Casper Daily Tribune Newspaper, November 16, 1924, Page 19

tig i NI PICTURE Harry Myers, internationally known as a comedian, has assumed a new type of role in “Behold This Woman,” which Will be shown at America theater starting Tuesday. He is now areal screen villian, but riot the deep-dyed kind that bear all he earmarks of the days when the len, twenty and thirty melodramas e lar. He is the gentle- nly type of villian, for whom all ithe girls fall and who enjoys a cer- ‘tain pppularity with his own sex. In Short, he is the “heavy” one meets in life, with attractive per sonality and ideas of his own, The heavy in E. Philips Oppen heim’s story is not a “bad man” In the accepted sense of the word. He defies conyentions and believes all is fair in love; but when he comes up against a real man of the hills and has to play on the level or quit the game, he chooses to go straight Although Mr. Myers is known ts a comedian, his first screen hit was that of a “villian” ina meledramat fc production. Later he became a leading man and soon developed in- to a leading comedian. Since his first hit Myers has had ambitions to portray upon the screen a villlan as he believes villains to exist: See icy 6 a DOUG M’LEAN IN IANS THRILLER Douglas MacLean, the star of “The Yankee Consul,” which comes to the Iris, for today only, has rid, den every conceivable form of rid. able object in the world or at least he thought he had up to the last moment of his latest comedy sub- Sect. From the time he was an infant he craved motion. From his cradle days to the lightning speed obtained through fleecy clouds in a demon aeroplane MacLean has been on the move... Since entering pictures he has done nothing but ride any old thing that came along as long as it was the desired object to furnish transportation. In “The Hottentot,” a horse was ridden a mile a minute, more or less. In “Going Up," he made an aeroplane do. shriekingly comic ma- neuvers in the clouds. In “The ‘Yankee Consul” there is a motor chnse down,a mountain side with his machine jumping chasms until— but go see the picture and take a handkerchief because you will laugh until you cry. The NETTO LADIES OR Playing = By F. “BAGDAD” Words by Jack. Yel Music by Milton A KINOGRAM NEWS and FABLES =" 5 Special Attraction “LIGHT CAVALRY” Vv. SUPPE Novelty Number—the Popular Hit FIGHT IN ‘THE A fist fight that will ‘stand out in motion picture circles as a stand ard was staged by John Bowers and Alan Hale during the making of se- for ‘The Code of the Wild- a David Smith production, now playing at the America, Both Bowers and Hale have been ambitious to go into a picture fight in real earnest and stage a combat and vivid’ as a championship bout in the roped arena. fe fate of the pictures has never given. these players an opportunity to try the experiment unt!’ they met to gether in making “The! Gcde of the Wildernes: Director Smith ‘was consulted and agreed to the arrangement. The day set for the action found all the mem- bers of the company on location to witness the dontert. For a long CHESTRA len . ger. mat RIALTO for the screen that would be as real- A Dimitri Buchowetzki Presented By Adolph Zukor and JesseLLasky Shows at 1, 2:40, 6, 7:40, 9:20 (+ se PICTURE ACTORS STAGE REAL CODE OF THE WILDERNESS’ AT AMERICA while both men’struggled and fought They were pretty evenly matched and it seemed as thcugh the battle would be a tie, Bowers went down once and came back slowly, but be- fore the spectators were aware an uppercut sent Hale to the ground long enough to take the count. The sequehce called for Bowers to defeat Hale, and as both p'ayers were well winded, tattered and bruised in the conflict Director Smith called cut and the actors. re- turned to their hotel to nurse their bruises throughout the night. “I am satisfied that that /is one of the most realistic fights in pic- tures,” said Bowers. “I worked hard and really fought to a finfsh.” “He licked me fairly,” declared Hale..‘It was no movie squabble this time, but a real, honest to gcod- ness fight. Ivtried hard to win And fost to a better man.” PRODUCTION NETTO LADIES. ORCHESTRA AT RIALTO. RANKS. ; WITH BEST MUSICAL ORGANIZATIONS IN: WEST An orchestra composed entirely of women, and an orchestra: which ranks well up among’ the best thea- trical organizations jn the west, is the unique combination which forms one of the major assets of Casper’s Rialto theater. The Netto. Ladies orchestra therefore’ ‘has deservédly earned its large and enthusiastic fol/ Che Casper Sur Say Cribune in the Bahama. Islands. When you | tague 1. who played th see this photoplay you will be | chi r DeLinsky, who was one an amazed at the marvelous south-sea | of natives, suffered a ad “3 ot atmosphere and the pictorial ‘beauty sprained M ' r a that_every member of the company in the company tame ba , " experienced in making the picture.| New York tanned and‘thin from tl B In checking up the casualties of | excessive heat’ of the: troy and | D the “location trip, it was discovered | marked by hundreds of s 1 that Miss Daniéls ran a rusty nail| bites. Oh Art what sacrif\ ings, ¥ Sha F : into her foot; Dix splintered his el-! made in thy name! iM a PAGE SEVEN, theater was filmed almost ent! ly | bow in the fight he had with. Mon of the tropical backgrounds but you will. know nothing of.the hardships e picture; and e a scene in t “Behold This Woman” Treat for Lovers ot Good Motion Pictures Which Comes To the America Theater on Tneseivi of today, which. complenients eyery mood .of the “acted -story..with appropriate. auditory. . background Fully to appreciate the. part. miste |{ plays in the, enjoyment of.a, modern ‘movie’ one need only imagine any ig. feature divor: from its or hestta and grinding. on reel after .reel in silence: Experience has Tade, Mrs. Toad wi ! for BS) SROORS theatersgoers : here. |'.7, “adept in: the. ‘difficult. art “sot Seven artists, each a thorough’) ‘scoring pictures tao” ‘that music mistress)of her chosen instrument, |’ ind” action shall glways be -one.in make up the personnel of the or heme and mood. Sho’ gives: the chestra. Nelly G. Todd, Mautist,“is | reutest care to. arranging her pro directress, and she {s ably. seconded |" irains, ind. endeavors not: only to by. Margaret Carr, violin; Lilian Ni roduce the hits of the. hour. when chols, clarinet. and saxaphone Myrtle Coggle, cello; Ada Kensinger cornet;.Opal Park, piano and Ther esa Mentzer, drums, ; ‘The arrangement of orchestral set, tings for film features has, been de- sy ‘are fréshbst’ hut Als6 to include one ‘authéntic: classic In each pro- am, Mrs: Todd has- conducted. orches- Ys in Chicagg.as well asin Color- do.and Wypming. She.opened the veloped into.a distinct and comple: ) Psincess ‘theater! in Denver with a‘10- art. in the-years since the. nickelo deon and the old one-reeler. Thx time when a-languid contortionis pounding out monotopons. discord from a jingling wreck, of a piah sputtering, perky. filme of the! earl: days and bridged the-weary gaps bt tween reelS with a trifle\more ve hement cacophony, form: an. amu: ing -contrast-to the-theaterical musi INNING “AT “BRINGING: UP FATHER IN IRELAND” -All fan" lovers will’ be present: at:| afternoén whén-*' “Bringing Up Father in Ifeland” will open’ an en- gagement-of two night” and two matineés. “It’s all new every season, new girls, new musfe and Aéw com- edy. You'll ‘all ‘agree; that George | McManus mist have‘an wfusually fertile bratn, when he is able‘ to con- The story of a woman who gave —and had to fight for a fair exchange. TODAY TOMORROW TUESDAY 4:20, ceive &: new ‘cartoon’ stunt-fér the’ newspapér readers every Sufiday, as well as ‘an’ entire * new’ play ‘for theatergoérs * ‘every: se4so! The a erage “flim fa: fan, midst comfort. and epse in’) wel ventilated, excellehtly,- appointed theater and watches the silent shad- ows flit across the silver sheet, lit- Ge sits supplied. fit. accompaniment for th. the Iris“theater’ béginning ' Friday |- ece orchestra, and, later inaugurat- d theaters in Colorado Springs ana |’ heyenne, before foming .to. Casper. ie Has compiled ‘a rémarkably fine brary of music, ineluding the. best- nown. ovéftures, yhapspiies,. con- ertos, fantasies ond operas: as ell ag popular. airs whjch make up a Sunplete history of American popu+ r music. She values her collection £ $3,000. . : . tle dreams*of the ’time «and .effort and*energy that goes into'the mak- ing ‘ofa’ motion pltture.r It is dit- ficult to-show him or-her that the few thousand feet“of ~ film « which ‘takes about ‘an’ hourtorunwind upon ‘tHe screen’ took many months of heart-breaking » work—work*: :some- times ‘accomplished under tremend- out» difficulties, *“Sinners in Heaven! is a case. in point. This » Paramount’ picture, which* opens shortly atthe: Rialto 5 |THE YANKEE CONSUL” Algo-Comedy “FAINT-HEARTS” -10¢ and 20c an | With a very prominent cast including Irene Rich, M ind Rosemary Theby, comes “Behold This Woman,” a love sto; starting Tuesda “Behold This Woman” is an adaptation of “The Hillman” and deals with the life of a movie s' nd the m3 ruerite De La Motte, Charles Post, Harry Myer of Hollywood, to the America theater Phillips Oppenheim’s famous nove teries of screen craft. A DRAMA OF THE REAL WEST WITH fe Hi The never-to-be-forgotten star‘ of \ Harold |Bell Wright's: “When. ‘3 Man’s a Man.” IN THE SUPPORTING CAST ALICE CALHOUN and ALAN HALE —Also— A VAN BIBBER COMEDY “THE FIGHT” \ By Richard Harding Davis MYRON LEFFINGWELL’S ORCHESTRA Shows at 1, 3, 5, 7, and 9. 10c and 40c TODAY AND MONDAY NEW SHOW TODAY 40c COLUMBI : Continuous Performances—Shows at 2:30, 4:45, 7 and 9 o’Clock VOGEL AND MILLER’S MUSICAL SHOW THE HAPPY GO LUCKY CO. In the Happiest, Snappiest Comedy “A TRIP TO HONOLULU’ : Full of Fun, Fast and Furious MUSICAL NUMBERS ; “Hawaii, Bound” ----.-....-.Happy Go Lucky Girls »“My Hawaii” -__# i 2-Charlotte Earle & Company Mamas Whip? eco: Sin i a __Carrie Handy and ¢ “He Loves Me™ 3 Will Jeffries and ¢ Specialty ---~_.__ a : __.._Vogel and Miller “Just-for Tonight”___ __Charlotte Earl and Carl Armstrong } Specialty oye eee a Ls “The Georgia Four” Finale -..- Vira iy Shake .... Entire Company | First Run Pictures BEN WILSON in “NOTCH NUMBER ONE”