Evening Star Newspaper, March 28, 1926, Page 59

hg §unfiag %kxf !Automobilesl b \Slil NGTON, D. C, SUNDAY MORNING, MARCH 28, 1926 W. | ToNNRLLY &\ Wardman Rark R Theater o BLOOM SERLEY- Kerthe Comlng' Attractions. evening, the National Theater F ‘fiVltl special acts Gat{e‘hj Juiir T ers will be the feature at the National | papr g _wpne Million-Dollar H ~ Theater for Waghington's Spring and ANUEP GON e Summer stock season. cap. e On Easter Monday the troupe opens | The Earle Theater next week wil its second season in the Capital with | offer as fts photoplay atts he Alarm Cloc! a farce adapted | Million-Dollar Han l from the French by Avery Hopwood, | ney production fo which long served the talents of | tributing Corporation, starrin I Has Eyes on Drama. N. V. A. Week. Blanche Ring and Bruce McRae | Reynolds, dmund Burns Russian Revelations |1 any one hat a starsing position Curre nt Attractlons f AFRIL 4'macks the besinning. ot |, Tonerion 8 2880k DX O61ES, i | Lewia, Ward Crune and Tom Wi at_the age of 19 with a shew that National Vaudeville Artists’ week, | jjoiets for the opening attraction can STRAND—"K Producers . . i In Musxc Drama‘,\ the sensation of the world, he or | 7 g | e et annual celebration by More | be obtained and reservations made for | 4 valq bin is pr trand she ought to be happy. W Jd 4 BRSEsIOkVIGE OrEmIan | (e nédhorh Theater next weel nday Binn. Mirnon. Soter o Vecord- At the Theaters This eek. | thon- o i | “Practically the same company that | Tlgaler Bext we day. breaking musical comedy, “No, No.| | NATIONAL—"No, No, Nanette,” musical comedy. Opens tomorrow | | Puring this week, fr,nm Im,.«_l 10| played here last season will reappear | o o0t Tl 00 By Dhilander Jok Nanette,” is happy, but still she is| evetling, | eonsc, the Natigusl Vautesige Actute | mithe’ opmmingand snccesdiug attenc: | 2ot Gl sise o y Philander Johnson. not thoroughly contented, for Ona - will receive the support of the public | tjons, This past week, under direc-{ {Ee] NPATIOW as duvs The Servant in the House,” drama. Opens | | for the continuance of its sick and in- | jon of Clifford B! [ longs to shine in drama, just like all WARDMAN PARK »oke, they have been 1 o ‘he King of the Turf hing race full of grippi the sceen vou will thoroughbreds, sleek and event with a bill of features and surpri Ever) formance, from April 4 to April 11 . 2 | 0] ith (= A CONSPIRACY of silence seemed It is related that Pfosper Mer | in musical comedy. She hopes tomorrow evening. -*“;' m'"'g\mfliv_ = st | rehearsing in New York. Karly this ll\‘n“ “‘ ; i”:‘!‘u [.H to d the approach of the | mec. upon whose story of feminine | me day she may appear in a KEITH'S—Blossom Seeley, vaudeville. Opens this afternoon. YD D el Cus Thomtar mill oo week all will be here to continue their studies on Mr. Hopwood's br tricky opus. Hending the cast is Leneta Lane t and Uihe Moscow Art The- | treachery the familiar libretto of |play without music—at least much o The extrava-| “Carmen” was founded, tolerated |music, for she does believe it would delighted the | only after cynical protest the role of | P¢ difficult to forego melody and dance company irom_ ater Musical Stu E ARL Ruby Norton, vaudeville. Opens this afternoon. RAND- Miles From Broadway,” vaudeville. Opens this gance of print > _|althogether. afternoon. inclusive, will be replete with special | jth John Warner as leading man eve, stimu'ate <e of | r .\1_ ‘(ln 1|\Srm|\u(‘d in a manner | gpe’ Ghtained confidence from the s N N S " 2 stunts, aborate plans have been | gaiherine Givney returns as second llfbkll-.nnu appreciavon, but did not clucidate | which plainly implicd a perfunctory |turn. Peggy Wood took—from mus- GAY Wine, Woman and Song,” burlesque. Opens this after- made by Man Roland S. Robbins ad, having left the cast of “Captain | P '\\_v and they ‘ Sth <o on necdiul to distin- | regard for certain standardized rules [ical comedy to Shaw’s “Candida.” And noon. R SR T | Fary." starring Otis Skinner, fn Phila. | 2 this exciting struggle for suprem. . A t of e ConE c el - | so she longs and longs. | yrepa of ) onor of | gelphia. Tast § e Obeon 7l of . the screen curtain wil i Ehe Jgceat differuiice betesn 0. '“l'”'”",;l ekl ,“!',"lv‘ 8 Hionssfenaione. 3 g SoER A | the National Vaudeville Artists’ anni- | Sk e (rarlos Horpden. site Net | be raised, and there be very this demonstration of art and that jquired a vivid Sentimental reminder § . | NATIONAL—“No, No, Nanette. the headliner at the Earle Theater | versary VelsbATo) Stocid expeitevice. i Romiaine will be the livin with scarcely less colo sal, but entirely | of village sweethearting in the dear | M P o, No, Nanette,” H. H. Frazee's | this week, heginning this afternoon,| Friday night, April 9, will be | ‘eitiall StOCk €xpemonce: BOMEC | veal live jockeys, racing at full speed, unintelligible (savr to a Russian-|old home. This reminder is con- il e | sparkling musical comedy, will return | assisted at the piano by Clarence | known as “Klown night” and will be | pheitc und Dorothy fierney. | and the finish of the race will be re v speaking public). list of plays pre-| veyed in “Carmencita,” but conveyed Charleston” has been tried | to the National Theater tomorrow | Senna, Wwho wrote many of the exclt: | marked by a big midnight perform Newcomers are Adelaide Hil bluflv\“_“’”"“",‘_ completed hefore the screen sented previously the Moscow | softly and subtly, a memory from | g v back | NIEht for a week with Its brilliant | 8ive Songs in which she will be heard. | ance, beginning at 11:30 p.m. The en- | jo5¢ seen here in “The Potters,” and | CUrtain is again lowered for the finale i | afar. yet pervading the entire scene N TR Wi hiek | quartet of stars, Julia Sanderson, | The added attraction will be sup. | tire pilceeds from this berformance | uide from her distinction as an | Of the touching iove story thai is artists. f & anditor Fds horceltvellicon. | 2nd. for etc., but B. F. Kelth's |y, 1014 Brian, Frank Crumit and Ona | Plied by five gifted principals in # | will go to the National Vaudeville |\ acq, she s something of a social | WOVen into this colorful fabric of | i s ~{Theater announces it will present to | The entire company remains | miniature revue bearing the title of | Artists’ sick and insurance fund. e e . | drama and comedy tent to lose Micaela along with the | w e Munson. The ent| pan iy 2 elebrity, heing the widow of former | 973l It is regrettable that the necessity | 10t 10 lose 3 | Washington the first real serles of | AfCHE, o 16 8 O ece was pre. | “Willie's Reception,” with laughable | 5 & Manr ¥ Hibbasd o Boston, Mass, | The vaudeville program. no e persists of us term “art” al- | Stage hands. b | perfected Charleston lessoi BIx 40| A heta 1h (DaCeRiber | situations and enough music to keep | T F perey: wiiter. nephew of the distin. | teresting, will he headed by most e n the discus- : e d ."";I"“,\"':n'v@"'l‘el }"' ‘,;? f“’\'flnkfl" each | "0 Harbach and Frank Mandel | the foot tapping. Another tabloid re. | Wants to See His Play. | zuished critle, Willlam Winter, and | AllS in “A Nonsensical Hodzepodge,” sion of made to | It e d "‘; Interes g 10 O DT | e with e Hinday matines st $i6 | converted tnelatter's hirmorous farce; | Xue Wil be contribied by the Joy | JOHN VAN DRUTEN, :4-yearokd | David Munro. character man. are the s i tlimuens And lomake dov Sy i ¢ . singers on various Sund at 3:15 | . ; Filends’ fhto & rollickin r rs and Gloom in “Frivolties of | biemaii: i L ot iy sure of a week 1o he remembere kind oi per-| 12 CHILSH ssons 3 e My Lady Friends, & ; : s ; author of “Young Woodley,” finds | others. o b SO R OnaN IO S B Tl foys caton demon- | Mights. While it must be a great re- [P, Theqe les r:’\').n::;?.ur:"i:m:i k| musical comedy piot concerning the | 1926 a varied array of rapidfire |\, el Gn unusunl predicament. | As last year, each production will | there Will be “syncopation's Baverlt formor 4 duction Ceit] : N uotion: | troubles of a milllonaire Bible pub. | travesties and comic character skits Mr. Van Druten wants very much | be built in the loft studios backstage | o0~ With Joe ki orothy s worth, Cecil Grabam and ol “Dance Sensation of 19267 “I Celebrities,” artistic impressions of fa pretation of | ¢ the artist's seif sense of [ ieith's™ Theater. The instructions vs in nt com- | Self-appreciation to be disciplined | are given by Arthur Murray, and they nto the idea that the player is but |are produced by J. G. Bachmann. Others will include the Powell| ‘Troupe of five aerial gymnasts on the | high wire; Dale and Fuller, two fem. stration to classic drama ment the word “A lisher, Jimmie Smith, who is so dis turbed over the frugality of a cautious wife that he spends his surplus funds pance of his first brain. | of the National, with Charles Squires adly hindered by the | Scene designer and painter, in charge. | s, un. | Clifford Brooke, of course, will be in | to see a perfo child, but is defined 25 A Sincere Endeavor To Interpret | & €0g in the machinery, to be re- iy entertaining Iady friends who live in/ inine instrumentalists and ‘singers in | Simple fact that he is in “;'”', charge of all productions. | mous stage stars: Clff Nazarre Beautv In Intelligible Terms. The|Placed and relieved from time to Soci Lisail remote parts of the country. In| IMP8 in Satin,” and Charles Ahearn, f:}.“,{,’;,:’;{dq‘-‘;'.‘;,:,"d\v',fl: et e | “The "Alarm Clock” 1s fabricated | 8tar of many lway suce ty SR C 5 ime. serv s ociety 2 . e ln 2 0 A1 o ater, ) ;s 4 Cl i . ° Kepoubainist Sincerity is the inspiring force which | i€, s0 a3 t0 preserve his usciulness ae cagtr particular, there Is Beity from Boston, | *ccentric comedian, and his “Million- | [U% BEm, (CReAEN REC SONE 1S from the frivolities of broad farce. | the Herberts in “Fhrilling Comedy in the mechanism, it cannot be de Knows Beauty Winnie from Washington and Flora :’::“ fi::;"m:\da d‘;:”l;‘!:_rtzk.::’"h‘ kerm | ot e Tectuner i Tiw aF nied that the most satisfying artistic from Frisco. th University reach the semes- results have been made possible by | \fRS. LEO CLAYRURG, prominent | Vincent Youmans' composer, caught | , ohe Photoplay feature will be PTo|ter's end, but in the meantime it is | Theumatic voung bachelor, who s de. the standardization which only a na- | soclal leader of San, Francisco, | the spirit of the comedy in his musical | Sucers’ “Red Dice,” with Rod La |, .. e Inged with a flock of country relatives hery. | The story evelves the Iudicrous fate | Abery- | (hat befell a handsome and rich but | may casily be restrained or dis pated by an inadequacy of expres- sion. GAYETY—"Miss Tobasco.” * ok % : : : ; o No. NoTN s Rocque ax the star and Marguerite | ! s beds ¢ a Sena-| N ceel he Gayety Theater v i [ tion which trains to repressions, as | for her abflity to pick heautiful girls | 5core; and “No, No, Nanette” has been | R2CUI¢ 0% (N0 SOF SUd JalEUSEEE | 5 Van Druten has never seen | Simmoned to his bedside by a Sena e el e Smyety Thea(t: Tt has remained for the Moscow | Ryssia has done, could effect. Re- | for screen work, has heen offered a N:"edamelod“ MRy St apreats .}1‘“" dramatic romance of the underworld. | (lenn Hunter in person. and Glenn | 500 \Lcy (0 NdwVork takes the | “Miss Tobasco,” for her annual en: Art Players to go a step in dramatic | calling the cast on Monday night, | Position in the Paramount casting of. | Piness through cheer, its oustanding plays the title role in the famous play. [ JACEOF & BRI REte, O it what it | gagement. The latest edition of this elabotation beyond grand opera it- | \hose foreign names, instead of pro- | fice any time she cared to enter that | SOh% being ‘& want to He Happs. STRAND—"Flfty Miles From |} has, however, met him through | joeg to the ailing victim of their con- |attraction has 19 colorful stage set- . arth than the | vid; A (RMES e field. ‘The compliment came during| Added to Miss Sanderson, Mr. Brian, Broadwa, | the great international medium, the ik s . ! % eelf; going farther even than viding an identification, serve rather d Mr. Ci Miss M bri Yy | dolences had best be left to the play- | tings, with 14 changes of modish cos G e drama 2 z [ the filming of the race scenes for |and Mr. Crumit, Miss Munson brings | ... Ny " g |Mmovies. For one day, after his play | | 4 a s e L Wagnerian heights of music drama. | 1o heighten th ) el H : ty Miles From Broadway,” a Lok Lo T tumes and a_supporting cast_includ Wag I P 13:| to heighten the concealment of of The Raiiniaker. the charm of vouthful vivacity, and | .t S o O vus ‘pre. | had been produced in New York with s i Steve Mills: Bills “taitaae" Mack in the revelation of truths in "f stage personality, may be taken as| Mrs. Clavhurg, who was active in | Virginia O'Brien, Jack McCauley, Eva | INRISIUTe musical tomedy revue Ire| nie Hunter in_the leading role of KEITH'S—Eddie Dowling. INew Duiny, Aigy Mecutn, Hosie eternal play of human emotions with | typical for the entire engagement.|the- community chest drive in San ;"" V’;"""'\"‘i‘-‘" Yates, J'“h"" HOr-| 111 at thé Strand Theater this week, | YOUng Roger Woodley. he learned | o ijonal Vaudevills Association | Desmond, Mahie Spencer and Dorothy vivid poetic b:a\l!.\; ] :ta‘gh cha}x:lactcr psiain o i e Franciaco, furnished Dirsctor Eadger | toh and B Ll ";{;‘1?9."1;:; with today’s matinee. Head. | that “Merton of the Moviee® wae 10 be | week bill at B. F'. Keith's Theater will | Alexander. with particular attention * ation. Here was a Carmen, ani- @ g ; A gl |ing_the cast of 11 plavers are Harry | Siven 3 - | be topped by Eddie Dowling, with Ton: | directed to the chorus of 18 pretty | o ita and the Soldier” is|mated. intense, bereft of all the |Sphere” in the form of scores of so-|last week of the National's regular|p yqieon, Reg B. Merville and Olga | \Whereupon he obtained leave of ab-|pown'and his famous band featured. ! girls. | armencita and § | mincing smirk of boulevard co- |Cioty Sirls to act as extras. The re.|season. Woods. The number is sald to be | Sence from his professional chair and imedtneg L s i selected for tour. no doubt, as the g i ' muneration they recelved went to| elaborately staged and beautifully | Tushed down to see the movie. typical feature of the repertoire. It|quetry. Her graces were physical| charity. WABISAN Ra Novenat 1 W | intied. | ; s Tl T L S B | ix intensely tragic and calls for every | Her temperament was a threat with-| “For a special close-up three of the House. Morgan Kiley, Washington's own | @uthor—shackled abroad, never hav phase of theatric proficiency in ifs|out cajole. = Alluring as her garb|prettiest and wealthiest debutantes on | The closing of the Lenten season | yiolinist, will be featured, offering a | N8 met producer of, or actors in, hix n c O 1 5 interpretation, save one. g might be, it showed nothing of the | the Pacific Coast, Claudine Spreckles, | will bring to Wardman Park variety of old-time melodies; and other | firSt play, which has proved a hit ot . It dis ses with that too-often |costume influence of an old-time | Alice Moffett and GraceCryal, volun-| ““The Servant in the House.” a re-|numbers will include Carson and Wil- | the obstrutie ufinence, the . scene | Parisian fashion model. A biography | teered. ligious drama by Charles Rann Ken- | lard, in n comedy skit, “Meet the Do | - . - GYLVIA FIELD will be in the cast |arian actress and forme e = i 5 of Calve, in crediting her with the — | nedy, presented by the Thomas Her- | {or"'; Wayne Beeman and Alma Grace e S s o ST OCL S, NI UOFINENIP - WARE. O Shl'l»‘,m t representing the cigar- | rank she so long heldgas the world’ EaT e e = ~= | bert Stock Company. One of the few | in a roller-skating number, “You'll Be Brady Revives 1 of “A Stranger in the House|lerenc »\l;x’:mln';‘\nll‘ pluhv ancing s ¢ 5 e Do - 3 o i S 5 . : anal " " . > | Mo 5 tda pest e play, now ctee Factory s buit on & far-reach. | greatest Carmen, ventured the opin- | Atistophanies, was put on latein the | SIS, Samap BoOSSe, 5, MOReh | Surprised.” with comet: sone. and Two Orphans | soon (o be produced in New York 13 |y toes: renebtis pacsed e e mon: v is : B el SHords acility e i 2 s ¥, | dance: the Ja Da Trio in a song and e 1 Sevtormiiice 18 ing scale of perspective, with many |10 ‘I:fl‘ her P;rformznc? gf the role | ot of the company's resonrces on | Which was first produced at the begin: | comedy number entitled, “Three ILLIAM A. BRADY, Jr., is re- | Henry Miller. jamediiEpertoimiance i Ambseicn. balconies and galleries that provide, | WOU e E BN g S OL I BT Grecian.classicism. The vlay | BI08.0f the twentieth century, with|sailors and a Piano,” and Johnnle hearsing an allstar revival of | [aura Hope Crews is featured I Martor el K ¢ equaled. We are-in the era of sev- |} ; . Play |the now famous Walter Hampden in g “THe TWolQrDHane:" i / A g Marjorie Rambean has given up for the purposes of chorus grouping 4 o z 5 Francis and Rene Wilson in an acro- [ “The Two Orpha to be presented | (he production of “Pomeroy's Past Bl by s d ) dramatic action, not | ¢ral shattering traditions. is so simple and direct in its form | the title role, caused quite a bit of | batic dance number, “Acromedian.” | in New York April 5. the script for | hv Baothe. cleraon and Tyves, and | Yo York for the season and turned S e pen tor Mmmaltic achibn, E0) s Tus of narrative that it exemplifics how | comment during its highly successful | Dolores Costello is the heroine of a | which is the one used by Kate Claxton | meer Traes o the star 2 to California, where she will play merely one, hul.a <‘rnc< of <.n§’{1t~. i i Don] std i M e preferable a simple clarity of pur- | runs throughout this country and|melodrama of the American Navy in |for the original production at the | 3 star. xh(.‘lf\ud:.\n‘(he Los Angel s ['nvk each with a touch of separate influ-} ' "his Don Jose s no languishing | pose is to elahoration of complicated [abroad. the Orient, “Bride of the Storm.’|Union Square Theater in 1574, and | “The Romantic Young Lady.” by |Sqipany revivals of “Antonia ence in_completing a marvelous pic- ,g dp e nitorn S Y | detail in creating a powerful impres- | Parker Fennelly will have the part | which will be the screen attraction. | during her many revivals of the piece. | G. Martinez Sierra, translated by i b tare. It is this magnificent grasp |beauty and faint in moral resistance, | Gion "It tells of Spartan women who | 0f Manson, the Christlike figure of | " The usual short films and orchestral | The present cast, it is said, was sur. | Helen and Harley Granville Barker,| ;. o 7 o0 of detail, not merely in scenic ar- hmha raw country boy, at first fillc:} "Y"]sed husbands from homes, re- ::e pl?y. ‘R:thuflmt';‘ist’{\y1 will en: ;!t numbers will complete the program. | prised to find how modern the script | was placed jn rehearsal last week bY |, ipio” 40 Charles Grapewin have costuming. light- | with the customary sentimental| ..if: % : ] e role of Auntle, the Vicar's wife. £ - , | really is. There are no asides and no | the Neighhorhood Playhouse. gt oy st s Mg rangement. but in costuming, Nghte | Bt 0 rental traiming and sud. | cAlling them only on condition that | Mister Robert Smith, a gentleman of | GAYETY—“Wine Woman and Song.” | unnatural, stilted speeches and the s T SHy I S I I e ing, group composition, orchestral 3 g they cease trafficking in v 1 . 4 = g . o < i r 4 Ruth Ray-|are planning to inaugurate a new d denly swept off his feet by i g g, treaties | necessary occupation will be played | = This week’'s attraction at the Gay- piece is characterized by constant | Katherine Brook an ut a “ 3 Stcemsphiiment, singiag and scting | ESEE SEEEE S hing so terrific | ind unceremoniously bring war to a | by Robert Clear. Ruth Russell, Leona | oty Theater will he “Wine, Woman |action. ? [mond have heen added to the cast of | career this Spring with a musical that makes -this performance one “hv" m‘nyg passion, a thing so terrific| cloce. The theme, although i a | Roberts, Arthur Rhodes and Ranald | anq Song.” produced by Lewls Tal R s | “Gentlemen Prefer Blondes,” by Edgar | $how. with a book by themsely which establishes a new standard in | that his \uhldest fln_!lazmal'q’r’tl,lwl comic vein of incident, is quite sim- | Savery will complete the cat. Kot--ofie of tHe mosE atirkcticd showe “Mies B o Mill o | Selwyn, TN e demam g R 2 never reames of 1btlities, | 2 - V! = oLk - B music drama and’lra\lrls it m] lr‘v( el G al:‘?j“m"a‘ % |ilar to that which was exploited by KEITH'S—Blossom Seeley. on the Columbia Circuit in costume 188 Drewster s Millions. “The Radio Murder.” by Dana_ A.|stopping place for “That's Too Bad.” \ guessed whether the old school of | PS€ | Nazimova with tragical intensity in Blossom Seeley, “The Girl Who nn'lr! scenic r;’ulnm;'rf: i --M[S- BREWSTER'S MILLION Rush, was tried out in Hoboken last 4 new comedy by Albert Cowles and s 3 ¢ 'wo comedians arry (Shuffle -0 & opera, with a single star singer (two, merely in response to the conver-| e on at best) as the chief artistic reliance, | tional wiles of the charming and ac- | Bride vaudeville play, “War | giortes Syncopation.” will top the | ver and nete Sush which brings Bebe Daniels fo|Week in preparation for a Néw York | William Biatt, which will open there ; iy Trepresent two Even early Greece had her [ pill at B. F. Keith's Theater this |yt af'lqane of foolery. Tevan. who | the local screen tod | enga | April 12 . | v, Is a picture | engagement. | Aprit 12, has not been superseded. complished flirt, but hurls himself | cxperiences with people who desired | week. assisted by Benny Fields, de- : M0 | which utilizes no more of George Barr | . | Ay Nk with desperate indifference to conse- | {5 sing “I Did Not Raise My Boy | lineafor of coon songs, and others, in- m‘.’fh,;""ffd,'.s’kf,'(',‘:,,r:"::,(,2',,‘“,,:""3; McCutcheon’s “Brewster's Millions® .,v.‘ti"‘;..iat‘.’,“gi;“:,"a Tor orbareianal e e The familiar Bizet music is utilized, l‘l‘ "‘,‘]' i."km l‘."' 'I"_ e of a ,“‘°'f“;; to Be a Soldie: cluding Charles Bourne and Phil EIIS. | gonery feet to his equipment of dia- ;t\:‘n"?ldnrllu K_\\"fmsi(l\.n'.‘l ]:!'::r:lr?. “The | sullivan's “Iolanthe,” soon to be re- d e Yu\:}“l"\u;-*m‘:‘}h\‘;'r“““: S but not in the familiar pattern of the | Rtmble hike himseli in position an A % Featured will be James J. Corbett, | jct, and Busby is a biack-face, who | Lrpfmed Lot ot “iilizes Shakesbeare s | yived in New York by Winthrop Ames. | Teo Carrillo in a new play next sea- iatellectuality, capable of a passion By w,"” though way of abrupt contrast be- |9ne time heavyweight champion of the | gt " 1q patters his way. Parisian libretto, which provides every now and then an aria to re- |35 intense as his own, but not (pos- | yween Moscow and the American | VOrld: and Bobby Barry in a sketch | “Hejen Kennedy, who combines so-| ¢4 I:iv;n(h :tr[lu,;:r,\ l,n;]wh alive, | Hallel b 1 Ihtl‘lmxxi S 3 I D | Sibvibecatise Jobihis inExbeiscncEbin sy e . )| called’ “Taking the Alr,” described as | JiaiiiE weith. the mrtiot violim |8 s copyrights, " while Mitchell and Bertram Bloch, opens in f i e lieve the stretches of recitative. The | 8P1Y g P metropolis, “A Great Little Guy’ ri fchiof wit and rt prano vocallsm of violin | (haqre is one with Nineveh and ' Hartford, April 1 R& comBEnT ethe ) France it Is reported tha 2 2. XDressi iie) so enduring. An here was the 4 laying is e prima donna. ottie - - ? | Meller will receive 2.500,000 scenes and the musical expression |! during. And I h a sparring match of wit and repartee. | ;1 ying s th i 1 Dot P was played, with Joe Laurie, jr., as| Others are Charles Withers, come- Pikcad il beens dounretting - with if his copyrights ever existed. braces June Walker, Charles Bickford, Felix Krebs, Hilda V from an American film com- amous-Players, | toreador, lithe, handsome, but no ughn, Malcolm the star. It has an interesting story, are blended, co-ordinated and pre- in a new act called ~Withers | Darcs, has been | ong”’ for several [pany, presumably sented with a sense of contrast and | Picture card dandy. H*k‘!'d not swWag- | good acting. Its points of interest * a travesty on old-time Va- | _oasons ‘and Pearl Smith and Alma |cabinets resulting from the Duncan, Augustus Yorke and Allen | PATY. DResumably oo e eon: b proportion which gives the effect of | 8€r Or strut as one seeking conquest, |abruptly obtrude themselves and are ddie Allen and Dorls Canfleld 1 e M el g el ittt Jenkins. L e & e e y fi | but d h 1f liks “Liliom, i jedy o g Montague, ing 3 y on Miminterrupted journey through |but carried himself like a “Liliom,” | not smoothly welded together either y turn entitled “Gimme’ the | peat\\ 50 ine Show. The lectures are given in the Ma-| The O'Neill, MacGowan and Jones [300,000 francs more than she receives group announces Alice Brady I |for similar services in Europe. no- emotional realms where storm and | contemptuous of the world about |in the writing or in the method of | Makin's”; Tom Bryan and Lillan| “other principals include Arthur | sonic_temple, Thirteenth “Bride of the Lamb" tomorrow night | rita Meller, it is said, has reserved the Garkness have their beauties as well | him, a hero of the mob, incapable | presentation. But it is one of those | Fairchild with Lynn Burno in & novel | pyinam, George Kinnear, Edgar Rand | New York avenue at 10: i PR of yielding himself to any emotion, | stories of li dance routine called “Biliboard Steps”; | ;nq Willlam DeGray, and 20 girls are o — s at the Greenwich Village Theater, |right to select her own scenario. :’.‘.T’Iossom'"" wxdens along Sttiel e or oA Thie characters |;|?:]:u»hipllc'.-(‘:ura;l‘?egh&f&‘;lcep;\;}.‘f Jack Merlin, renowned prestidigitator, | presented under the general intro: |MISS HAWKES" DANCING FETE. | New York. The play AW Lo B e Ll S % * ok ok ok were human types, represented with- | pjary circumstances leave available, oftering “ust-a Lot o Tavghs': s duction as ‘“‘chorines. '_tu;e V;i:‘lild:er;: Eadgterl{)nnmleg 5."' Hurlburt. “Happy Go Lucky."” opened in Chicago The libretto as well as the music | Out recourse to the artifice which |who aspire impractically and who{ Kremolina and Darras Brothers, ath-| JANET RICHARDS TOMORROW. | §iivie. il be mresonted for the heiet | There is a rumor In New York that |last week. It is “The Sport of Kinge has been rearranged. and much as|has sought to throw about them in | take chances which, as a rule, only | letes from Turope, In gymnastic| ‘Misg Janet Richards will give her | fit of the Girl Scouts' Association of | Bugene O'Neill's “The Straw” s to be |and has in the lead O. P. Hegsl the suggestion of departure from our | One way or another the glamour of | the- intervention of the benevolent | thrills, and Bordner and Boyer, come- | cocular Monday morning talk tomor- | the District of Columbia, at the Be.|revived this Spring. “The Straw w e Sty 2 ’ e. i« e T i 5 3 , % L u 23 b ' cuecess in | telligent, well plotted and funny i traditions was at first re-|a wholly improbable refinement of |playwright could prevent froin bring- | dv acrobats, in comedy stunts. | Tow on “Public Questions, Home and | lasco Theater, Friday afternoon, | Produced without marked success in | teli f:::‘«l‘rfir&t must be acknowledged that | expression. The refinement of the [ing disastrous consequences - which | . The usual house features, AesoD's!ioreign.” Among. the subjects dis- | April 8, at 2:15 o'clock sharp, = | 1922, with Margalo ilmore " playing | farce. L y the result is an improvement. This|Wwork lay in its successful presenta- would be deeply. pathetic if .they | Eates Jopito 06 the, PRV SO0 (00 | cussed, she will present the pros.and| This vear the feature of the festival. | tlie lead. i | London musical comedy notes indi- . of ;i tte girl. soldier and | tlon of certain plain, unvarnished | were not so commonplace. Mr. | p e = ) P cons of the sharp conflict over the |which is an annual event of interest | " (iq Belasco will start rehearsals | cate that “Sunny” will be produced S ; raths ¢ i imitive thought e iehly i Se | Volstead act; will revision mean nul- [always, is to be a fairy play written 3 will start rehearsals | o, ext season with Jack Buchanon toreador has ringing through it from | traths cancelping preni e thought | Lauric is a highly attractive plaver, lification, and How (o repeal a Con. |by Mrs. E. Goring Bliss and entitied | Ahn! o of the play in which e Wi | teatured in the role: played in New beginning to end the deep tonic note | and undisciplined impulse. {and “A Great Little Guy” is a kind EARLE—Ruby Norton. stitutional amendment. She will re:|“Once Upbn s Time.” :t‘?',h"r annle Brice, Ita - title s B D ot New of human sincerity, upon which is| i of play for which New York has| Ruby Nerton, American songstress, [ view also the world’s work for the| Boxes and seats may be secured Shat i . | “No, No, Nanette” has completed a built a splendid harmony of action,| By way of demonstrating versa- _frequently. shown a. most en- | with personality, poise and pep, back | past week, giving some of the re-|from Misx Hawke, 1781 Q stree, From the Edgar Selwyn office comes | full vear at the Palace Theater and picture and se® tility, “Lysistrata,” a comedy by 'thusiastic appreciation. from her tour of the world, will be actions in the principal European North $0i5. word that Sari Fedak, noted Hun- continues prosperous. ' ’ X r 5