] '1:» l:]Mln}r‘nlr will be her accompanist. - : e 153 i e o | City and was accompanied by her hus- h its busy harbor and terraces of twinkling lighted buildings rising to | Age has apparently softened the | 1 (5810 S0E S000maenied by her Bus- ¢ & % . | veteran pianist's scorn of audiences. | J& ‘ a velvet black mountainous “back-drop” and a blacker sky—Genoa, the | In the old davs if he didn't like m“\l‘m\mnrth. and her aunt, Miss Anne land of Columbus and Marco Pajo! | listeners he refused to play. What is | Hurdie. . {more. he hurled piano stools at them. ! . | He was full of tricks. “You like dis?" | Hr )WEVER. before leaving France entirely behind, it would seem Iogt-}he would murmur treacherous! cal here to tell about the two Washington girls who are studying at |the crowd after a brilliant Christine Petworth Irish, soprano, Baptist Church sang at last Sun- | the splendid conservatory in Fontainchleau. an hour’s ride outside of | (¢ ":h: r'r:‘n‘pl}en\;'n;:g F}!nllfl: e aric. They both seem to b ) fine work ¢ inly 9 cellent A ck B coule Paris. They both seem to be doing fine work and certainly have excellent | YU a7e & pack of focls’ he would teachers 1o direct are Henriette le Menager and Marce The girls their efforts, | purpose Greenhalgh | _I'saw him at a couple of interviews, | Henrictte, who gave a charming fittle recital at the Willard late in |Each time it was after a long train R T the Spring. it wili be remembered by those who heard her. has a voice of | journey. Each time De Paahmann U. S. MARINE BAND. definitely dramatic soprano. In addition, she has the stage type of per-|was curled in seorn. ach time he A conce® will be given tomorrow | conality. In short, she seems weli cquipped to continue the training she | Mas Nn:n\ |mvh‘.!n;!nl] at .tn\vl'lrvan Ifl"‘ 4‘?"" l""’:";‘d' l\‘?::l:!‘m"i&efi:?:rxg;k;. Hee ek it s Eaboni realize the fruits of | {rains. American clothes, American | DY the ed States ) nd, HE :mg,vvaylvl - b o 2 s hegin o St Salignac the | weather. American liquor and cvery. | William H. Santelmann, leader; Tay her persevering wor She is studying mise en scene Salignac, the f e "eice American he could think | lor Branson. second leader. The pro- genial French singer of renown, who smiles above his huge bow tic even iof “especially audiences. Bach time, | gram will be: when he exacts frequent repetition to obtain the one thing wanied in ttoo, he would apologize haughtily for | March. “Sesauicentennial Exno- voice or action. To watch M. Salignac give a iesson on the stage of the |his' personal appearance, rubbing a | o Mon’ oo pi: 2 s Yittle theater at Fontainebleau is a real experience. There is not an un- [&reat paw over his chin ‘ roh Charaeteristic, On the necessary gesture 1 there i absolute concentration. t was a long journey,” again with - Goldman “Marching Thirough he fittle theater itself is exquisite ts walls are covered with vhr!n“ sl .‘i‘mil‘:. “I haf not shaved for o 2 S Sousa beautiful golden yellow hrocaded satin that cchoes the coverings of many | T2 hours Tam too oid. T cannot | Clapact solo. £ e i-Dases | of tn s and pieces furniture in the o i Napolec ue am a very old Prine 1l Rad, | f tnc walls and picces of furniture in the private apartments of Napoleon in; s "' will not shave again—ever.” | Exgernta from - The Wimid o tha i and Josephiac, in another part of the palacc. It has a tiny balcony, said "™Then ' ne wodld froan faward his | 1o ororn b Herhert | o be the nrst built in any theater in France, and the gilded boxes where | hotel. After some coffee his spirits | | First Waltz & Onne 85 Durand | Napoleon and hi< retinue sat, with the long green benches for the ladies | brightened | maitet, MRige (S PR and gentlemen of the court in the pit, arouse imaginary pictures of both | _“Tomorrow I will be vight again. | (R “Vaitefente ™ (i) “Marne Russes assembly and stage_performers immediately in,the spectator’s mind. [t | ¥ou ses. T wil shave. Also 1" put | Marine's by e Hine'ar Monitilima is a rare privilege for young American singerg to have this as a back- |the black on the evebrows. it 4 P R young A gerg t He was always cold in Chicago. He ground of Old World culture in which to learn to sing the great operatic | e v y " the ht O] ) C roles written by Old World masters. Also M. Camille Decreus, resident | the"oriq P s e vg wenms o At Staunton Park Tuesday, at 7:30 p.m.. with Principal Musician Artht Mrs. Frank Howard, soprano, while | touring the Yellowstone Park, Wy was soloist at an evening musical at Canyon Lodge. Mrs. 0., Howard also attended the opera at Ravinia while passing through Chicago. . 8. ARMY BAND. Five concerts are to be given this 1926—PART INew Orchestra Formed For Movie Theater The Metropolitan Ramblers, installed at Crandall's Metropolitan ‘Theater last week as an ausiliary orchestra, |give every promise of hecoming one jof the most popular groups ever placed permanenty in a Washington playhouse. The Ramblers are not re cruited from the membership of the Metropolitan ~ Symphony Orchestra, under the conductorship of Dantel Breeskin, hut are an especially as- sembled orchestra of 12 voung artists who play in an entirely differ- ent spirit and tempo from the Metro- politan Symphony, which divides the day with the Ramblers. The Ram blers begin with syncopated overtures at 10:30 in the morning and play until 11:30 in the afternoon and_then re. sume at 5 and play until 7:30, thus establishing a policy of continuous or- ! chestral music from the beginning of {the first performance ifi the morning {until the closing of the theater at 11 joclock at night. The Metropolitan Ramblers are under the conductor: of Milton Davis, pianist and pipe or- wanist, a veteran of the Crandall staff Far from the customary jangly jazz produced by so many modern synco- paters, the Ramblers play in subdued ! tones and make their programs from a_ selection of special arrangements of classical music converted into the popular- syncopated tempos and snappy _movements of present.day tastes. Of course, their offerings also include the latest individual popular hits of present day composers. ) The Moving Picture By Robert E. Sherwood e the United States Army and, Capt. William J. Stannard, = ; lender. and Thomas F. Darcr. second | THERE are now two atmetions at leader. The first will be given tomor. | . the Warner Theater in New row at Mount Alto Hospital at 7 p.m., | York. One of them isx a man—or, Mr. Darcy conducting. The program |'ather, the shadow of a man; the will be: other Is a delicate, intricate and (to ety Rl my unsclentific mind) incomprehen- Overture. “Nabucodonokor™ sible machine. Saxinizine (Ol0 A0 e HonprtCH L The man ohn Barrymore, who o (Tech. Sorgt. E. H. Hostetter. snloist o |is appearing on the Warners' screen ;:“l:;";' Jinks" J Friml fin “Don Juzn"—a celluloid imper P R uni About Way to Heaven | oDAtion of that gay, amorous, heart- . & % De- (- warming, but heartless, Spaniard, b. “Tonight's My Night With Na:v.\ who stands out as the supreme lady Serenade. Rural Wedding" Golgmark | Kille of history. Silection, -san® < Ralman | The machine is the vitaphone, a, -~ “The Star Spangied Banner. contrivance developed (and almost Tuesday, at Walter Reed Hospital at 6:30 p.m., with ) General t. Stan- perfected) after vears of studlous ef- fort by sclentists in the laboratories of the Western Electric and Bell Tel- ephone companies. BY HOWARD P. BAILEY. i W. Franke Harling. whose short opera, “A Light From St. Agnes was one of the sensations of the past season of the Chicago Opera Com pany, is about ready to present his second opera to the public. His new ereation, “Deep River like “'St Afhes." et in the South, and is built about negro melodies varying from the jazzy type to the deep spirfitual music for which the negro is famous. “Deep River” {s to be given in Philadelphfa on September 20 and then withdrawn, for two weeks, after which it will open in New York on October 4. The production is to be staged by Arthur Hopkins, and it is reported that he has spent a fortune in preparatory work. writing fazz operas and phonles can develop the for negro iife :hat his Indian music, hand down to jazz sym- hackgrous Cadman has Par perhaps they coun future generations music that will be held in the same respect as the works of the great masters of generations passed PR A massive production of Carmen i« to be given this week fn St. Louts at the Forest Park Playhouse, under the direction of Guy Golterman, in which two of the leading parts are to be sung by stars who have won great acclalm with the Washington Opera Company Elda Vettorl, whose Tosca stfil ». fresh in the memory of opera lovers as one of the finest aver heard in this city, will sing Micaela and George Chechanovsky, baritone, who reached The value of these two operas of reached Harling's lies to a considerable dogrpnb‘l\" !\’xh F\fn( of his "“.‘:" vAlrI'\ IS (acBI (RO (1iev Baves puimea | unces MRt s (L the xolss jof it recognition for an American con: <';_::fl"fl(""‘n;“::';_{‘fl-"- \: g the poser and the English tongue in |Part of Dancairs. oot opera. Whether they in themselves | A double cast has heen arranged will hace any perranency is a ques- tion which time will tell. Without having heard them, one could hardly hazard an opinion on that subfect, but if the amount of jazz In them is as great as seems to be indicated by the reviews it 1s hardly likely that they will gain a place among the classics. It may he. however, that a little jazz, being ahout as much in place in a tra ditional grand opera as a mouse at a tea party, has created a furore far bevond its real importance. ok kK probably has ne per which to look forward. look back in five-vear Jazz music manency to One need only erfods at the dance musie and songs which were all the rage in former vears to see how complete is the passing of so.called popular music In 1912, for instance. one could hardly o toa dance without hearing “When It Apple Blossom Time in Normandy.” “Peg o My Heart." “lsle d’Amour.” “In the Blue Ridge Mountains of Virginia.” “Rag Time Wedding,” “Auf Wiedersehn.” and en others. Those who listen with disgust or amused tolerance to songs ahout animal crackers and horse might recall back in 1912 when per haps they themselves sang “Be My Little Baby Rumble Bee. Buzz Around! Buzz Around!” and so on. Coming along five years, how often e i ol ! : ; i icea: il ¢ i1l | nard conducting, tHe by 4 director of the conservatory, said in complimenting the American voices: | [ haf never been o cold.” = ‘\} tcomb foonductn tieilandiwill TR SERLLE ‘”“' '““",‘ “1'1’_""" It seems to be the prevalent im-|nowada excepting at reunions, The American students not only have lovely natural voices, but their | e = 14‘ e o Vs A Jdames D A tor | Pression up and down Rroadway that | does one hear “There's a Long. Long voices show intelligent training when they come to us. PITR L BEREdh, Ihe Staty andiftivebEor, | oo ((OverLre; - Nekhy: Willed) (of Windwr" [ the vitaphone is the mo'e substan-| Trail," “A Rocky Road to Dublin, 4 s . one of De Pach- | 8 et ) g Nicolai | ¢jal attraction o e “I'm Forev: flowing ) and d i Lk ow % ; AR most EAlEe frionde. e | Qrerture *Lighi Covain.\ Lo 11" SUDDE | Ballet music from “Wiliam Tell".. Repeigt | ti0]_attraction of the two—that the | “I'm Forever Hlowing Bubbles.” and ARCEIL. GREENHALGH. known among the most active of young |, i ee s e | LIEEI RS - e Mascneny | Trmpet solo. CLe Secret®. . o Hazel | &reat Mr. Barrymore, with all his|songs that were on every tongue g the 3 {called him the “Chopinzee.” His gray | o1 (Thomas ‘F “Darcx. koloist i evelashes and all his fervent em- | during the war period ccompanists d students of piano in Washington, has a similar rare | ma r. his gray S | e one HEOr N Herhert | March, “The New White Houge' e 5 i % Sl il a pai 5 t P in \ gton, a 3 |n|dna of hair. his gray prognathous | Waltz. ~The Golden Stnset L Hall TR Drcy o dnoase vor | hrace less thrilling than this mar-1 Going back in the past few vears, privilege to that of Hearictte le Menager's, for Marceil is studying directly | face, the stoop of his back. and the | (harsiteristic suite, Amepiaia ./ THirDan | xcarpis from - P’ Hervert | velous’ product of engineering skill. | witness the passing of the song that nnder M. Isidor Philipp, who is to the American Conservatory at Fon- jenormous length of his arms, his Gal" ... ¢ Prenzo-Whiting i\':‘fi!»"‘x Sally | 3 Fiimore P above all songs seemed the height tainebleau what Josei Hofmann is to the Curtis Institute of Musical Art, [&reat gnarled hands—it ix all very, llop. “Ride of the Hus- Mareh: “omaic tofu ' Conpelia Delibes | 1o ss and vet of greatest ! what ] {ofm; t e Ll ] i L 1% cantelmann | Mareh. -Chicage Tribune Chambers | o i i €and by | of Hdiculousness and y srea n Philadelphia. M. Phiiipp is also a remarkably interesting personality, as | Simian. And his_eves! They roliy| The "Siar Spangled Banner. The' Star Spangled Tanner. he vitaphone is the latest and by | o javity, “Yes, We Have No well as an excellent pedagogue, with a reputation above all others in France |Eitier. contract, They are malicious; o ke . = e el s DL 8 for perfection of technique and sense, of interpretation. In talking with | 2nd lovable.and infinitely v all| Wednesday at the United Sttaes| The following Xrmy night program | Uo7 of pictures and IS tght now. go where veu will. you fok 2 A ! It 1at once. When he walks. hent almost | Capitol, at 5 p.m.. the program will be: | will be given Wednesday evening at{ M2t in principle to the De Forest cape “Valencia.” It is fs him about the American students under his supervision it was interesting | double, the hands swing near his | yareh. The Man Behind the Gun-.. . Sowa | 6:30 at the Stlvan Theatars TI"8 #t] phonofilm. in that the sound is photo- [ CANROL escape - valencia e to discover that he stressed the mental work far and above actual physical | knees | B chee TS M AR, Be G graphed on the film itself and relayed | Inevitable ax the = llawaiian musi practice in his methods: a truly modern emphasis. |"“Why should I not be tired?" he | fcenes Esvagnala. ‘devillapa' ... .. Elgar | Tarch: utAnEGeneral Sevman | 0 1h6 audlence itlitaughiaitadio oud | “asiaifew yeacs hacl “T would much rather my pupils spent 15 minutes on thinking their |2xclaims petulantly. “Six ve vears | 'Prineinal Musician Arthur S. Witcomb RotRespectiullx dedicated 1o Ma). Gen speale It is not a mere phono. RES technique rather than three hours of mere physical practice on the in- I haf been doing my work:" [ SSmanmanis Gone@ndieationinhomis 6 o Sl | Avere ) s e A TEANSSEREE A A 8 TS HERAL RIS allRORm et = | These compositions have the strument. It must not be mechanical ever, hut must have the intelligence | _Another reporter has quoted him | waltz. “Spirite of the Flow . Tlon | Overture. “Jubel ... .Weber| The demonstration of this amazing | omentary appeal of a rhythm or Iways behind it. The c S ofithe 6 H e ithi jverbatim about his famous “method.” | Music'de_ballat. *C; _;Delibes | . America® < a finaie," contrivance was extremely infpressive, | SAREIETE SOOFE S0 S K hes | the always hehind it he accuracy of the fingers is nothing without the Sk o % e St Ranner | Trumpet salo. * The Commandant " Chambers | in that the services of many spee - : mind behind them.” said_the master. “Too many pupils arc inclined to | Gottt: he exctime < T renmm ";‘.“ | ataren, ‘nomas k. Daves. soloisi) "o liacular musical artists were enlisted | POPUIRT fancy, but because they are & b oe YDy -lined g he exclaims, e reaches his Sdiva = Mare - ivision “apt. King | 8| ! B il : “are pla a « Beoinwiling ito ik Hhdr minsic thon St g e e iehiaatihe it e o .\..\-: Al At .(:m _.;;Junl Thln('f‘ ;‘”.\lr\num;‘}:ll ;”llhn'-m-{'v“lun,\‘ ha».'n.»;u 4 g Ma) Gen ;n.,. the occasion. First came a speech ::.".;:‘;m Hn\\wvv]«m;:mon‘vhl‘«v'mlg“”;n:fi are not with them. T find the American pupils very receptive, however, | Gott: It takes five years 1o make it jog e Har ords At T80 P the | oot Nemoris o the “®on Y (DY Wl H. Hays, hailing the vita- |1 VR80T I ERG ' Sermps and have several who should go far upon the concert stage.” I perfect. 1 am already about 70. Tt| ot T g | March, “Major Geners HnEed by Schmont | Phone as _great step forward in the | Q86 iy (he material from which One student in particular. one of two hrothers, sons of the head of a | S D L L Aoerttie, e Shet Cat e SR (8 TR B This | lasting music might be written. A large music school in Pittshurgh, Pa.. was given the highest praise by | thing so I can play it by my new racteristic, The Ruiterfiv " 1" Rendix | andant. the Arms War Col e Voh PENE e jazzy or syncopated rhythm does no A1iPhilipn. Heisaidiof thisiboy - "Heihas the gredtgittandiwill be betot| mevod. And now [ am o Tenser | R S AGIAT RS winddmb Rkt Goneral S B e L ana. solox by Mation Talley Gineaa | necessarily mean that the composi e Ao T b e oo {Joung. But it is my metood. IFrom | Selortions'trom “The Merchant ot "L aiidiie eqeral. Disinid i Was Martinelli, “Anna Case. Efrem Zim. | U9 must be teivial, B * ¥k ok Wi Waltz, “Jollv Brothers 5. - Vollstedt | March, “Colonel James D. Taslor, U, 8. A balist, Mischa Elman and an excep- Sl b S Al L i N o b : : hen he talks about music, and es- | Hingarian Rhapsody No. § (Bester 3 tore - : v |little song. “The Beautiful Island of A (‘()?\(‘!.Rl of A;n(‘;wan‘cr)mpn:mnna presented by Americans at the | pecially his own interpretations of it, | Camagah ool SR L Lieat | Maren. Colonel John J. Bradies. T fioriallyl @i ceeal youts s s aslutt namedl [ U8 BHIGL ST S OS cien realf foat onservatory of Fon v s st i ‘i is encha 3 s ! oty ¥ Capt oy .. i g e b e o vr\li\nehlt_a‘u.v{\\a‘ broadcast last night via the he“mflr}\‘(;‘k::?‘l‘lgxh i ) e The Star Spangled Bamner. The audience could see these ar.|ing as one could find anywhere. Tt £} ower of Paris. Robert Crawford, director of the Princeton Tri- D e exclaims ecstat-| At South Dakota avenue, Twenty- | tists on the screen. playing or sing. | holds all the yearning of a suffering angle musical shows and head of the recently started music sthool con- ['oally, = “My = Beethoven: Perfect | gixth and Irving streets northeast.| At the Tuberculosis Hospital, Thurs. | INE. and the sound of their voices |Soul mot blessed with physical beauty nected with the university, was in charge of this program. A Saint-Sacns | Pearls from Heaven | Friday, at 7:30 p.m.. Principal Musi- | d; 30 p.m.. the following pro-|Or their instruments seemed to emerge used to ways of happiness for festival was presented at Fontaincbleau August 9. It was under the - — cian Siegfried Scharbau will conduct { gram will he giver miraculously from their shadows. | itdon 10 2 land where beauty. direction of Gerald Reynolds. who is generally in charge of the details for the following program: March vago Tribyge: Chambers | Of these Signor Martinelli and My, | friendliness, rest and joy abound. the American committee durig. the: school sessione: e Resnids o |[1ow the Press Agent Puts It. | warcn. “Trye 10 the Fine”. o | Overtie. X Hi o Verii | Smeck were the most effective in re | The song stands cut as'an example known in New York as the organizer and leader of the Woman's | TWo individuals of wid Gucrture, srencitiComedy Bela | Saxophone solo. “Danse Hongraise. fproduction. Miss Talley failed to reg. | ¢f what can be done with syncopation , 2 a man’s individuals of widely va Valtz. “Vienna Blood .. .. PRt | lmeon: ‘Sae e ster w roug ianHone AL o worthwhile col versity IGloe, Glub of that city. . At Republds lasti aear iConductetthe |01, o iatons o o fadel PR e setiie L R e el e very successful Faure Festival, which won much favorable comment. City theater recently and yelled Chiactensiic, Doxn Sty st W i {lins of Messrs. Zimlalist and Elman| Cadw in his “Four Indian ¥ ok o % One was Lit Marquise de la Falaise The Star Soangied Banier. | = Do Cocta | Sounded distressingly ruucous | Sketches.” has given another illustra MONG the many American musicians who. though still voung, have | ¢ la Coudiay, a dainty wisp of a| e b Tomighta My Niehi Wit i The accompaniment to the feature | tion of what may be accomplished already made definite mark in the professional world and arc at Fon. | K¥¥-eved girl, a couple of “inches | St i . “Sally Trombone pifesar | picture, played by the Philharmonie | with simple traditional melodies Lo A ! - : 'k and a doz 3 T States Navy Band, | Serénade. Vedding™. oy rchestr: FTad = 2 4 - songs tainebleau this Summer is Ouinto Maganind. the first flutist of the New | 1056 the Avedoot mark and a dozen| The United states Navy oBand, | Servénade. ™ gural” Wedding Goymarc [Ovchestra, “was perfect—and only ) Had he aianged these four song ek Sy D e, e Rl \ pounds over the hundredweight. You| Charles Benter, leader, an oo, o SAr ay " oo Ralman lonce (when the film broke) did the | that come from romantic past of ork Symp ¢ a. who is studving with Mme. Boulanger, teacher | know her better as Gloria Swanson,| Wise, second leader, will play four " The Star Spangied Banner. ' 1Ma" laudience realize that the orchestra |once powerful tribes to an accom- o “'fl"“nn\ and the appreciation and philosophy of modern music. Mme. | the cinema queen. concerts this week. the first being was not actually in the theater. paniment based upon the beat of the Boulanger is internationally recognized also as a greatly talented organist.| “O:0h! There he goes! There he| scheduled for tomorrow at the Capitol | Tha final concert of the week will | AR fometorn s CHoy wanidihave Ao eneic At the time of my visit to Fontainebleau Mr. Maganini was working | €es:" she cried, clapping her hands|at 5 p.m. . be given at Washington Barracks on| Just how practical ti Gy lonf Gt LRLGRGE, DO Lo Lhis on a series of four modern songs, among other things. The poems chosen | t0&ether in thrilled excitement. LG g [ Friday at 6:50 p.m. The program will | may be T cannot at the moment say, | EcnluS to give them settings that em. for this group werd all written by pocts who died young. They include | e movar ek orog ey SIMBLY | March. “Capta, Abrame’,........ Norris | ber - 1t May be a terribly axpensive terin; | Phasized the highly spiritual side of “Sennet o Ryron® hy Keats: “Sonata” by Ernest Dowson: “Love's | Hiwards, 6 feet 1 inen tal and in ' Ry Rl 1 Y Mendelssohn | March, “The Adiutant General " to install, in which case Its use Wi e e T e ey T‘n. soph '1.\ Shellev, and “Tealousy.™ hy Rupert Brooke. The lastsmen- |thexe prospercus middle age e mOR Nl DML | Overtwre R Wt Shepman | he limited to the bigger movie thea. | ‘ "mp WGor TN fioned. which is the fin of the suite, lay upon the table in manuscript. | ing scales tremble when antwsia from e Goer March. “The r.rv_?‘ Mivision” i, King | ters. If, however. it can be adjusted | S 1 is indeed. ulira-modern. both in the ugliness of the verbal conception | e Eatric iR vix dftom “The Army Chaplans 1o the size and the economic scale of | , i “Jealousy™ itseli an ugly emotion—as conceived by Mr. Brooke. and | ¥nCe W he greatest font mn Voices.) Lacome | MArh “Major General Hanson E. Elv tthe smaller film parlors. it is due! His departure from the aceepted the almost uncanny fitness of the music to the words. not only to theie | that Princeton ever knew, and still i Lt i Ha At Dahiguist [0 revolutionize the movie industry. fstyle in Indian music nearly cosi him i but alip 15 thieic actualisonnds. | The entice Site i “lis one of the expert technicians of | s | Brigndier Generai Samyel by Foroone thing, every film that_is [ the ‘penalty of vainly spent labor. Asebehaholie > i s 4 re suite sung by some | ihe game, - 5 A hers | Rockenbach ... .Dahlquist | made will be able to car its own | Publisher after publisher turned him one of talents su Eva Gauthie ot Extorpts from Mavtime Rgmber g X it len wh-as Eva Gauthier's should provide unusual entertain- | “(ome--on—Red:” boomed the deep | Enary atic. - Rustle of Soring”...Smding | h, “Colonel James D, Taylor. T s‘f_ tor | MUsical accompaniment. Thus thea- |down until he almost gave up hope. n 2 bass of Rill. | Fox trot, selected. = n Milton 0. Boove, U. S, A" ter owners will be spared the expense | Finally lie submitted his manuscript Mye. Maganin ali e he Star Spangled Banner 3 A i & 5 r, Maganini is also working on an orchestral composition, “La| And all around these two—all LIS » i Stannard | Of paying salarles to trombone play- [ to a publisher who saw them in the Rumba.” commissioned by Walter Damrosch for production next Winter. | throughout the crowded house—men | ' Tuesday at 7:30 p.m., at Thirteenth sl ere, frap drummers, organists and | light in which Cadman pictured them. and Emerson streets northwest, the band will pla, and 80 that their voices stood out above women shouted and screamed Others w ‘_m are writmg similar commissions for Mr. Damrosch are Jean Sibelius, Georges Antheil, Artur Honneger and Alfreda Cassella. N Siliate “ 2 el - rous rsf c! .| March. “Rival Rovers" . ... Alexander M Antheil's work, “Symphonic Mechanique.” wastgiven two presens | o wiats ror b mation plotivb. 5t | Jriiiine. e Dame -+ Von Subos fations in Paris carly in July before audicnces of large proportions and | was an audience expressing its ap- | >oiphs- oo S0 0 praseara decided opinions. There were those who hissed it ; those whom it aroused | proval and excitement by a roar that Twoanne o e e Del Kizgo ta ire to the point of departure from the hall; those who laughed at it, and those who liked it. Arriving in Paris too late to have the good for- tune, or perhaps T should be more cautious and say “opportunity.” to hear drowned out the loudest music of the orchestra. They were cheering a celluloid foot (b) “I Passed by Your Window (Bandmaster G. De Glorgio. Excerpts from ~“The Blushing Bride” . ... Romberg his work. T canno ress ; = i ; I player as he twisted and turned | walizes asical com- this work. J camnot express any personal reactions. 1t is scheduled that | 20 Bl Y spod aifsag. down a | oo - daiamn Sherrs . Hoschna this symphony he given by the ¢ York Symphor estra E g o & Grand scenes from the overa. “La Gig- well o e ven oy the New York Symphony Orchestra on tour, as | eeliuiols gridivon for a cellulotd touch- | STeHRarnes o the 0Renl M8 Clgey e L s in New Vork City; so. perhaps. if the customs officials do not hold | down—"Red" Grange, making his| Povular., Soiseled. ot euth Woods ! heil's mechanical piana apparatus, which I understand is con- | first appearance as a cinema star, | March. TThe Age of Nouth'. .. nected w performance of this work, we mav hear the S, Washington during the coming Winter rmphonic Wednesday at 7:30 p.m.. at the band | Bechani ot stand, navy vard, the program will be: Laurie,” which John Robertson is WP R PR AT B i directing for Lillian Gish. | March.. “Lure of Alagka”.. .. . Benter g A8kovas Dedicated 1o the ate President Warren [to New York from abroad, will make G. Harding.) {the musical score for “Beau Gestey | Three old favorites of stage and | Overture *Mignon' oo FILM Iand conduct the orchestra during tha | Scveen are in e olleeny S i e B 3 |run of the picture at the Criteri Moore's picture, “Twinkletoes.” ‘I'hey | Rhapsody. “‘Hungarian_ No. 6 ; [Theater, New York. opening Au.|are Frankie Bailev, who was one of | Suite; "I Childrin s Comer .. Debussey (Continued from Third Page) | Kust 2 the high lights of the Weber & Fields | (}) ~The Liftle Sheohard ' - = i = shows, noted for. an exceptionally | (. tc) [ollvwores fake Rate o . the first week in September with Al . FAmund Lowe and Lila Lee with | beautiful form; Florence Lawrence, | bt e h TEt W s S “{the o ; 3 cor 3 ar, 3 bolly | Ballet music, "Casse Noisette' T Sk Tort erkos aifaet Earte Brown | the Fox company that is to film “One | once a favorite acreen atar, and Polly | Ballet music. ' Ca | Increasing Purfiose sailed for Eng- land last Wednesday ) sOverture Minature Moran, well known comedienne. —— (i) “Danse Rusee Trenak. " working on the script and Hugo Bal L e | Lowell Sherman, who plays one of | (1) ‘Danse Arahe ' g ic de Irvin Willatt s to freelance and di. |the leading roles in the Tiffany pro- (f1_“Danse Chinoise ’ e e o enx [wactéwhither ihe 1s called {duction, “Lost at Sea,” wax severely | Excernts fram ~Wonderiand Herhert e L e = | hruised recently, it is reported, dur-| Ly e a0t emiorad giate he | There is a sympathetic understand. {INg one of the sea scenes. when, 10-| pyigay at 6:30 p.m.. at Walter Reed | T e e Kmax is | IN& evident all throush the picturiza. |<ether with Natalie Kingston, he Was | pocpital, the band will play B roloren miass window mow in New |tion of Nathaniel Hawthorne's “The |washed ashore clinglng (0 & ReAVY |y Tent cite e =g : NeW | Scarlet Letter.” according to the Film | 1og. Meertive. “Weddine of Figar R saars & Daily critic. Lillian (iish is the Hester : [iEownieD ‘r'zf.-'-‘l e & el The Smslewunit ciock ever | FTYANE and Lars Hanson s the Rev. | Dorothy Dix. one of the foremost| () {0 ol it 1 Wers Yaune' " Eeet SMinele sl ol Dimmesdale. It is a Metro.Goldwyn. |woman writers on advice to the love-| ‘"' e e Bitternen SSARNIRccured 16 te be WSINEL S0 U Maver pimute lorn, has appointed A. L. Selig of ‘Tif-| Gems, from the, musical comeds’ “The, s ot = fany Productions, [ne. s agent for | waitses from “The Brince of Pilsei ' % EEine e e o i ;-n?n B hflo A;X e is s?m o be con- | il material she writes for the SCreen. | G .y coones from the opera “The Muk"»‘;i .;, decision of the French igo: . sidering the filming of “Porgy.” a y - = _ e b ; (Ve T e R o R ehay | story of negro life by De Bose Hay-| When “Love "Em and Leave 'Em," | alhym ieal’s Wagner | e e haira. . the comedy by Jobn V. A. Weaver | pslectad. e Bavner I At e e _— |and George Abbott, ix brought to the | Bl e e | péohgnition of the merger of ¥he | .. ’ Ee . s thonth by Parameunt i | nuses of the ,5t chain Three British Yictures which will be | screen late this thonth by unt, | B e o am Pally. | Eiven world-wide distribution by Fa [the castwill_include Loix Witson | Has Unusual Versatility. S ¢ Moty U I mous Plavers will star Dorothy | Louise Brooks, Ford Sterling an e NPT, o The Russians mow have a news by courtesy of Inspiration Pict |Lawrence Grax. The picture will be| BLANCHE SWEET'S ability is ap reel that shows mat onlv the usual' The productions are “London” and |mude at the Long Island studio under ently highly appraised. for she | Tews events hut seenes from factory | “Tip Toes.” with Will Rogers. and |the direction of Frank Tuttle. Town- is to be he heroine of three of the T'fe and studies of the varied peoplest “Mme. Pompadour.” which will be |send Martin is responsibie for the most succossful of recent plays that | of the @ifferent republic, alonk with @ big special production. Al three |adaptation. are to have screen presentation, if | trade news had Herhert Wilcox as the director nothing happen ic) - Wilcox directed “Nell Gwyn. also| Ten productions are now under way | One of _then is already being, Beginning September 1. 1927 Metro | produced by British National Pictures, |for Paramount. Harold Lloyd, in the planned. *Seventh Heaven." in which | Goldwyn Maver and Famous Plavers which was recently shown on Broad. midst of his latest effort: Richard Dix. Miss Swest will have the role that| oth will enter the short film fleld. | way. w “The Quarterback”: Frank Lloyd, brought fame to Helen Mencken on | == —— ' “The Eagle of the Sea™: Waliaca the stage. : Both Mae Busch and May MCAVOY | Margaret Quimby, who has signed Beery. Raymond Hatton and Chester The other two are “The Green Hat. are reported as recovering from Ser- , jong-term Paramount contract, and | Conklin. on “We're in the Navy the dramatization of Michael icus ilinesses who came to New York about three Now™: Marshall Neilan, with Ret star: . and ""nlnfl-mon Prefer | o T iienl directar. YPATS AE0 to seek fame as a dancer, (y Bronson. on “Evervbody's Actinz”;:Blondes.” the Anita Loos story. | Roxyve French musical dlrector Which led instead to a screen career. | The Rough Riders.” which is being Miss Sweet should he con-| Maurice Jacquet. hae arrived in New | [ oy ) pave the unusual combina- | made into a road show: Pola Negri in sidered for all three roles is a great Diock S nditating KNALRRS Mew MHOXY foriony i den |her most impressive American film, | trihute to her versatility, for they are At Mine ite 1ion of decided blonde hair and green [her mo P A : ite to s ! Sioshier Bl NGt bR ongn R e R | “Hotel Imperi#l™: Erich von Stro. widely \iffsrent in type. The girl i o - Iheim. on “The Wedding March™: W. of “Seventh Heaven” is an olfinlike T o ¢ DAl e 4 " ' Yo i creature living in the Latin quarter ounced that Fox Rov D'Arcy. sauve bad man, will |C. Fields' “So's Your Old Man" is al- | crea ; n : oI s 12 R Aireet his viliainous efforts toward | most finished. and a new Zane Grey ! of Paris, Tris March, the Arlen hero. I¥hat Price Glory about the first of | “Valencia,” the lm version of the story. “The Man of the Forest.” hax ine. 1 marvelous weman with great ‘he miw wear. “The camera work ia international seng hit twhich will lbeen commenced by John Waters. character. and the Loos heroine. a typical New York gold digger. | It ix said to he doubtful that “The | | Green Hat" will ever find its way to | the gcreen, due to the fact that it | has heen lanned by the Will Hays organiZaflon, 3 eyt completed, but the cutting and star Mae Murray and be directed by | - e cditing -r: expected to take a long Dimitri Buchowetzki ‘m;illlg:e"i_;’l;:rli?‘e“"‘::v;\:: T:“vr\‘ 'l‘:;vr; {me before the picture i€ ready {0 yunry Kolker. character actor and| to the screen in “The Cruite of the EETMS. | irector. will have the part of the Earl | Jasper B." a screen farce from the Hugo Relsenfeld, who has returned of Stair in the film version of “Annie "pen of Don Marquis, | east L “The Meistersingers.” THREE quartets——the Harvard, the Pilgrim and the Weber—compose the roster of “The Meistersingers,” famous group of singing Bostonians brought together by a common jove for the hest in music. Many of the vocalists are teachers of music in Boston. as a hobby.” s ously interested in the of American chamber music aggregation tours the Keith-A ill others Others are busi- ness men who turned to music “just | are seri- | advancement c. The e cir- cuit ‘each Summer and is one quite out of the ordinar) run, in that it en- tred vaudeville after it had achieved a reputation as a and around Boston. Like all great started in a minor way, organizations, gathered concert attraction in it strength over a perfod of vears, then suddenly awoke one morning to dis cover that it had become “noted” and “'successful.” . Wasn't She Lucky TH‘A.\‘K.\' to a Ben Ali Haggin leau in egfeld's cerning eve, & for picture leading role i “The Ace of part is important is shown fact that first Lois Moran ar Clara Bow were cast fo pictures kept them from Recently chorus 14 ? by nd then it, but other playing girls f it. hm ab-, i American | Revue and to Adolphe Menjou's dis isan Fleming has heen Menjou's That the the the Ziegfeld revue came to the studio to be photographed in a Ben All Hag gin tableau looked them over. Was a “Professional The entire studio Menjou joined the Amateur staff onlookers, seanned the faces carefully P and crooked o forefinger at Susan Avji < | Fleming. Wide-eyed. she came to him |, 1 offer this bit of advice to all the and was led tos Reed love-smitten young men of the North R ot s s < Flen. | American continent o et nL e madeand BrlasEISmE| ireyiles taite yOLEL elell frlenils) to)ses 2 “Don Juan.” They will come away HE first public performance given by Harry Langdon w Mullins’ Mu fession called them. It was amateur night was 16. funny. and he took first prize. and Harry He was so scared that he was There as in Mickey c Hall. one of Omaha's Ar- | best known honky-tonks, as the pro- after the boy made a habit of winning first prize on amateur night. One night he wa about to enter the contest when Mickey Muilins stopped him ‘You can't work here no ®aid that dignitary. - “Why not?” asked Langdon. teur." more,’ Cause you're a professional ama- Langdon took Mullins at his word. other musicians. For another thing, movie theaters everywhere will be enabled to present to their patrons the finest artists of the musical world. The audiences at the Gem Palace in Dimville, 8. Dak., will_have the opportunity to hear Al Jolson. Galli-C'urci, Paul White. man's Band or Jascha Heifetz, and to see them in action at the same time. ! I very much doubt, however, that! the vitaphone--wonderful as it may be —will result in the production of talking moving pictures. Having con- versed with many film stars, I know | what their voices sound like, and | come 1o the conclusion that they should be seen and not heard. k One of the greatest virtues of the| silent drama is its silence * ok % x Now, as to Here is principally the Don Juan™: a picture that will appeal to the feminine element in audience. It is just one violent love scene after another, punctuated with close-up views of John Barry more’s justly famous profile. Most of the more decorative ladies in Holly wood appear in suppost of the star, and all of them are effectually over- whelmed by his unrestrained ardor. | Among them are Mary Astor, Estelle | aylor, Jane Winton,” Phyllls Haver, tions in the film-cutting room. But it is well directed by Alan Crosland, and 1t is played by an unusually com: petent cast | trom this picture with a strange look |in their eves—a look that seems to |say. “How long has this been going |on? p E There has_been ariother important | opening In New York recently—Lil- lian Gish in “The Searlet Letter,” di- rected by Victor Seastrom, 1 have had so much fo say bout the vita. phone and John Rarrymore that there i® no space for further comment “The Scarlet Letter” will he the subject of our sermon next week. * * Xk * Another epic has bean announced. | “The Surf Man." which tells of those heroes of the Coast Guard who spend | their -days and nights chasing rum runners.” A visitor complained the other day that the weather was in- sufferably hot. , The chamber of comimerce ordered this questionable character to return to Florida at once. Mr. and Mrs. Joseph M. Schenck They were accepted and put on the market. They probably rank now as about the best selling song cycle ever published. If Harling, Gershwin and others Monty Banks. ONTY BANKS was born in Italy, on the outskirts of Rome. His father was a_newspaper man and had planned r Monty to follow the same il. Monty chose to hecome a mu n, and proved a huge success, me a profes to Moniy, the greatest did wis to become an American. After many ups and downs he arrived in Hollvwood, and was given a job as property man. Grad ually he worked his way up to as- sistant cameraman. He then played atmosphere parte and advanced to small bits. Monty proved quite a succe: writing scenarios, and equally so divector. Finally. sic Later he bhec According thing he ever at sa of feature length comedies, In-“Atta Boy.,” one of a serles of Pathe feature comedies. he surrounded himself with a staff. every member of which. was thoroughly familiar with production technique. Jack Mintz, June Marlowe, Helen Costello, Mayng | the technical chief. is considered with Loy, Helene D'Algy, Hedda Hopper |0Ut €dual in Hollywood. Edward 1 and many other celebrated beauties. | Giffith, the director. has been gen Ziegfeld himself could not have . |eTally successful, and the caxt of ‘the sembled a more ornamental troupe. | Plcture includes Virginia Bradford Don Juan” is rather deficient as to | Mary Carr. Albert Fisher, Henry story, and much of it will have to Le | Barrows, Earl Metcall. Ernie Wood, submitted to a series of major ope | William Courtwright, Jimmy_ Phillips, | Virginla Pearson and Fred Kelsey Stanley-Crandall Elections. HOUSE managers of the Stanies Crandall theaters in and about Washington have elected officers for the Stanley-Crandall Theaters Man gers' Association as follows: tobert Etris, manager of Crandalls Ambas sador, president; Harry E. Lohmeyver manager of the Earle, first vice presi dent; John B. Upperman of the Ave. nue Grande, second vice president and Stephen Eilbacher, manager of the Tivili, secreta The object of the assocfation is to create harmony and good fellowship among members and to promote oc casional social activities and to pro vide for the xupervision of the activi ties of the members with a view to lending aid or advice when requested or needed and maintaining all of the organization on the highest piane of efficiency. The term of office is for one, vear. -~ have arrived in New York from Holl wood and Mr. and Mrs. Alistair Mac. Intosh from England. giving Norma and Constance Talmadge a chance to g*t together for a discussion of old times, - (Copsisht. 1926.) and ®omments printed, | ional dancer. | having found his | ireal calling. he emerged into a star which includes s of both the Chi cago and Metropolitan companies and also Joseph Royer, who las besn heard here with the San Carlo com pany. *iwow . Mr. Golterman, who founded the great openalr theater in St Loufs is the discoverer of Vettorl. 1ia heard her heautiful volce and starred her with the hls light opera compan St. Louis. | Al the operas are given in a great outdoor theater which 10,00 people and the seats are usually tee | few for the crowds seeking entrance | The huge stage will permit t ployment of a chorus number which has heen recruited varfous choral societies in A ballet of 32 has also been assemb long with an orchestra of 0 Mr. Golterman. back in 14 | came’ convinced that open-air perfor mances of grand opera and light apera seats 3 from 1 in Summer would pay in St land started his theater - | have surpassed his greatest hopes | * x ® & | 1t would seem that sems su | scheme should work out here 1 | Capital A season of lght opera was at tempted st Summe but wa net altogether successful The la of success mav have heen dus fan tie fact that tho performances were giver indoors and the heat acted as a de terent. ‘I'he novelty of sitting out 1 the coolness of the eventnz with anl the sky for a reof while lisiening te light operas might draw a lar crowd Other cities have their outdaor con certs and opera in the oni 1 find an normous patronaz ington is unfortunate in not being so blessed. 1t is true that concerts are given almost every ovening by various bands in the cities and o excellent. No ¢ programs can be made of cither the earn of the musicians or their per mances, but it is an undeniable 1 that the concerts are given under the most_unfavorable conditions. Th due in part to the settings for coneerts and in part to the audien: themseives, | Tt seems that nearly always wher { the hand is plaving a beautitul pid {sima. a cwacus antemobil | sonnds stridently thy eh the s ot only spoiling the effect Lot can | ing an irr on ta the anditor tha | lasts long after the sound has o [ curred. Or perhaps o hern i | sounded, a trnek or trolley | will go clattering by with of sound that drowns the mus comple | The faults that lie at the feet of ! the andiences are due to autoists and | to ehildren and unthinking parents { Far too often it happens that an au | tofst parkéd on the side of the strect fadiacent 1o a park in which a cor cert is being ziven will decide in 11 middle of @ number that he | ' Lenonugh It seldom oceurs to 1 it would be pelite and considerats too say the least. to wait until that number is finished Instead, he stey {on his starter, races his engine, us ally clashes his gears and goes rac away. A.two or three minute wii would have done him no harm ar would have allowed others present t enjoy the: music. One instance comes to mind at . little triangle at Thirteenth and F erson streets. A young fellow witl a roadster and three passenge: toured around the triangle pe ten or twelve times while the inte mezzo of “Cavaleria Rusticann™™ w {being played. The noise of his en ne ruined the entive performance Parents attend the concerts with 1l Children and then allow childven to pliy . runnine Hin and out ind heet ing to on e ineon siderate. So, o ose wh threaten to take the children home if they do whatever they have heen doing again, and then don’t take then when the offense is repeated, often making more noise with thelr menar ingless’ threats than the children in their play. e e There are a number of spots whe the concerts are given which are fic of all distractions, places such as t) Sylvan Theater, the sunken garde: |at Walter Reed, the Marine bar and the Army I | concerts are these | barracks. given at well attended isolation from y & conld also be had at Griffitl if arrangenents could he | outdoc Meerts there in the ever {ing. The problem of lizi | stands would not over and the thousands of seats won vide the comfort not to he the majority of the concerts cellent locatlon so far as are concerned and the gre |of parking space would make | stadium ideal for outdoor concert from the transportation noint of vie Grand opera, light oy | concert znd hand concert all con be staged there under almost ideal « cumstances. Music nerhap little tired from a | aces ay trolles lne amoun: lovers serfous works, might find in outda. | programs of more tuneful music s very attractive change that wen bufld up a great institation 1 Golterman’s company or the se svmphony concerts in the Lew Stadium “in New York. Only some directing Liead to undertake the prop sitfon {8 needed, ave assumin: that Clark Grifith, president of base ball club, would give his conse MUSICAL INSTRUCTION, “MISS AMY CLEMENT LEAVI ” cfl;m';()ll ‘.‘\I‘l TIA] lll;";." | Washing?~~ Conservatory of Music 1408 New Hampshire Av | G LR Dunant ¢ yourselt All Branches. W Walter T. Holt Studios | § _ Established 18604 | TENOR-BANJO. MANDOLIN. GUITAR, HAW A Studios Open All Summer wemble Dractite with Noidica Cluns | 8ol ageney for the famous Bacon banis | and”S1ahl mandoling ant guitars PHONE COL 946~ 1R01 COLI'MBIA BRI BESSIE N. WILD Yoiee Culture. Plano and Harmony Studio. 6824 Atk si.. Takoma Park. | _Phone_Adams 3549. "~ SAXOPHONE Plano. Tenor Banjo. Guitar. Drums, g~ In 10 to 20 Lessons Special Summer course. 10 legsons for $10 o s or_phone for bookist Fres 3" iy Pinerrament from TENSEN 8CHOOL Of m:-;k Bt N.W. e 0 c