Evening Star Newspaper, October 28, 1923, Page 85

THE SUNDAY STAR. VILLE By W. E. HILL Copyright, 1923, By The Chicago Tribune The Pocket Melba's Pianist, Doing His Bit On The Ivories. He'¢s Playing “Three O'Clock In The Morning” The Way Sousa Would Have Written It “'0i, Oi, Yes, We Got No Bananas, I Can't Get Over It!"” Is The Yid- dish Cormedienne’s Opering Re- mark Something Pretty Swell For An er, Showing McCabe And cCall In "Acrobatics A La Carte.” Mr. McCabe Plays The Waiter Very Roguishly As You Can See, And Miss NicCall Plays A Society Girl Who Steps In For A Bite To Eat, To The Life. Very Snappy Act “Why. You Insignificant Little Whipper Snapper! How Dare You Address A Lady Like ! 1 Want You To s J 3 . R o I s Loty Lo Tour Have A Pretty Snappy Dislogue Leading Up To A Subtle Bit Of 101 1s The Nut Comedian Being Comedy. The Lady At The Conclusion Of Her Speech Throws The Young Man Out In The Wings. ‘Whereupon waya Is} Prétending To! Pick A From Behind The Drop The Young Mian Kicks The Lady, And All Is Nierry As The Well-Known Marriage Bell Fight With The Fsen Dénmeser Twice A Day The Poor Musical Di- rector Has To Up And Answer Back Says He, “ Old Maid Like A Tomato?"” And For An Encore He HasToLend N.C. His Fiddle Till Ready. Bessie Is Waiting For The Opening Bar Of “Why Should I Cry Over You" Or Its Successor. After The Second Chorus All The Words Will Be Flashed Upside DownOnA Screen, And Then Won't The Audience En- joy Itself? 7 . . " **—Or Maybe They're The “Five Wellesley Girls” On The Billing—Putting A Great Deal Of Melody Into “You Know You Belong The Five O'Toole Sisters e e To Somebody Else, So Why Don’t You Leave Me Alone!”