Evening Star Newspaper, January 17, 1926, Page 69

Theaters hg %unfiag | %mf t Automobil;es Part 3—12 Pages WASHINGTON, D. C., SUNDAY MORNING, JANUARY 17, 1926 PARKER_- &~ ' TENNTLLY - Wardman Park_ it OHN [RVING FISHER Theater 4 HereN CHANDLER ~ National L1 : Strand ' EHZABHHI BRICE . Farle Good Acting in Extraordinary L Current Attractions | i ™ Coming Attractions Abund ancgt : : At the Theaters This Week i LAURENCE NATIONAL_George M. Cohan in | -n.m»:o o NATIONAL —“The Wisdom Taoth,” new comedy. Opens tomorrow Mutual TAmienican Poen: [l e : " svening | An announcement that should be By Philander ]o}mson. u CveRIng ) 5 of general interest s found in the un. | Vith Harry Kiiby BELASCO—Houdini, the magician. Opens tomorrow evening | SEASONIGather mon-productive |ithislcharacterizatior ly upon o hext ek, heginning Mondsg. e | henaed by Viols. A SEASON rather nov- rization securely up POLI'S—"The Big Parade,” motion picture. Shown tomorrow eve- N : | § : b ew Standard of Beauty. !arv 25, when George M. Cohan winl | cludes Naney Martin next week, beginning Monday, Janu. | headed by Viola Ca in play material has made pos- | its normal level of prominence, must = ning. <ihle a reversion to something like | be credited with one of the most | ARYL NORMAN e 2 Lt | . " s ; present himself and a brilliant sup- | #0d & chorus of 18 preity girls the old stock company, when players | noteworthy achievements of her ca- W »“:5’1":: PARK—"The Handy Man,” comedy. Opens tomorrow ir:f‘rfi::)?:m‘r:n:r}v b::‘a"?u:l: | porting company in the newest l‘o‘hnnl fmace e 1 feal mumbers. 11 incti e ’ | & I( F | e scus 0! v spe- | farcical conceit, entitled ‘“‘American |Cc0l0 stage settings and m: of \distinction werc! awailable ‘forjirest. 1t 15 an assemblageioticputa elthg KEITH'S—K N, h cial based on the Atlantic City & Born,” the product from the gifted [ Changes of costumes. Dur = a Tinor roles and the technical term | tions fortified by ability—Margaret 1 aryl Norman—the Lockfords, vaudeville. Opens this | || iceant of 1925 and featuring pen f this genfus of the theater. . |tion a number of vaudevil Tt “ctar” had to be earned by extraor- | Lawrence, Bruce McRae, Geoffrey afternoon g pagzant golise andhies ycine) e ljonion (hia weniisiof disiihesterd | IOS Eumbeoion vaidevinic e dinary merit combined with a fair | Kerr. Frederick Waller. Any one of FEARLE—FElizabeth Brice—“Music Weavers,” vaudeville. Opens this {the A‘lantie City bathing beauties, is|popular of American authoractors | = share of good fortune. The all-star | the names would be considered in an aiterno heralded as a sumptuously produced and the infrequency of his profes.| ~ MUTUAL—“Round the Tow taet im Shich that distinguished | ordinary “star” production quite suf- ST AND M sies Resus: vaudesiile. (G e comedy-roma built_around the | Nional appearances in Washington | Nexi week. comume e Wachingtonian, George C. Tyler. de- | ficient to monopolize two-thirds of Created Famous Roles. et ”: S e S P “: this afternoon quest of a group of artisis after the lends the importance of an event o |the Mutual Theator wil iy Tiehts to specialize, is closcly related | the space available for big type MALCOLAL WILLLANS, & sturas Sl v ol ey il V”( this afternoo: modern American prototype of the | his forthcoming engagement. the Tawn™” one of the fig SHER N e * . A ~—Red Hot,” burlesque. rens this afternoo; B sl CaeTy e tions of the Mutual circ L k company in securing al £ an i 5 veteran of the palmy days in the sl il ol el "1 "-1 rnoon The color scenes. done in techni KEITH'S—0lga Petrova. phbe cral proficiency in casting 3 nother impressive assemblage of 4 arican theater, has an important e arles S. Gilpin, also “In Dahomey.” Opens calor_for this production. are said Olza- Petrova herself will top the | WASHINGTON AUDITORIUM— a dearth of star-sup ing_plays ' names is offered in the motion pic- rale in “The Wisdom Tooth.” Marc tomorrow cvening establish a new photographic stand: Bill at B. F. Keith’s Theater next ‘Samson and Delilah.” could account for the possibility of |tures. Leon Errol. already a favorite Connelly's new fantastic comedy e e s L B folNRty week, when America’s premiere bal- | Fhe dramat T ascembling such a company as now | in musical entertainment. sets an| After an apprenticeship with the | NATION = FReE s | = erina. Harriet Hocto 1l be fo od Delflah i Shsoman suc " : 3 ~—*“The Wisdom Tooth. < e ~ wi featured and Del appears in “Close Quarters | absolutely new pace for himself as a | Spooner comedy company Williams A AT i ‘0oth. ; eith appearance In a serfes of un- i with William Holbrook in “Dancing as : Tan 1 b e made his first great success as lead Fantasy and subtle humor provide | usual dances, with the Paul Tisen With 1 fine voice adys Vaugha Usual,” assisted by Jean La Farge e | comedian in films with such dis- | made his first great success as 1ad; tne high lights in “The Wisdom |Orchestra, labeled “Dances and Mu- the prima donna; Lola Pullman, g S = = will be the by the The motion picture also has an as- | tinguished company as James Renny, | N8 Juvenile Ih “War of Wealth” | Tooth.” the new Marc Connelly com- fsic.” ex-Ziegfeld “Follles” ingenue, and EARLE—Vaudeville and Pictures. | w.2chington Oper s at the semblage of shining lights _in | George Marion. Frank Lawler, Tully | BTo0uced by the lafe Jacob LI fedy to be presented at the National | Others include Chic York and Rose |dred Steele. just over from France for | ¥ - | Wasnington Audito u the “Cl Make the Pirate.” calculat- | Marshall, Dorothy Gish, Edna Mur- s passed to the manage- mheater this week preliminary to its|King. who have risen swiftly with & dancing interlude. with 18 “lookers In addition to its vaudeville pro- | supervision othes Make the Pirate” cal Marshall. Dorothy Gish, Edna Mur- | ment of David Belasco and in the role | Xow York opening. by John Golden. s | theis novel and gemulne humor. i |in the ensemble. Manager Iadotie |5t the Earle Theater next week |eral director ed to make the average single-star | ray a':u Vi s i. For the sales-| of the siar's brother he lent vigorous | G2teq by Winchell Smith. Up to this | “The Old Family Tin Type : vaude. |#nnounces a midnite e S | will offer as its screen attraction First 5 production look like a rather lightly "m‘ru hip of this h]hn it ;houlfl ha‘:dl) ;;muur! to Mrs. Lesite Carter in “The | {jma Mr, Connelly has shared his| ville's little huffoon, Sylvia Clark. fn 1130 pm “'| National's production. “The Pace That | It will ng to equipped enterprise. he necessary to do more than show | Heart of Maryland laurels of authorship with George S. | “Kavortings U'neek.” written for her = Thrills.” starring Ben Lyon. support. | outstanding actors among grand ope . the catalogue. It is, however, a reve-| As Larogue. the dissolute adven- | fatrman, and -Beggar on Hores by Hlarry Delf and Bobbie Ruhn: e MUTUAT—“Red Hot. #d by & cast that includes some of the | stars in Mme s Homer nost famous daredevils of the n Asniesican q : ina b opera, “San lah,” which lation of cleverness in all its phases om story making to mechanical : R “3 he further strengihened his grip o detas A Nirlaiad oF fantaske BEID on and Connelly ave well known to the Kuma. a Japanese wonder worker, Mutual Theater this we : . reflects rare credit upon some con- Flovence Reed, in e Mirage ptrospection i said to color the | novel dance offering called “Rhythm™: Vivian Lawrence, Babe Luwrence and Brava and companyv. in a Spanish | Laritone, who has leader structive and supervising mind that A touch of ‘sentiment is added to new play, but 1ts uppeal is (o0 the emo- Foster and “Peggy.” a remarkable dog, | Ed. Gritin, Jack Staih, George Col. JnEIng und dancing vevue entitled oratorio work, will pa remains, in extraordinary modesty, Mr. Williams' presence in the cast tions rather than to the eve. It Is|\ith “Pals,” and the screen features, lins, Bert Lestor and a selected sing. ~Spanish Pollles” The added teature the high priest, and i of the Connelly comedy by fact | the story of a tvpieal New York clerk yesop Fables. Toplics of the Day and and dancing chorus of pretiy girls | Wil be Julian Hall and Kathleen Tittmann, Washir that it brings him into intimate asso- who. faced with the chiolce of efther | ihe Pathe News. Sktitnediin il latext wnodes Red” Dexter, in « comedy SKit en- ing s, the old He tucer {n (Madame X.tand as 3. E, | bacic Merton of the Movies” and | Briants In a pantomime called “The “Red Hot” is the title sttraction orter in “The Master of the louse Duicy™ written by Messes. Kanfman | Dream of a Moving Mar K. T. which Frank Harcourt offers ut the N e, one of 3 nop: A very goud old Demi Monde. Dumias vounger basis of the production vhich came into being rapidly. al- most spontaneously, as in the casc of so many Tyler und kings. The material was available and the ques tion, “Why not?” a favored motto of this adventurous. yet calculating. MEsa manager. More and more the the- ciation with Winchell Smith after a | confesaing that ha has hecome a night frolic will be given Fri e e e e AN titled “What's S'Matter.” Others will \Limelech ater has concerned itself with actors : I g lapse of many years. e appeared |bon copy of millions of other cle 3 : include Phil Davis = _;M \.\; o \M:‘ el th acios v ny years. 1le appeared | bon copy of million ther cler FARLE—Elizabeth Brice—"Mnsle | 92 with many added features, include Phil Davis in_a blackfa An_ extensive ballet has ext week the Strand Theater will the 1 atfer o pleasing bilL headed Lola | Fred Patton, unidentified strument <o habitual to the films, comedienne, starred of late in which suggests an effort to reform the “Greenwich Viliage Follies” and Alfred Launt and Lynn Fontaine who have been plaving the leads in arms and the Man” for the Ney York Theater Guild, are forced 1o Vithdraw @ week hence for the open ing of The Gout Song in which they have the leads. The Shaw play has heen drawing large houses and e guild will continue it with Tom pwers and Katherine Lawrence cis. may_find it impossible to reduce in “Polly of the Circus,” one of the or of making a desperate effort to he g day Sany 20 t aeuas Sl Dain N s blackiace | AT exiund s A < havein eome insiances, en- | Synchronization to the infinitesimal ' first of Mr. Smith's successes, written |an individual and thus hang onto his| Weavers. e Rerumence SEAINE At d T e lan o sl A ST Gl 1 | gotoa forthisoners: nd Ao Y oty for themeclves | POint of accuracy that will make:the in collaboration with Margaret Mayo, [own self respect and the love of hix| Fiizabeth Brice. popular singine | HOWARD—Charles §. G pin and “In “Society Athlet Al S A the billboard methods upon |Us¢ of the human voice possible. The Wisdom Tooth” is being staged | SWeetheart, and who chooses the latter | comedienne, will headline the hill at Dahomey. The photoplay wiil be a story of col e e same billhoard n is up Neither has ane way bLeen tound of | under Mr. Smith's direction course. How he looks into his own | the Farle Theater this week. hegin The Howard Theater this week has | 1eRe life entitled, “The Plastic Age A uiluchithelias i denend fhut Wlie eSO R e o n . Iind and takes santimental journey | ning this afternoon. Mise Brice seored | o001 ot TR WS XK IOE reaturing Clara Bow and - Domaid performance. men who produce the real material | (ombining music with scencs whi : back to his own hovhaod to gather friumphs in vaudeville, musical Sem 1 Wachingion the distinguished Keith. Seats mae be abtatnedsatithe are not, as a rule, ostentatiously con- | NO¥ (ERCIAE, TEven WASH. 20 SHES Sylvia Clark. sirength forms the hasis of the fan.| comedy and revie and in the ArmY .ajered ncior Charles & Gilpn n 8 2 Vs lan Piana Co rteanth and Eemnedl with their own pictiresque. |2 Hivthm o5 that olunacchinglioin i BT emembered that the “Bag. | C0PE durine the war. Her s e s e AYETY—"Rest Show in Town streets, and at Woedward & Loth ness. A tendency to self-cffacement is established, the musical in YLVIA CLARK. diminutive singing |_ It Will e remembered that the “Bes- | are written for her. She is a Mule." in eonjunction with the mu.| Next week's attraction at the Gavety | rop's inguiched such writers as gar’’ was a kaleidescope of color. Tts|h: Frank Kessler's “Music Weavers,” gcaj hit, ““In Dahome o actt R s e e best fun came from a fantastic exag- | fnstrumentalists of & distinetly differ- | inq. 10 sconas, aitn a cast of 45 pen Raoth Tarkington, and the Plan whe the steam piano of cirens days, usu- | other hig legitimate revues, but now |macation’ of lconventionall ircldents ientand dellghtinlisoct: ple. featuring Georgette Harvey's = i nglon; 5 ally subsies temporarily into mute | 90ing the Keith-Albee vaudeville cir o 52 and the night-{ An_ added attraction will be “The|famous “Runnin’ Wild" quartet modernized “Close Quarters,” A. T b porarily Sit. has Boa % - | mare courtroom which were devel-| Broadway Whirl,” a song and dance i n e O l t e e deftneee with which |subordination. An advantage the|Cuit has had a theatrical BIStory |oped in the delirium of the YOung |revue that reflects the apirit of Timen| "0 nEGICS of harmony 2 fonches of smart modernity arc|films enjoy over the speaking stage| “'gye T 0 PONC L o musicion who was being pursued by | Square, with a gifted band of singers, Janet Richards—Tomorrow. : e ve is the opportunity for close study of | palestine w New York from |the rich man's daughter. : a - given to a theme which served the P 3 c N Palestine when she was about 6, and | ~The Wisdom Tooth: is said to he | I%5cers and comedians, Mise Janet Richards tomorrow at | yaparu W, 3 turn of many an emotional actress facial play. Mr. Errol was regarded | is, by the way, the only Palestinfan |no less a dramatic 'm“"y‘ 17 '], Other offerings will include the - regular morning talk on public |[JUPMUND BREESE will succeed | now running in New Yeork. has com s admirable rather as an acrobat—a “glorified” | playing the circutt. New York thea- | acted by a large and carefully selected | Lo Casting Stars.” a quartet of stions, home and forelgn, will give |, yorman Trevor in the cast of | pleted the book and Ivrics of ah ; oo ox \crobat, it is true, but still an acro- | ters entranced her. and pavental in- |company In elght scenes, severul of | fat-working gymnasts, in ‘A Sensa . general survey of the most Impor- e R N e T S calicd The story of the woman with a|bat —as he appeared in musical com- | #stence that she cupiure a diploma | which are of locale new to the stage tonal Aerial Novelty": Bill Utah. a|tant developments in Congress dur- ONCTHOR e be s pwho e oy o e ey time | cdy. It remained for the flms to fTOm both Krammar wnd high schools An elaborate scenie environment and e the “kreat enen ing the past weeli. Looking over the | The English production rights to B ver Tife and sent to despair be-|present him as a typical artist in fun ;'!‘:“[‘ e h‘r‘ i) nlw..«n..g ighting fnnovations wdd charm and L e G PIEgE hortzon ~<l‘nl~‘\un review the | “Songs of the Flame" have been pur T 5 | X ne away from school in theatri- | color to the play's whimsical moy 5| Breeze'; G armen and Guth, €x- | many serious situations confronting | chased by Lee Ephriam, London ma Cinse of the inesorable social bar- |makimng, as irresistible in his Way &5 | il “peanut heavenss o o e Taciudes | Mary Philips, | VI instrumentalists, and & clever | the varions cabinets, inchuding el mae s o anyLond o rier, might seem in this sophisticated | any of the comic opera comed Vaudeville sponsored her first ef- | Thomas Mitehell, Malcolm Willlame, | 8171 i1 “A [appy Combination of Mu- | ever-enlarging scope of the counter- { era s ely comprehensible in its | who amused us with the anxieties | forts, and then Raymond Hitehcock Lelen Chandler, rk Sullivan, Rich:| 3¢ and R Jimmy Rowland and feit plot as revealed by the week's dis- Arthur “Bugs” Baer will begin & Jathos. It is scarcely possible to disclosed by a glance or 4 gesture as| gave her a role in “Hitchy Koo~ ard Carlyle, Jefrers Lloyd, Kate -1”"""‘ Meehan. comedians, in “Hold- | closures, Premier Briand's new fight | viaudsville engagement in Cleveland turn a dozen pages of print without | they found themselves in some pre- . Which nroved her making. Follow- Mavhew, Ellenor Kennedy, .\l-dglam.—\fl“gf .l » th»r Green.” and the custom- | as the French Chamber meets, the [ next week ‘Bugs” is reported to finding some imation that thelposterous predicament. Chaplin him ing her “llitchy Koo” engagement | Barr, Lenora Phillips, William Foran, ’,” "'"»;“ 'fll'xffls i ,_ | rubber situation to date and ather | have loaded up with some of his best ¥ & b %y has{self could scarcely have utilized|there Were successes in other legiti- | Royal C. Stout, Robert Lawler, Wil'| The photoplay will he Paramount’s | high lights in the world's work stuff for the event conservative scheme of society ha E 3 mate reviies and occastonal ventires |liam Wadsworth, Ilugh O'Connell, | Production of “The Enchanted Hill”"| These Interpretative reviews are broken down, and that any code of | more thoroughly the resources of | jnto vaudeville. Kdwin P! ) featuring Jack 1lolt, Florence Vidor, | giv cery v ‘ning Jane Sevmour has been engaged to | ki il ighly R Zawin Phillips and Eddle Quinn e g olt. Floren , | given every Monday morning in the morals is largely a matter of individ- | the camera for mirthful purp e R e | Noah Beery and Mary Brian, In & |new Masonic Temple, Thirtesnth |IaY the leading role fn a road com-| “No Questions Asked” is the title ualictic option. Yet along comes o oxox mate flelds and the two.n-day o5 &| WARDMAN PARK—“The Handy | 5.0} 2dapied from the novel by Pe-|street and New York avenue, at 10:45 | P21 of “The Fnemy.’ e e e his old story w erfectly com- v i i ic | capable ente: | W « = o < this old story with a per 3 If any one in the list of dramatic | °aP rtainer. | Man. cert organist, will supply the musical Shelter” will be produced by Barry | jander will direct for Charles K. Gor prehensible appeal both to sympathy | stars so boldly grouped occasioned . The Herbert Stock Co., now playing | features with the orchestra. Newman—"“Germany”—Today S".?.”“.'f‘.'.p"”"“f"“ !ar'w" r:h’! m'{mh don 3 rry Lane lavhouse, New v and understanding for the large au-! 3 trace of disappointment. it was at Wardman Park Theater, will open — B, . . . : Ater, erlin and Germany™ is to be pic- dicnces which were suspected o Bivice McRae. wvho contrbated ki Screen Technique. fomorrow night | with ‘a rollicking STRAND—Magley Revue. sirea ace demrtios e B ')Il?Vn:ll?:; York. Reginald Barlow Is in the cast. | . connelly. whose collahora- having outgrown appreciation for | characteristically fine work to the | \“THERE i Somiedy vlof emalltown e alie] Whe § r 3 ! -to-d vel talk t % W i- | tions with George S. Kau have BRE Is A dinlogs : & 0 X he Strand Theater program this.in an up-to-date travel talk this after-| Mildred Wayne will have a promi. | tions with George S. Kaufman have anything more subtle than musical role of an uncompromising aristo- | {imER s o SLeinmotonic Handy Man,' in three acts, by Fred | week is headed by Guy and Pearl Mag. [noon and_ evening at the National |nent part in “Lulu Belle.” now in ra. | estahlished him In the front rank farce or the Charleston erab ol nsisls on DroneRcs leveh e e iea T A e all & i A o 3 lex Revue, staged num heater. | hearsal, with Lenore Ulric as the st of cotemporary playwrights. regard >k E O e T o e e lof The aom June Mathls, in charge | Ruth Harrison and Parker Fennelly |ver entitied “Dance Stories,” with the | Mr. Newman recently returned with | |, e 2711t as a happy omen that “The Wis Part of the appreciation is neces edding. We have 1 1 to identi. | National Productin: ment of First | will play the leading roles, Mr. Fen- \elvin sisters and Frank and Ted Deel |4 republican Germany—her streets The Love Call.” in which Ger-| dom Tooth” is to be revealed to the e i e by ng. carned toudenti- | e i nelly that of Hank Hawkins. the|in the cast. Featured will be a song|shorn of military guards and “ver. aldine Farrar was recently seen.|Capital exactly two vears from the sarily due to the fine bi mecha- jy McRae always with the gentle-', tRe,” savs Miss Mathis, | title role originated by Tim Murphy.|and dance number, “On the Links," boten” signs. Without political hlas]"""‘“" in Los Angeles Jast Monday, | night that the “Reggar on Horse nism that has been so swiftly per- man who hrings a touch of suave _‘:,‘":.rh‘"m‘" dialogues in words. One 'and Miss Harrison ‘that of Nellie |with Sam Gore, wherein Shorty Me-|the Journey is sald to lead to mu-|With Grace ILa Rue in the leading | hack" was launched here. Mr fected in this organization. There! lerenity int a diffcult situation and | feior fays something and the other |Nelson. a New York crook of the| Allister and Dick Lancaster offer an|seunis that formerly were palaces torole. Kaufman will ba present at the open is sometimes a trace of resentment | assists in making affairs go a little | o ”w| fi|m« n response to the lines , voung school. Arthur Rhodes, who | assortment of talent. { which admission was by royal invita-| |, i o . ing performanca tomorrow night. when a player who has established | moother. He has the gift of a cer- | have dialogue. |",,",:",",""""" e also | has come from New York espectally | - An an added attraction. Jack Fulton | tion onl and the artistic dellghts uf‘ur:"""“rT:‘I_‘;’lf“;‘"""""r“r;'n-' h}:- Rm::‘ = Eeiiic t catas 2l dons P s L o e. but not in words. Our | for the purpose, will play the crabbed (and Peggy Parker will offer a unique |the “trip” are added to through the (& . ayed at the mid- tora Bayes, deasited the aat limseltion e ,"'," e S e whimsical assumption of irasci- | sereen dialogiie s hrought out by ac- old “granpa.” George Graham, and | number, “Diversion a la Carte hy |courtesy of Dwight Eimendorf in the | \Winter public Lamb's Gambol in New | e e nant favorite is prescn w bility which betrays itself at once as tlons. hut the same principle under. Henry Darby, another new arrival,| Paul Gerard Smith. Others will in-|form of a number of the most famous | YOrk. the 24th of this month. lin vaudeville in Califor On her cems contributory capacity. There an affectation intended to deiend a | lies both arts will play the country boy, Wille |clude John Irving Fisher, in a song |paintings in the galleries of Germany. —.rhe Rj m(,‘""”\’{‘nl :la:ln";y[ e i< very little impression of this possibly too susceptible heart. Mc- On the screen one actor does a | Weller. Leona Roberts, Ruth Russell, |and piano recital, called “Soug Stories| Through Mr. Newman's camera | i7" a};zh:a‘r;':‘"r HemanBarn ey SusDATs ¥ Anon kind in what has even morc right | Rae is still the polished gentleman, | CeTt2iR (hIng in pantomime. He is|Robert L. Clear and Thomas Herbert, |and Melodies,” and the contortionists, |lenses you will visit Berlin and Pots- |, ey R oy Drvant-1 At the Fifth Avenue Playhouse to be classified as an all-star cast but this time merciless and exacting. ’,'f,'f‘,\"l";"‘:;\'flr‘!w action of another. | the director, will complete the cast.|Dillon and Margerita, in an act en '}‘\_’;’!‘- where you will enter the former | 108 PG, e P O ary 8. | New York, last Wednesday night iha iRt Tavedl ESouo il e playsiilie ips Mo tieus e malien U ek a0 s abon bt e BsrieltTan s ani s spiete e e K e D R e e hiePanss i i e S ey il [iisiouss of limatis Jiwmus prcaeniad - B %, g SR i Stnchs o g S e £ ) 1. ymic situations a clever dialogue | Mus R e 2 1 , ¥ 3 ussell Mack an orothy Appleby | for s e. . V. Bs d for Scandal” Wallace Eddinger, al- | polish and distinction. But it doesn't |other's movements hefore the camera. | and just enough pathos to give the |, The photoplay will be Warner Blos. | 1an Alps, on to Munich, Nurembure, | will have the . principat - ralen - 1a | e Jrst . rncs Derent though playing only the role of the seem a bit like him. This the screen writer must bear | necessary emotional balance. The | ‘Compromise,” with a cast headed by | Rothenburg, Baden-Baden, along the | “Square Crooks,” which ope aw | tho BUCIoT D good-natured, meddlesome iriend, ey in mind at all times. 1 he forgets to | scene is Jaid in the house occupied by | Iene Rich and including Clive Brook, | Rhine, Leipzig, Dresden and the |lantic City the e . e et eadies highly essential to this type of| The Japanese actor Hayakawa |inject “;lot"m‘ Script a necessary re- | country folks. There are no long ‘[i"“is*’ esende "a;‘““.e ”“"""ll“:‘id R‘;h'i e e o month. 2 joles meen drama, but usually rather thankless,| contributed the type of piay de-|SPORse Lo the act of one character. | waits between the acts. aymonalMekae L ITENT afireainagi|i dnolnded tinathe dnerary iarefigher. ok e Wi B “ et b e 5 moreitli | et et otar “}L iicm‘_!me act is unfinished in itself, and the {story by Jay Gelzer of a woman's|ammergau, the home of Anton Lung' Lou Holtz and Alan Edwards will B:g ‘§>“3d95 5 {:auéev‘;}'ll:ei\rzserléah: has not been seen to more delight | g Lo O T s ¢ | thread of the story ix lost—just the | KEITH'S—Kary] Norman—The Leck | TIEEIS against adjusting her ideals | and his family, and a trip through the | head the cast of a musical show ten- | 30 O et & Dack s ul advantag long ti ffic nted. but does not attempt to|same as on the stage, when one actor | NN it = he Lock- | (o the lower standards of her asso-|Black Forest, where unusually at-|tatively entitled “Patsy,” which is to | ¥ CURBest Ventriloauist, 15 b Shannon, aiter a long and serious | reflect the really poetic thought and !omits a part of the dialogue, the Sane. clates. tractive types and costumes are still | be produced in Los Angeles March 7. |in Washington after a tour of the acquaintance, reveals suddenly that | history that the Orient so abund- | thread of the dramatic lines is lost. | B. F. Keith's Theater announces “a| Short films and orchestral selections | found. DT et A Lo o | South, which he was recently com- has a most charming capacity | antly provides. It seems rather to| Miss Mathis Is one of the emfnent | twin headline bill" costarring Karyl | will complete the program. on — st will stage the production. e g o e o el for vivacious comedy. Elsie Fer-| consider the popular impressions of |authorities on “screen technique.” | Norman and the famous French danc- S . SCOTT LECTURE ON NEWS yolce e Isnow ac Iiorioms pre- sison contributed no surprise. Her { underworld weirdness, which have | ers, the Marvelous Lockfords. GAYETY—"Happy Moments. EVENTS. The complete cast of “Love 'Em | Paring a new act which he expects BUsonEoOR I Shammls _— — | *"Haryl Norman first came fnto prom-| Sim Williams Is going the rounds of | For the convenience of teachers,|3nd Leave 'Em,” by George Abbott | to use during a tour abroad. Be- role is of the type in which she is|heen so long in attention, that fam ineoia vin Th HBIEAM oo Clooitt solibe Columbila heuss agaln thin sca- [business wision and ofhers bigs [929 Jobe ¥. A Weaver. Imciudes|sifios befar x ventillouist, he is Tt congenially placed. Tt is a con- farity has robbed them of their ter- f pleased when Peggy Joyce was a|“The Creole Fashion Plate.” His fem. | son with a new edition of “Happy Mo- |through the day. an afternoon lecture | Florence Jobn, - Donald McDonald, | #1s0 & efeaninic, o s ter of interest, and the test of abil- rors. | great success to congratulate him |inine characterization was so admir- (ments,” which opens at the Gavety |on current news events will he given Donald Meek, Katherine Wilson, |In& been featured as £ ity was far greater in her case than e on his attainments as ci- [able that his audiences were shocked | Theater today. by Willlam Rufus Scott at the League | Thomas Chalmers, Edna Heineman | eral road show g e ! . A i e a poet, a musi 2 .| b gue | e enh in the performance of a traditional| Earl Carroll continues in a streak | cian, a scenic_designer, a producer |8 he doffed his wig on the final exit. ) It is described as “a spick-and.span’ jof Pen Women's clubhouse, 1709 H sudidoseph il Maleolm Willlame, a veteran plav- tmotional star who permitted the | of bad luck and has the satisfaction. |and a host. His experience with the | This week he will present a gorgeous |up-todate show. with Lew White. as | street northwest at 445 o'clock every | Negotiations have been completed|er to be seen in “The Wisdom nal st ¢ febadiluce and s 3 fi2n 3 ; ; {1y gowned hit called “The Tuneful|a Hebrale comedian; Doc Dorman. | Monday. n tedjer 10, » g presence of a good leading man, but [if he is cynically disposed. of mental | fickle world would justify him in!g¢ne"Qhop,” assisted by Keno Clark |character comedian: Walter McDowell Th Teot i cone for the presentation of “Ts Zat So” | Tooth” and last seen In Washington very little other possible rivalry in | comment on the athlctic enthusiasm | applying any leisure moments 1o i:nd Bohble Simonds at the plano. |character man: Allen McDonald and e octies ) are 1o additions (o |at uHe. Comeny) Theatar: in Tiondon | a8 tHe ne:eyed sambler with Leo claime upon an audience’s admiring | with which he is heing jumped on by ”I' arning “Timons of Athens” by| The Marvele ds. famous | Floyd Hallicy, a dancing juvenile. dav morning at 11 a'clock at Ward. | "X MO - S S |vr:Hv"'I";"hv‘:‘:‘fl"":'V: \liss Ferguson, in holding & number of peo who were hcart. French dancers, cir fist Lawine Gienmar Is the soubrette, man Park Hotel Lobert Woelsey of “May Flowe#y” her support in “The Mira, L attention. )