Evening Star Newspaper, October 18, 1925, Page 63

he Swnduy Star WASHINGTON, D. €, SUNDAY MORNING, OCTOBER .18, 1925 EAPT ROALD AMUNDSEN Poliz : TRIO of MIDGETS | _ . BRICL / EDNA Strrand | Lk = o National MORN || & | FREEMAN & dd - L . ; e Vi L. | & Comiflng Atrtrarctions belaS‘CO S BELASCO—"s 2 { . g Y 3 ‘2 “Silence the new g hri (A g H 4 Max Marcin melodram vith H fame. in the leadir ole, w he \Vvafih;ndffln Finc Arn 2 . 2 Coms Mhat e ell Done or Raw. S e —_ - nouncement of the prozram 4 Mr. Warner is seen i 7 & t tivities for its twentv-first 1 Tim Wa n, the hero y Philander Johnson. B e s e e e - 3 times past, as in the preser they Washington Society of the Arts has made and includes an illustrated lecture o - = * rather likable t His preser 100 vears of American Art by Rova vole, that nee jon of “Artists and lectures December 4 by Herbert Rich most uncomfortable pro A< 1 ge lawhreakey b us grow! has enjoved a long | 2rd Cross, January 30 by Herhert Ces % Gaqetn] electric chair—is s cinsky. February 10 by Charles 1L Rich audience through e ithout sor s rds and March 17 by Charles can well be aroused SOUR e . Y h, all on art topic lectures on an evening ts most triking and signifi ature and readings November 19 The plot ne cant incident. That is the condensa Hamlin Garland snd Mary Isahe z 5 that any attemp of tragedy and burlesque en- | Garland: Alfred Noyes, December 17 New: . | fize it would he et the stor ed “Insanity.” A RSN EGIDEG. Tanunty S1%: Suby = Newspaper Ma" asyPlay = dnon ! heilling and hu A~ jee Wendell P. Statford, February 18 wright. s mus t It e : o land by Richard Burton, March 2 'w TIELD 'he company includes Frederick htn t was too much luxury that|" Four lecture recitals by Horace Al RED HIT MOST newspaper men at some time Perry, Flora Sheffield, William Meville, | fyom brought the downfall of ancient gov- | wynne, director of the department of in their lives threaten to come |John M. Washburn, Jack Rennett, Plav the < ernments. A lavish and sen<ual music at Bryn Mawr, are scheduled 'D.arle down to play writing. Some of them W. C. Hodges, Charles Ritchie, Frank | 200 persons will magnificence tends to undermi for November i, December 3, February develop symptoms to such a degree . Bond., Alton Goodrich, John Svilations "Bemnein aand<veh 1 March 11 i that they actually sieze pen and paper Noel Connors, Charles ey, ascetic and oft-printed theories Afternoon concerts by the New York ———— — — — and execute the forty thoughts on ville Bates, Joseph North paper. Frequently these plays are Grant and Lillian Kemble Svmphony Orchestra are announced feiendly S e A Doetes e written. In fact, many are written, s jen er 10, December 8. Febri POLI'S—“The Love Son refinement on sheer physical I s Passionate e Shuberts hev T ey 8 and March 16, under the man Bulitewiareinpduced; e e 25, g Tt urren ractions e R B e L o limited money into a gorge ex s Theater, and tentative exhibi 2 in “'Silence e will P The Love s the new music anthorship L 1 the d . : any ancient syharite, take care to ithe National Gallery of Art, the > z 7 Marcin: who! €locds stesdily Ty RIS vipon (the ind music of Jasques | g oM the magazines. | peqvide their own antidote. They Gallery, the Smithsonian Institution At the Theaters This Week. guns and Kkept everlastingly a Offenbach weckis engacemen vodsper iouch on psvchopathy here and @nd the Arts Club of Washinztol BELASCO “Desire Under the Elms” drama. Opens this evening business writing plays until he got next Sunday night. Oc b e el e B Ry et : 4 5 y some of them produced. notably such at Poli's Theater. It com ' but they extend a strong and NATIONAL— Music Box Revue. Opens this evening sopular hits as “Cheating Cheaters.” to Washington with a veputation e NATON AL vigorous hand in impressing the p ; e o E aters.” to D A Pupil of Ysaye POLI'S—“My Girl.” musical play. Opens this evening The Woman'in ftoom 13 “Fves O abliched b an entire sexson’s Pol c = suiped ~1°C N - " 1 c 1th™ and Fhree Live GGhosts Mr. | 3 the mammoth Century Theater he At A aiter all. for practical social pur. DETTE MYRTIL, KEITH'S—Adele Rowland, vaudeville. Opens this afternoon Marcin's Iatest play, “Silence,” fan at | New York. and was originally pr aitract poses, a man is either crazy or he EARLE—Amalia Molina, vaudeville. Opens this afternoon. the National Theater, New York City. duced in Vienna under the title of | Sunday. Oct the entire past season and is con “The Life of Offenbach” and in Paris e criminations or hopeiul philanthro- | bach, with thaf famous. Fomposer d y aTarsal0A e HHIS S Eays ot fen = — 2 : A nous composers | Ay g “1a R Sarisienne.” burlesque. Opens this afternoon. gaging pla S et s e AYETY—"La Revue Parisienne.” burlesque. Opens this a gaging play. lassilooks ton AP : “Ha Biiasl Onensiiii 910, when Mr. Mar .. Sl o | he ic fervor and artistic instincts MUTUAL—“Happy Hours,” burlesque. Opens this afternoon. Tn 1910, when Mr. Marcin was stfll a not cnougl Ihe condensed play “Insamity”|Of the Parisian. Her father and painstaking police reporter in New choo Cor canaa ov. ) ehs pay ) mother were both stage folks, and o] B York. he hegan’to hombard the mag s worthy of the Grand Guignol at | riveled all over Europe in their pro. BELASCO— Desire Under the Elms." Bud and Jack Pearson, Hazel Gau:| azines with short ies. After a I R = its long ago hest. But Shades of | fession At the Shubert-Belasco tonight | dreau. Irving Rose, George Clfford. (ime a few of them came hack. Five “Desire Under the Elms,” one of the l-llian Aune, Dorothea and XNa vears later his first play, “The Iouse A Fenri Permain and Thomas Draak | 5f Glace's was accepted and produced toward - a and the chorus It America, which was fnaugurated las ould not be new idea and to do duty in which point out the danger of over- iminating faculty <t a turn whe plays the e hescrgzvon important role of Hortense in T egardless of _scientific dis- “The Love Song.” the story of Offen STRAND —“Alice in Tovland.” vandeville. Opens this afternoon onscious nosanGy! step further in the ovement | day heate Stapstick and Scitzer Bottle. which ' \yvhile still a voung zirl, Odette was : oot g oy ;5 honored P. B. Chase excluded | placed in a convent in Brussels. whepe | MOSt discussed plays of the theater rom this same stage with sich po- | she received the rudiments of Her edu. | Comes for a week's engagement. In was @ blg success and he followed lite austerity! cation. Her extreme vouth and ar.|(h€ cast are Frank McGlynn, famous . e . it with other action dramas, all of * x * tistic temperament, just beginning to | IMPersonator of Abraham Lincoln, and POLI'S—"My Gi; them more or less successtul « or A .. | develop, excited the interest of Eu.|!elen Freeman, who plays her noted| Jyle D. Andrews’ musical comedy . R e e LR roramost e Insanity” makes the slapstick | Lope Yiaye. who took her as a pupll, | 'ole of Abbie Putnam “My Girl" comes to Poli's Theater 9 3 e o b o e look, by comparison, like down from | without fee, and taught her to play | “Desire Under the Elns” comes tonight for & week's engagement. It Started in \Vashmgmn. e el e e e ey the ieathered fan of a ballroom | the violi with its New York cast, after a vun of | has to its credit a ten months’ run Hoyt, May Collins, Ian Hunter, Jet- | dal” Mr. Tyler, ng 34 weeks in that city. The day after | on Broadway and 4 successful Roston| GEVERAL yvears ago Grace Muore | rérein De Angelis James Dale, Ben a8 o prodice its opening it started heated discus-; engazement. ‘ tired of Main street, Jellico, Tenn. | pield, Wil wr, Arthur| departed from the cee a man actually kick a wonwan. traveled to Dresden, alone, where they | Si0n that never waned until the com “My Girl” was written by Harlan [ She went to the Wilson-Green Music ewis, Neil Martin, | fne Callen- | ing a celebrated It is no mild near-kick. It is calcu- Were playing in a stock company, and | Pletion of its run \ Thompson and llarry Archer, who | S¢ {"""' at Chevy Chase, Md., and one ger, Philip Tonge. Mary Hone. An- of Lady Teazle Jated to impress “Artists and Mod- | surprised them by walking into their | The facels of this tragedy that|wrote and composed the music of | HiEht she sang with Giavanna Mar | thony Kembie-Cooper, Essex Dane. | May ¢ e o theiatte o tiie era .| dressinz room. They would have sent | caught the public attention were its| “Litde "Jessie James” and “Merry | tinelli of the Metropolitan - Grand | grian 0'Neil and Harold Thomas, at B A the At o o v & | her hack to Brussels, but the child in. | unusual theme, in which infanticide | Merey.” = It has a modern plot and | Obere Company at a concert in the |ghe National Theater November 9 favo- | the show that put the real modern| iiiteq on plaving the violin for them. vs a prominent part; its version of | deals with prohibition and a goody- 1 Theater in Washington Mr. Walter Pritchard Eaton, in a case of | Sock into “Sock and Buskin They were Evedily aatoniabog by ad life of the 1850% that is | zoody voung couple who attempt to ise was so great that she |ceries of lectures on the drams of 2 s her budding genius and (he promise of | far removed from the New England | climh ihe social ladder without the 1 to go on the stage. Grace ran | Sneridan and his day as related to | Dean, noted I The deeply svmpathetic governor's | fiinre technique that they interested |of Thanksgiving jovs, and the unusual | ald of “John Barleycorn.” It was from school. - the current tendency of the present- wr and anthorit - Tade awho is convineed of the sanity | 1he management to the extent of hav-. |setting for the action. | {helrexperience the thing could not| Next she was playing in “Just a . safhisdios > : E S R i romiscs | 1ME her play during the intermissions. | Briefly, the play concerns itself with {'De done—nowadays. Minute,” a play that never reached 5 MBE RO Al .I,,." to \l:‘ uyn:\‘}::y." - (jf]!r' .‘y.‘;}vl»‘;v Y‘r‘mflu‘ After that there was nothing left for | (he lives of the Cabots, an embittered | The cast selected to meet the legitl- | Broadway and that never paid her < GO 8 Ml U 2 5l s S the voung musician but a musical and | family living in the New England of | mate requirements of the plan in-| (et in salary. She returned to New ose~ o ugene el RECEUGHOD thusiastic_young | canclusion were nof so uproariously | dramaticicareer. | ihe 18508, OId Ephraim Cabot. about | cludes Roger Gray as a_hootlegger, | York on“a Christmas eve with 5 cents . reporte ool Spec izing _on | comic. be regarded as a satirical pro For several seasons she traveled Whom |)|!; play revolves, is as ~.|\|Pnd' ‘l;é‘n"gp Sweet as Bobh White, Joseph in her purse. She and a friend took a — T fires ma dash 1 engine | test against overbusy and misguided | itk her parents, plaving the violim|a characterization as O'Neill has vet | Wagstaft, Patrick Rafferty, Harry room in Greenwich Village. E ! ’ e R o b was cl ldv down | sentiment. The scene is so well and appearing in small par Then | wrought, and has carried that play-| C. Keenan, and John Byam. Edna| -Later Miss Moore appeared in “1'p a first cousin of Kugene O'Neill, nounc d that he was through with iraffic | acted that the auditor almost hegins came a Parisian success in vaude: | Wright far abeve the ranks of medi-| Morn is the vouthful Mrs. White and|in the Clouds.” Then she left for the much-diseussed voung plav ” ool e »'" into, b ~""~‘(“:‘”‘"f” - time quite | to drift to the impression that seri- ville, with equally successful engage. | ocrity. Abbie, as playved by Helen Free. | sings the prima donna role. while Tehiere ) aha At died ifotiin ore | eoteht vehoseiplay, “Desicelinder thel| by e S ooutsly, andi$s0 00! he rear | ous drama is hefore him for a mo- Mments in London. ‘ot intreduced | man. is seen as the tragic role of the | Jayne Auburn. Frances Upton. Har vear under Italian and French his father's money failec ] B Jked | ment. It i< not until the final in- | Mer in one of his revues, and since | future, ta test the capabllities of aspir- | riet Ross. Margaret Armstrong and | masters. She appeared at the Opera on S, A e patient with elegant | 1hat time she fias heen a featured en | ing Bernhardts Gertrude Clemens round out the list. | Comique in Paris. Her lovely voice, tions, Alma O'Neill has this to say: acting and < mans He ¢ to the fire.” | stant, when the patient with clegant | (or4iner 1n many revues. Others in the notable cast heside| One of the high lights of the or-|beautiful face and form and delightful | “I am the only living relative on his companied his father in a vaudeville no fire. This is an | courtesy escorts his bencfactress o) «on she appeared in. the 2 Frank MeGlynn | inelude: Howard | ganization is a fine chorus personality won her a deserved suc- g tour, with a condensed version o for “The Siill Alarm.' " | the door. listens in_humble gratitude | duction of “Vogues and Frolie | Metling, Clement Wilenchick, Perry | of girls, who combine good looks wi Irving Berlin saw her there and | |21her's “Monte Cristo; For a short time he who was< one of the to her promise of help. and then. | won a personal triumph. Tvins, and of course, Miss Helen | vocal excellence and rare dancing skill | persuaded her to return to America Iv. And 1 regard him not with the | was persuaded to actually appear on spaper cir- | as she turns to leave. delivers his Freeman. | " The “wonder dance” quartet is com- and join the “Music Box Revue.” :\l\'t]- uln; h hr-du»n.!\l\-d 1‘n~’;mr;’ |v]m the stage. his was g0 nerve-rackin never- | parting message in” wild falsetto — | posed of Fvelyn Kindler, Ann Kelly SR i with understanding and love, for he soultorturing an ordeal that it almos his | " and la a re | NAT ; deur r and rbara Grace. s my mother’s favorite nephew and resulted in illness. Greatly to his vood story i his | “See that you do!™ and 1ands a re- | hased on the evident estimate of| NATIONAL—itusic Box Revde” | Mjldred WWehi ant Berbars Grace | P, M Signed. | M hestbeloved plasmate el s [ creatly) fons nd was so ad- | sounding thwack of foot-incascd | most of the protestations against| The fourth annual “Music Box Re-| (orperied by his own orchestra of ercy Marmont Signed. “At the time of Gene's birth his| his own, it was clearly seen that Gene sm that the leather |I;:n I‘N‘v‘b ‘h\"r fpra\f-!vxyg realism, so-called, as in "u'“ only | Yue” is :m»nnumpknl for the ?«}im‘:fll fifteen musician: PHBCY MARMONT, who recently | fAther duames O'Nell) was _well | could never be an actor. w endeavored to | through the door. 1t is a terrific | iraditional hypocrisies, no more to | qmeater this week commenclng tmie o signed a Paramount contract for a | thanched on his carcer as adonte hen came Gene's sea travels, which pe ) join his forces as a | moment. The spectator catches his | e taken scriously in the delineation | Soter and imaginative se Lt KEITH'S—Adele Rowland. long term, will have for his next 0. iriumphant fnanclally as well | nelped him find himself and his tal u libreathta . - : g L | color and imaginative settings that | |as dramatcally, and Gene was born puk He declared that in | breath and then releases it in im-|of “essential humanism than the | oo F i 5 reen appearance the title role of 4 ents, and also to find peace of mind pub s he | 1 sam way from surd Adele Rowland, musical comedy | & e role o A0 tHee (R10AT RoBTEl 5 3 |run the gamut all the wa. 4 | Lord Jime the Joseph' Conrad: sea | MOt ORIV fo theatrical position; but to | g™ BEG Kt 5 St view of . “ladies’ favorite,” he | moderate laughter. Not only is the | cherished, but useless, necktie or |prise to astonishment.” In lavishness | star, headlines the bill at B. | o nadatatls Wealth aa e couldn’t take the iob because he'd |attack condoned with mirthiul | {he archaic button on your coat|and bigness it is said to surpass all| Keith’s Theater this week. Miss Row- classic. | “‘When he was five vears old He wa “I merely mention his being a ve tempted to forget tne title “Still | unanimity, but popular sentiment | (jeeve. It is a defiance that fasci- | the previous production land, who in private life is Mrs. Con-| Marmont is of English birth, and |sent to a boarding school near New |Dorter on a New London paper. also Nlarm® and write it “False Alarm.” | apparently is entirely with the luna- | n 2™ \ve'are ‘often compelled to| The new show also promises the|way Tearle, will be remembered for| was educated at Stannes, in Redhill.| York. FHis father never allowed any- | hlS playwriting course at Harvard i * * + | fier 1t is thoroughly effective fun | nqmive craftemamhia, commpelied 10| finest collection of talented specialists | her work in “Her Soldier Boy,” “The | Surrey. He left his home at the age | thing to interfere with his children’s | Personally, [ serionsiy doubt that he Afach ¢ personally respon- | and it answers a question relating E4 smanship, even when its [ iFs) B0 €00 T 0 athered together | Only Girl,” and “Irene,” and other|of 16, determined to create a name |schooling, and, as his wife traveled acquired his marvelous —technigue B aciar is 1ot BEEOLIBY £ o e exthemitics in v hieg | master assumes the role of bully |in’any of the Sam H. Harris and | musical comedies. Her present offer-| for himself on the stage. After a|with him whei on the road, and as|there. 1twas horn in him - burned so le for the methods of his exploita- | to the despe 3 1S 1M WIICh {4 coerces all our gentler impulses | Irving Berlin previous revues. ing is called “Song Stories.' small beginning he became Interested | ‘Monte Cristo’ rarely played New | deep in his consciousness that it took asar Ilere is no artistic | the stage appears to be for new ma- | 5 thought into a bruised submis-| The dominant note of the revue Tiarry J. Conley, character comedian, | in the cohcert stage, and studied In | York, a boarding schoel was the only | the deep probing of loneliness, suffer iahip sreater than that of being | terial that will measure up to its | oy, 3 e ot the vise af the cur| will be featured in a new oneact|london. Later he returned to the|solution for the problem. And (his|IDg. misunderstanding and — sel pelled to pe a- an example of | colossal pageantries. A conservative | P tain on the looming Catskills and Rip | sketch by Willard Mack, “Slick | legitimate stage and won highly credit- | perhaps accounted for the beginning | Dewilderment to bring it to the suy istible male scinations, The | voice feebly breathes the question, Van Winkle awakening from his long | Ever.” o Wi :-l‘-le“nm‘xu- through his work with |of Gene's antipathy for the stage. It |face; something that is stronzer than o e 1 s the public order to get a laugh would » ha A . 5 sleep embraces a succession of | A novel entertainer is Albert Whe-| Sir Herbert Tree, Cyril Mande and . of his parents. he and makes him express himself in e e e “”’.l.l;l 1\|,1'L ,“ oy n\.\‘.',r':,lc,'\d‘"‘" Shakespeare that America _would SE00 W SPEEES B SHUEEOR B an, the Australian, who is the ori- f other noted players e e i lonell. | 1ts own terms, though It may set him BIOWSHET o 4 e | tones, mingled with the faint echoes | "CY<T have ventured, by staging the | nay transiate dreams. into dramatic | ginator of all he does on the stage, and, _Coming to the United States, he ap- | nes ache only he knows,|apart from the world in so doin s perhaps nore diflicult orde g ast of “Hamlet” in formal 1modern | yeqlities. John Murray Anderson is| it is said he does a bit of everything. | peqred with Ithel Barrymore, and for He had no home life. The Summers, | Thix ix the pr he hus paid, for for_a plaver than to try without the | of lingering aplause, comes the 2n-|atire. Something similar is prom- | the magician. : e e | ioa s Sler et be | Eawever he SpautItRES Warents ai| seningiia tonely. stical exp swer, “You bet we would! ied in this country. Strangely the | Irving Beriin has composed a score | coe.” xvlophonist, who will be heard|ner. Iie developed strong interest | their coftage in New London, Conn.| I have but scratched the surface in vhatever to hréak into the modern AEhES appeal of such an absurdity will be | which rar from super-jazz to the | with his Quatemalan ensemble, offer-| in the screen and quickly rose to|Here was the sea, right at his door, | this article. To one who has the great ene as a rongh-and-ready Romco. The smell of raw meat is the strongest for the more intellectual | Sensuously beautiful. ing an unusual musical program.| prominence, until today he is recog-| which he eame to love so well, and |privilege of knowing him, personally, % % Kk % | Eugene O'Neill's “Desire Under | playgoer, satiated with e _| The « of principals includes | Willard Mack’s sketch, “The Tast njzed as one of the ablest actors on|Wwhich, undoubtedly, wa% a fascination | comes the realization of his bigness, of =i Bt air. Euge i playgoer, <atiated with poetic seri- | .. Fice: GRaek -Cull Dance” offered by William Newell and | % Py 7 : e e s Te Zat So2" made polit~ recog- e Bl o= near & Manyinkv- lontiees 2t reconcledi ooy gro- | ‘annie Brice, Clark and McCullough, | ) e = | the screen. as well as a comfort and a friend | his towering genius as America's it ot o Mten Ca e el ca thevian o BTl e b Vs e D i b o | Oseaui it S Giemes Moore b Brox ([ THes (RIORE SRR SRCROR IO | Tocinded inj hi nentoumances Batied ST enl Rl sour Bed colis e st e fetpa st RIS LIELTIING Shealihilreal eteaRBtistic Strides and gave -2} all s i sevevilietess. Amt ac |“nowitl” Ttwll bt o ChiE bl tas T e orey | Rldge, in thelr skating, production.| by critics as outstanding histrionic | decided on Princeton, and rojourned | zation of his infinite humility in re- olistic 1 = ' it. e : ool itchen, Joseph Macanl | W and_Steps”: Tuck and ¢ | achievements is his most famous role | there for two years. Then, to his|gard to his achievements, a humility fortnight season instead of treating|sumes an independence of expression = lock, Leonar Leo, Frank Allworth, ntinued on Twelfth Page) in “IfyVinter Comes, father's intense disappointment, he an-abefore Which 1 stand in silencs, super better theater for nection season by his presentation of “The Uvals.” with Mrs. Fiske and a no- figure in present.d table cast, George €. Tyler now an-| ters in America and \belle, It remained for_this show 10| After several years she hecame 5o cnable the great American public to | dexirous of seeing her parents (hat she pro laved in Elms,” will be one of the week's attrac- | «y\nq then eame his experience at side who knows him personal England is taking a liberty with assistance of any po