Evening Star Newspaper, August 2, 1925, Page 53

DOROTHY MACKAILL Central RUTH SARAMPA FEarle Newsand Comment By W.H. Landvo;gt. MMEDIATELY upon the advent of the “Greater Movie Season” there has been opened in the world of the movies a discussion upon the need of new faces for the screen. It seems singular that, witlf sub- etantially the same sort of entertainment to provide, the stage has s.ver felt this need. Quite to the contrary—and we are having irre- eistible evidence of it right here in Washington at this time—on the stage oul favorites are always certain to draw large audiences, and very often | hy the sheer force of their personalities and well known talents they put over as dramatic successes many a play that without them would un- questionably fail and find an early home in the theatrical storehouse. Why, then, are new faces necessary on the screen? Have the old faces ' that long have been illuminating the firmament of the silver sheet as stellar lights now become eyesores? It is hard to believe it. Is it not rather that they are not provided with the material needed to display their talents and at the same time to interest the picture-patronizing pub- | lic? There is little doubt that imaginative effort is at a low ebb in the screen world. Either the brilliant creative power of the writers for the | screen has taken a vacation, or its admixture with box office enterprise | has produced a situation that is little short of pathetic. New talents, of | course, are always welcome, especially when combined with beauty or | pleasing personality. But that is no reason for giving the old favorites the toboggan for a slide into obscurity. Again, it is respectfully sug- gested that those who have the power to originate and create screen en- tertainment call into consultation assistance, not nearly so wise, perhaps, | but sensible, with the view to departing from the accepted doctrine in | the screen world as to what the public wants, especially in the matter WAS HINGTON, D. C, SUN DAY MORN Lou TeLizern Awmbasrador Started His Career Here. HE sudden death Jast week of Max Hirsch, who was one of the most popular theatrical managers to ever visit this city, recalls to mind that Mr Hirsch was for 27 vears treasurer of the Metropolitan Grand Opera House in New York City and, for the last | three years was road manager of the Music Box Revue. From early youth he had been identified with the theatrical busine: with the late Harry C. Fisk, manager of Albaugh’s Grand Opera House (now Poli’s) and the Lafayvette (now the Belasco) Theaters. Both started their careers as program boys and box of- fice men, rising to the dignity of man agers at the time of their deaths. Mr. Hirsch began his career with the Mapleson Opera Co.. in the d. of Music on Fourteenth street New York City, and later with the Standard Theater and the old Abbey Theater (now the Knickerbocker), as supervisor of the box office. He then of sex. * %k % X% | became affiliated with the Metropoli- | | tan Opera Co., and continued so until | {1910, when he accepted the position | HE great n¢ed of the screen today apparently is a new typé of pic- ture, one whose appeal lies in its story interest, its humor and its ;m\\'cr to entertain, rather than in a propensity to cater to sex excitement. Pictures of this class, even with the old-timers for their actors) provided, | of course, they can act and not simply exploit their faces and figures, will readily find adequate audiences. The producers too long have been obsessed with the idea that the public will not adequately patronize any type of picture but that in which feminine charms are exploited. It is | hat type of picture that requires new faces to sustain its popularity. Faces that have really grown stale on the screen are the faces of those | whose sole right to appear in pictures rests on their ability to cater to | that delusion of the producer. Never has there been a more popular | screen idol than Mary Pickford—Mae Marsh was another—Alice Joyce | another—and scores of others might be mentioned to prove that the | screen public is decent as well as discriminating. No, it is not new faces, but a different type of story that gventually will make the screen | | grand opera troupe and. m of manager of the Chicago Opera which position he filied for four years. | Then followed a long period as road manager of the Pavlowa troupe, and three vears ago he joined the Music Box Revue. He was {n San Francsco during the earthquake some years agg with his raculously escaped with the after losing all of their pr valuables. i Several vears ago he wasjdecorated by the French government for man- aging successfully a French govern ment band which“toured America Mr. Hirsch lived at Sheepshead Bay and was 62 years old. He was a mem- 1 entire *company, | perty and | | EPTHER RALPTON eminently respectable and at the same time a dependable field for invest- ment. sible. Capital, we are told, is very sensitive. It ought also to be sen- * % K ok T hardly scemed necessary to draw upon for their patronag for Harry Crandall to deny the rumor that the Crandall chain of theaters is to be sold. denied most emphatically by authority. other producing corporation for that matter, can see in these popula theaters a good investment, their present owner or owsers, as the c may be, will not be likely tovoverlook the fact. the theaters not located in the Capital of the Un not an amusement-loving public of And the rumor has been Surely if William Fox, or any e Why should they? Are ited States? Have they approximately a hali-million people In their appearance, appointment ber of the Friars’ Club, Lambs and | Treasurers’ Clubs and also of St.| Ceclle Lodge of Masons, and \\{\Fi { known from one end of Broadway to | the other. | Columbia Story of Pony Exyress. ism and art was aptly illustrated recently in the fllming of the Wes eplc—the story of the pony express. The Wells Fargo Bank of San Francisco, one of the oldest organiza tlons of its type in the West, repre and general atmosphere of comfort, if not of luxury, do they not com- | Sented the comercial side of the trans pare with the best that any city has to boast off? There is one matter, however, in connection with the reported desire of outsiders to purchase them which is eminently worthy of notice. It is that the movie magnate s the first to discover the value of Washington as an entertainment cen- t clearly to perceive, els here would have been r a fact that the legitimate theatrica interests have never been able many of the stage attractions that find their way outed preferably to the backwoods * kK HIS week finds another local theater opening its “Greater Movie Sea- son.” en version of eggar on Horsebac F strect. Or maybe Mr. tle of the picture ma 4 bit of novel vaudeville ; Last week we had Loew’s Palac innovation in the form of a talented pair of standing feature, although not neglecting its this is to give a clear road to Loew's Colu George Kaufman which this week offers an Siamese Twins” as its out- photoplay program. Perhaps mbia, with its offering of the and Marc Connelly’s notable play, " which will open the new season lower down on Loew is feeling his way in the forthcoming bat- gnates and exhibitors for supremacy by introducing s a part of his picture entertainment. Wash- gton already has had illustrations of this policy in the introduction ) jazz orchestras 1 tai and vaudeville features in its leading photoplay houses. Last weck the Rialto innovated with a contest between the classic and jazz, and newspaper reports said the police had to be called in. scems a very destrable accompaniment to picture entertainment, of the old advice to the shoemaker to stick to his last. udeville does seem to entertain when pictures fal Music , in spite One thing is cer- Il down, and that ought to be a sort.of warning to the picture maker. X X %k % M EANWHILE, with the “same old faces, Theater players. at the National Theater, got ‘away with another substantially, the National brilliant week in” “The Goose Hangs High.” Why look for further eyi- dence of w company of Midsummer? hat the public really wants than to the experience of this fine players and their delightful presentations week after week in action. James Cruze, Paramount director, was the artist. Throughout its career the Wells Fargo.E | Company was closely and vitall tifled with the growth of the pioneer West. i | The express company no longer | exists as an entity, having been ab- |sorbed by the American Express ,%\?3;{7:"‘3\':.?.‘ the beginning of the ! yuqly in ¥ | The Wells Fargo Bank of San Fran. drama, “Ch |cisco made possible the atithentic | the Nationa |fitming of “The Pony Expres —George Jessel, vaudevi EARLE—Margaret Severn and afternoon. TIONAL—"“Cheating Cheaters Laughs and thrills abound gener- Marcin's comedy-melo- ating Cheaters,” which Theater Players will offer by | this week, beginning tomorrow night |placing at thg disposal of James Originally produced by A. H. Woods, Cruze, the man who made “The Cov- | Broadws farce king, “Cheating |ered Wagon,” all of its data, records | Cheaters n for 348 consecutive |and old equipment, the most complete | performances at the inge Theater collection, it is claimed, in the United | in New York before being sent on the States, bearing on the operation of | road. e the pony express and the overland| The story deals with the anties of stage. * |two sets of society crooks who |prey upon one another in Th for Birthd lief of each that the other group is re- spectable. he rockton mol s Shier fon bulicay found ensconced in. a . heautiful dwelling—the edaughter, Nan: her Present. gt = e % | father and mother, and sundry other lRLIngEEI;I‘ErLFEt?kR‘I\l T famous {mm; of prey in the guises of & music | 3 produce his own | teacher and butler. N | plays in New York as soon as he fin- | balmers, seemingly espectable | ishes his picture role in “His People,” | and very wealthy. The Brocktons set | which Edward Sloman is directing at | the trap to esnare the Palmers, un- Universal City. |'aware that the Palmers, misled by the nie porn hresented with a theater on | Brockton veneer, have set about to | 4 oseph, the stage and screen star. The elder Schildkraut, a student of the classictsts, will present the works fof each to outwit the other lead to | laughable situations, further enhanced by the audience’s knowledge that the EDVARDEVERETT HORTON STRAND—"See the Apache,” vaudeville. the be-| by live the | |do the very same thing. The efforts | Stage Beauty Signed. | 'B P. SCHULBERG recently signed Riza Royce, who is well known on the New York stage. Her beauty is of an unusually vivid type. She made her professional debut in the Ziegfeld Follles, but almost immedi- ately graduated into dramatic roles, the most recent of which was the sec- | ond lead in the Edgar Selwyn success, “Dancing Mothers.” % | _ Miss Royce's first role probably will be in the screen version of Wallace Lew Tyler's Wives.” Finds Hollywood Changed. | “FIRST impressions ase not sup posed to gount,” sald “Alice Joyce, but the ofit"which greeted me as I stepped off the train will bear recount- ing_as many days as I hope t® live, “I don’t think there were as many stars in Hollywood when I was here as the number that welcomed me back at the station. Some I have known for years, but most of the hands that grasped mine in warm velcome were new and flt as it they could stand long usage In the | 3 wear and tear of friendship. [ noysy “The fashion in stars, producers | e e | nd directors seems unchanged. “Compromiae Bob." { Mr. Schulberg, for ' whom Iye Played in ‘White Man' had been 3 Very conslderate in making sultable | M[EETING the question of bobbed reservations for me at the Ambassador hair on a fitty-fifty basis, Jose- and there 1 was sped with a cortege Phine Norman has side-stepped the of studlo automoblles following. There | Decessity of making one of those im- 1s something strange about these three [ Portant decisions that furrow the things, feminine brow. i “Aside from the fact that I got| Josephine, a DeMille actress, pos- my start here, I was glad that I was|Sesses a wealth of wavy brown hair, already famillar with the _city's|and could not quite make up her mind world-famous climate. For while it [t0 part with it. Finally she compro- sunny the day of my arrival, it |mised, leaving her attractive tresses wgs bleak when I woke up the next | Unscissored except at the sides, where mérning. In fact, it was incumbent (& CUrving bob curls against her cheek. upon me to assure my sister-in-law,| This, sald to be a new idea In coif- Ars, Joyce, who accompanied me.|fures, will be seen in “The Road to that the following day was an ex.+ Yesterda featuring Joseph Schild- ception. i kraut. ~ 1 of Ibsen, Strindberg, Goethe, Schille Tolstoi and Yiddish plays turns to New York. ing in New York with the internation- allsm of the drama, and once this is accomplished he intends to return to the screen. The Schildkraut Theater, located in the Bronx, is a small, intimate play- house, with a seating capacity of 299. Jackie At It Again. EE€ENTLY at the big Metro- Goldwyn-Mayer studios, where the Coogan company has established production headquarters for the life of the nmew contract, Jackie Coogan | took his first screen test in 12 months, and Director Eddie Cline is having difficulty with his famous charge's make-up. Jackie has been swimming in his pool for months and is as brown as a little Indian, and grease paint and a coat of tan don’t mix. With the exception of the feminine role, for which a beautiful newcomer is being considered, “Old Clothes” has been fully cast, and Max Davidson will retain the same characterization that he portrayed in “The Rag Man” with Jackie. “Old Clothes” was written by Willard Mack and adapted by Ken- neth Clark. Eddie Cline will direct. elaborate pains each group is taking will lead to naught. Then comes the moment when the rival “gangs,” intent on plunder, dis- cover the duplicities each of the other, and their efforts are corfined to extri- cating themselves. The masks are torn off, a squabble arises over divi- sion of what spoils have been pro- cured and the result is very amusing. A last-minute denouement gives a | surprise climax. Thus the play takes |on the complexion of a melodrama with all the embroidery of rich and fantastic farce. 3 Leneta Lane and John Glynn Mac- Farlane will essay the principal roles. KEITH'S—George Jessel. wide range of entertainment, vest of frivols to melodic A from Keith's Theater this week. With George Jessel, distinguished young_serio-comic as headliner, the bill will be topped with one of the most versatile personalities of the vaudeville stage. Mr. Jessel pioneered five or six years ago in a vaudeville innovation in the form of an abbrevi- nted musical comedy. He also has produced several shows of his own and has written a number of popu- |lar songs. - He appears now in “Go Back Home.” % Elizabeth Brice, who has an ex- quisite manner of singing exceptional | opera singing, is promised at B, F.! NG, AUGUST 2, 1925. CLAIRE. WINDSOR and Auier Jover. ‘Strand e o, Current Attraction NATIONAL—“Cheating Cheaters,” comedy drama. Opens tomorrow Opens this aiternoon. company, vaudeville. Opens this Opens this afternoon. songs, will be featured with Frank | Kessler and his music weavers. | The Mexican ‘Grand Opera Com- pany will offer selections from stand- ard operas, their presentation in- |cluding a program of Mexican folk songs. | Others will include Mercer Tem- | pleton, in a singing and dancing di- | version named "Reasons,” by Neville Fleeson, with Dia Dato at the piano; Stuart Casey and Mildred Warren and company in “The Fog,” written by Paul Gerard Smith: Harry Rose, {a monologist with a fine feel for ravesty; Neilia Arnaut and Brothers in a novelty, “Musical Dansology,” which includes singing, dancing, gymnastics and violin playing, and i{Van Horn and Inez.in “Sixty- Turns {a Minute," featuring their original | swivel spin. The usual film offerings are shown. | EARLE—Margaret Severn and Com- pany. | Margaret Severn and company of dancers will headline the Earle pro- igram this week. Last season Miss |for Maryon Vddie, who, with Ota Gygl, fs well known in vaudeville, and her success resulted in headline book- ings. Featured will be Guy 1. Sampsell and Lily Leonhard in a comedy skit, “The Woman-haters’ Club,” and Wil- liam Edmunds and his company in “Peg_O' My Sole,” with Edmunds in ) the character of an Italian shoemaker. Others are William Horlick and the Sarampa sisters in a dancing offering; Norman Taylor, ‘Ida Howard and “Them” and two Cuban athletes, the Gaines brothers. E , Conway Tearle and Madge Kennedy are the stars of “Bad Company,” the | photoplay. . STRAND—“See The Apache!” The Strand Theater, today, inaugu- rates its new 1925.26 season, with.a bill of vaudeville and picture acts topped by Andree and Del Val, for- merly of “The Rat,” assisted by their own terpsichorean’ organization, the Argentine Orchestra, in an offering en- titled “See The Apache!™ Smith and Barker, two-clever enter- tainers, will_be presented in Paul Dickey’s laugh feast, “Crosswords,” and Lee Alton and Cecll, Allen in “Home Talent,” as speclal added at- tractions. Others will friclude “Wedge, Van and Wedge in *“Versatility"” and Jules Furst m': company’s *The Man on The Block.” The photoplay feature Is-Trio Pro- Tivelt Plays and Paints. ARRING accldents — which all must contemplate when viewing the future—Billy Phelps, juvenile of the Natlonal Theater Players, hopes to eke out a successful and long ap prenticeship in the theater. Phelps was tralned as an artist, but the bond between artist and play er caused him to become one of the vast horde of actors—not, however, | until he had sufficiently mastered the art of brush and pallette .to turn out creditable work on the easel. | “Youth isn't entirely a question of | vears,” belleves Phelps. “If it were, | | we would be denied the privilege of | | enjoying the work of some of our | greatest actors. There is something \about the theater that personifies | the youth a man feels within him: something that perpetuates it and keeps him eternally imbued. | “Look at the triumphant tours of | Weber and Fields and of Mclntyre | |and Heath, and the come-backs of Fay Templeton and May Irwin, to | say nothing of those delightful pres- | ences we have with us always in { Leslie Carter, Mrs. Fiske, Henrietta | Crosman and’ others. i “Give a player honest talents and jan intrinsic love of the theater and {only death or accident can wean him | away. Wealth has never succeeded | in weaning away the actor's love fc the footlights. "Of course, countless | people leave the stage for various reasons, as they do in other occupa- |tions. T am speaking solely of the GEORGL JESSEL Keithse Photoplays CORINNE GRIFFITH Me’rropOIifian This Week At the Photoplay Houses This Week METROPOLITAN—“The Marriage Whirl.” and evening PALACE Siamese Twins and “Night Life of New York.” Shown this afternoon Perform- ances this afternoon and evening. COLUMBIA evening. ’ RIALTO—"Take-a-Chance Week." evening. TIVOLI—"Just a Woman.” AMBA evening. EARLE ROOF—“Kiss Me Again CENTRAL—"Smooth as Satin.” noon and evening. eggar on Horseback.” s afternoon and Performances this afternoon and Shown this afternoon and evening. SADOR—“The Marriage Whirl.” Shown this afternoon and Shown this evening. Shown this afternoon and evening LINCOLN (Colored)—"Her Husband's Secret.” Shown this after- S S S S———— COLUMBIA—"Beggar on Horseback.” “The new photoplay season of 192 26 will be ushered in at Loew's Co- lumbia this afternoon, with “Beggar on Horseback,” Jumes Cruze's camera version of the famous play by George aufman and Marc Connelly, which features in its cast Edward Ev- erett Horton, Esther Ralston, Theo dore Kosloff, James Mason, Frederic Sullivan, Erwin Conpelly, Gertrude Short and Ethel Wales, as well as actor at heart, the person who would ' hundreds of others in supernumerary Severn was called upon to substitute rather act for a stipend than loaf in | | other occupations for a princely sal- jary. Phelps, who has experlenced his ups and downs with the National troupe, walted patiently for his per- sonal hit of last week. In this week's [play, “Cheating Cheaters,” he has | one of the most suitable roles of his | stay in Washington | | “The Perfec: Clown.™ FRED NEWMEYER, former director of HaroM Lloyd, has completed | the actual camera work.on “The Per- ifect Clown,” which will be Larry Se- {mon’s second spectacular comedy of | the new season; and it will be shown for a preview in Los An the next week. 1t is expected the picture will be | shown on Broadway early in Septem. | { ber before its general release, which | |is scheduled for October 15. i “The Perfect Clown” is an original story written especiaily for Larry Se mon. Its cast includes Dorothy | |Dwan and Olivey Hardy, Stuart | Holmes, Kule[?'e, Otis’ Harlan, Alice Fletcher £nd geles within | am Allen. | Norma’s New Picture. | <DBFL\'I1’E plans for a new Norma | Talmadge starring super-feature have been announced by Joseph M. | -, of a type entirely new and different for Miss Talmadge. is | titled_““Paris After Dark.” and will | present the star as a_lovable, impu- { dent gamin of the Paris street—sa | spitfire of Montmarte. The story an orlginal by John W. Considine, Jr zeneral manager of the Norma an Constance Talmadge productions. | Roland West, author of “The Un- known Purple” and producer of “The Monster,” will collaborate with Mr. | Considine in the preparation of the | play. Sl B GDe T REPLICAS of the famous jewels worn by the late Gaby Des Lys— ornaments worth a king's ransom, it is sald—were brought from Paris by Glorfa_Swanson to wear in her Para- mount Production, “The Coast -of Folly,”"as Countegs de Tauro, one of thres roles she portrays in the picture. One ornament 15 a necklace of large, luminous. pearls, strung on platinum, |the pearls belng pink, white and | black. -~ Another is a collar of pearls and pearl-shaped emeralds, with a gor- geous tassel of smaller” pearls and emeralds. Matched diamonds on a long. platinum chain, glittering brace- lets, pins and rings are in the list. Gloria’s outfit, however, is composed of replicas. s Tava Auide Makets: JDOUGLAS FAIRBANKS will dis- card makeup for his next pro- duction, “The Black Pirate,” it is said. Always dark complexioned, Doug has been letting Dame Nature make him up ever since he completed his last picture two months ago. He has been taking daily dips in his swimming | pool and sun baths at his studio until he has become bronzed as an In- dian. 2 ‘Work on flying rings, climbing ropes and tossing knives Is complet- ing his education as a pirate, and he will soon be ready for the call of “camera,” a swaggering, rollicking and rugged pirate, minus makeub. —_————=———oac ductions’ adaptation of George Agnew Chamberlain’s story of primitive im- ulses ‘““White Man,” with a cast by Alice Joyce, Kenneth Har- lan and Walter Long. ‘‘White Man,” which will be shown here for the first time, is said to preserve all of the picturesque atmosphere of the original story, with many thrilling moments. Short film feature and special or- chestral numbers including Donald- son's “Let It Rain! Let It Pour,” and “Row, Row, Rosle,” by Meyer, will complete the Bl | phony, jof the Rialto roles. ! The play has been pronounced by | eritics one of the most fantastic, novel | and enthralling comedies of 4 genera- tion. Practical unique In {its treat- ment, it offers a hilarious stady in dream psycholog: In some respects it screen “Follles” as 1t most every modern subject, ‘ncluding radio, stock gambling. social actory literatare, globe-trot- efficiency and marriage It is the story of a Young with his heart set on a symphony, who writes jazz for a live lihood and decides to marry an heir- ess for treedom from care. What hap- pens when he falls asleep and dreams of being the heiress’ husband dis-| pels the idea completely from his mind | and leads to the culmination of his love affair with a girl across the hall. | It is the first big special production in Paramount’s “Greater Forty" for the first half of the 192526 seaSon. A droll comedy. the Internatiomal news reel pictures, Topics of the. Day and orchestral embellishment under the direction of Leon Brusilof will be | added offerings. METROPOLY is a veritable travestizes al- for money composer. TAN—"The Marriage Whirl. Corinne Griffith will be the pictured star at Crandall’s Metropolitan The ater this week in First National's “The Marriage Whirl,"” adapted to the screen from J. Hartley Manners' play, “The Nztional Anthem.” “Our Gang" in “Ask Grandma,” the. Metropolitan World Survey and a delightful musi program by the Metropolitan Sym. under Daniel Breeskin, will complete the bill. “The Marriage Whirl” is the story of a modest young woman of the old school who makes the mistake of marrying a youth of wealth instead of his more substantial rival. For time she seems to have been success- ful in overcoming her husband’s vices. seript and supervision of the photo-| Luina night -the gang" drops in | Florence Vidor in and the old profligacy flares forth again. Because she genu- inely loves him she attempts to con- | form to his mode of living, and this willingness to indulge in his dissip: tions leads to_ Paris, the discovery there of an affair between her hus- band and a Parisian dancer and a ¢ max in their lives that lends the pic- ture startling forcefulness. Kenneth . Harlan is cast as the young husband, Harrison Ford as the wooer of the wife and Nita Naldi as | the flashy Parisienne. The settings | and sartorial trappings arve declared | the last word in opulence and spec- | tacular effect. The overture will be a potpourri of the gems from Flotow’s ‘‘Martha.” The recurrent theme in the interpre- | tative score will be “A Perfect Kiss" | and the exit march “Row, Row, Rosie.” RIALTO—Take a Chance Week. Beginning today the management announces ‘“Take a Chance Week,” so designated because the special features will not be an- nounced in advance. 1t is asserted, however, that an un- usual array of novelties hes been ar- ranged, and it is believed by the man agement that “Take a Chance Week" will prove one of the season’s pleasant surprises. The photoplay is “Black Cyclone,” starring Rex, the wild horse, in which the miracle of seeing a horse register a personality is wrought. Human support is given Rex by Guinn Williams, Kathleen Collins and for a “party Christian Frank in a love story paral- | |leling that of Rex, whose love is Lady, a beautiful mare, and whose rival is The Killer, a pinto that is a demon villain. Guinn Willlams sup- plies one of the high tension thrills ‘when he leaps on Rex's unsaddled back and rides with a speed of a cyclone across the plains to rescue his sweet- heart. While there is a love story between humans in “Black Cyclone,” it Is de- clared shat the hotses run off with the honors. i PALACE—"Siamese Twins’ - “Night Life of New York. A superb double-feature bill will be presented at Loew's Palace this week, and | Paramoun | Stiver, | addea afternoen, headed presentation twin beginning this Marcus Loew’s | San Antonio “Sia and Vieolet Hilton, who were | jolned together, and who will three appearances today four each day b eek feature will be Allan Dwan's mount production, “Night Life New York, featuring Rod La Rocqu Dorothy Gish and Ernest Torrence. | “The san ant twins _are born make o | nounced as “the eighth wonder of | Palace marks their wide vaudeville tour under Mr. Lo direction. The girls, who old, are accgfplished performers or variety of musical uments | Wwill be seen and heard in a mus { novelty called “Saxophonia Moment written by Ter with Irw Dash at the piano. Ever since their * Antonio a few r: | ton sisters, Daisy tracted attention t mastery of a physic would naturally be expe | pacitate them both both are high | graduates have learned together to play ber of different musical instrum “Night Life ew added feature of hew be offered in Washington. on Edgar Selwyn’s or features, after months, N Rocque 1 fellow 9-o'clock town whe father decides that a taste of Broad- way will get it out of his system Added features are promi TIVOLI—"Just a Woman." Claire Windsor apd Conway Tes supported by Percy Marmont, | Dorothy Brock @ Dorothy Ret will be seen the ays of week at Crandall’s Tivoli Theater First N al's film version of Bn gene Waltei's pl Just a Womar together with L: Semon in ““The Cloud Hopper.” and the Pathe Review Tuesday and Wednesday, “Wildfire Vitagraph’s picturization of the I Lillian Russell's famous vehi: Alleen Pringle, Edna Murphy, H Herbert, Edmund Breese, Mary man and Will Archié: also Al St in “The ITron Mule,” a Bruce and “Topics”: Thursday i Friday Adolphe Menjou, Betty Bronson and “Are Parents Peo installment starring G Vaughn he ( and " in San two H have : the first of products to It is based al story and ence of man Gish. Joh scenic ple”’: also the fin. ‘The Pacemakers, O’'Hara and Alberta day, Johnny Hines in jac Aesop Fable : George tur acker Corinne Griffith in Whirl,” a screen ¥ ley Manners’ play, “The them,” will be seen at C bassador Theater the first three days of this week. in which she is sup ported by Kenneth Harlan, Nita Naldi and Harrison Ford. A new Aesop Fable and pipe organ music will be attractions. Wednesday Thursday, “After Business Hours. Ethel Watts Mumford, with E Hammerstein the star. supported b | Lou Tellegen, John Patrick and Phyllis Haver, also Harry Langdon in | Marriage Wow." and a new Lyman | Howe “Hodge Podge’: Friday. Aileen | Pringle in_the role plaved on the | stage by Lillian Russell in “Wildfire. |a drama of the tracks by George V. | Hobart and George Broadhurst: also | the eleventh release of “The Pace makers” and CIiff Bowes in ‘Permit Me'': Saturday. Jack London’s story 'Adventure,” adapted to the scre by Paramount, with Tom Moo | Pauline Starke, Wallace Beery, Ray Walter McGrail “Air Tight, ‘The Marriage by n !mond Hatton and |also Bobby Vernon in {and a Pathe Review. | EARLE ROOF—“Kiss Me Agai The photoplays selected for the | Barle Roof this week include: Todas | tomorrow and Tuesday nights “Kiss Me Again,” an Ernest Lubitsch pro | duction, with Marfe Prévost, Monte [Blue, Jgpn Boche, Clara Bow and | Willard Pouis; Wednesday and Thurs |day nights, “The Kiss Barrier,” fe {turing Edwin Lowe; Friday and Sat urday, Conway Tearle and Ciaire Windsor in “Just & Woman,” sup ported by Dorothy Brock, Percy Mar mont, Dorothy Revere and George Cooper. Dancing to thé music of Robert Bond _Gotta’ hestra _ continues from 11 o'clock till midnight. (Continued on Third Page.)