The evening world. Newspaper, October 5, 1922, Page 29

By Matgery Wells. Copyright, 1922 (New York Evening World), ‘by Press Publishing Comps HIS is private information from Yad one of therh. She says they are sick of wearing clothes all alike d above all they are disgusted with ing pushed into one set and called "flappers."’ She says they are conferencing Imadiy between classes and parties und business and that there is a gen-ral tendency in the directton of wearing Islothes that are suited to one person- alone. There was a time when they all were devoted to turned back and tweed suits, Because one had the uniform, it seemed, the other Must have it too. And the result was that they looked as much alike as so Many sancs upon the seashore. But the révelation comes in the fact at the flapper Is seeing this her- elf and that she, or they, are sturt- ng the fa hion of using some brains about their clothes and of dressing to suit their own peculiar temperaments. It will be interesting to watch—to ee whether this youngest of Ameri- ean girls will succeed in doing the thing which will make her truly more eautiful and which will lift her out that sof mediocrity. into which, interesting though it was, she was forced by the flapper costume, It isn't so easy to wear good-look- Re clothes when you are doing It Wan individuality basis. But it is tiafactory once you have succeeded in doing it right. You are. much rouder of yourself and your looks hen you don't meet yourself facing ourself around every street corner. nd then you are apt ty meet such hwful caricatures of yourself—for not bverybody created the costume as well hs you did it yourself. And you had he hateful feeling that you might be h little funny looking, though you ww positively you were not. flow, the girls who are deciding to Ing out their own personalities are ooking . around among the. new Fashions to find which type suits them best and then they are planning heir new clothes over those lines. [his is an excellent season in which 9 turn over the new leaf, beca ise here are so many different kinds of yles from which to make your se- ection. You can fairly go about as fou would through a period style book relating each costume to your bwn good points and to your bad bnes until you are able to find the hing that, from an all-around point view, makes you look better than ny other. You can have wide skirts and long bnes. You can have narrow skirts hat are pretty short. You can have raped clothes if they suit you best. can wear things that are tight [Sout the hips or things that are so loose at- that point that they cover p any deficiencies, The fact of the matter is that the time is here when ou need not adjust yourself to any ype of clothes, but when you can bick out the dresses that are suited or you alone—that secm to have been built for your express and par- cular purpose. There could be no better apportunity for you to step in express yourself whatever your- may be. Now, in. the pictures on this page ere are two girls who have taken Ihe newer styles and used them to ing out their own selves and their bwn personalities in the very most ap- ealing Way. They look different, Yes, ndeed, they do; but that is the way Iney want to look, and 4 can tell you his—they are dressed just as smartly ean be, according to the newer fashions and all they stand for. There is nothing the least bit cum- ersome about these clothes On the ontrary, they are more graceful and hey have more charm than any Mresves we have seen for a long while. they look a bit extraordinary to you, st stop a moment and rememper that hese are the brand-new fashions— hat they represent a whole new hinking process in the way of othes, and that they are essenttally thrul in the thing that they rep- esent, even though they may not be konstructed according to past flapper fashions. Why can’t the younger girls be the ost original ones of all? They are he most daring. That we know. ow let them, prove their daring and heir snap by doing the really beauti- thing instead of following blindly © way that some smarter flapper lead. ee the girl with the big cuffs! She upresses simplicity in the sweetest yy and she looks so smart and fash- onable in her own individual way. Irhere is nothing interrupting to the ine and beauty of her duvetyne frock bt blue except the red silver linings bo her flaring cuffs. The neckline is lain, The skirt is straight, The bodice works its way into the skirt tn bit of a fitted fashion, The sleeves are almost tight, 80 that they shall be snug and warm for mter wear, And above everything e, the girl looks lke an individual. Bhe is her own sweet self without any Ns and furbelows dictated by an bitrary fashion law. The whole eep of her dress chimes in with or straight bobbed hair, and she is rrying her own style out into the Jd with ull of the swing and art d surety that are her natural right. a 2 8 The Flapper Is Changing Her Style-- - Now Demands “Individuality” \ SHE’S TIRED OF “WEARING CLOTHES ALL ALIKE” has a soft dress of .tomato-colored crépe to make her afternoon frock. You can dee what the principle is at a glance. A straight piece of material —even as the so-loved dresses of the past seasons were straight. But this time there is more fulness, more width around and a greater grace of line due to the fact that the extra fulness has been gathered together in places under soft rolls of the same silk, Then she has added only little lacy cuffs on the short und fitted\ sleeves to give just that touch of freshness which does so much for the effectiveness of the youthful dress, just as it does for the frocks of those of more mature years, So, if you would be marching in the fore ranks of your generation, then you must begin, at least, to be indi- vidual. For, I tell you, all this copy- a i a ad ng a ing business is going out of style just as'gurely as the flapper suit of tweed is passing away. You must take on a new idea if you are progressive and this is that new idea—be. yourself! Above, a full and grace- fully sweeping dress of toma- to-colored crepe which has all the new tendencies de- manded.by~the-wbobbed-hair * girl. ing cuffs for the girl of me- dieval type. ge The Jarr Family By Roy L. McCardell Copyright, 1922 (New York Evening World), by Press Publishing~Company. time? ked Fred, the sport- ing barber, as he adjusted the chair for Mr. Jarr. “Been away on a business trip," said Mr. Jarr. ‘Cut it short.”* As he meant his hair behind and not conversation, the barber con- tinued: “I'd like to travel mysel?. Before I was married I used to be on the go half the time. Of cours» it ruins your clothes, but what does a guy care for that if he wants to get to Havre de Grace or Latonia?"’ “But I don’t see how travel is especially hard on one's clothes,” said Mr. Jarr. “Maybe you don replied the sporting barber, as he toyed with the clipper on the short hair at the top of Mr. Jarr's spinal column, the cold steel causing Mr. Jarr to wince at the weird sensation it caused in that vicinity (3 #*But I'll tell the world,"’ the barber continued, “that I didn't have mucn money them days, and what 1! had I wanted action for. 39 I generally took the blind baggage or the brake beams when I atte! the meets at the big out-of-town tr ou “Do you still do it?’ asked Mr. Jarr. “Not since I'm married," was the reply. ‘‘Them California tracks is too far for me now, and so is New Orleans. But it's no use talking, the handbooks don't give you the prices you can get from the lawn mowers at the track. I never wasted any of my money on carfare if I could help it, and I always played my bank roll net, but I'm lucky now if T can afford to play a two-spot on a sure thing Still, it's better to pike than to live a life without a thrill, Was you ever abroad, did you ever see the Derby or racing at Longchamps?" “T was in Europe before the war,” said Mr. Jarr, “but I did not get to see any of the big races you men- tion. In fact, I did not see any horse racing at all while abroad “A guy was telling me that when people go over on the other side they don't do anything but go to see the churches and picture galleries—I sup- pose he meant the movies, by picture galleries ?"’ Mr. Jarr explained about ecathe- drals and the paintings of old mas- ters. “Where ,have they barber shops over there where the greenhorns come from?" asked Fred. “I didn’t observe carefully,” re- got the best Wow, the girl in the other picture plied Mr, Jarr, “but I got my hair HERE have you been for a long cut in Paris, and ‘the’ barber did it iss Barbara Bennington." ail with a razor and a comb—never used any scissor “Now, there's something worth go- ing abroad to see!" cried the sport- does a guy learn of the world sticking around his own oilstove? Nothing! “Do them foreign ‘barbers job a Jasper—a customer I, mean?" asked the barber after a pause, ‘‘You know, nick him for the“ extras—shampoo, hair singe, facial massage, violef-ray By Caroline Crawfi Coperiess, The Loye Story of'a Small-Town Biaes entered the lamp-shade ‘gone. He would. probably go to ing barber enthuslastically. ‘What dance or show with Minnie that very _ he OCTOBER 5, BARBARA’S BEAUX 3022 (New York Evening World), Preae Publishing Company Girl’ in New York to Find Her Career. SYNOPSIS. Barbara Bennii yoara old, where she has and comes ® an artist: old Simithy, th and at last—bi Hogin this story country girl life, a career, and win DAN AND OLD SMITHY. factory by a side entrance be: cause she wished to avoid meet- ing Dan Dover. When he escorted her home from the factory dance he had intimated that he cared for her ind that since they were both strug gling to be artists that alone ought {o be a tie between them. But Barbara had not come to the city to make friends with men. She wanted to succeed as an artist and she wanted most of her evenings free to work and paint. “Oh, here we are again,’* chuckled Dover as she rounded a corner sud. Jenly aud almost fell into bis arms. ‘I knew you'd come this way. You thought I'd be waiting for you at. the front entrance, didn't you, foxy? But I knew you too well for that. I read your mind, Miss Barbara, and I knew very well you'd try to avoid me this morning. By the way, it's a fine morning, isn't it “Couldn't be better,’ smiled Bar- bara, and inwardly she was a trifle pleased at the intuition of this man Gut Dan Dover was Minnie's ‘‘steady"’ ind she did not intend to steal other girls’ beaux. Besides, she must paint something right away and that meant ibsolute concentration. “Take lunch with me, will you?" waked Dover. Barbara paused with one foot on the factory “stairs and looked straight into young Dover's eyes, He was a sturdy, handsome with plereing gray eyes and’ a’ black pomp- adour. There was something almost brutal about his force and: domineering mannergnd yet, back of it all, she felt that he had a gentle nature. “Mr. Dover,’ she began, but he held up his hand saying, ‘‘Please ci that ‘Mr.’ Stuff. Call me Dan and le: me call you Barbara." “T'd like to be sociable," she began again, ‘‘but I'll tell you why I can’t. I came to this city to work, to get ahead as a designer of girls’ heads for magazine covers. I know I hove talent and I don't think it's conceited for.me.to say so. But 1 shall have fark evenings, Saturdays and Sun md every spare moment. If | going about with young men :o At the Jeft, enter the flar- “dan theatres I'll forget what 1 came to the city for ana before T'll ‘enow it I shall have been here a r and in just the same boat I started.” “T see,’ said Dover thoughtfully. ‘So you are one of those ambitious, restless women after all? I thought you were an old fashioned girl who could make apple pie and liked to make her own dresses. I pad visions of being an artist myself but 4'm going to enjoy my youth. Well, if you feel that way about it T guess T won't stand in your way., I'd hate to stand in your light. Godd morning, His strong, almost brutal shoulders were edging their way up,the factory stairs and in another-moment he wits evening and Minnie would laugh at her’ and call her Greeny’? but she didn’t care. She would make a sketch and show them all ‘A few minutes later as she bent over a lamp shade and added a pastel gryen to the leaves of some fall grapes treatment, hair tonic, eyebrow treat- short, pudgy little man bent over her. ment—the third degree generally “Do they?" replied Mr, Jarr, “‘It's the favorite barber shop bowstring all over the world, And in Paris they not only job the Jasper or nick the cluck, as you say, but they give him a rough time with a dull razor and soap in his eyes, If they can't sell him expensive cold-cream, cologne, novelty hairpins, and novelty hair- combs for his wife and daught “Then Frogs ts all right!" cried the sporting barber, ‘And I’m sorry that Carpentier got knocked for a row of skillets by that vig ton of coal, Siki, the Singalese, How are the limies—the Johnny Bull barber shops “They are not so bad,’ said Mr. Jarr, “but they charge you extra for a hot towel. Still, they are cheaper than American barkgr shops, Hair- cut seldom over sixpence, and regular tip only tuppence.” The sporting barber sniffed in fine scorn. ‘tAnd them’s the jobbies that Rudyard Kipling says we should have done the fighting for from the first year of the Big Fuss!"' he said con- temptuously, “next!” She looked up into the face of Sam Smith, nicknamed "O14 Smithy" by the girls and “‘the married flirt.” ‘That's beautiful work,"’ Miss Ben- nington, ‘'B-e-a-u-t-i-f-u-l,"" he com- mented as he stood afar off with head a little to one side, but she knew he was looking at the slope of her shoul- ders and the curve of her lips instead, and if she had keen painting upside down he would have laid the same em- phasis on hf words. “Some one told me that you are an orphan, Barbara,’ he said coming nearer to her and placing his stumpy little hand over hers. ‘‘Is this tru Barbara did not wince, she did not draw her hand away, she simply stead led her eyes and met those of “Old Smithy’ for a brief moment. 1 am an orphan," replic came to the city to mak I am so busy t I ha worry about that dr get lonely Old Smithy dropped his eyes. “Very good,’ he said as he strolled to th next girl. From there he bellowed at her, ‘Come to my office at noon to day. To-Morrow—The Interview —————— To-Day’s Birthday Celebration Jonathan Conyrishty 1024 (New York HE first American theologian T metaphysiclan to win wids fame abroad was the Rey. Jon- athan Edwards, who was born in East Windsor, Conn., 219 years ago to-day, He preached at Northampton, Mass, labored among the Indians, and in his latter years was President of what 18 now Princeton University. His “The Freedom of the Will” and other meo- logical works made him famous in England and Scotland as well as tn America, Edwards preached constantly of World), by Press Publishing Co JOC tT ee) hell, and his favorite texts were such as “Why saints in glory will rejoice to see the tortures of the damned,” He deseribed hell as a place where God’s convicts ‘‘suffer extreme to ment forever and eve in pain, in wailing and lamenting, groaning and shrieking and gnashing of teeth,” “with bodies and every member full of racking torture, without any possi Wlity of getting ease; without any possibility of moving God to pity by your cries; without any possibility o obtaining any manner of mitigation o1 help or change for the better any iat Pern TaN T uch Is Life! IT'S THE NEW STYLE. THEY ARE WEARING, SKIRTS ew C WHATS, RECONE SOF 7OuR, LEGS? Ve SS Sage P LAUGHING AND GET§ IT'S THE NEW STYCE, EY ARE WEARING 'EN Your Wedding Anniversary _————————EE | THE FOURTEENTH. The ‘Ivory Wedding." LD linen and lace which has at- O tained an ivory tone will do . hicely for the table coverings, and jn case paper must serve for this Purpose_use the all-white, which can be had in a deep cream shade, A ship, suggestive of the ‘‘matri- monial bark," would be quite appro- priate as .a table centrepiece. for any of the wedding anniversaries, For the fourteenth it should simulate ivory, which can readily be done by constructing a wire framework and covering it with satin ribbon or paper in an ivory shade. A canoe or gondola is probably more easily constructed than any other bark. Make this of white ‘mat-stock covered with ivory tinted paper, The bark idea can be further car- ried out in the serving cups for bon; bons or nuts. These can be small canoes fashioned from mat-stock and covered with ivory paper either plain or SE and fastened on a small The dishes used for the ivory wed- ding should be devold of decoration. If paper plates are used get the white damask effect and immerse them In a strong solution of tea and let them dry to produce the ivory tone. ‘The shops are showing pretty candlo holders in ivory imitations e are attractive small electric lamps, also little off la aps of ivory that would make effective table ornaments Shades are easily made by covering the wire frames with ivory satin or luce and finishing the edge with ivory beads, Ivory paper shades are ob- tainable wherever these articles are sold Among the ivory toilet articles are many suggestions for gifts, There are ivory clocks, car ivory framer, book-ends und novel paper welghts, There is an extensive variety of tvory figures and ornaments in all sizes to select from. Pretty ivory napkin rings make in- expensive gifts. Ivory necklaces are now fashionable andthe black cords with ivery bead slides and exquisite ivory idants in floral di among the very latest offe of » Ivory pendant n ivory satin box is ble gift for hubby to present to the fourteen yeur bride. An ivory han¢lie cary set or knives and forks with ivory handles are practical gifts Maxims of a Modern Maid ———_——_—By Marguerite Mooers Marshall Copyright, 1923 (The New Yotk Evening World), by Press Publishing Company. Béing subtle with & mah is like using a feather duster on a pig's back; he may be tickled, he may’ be annoyed, but he probably is too thick-skinned even to realize what you're doing. HEN a woman feels utterly desperate she buys'a new hat. than feels the samé way ho buys a drink. more expensive than moonshine, we have here another proof of the great truth that it's always the woman who pays, &c. Since millinery is still The romantic hero yoman he loved at least didn’t live with h Jong enough to wish he could! who died for the sake of the Befora marriage a girl's lightest words are to her lover like the pearls which fell from the lips of the fairy- tale princess; after marriage he merely wonders why she talks so darned much! It must be so nice to be a man: when he gets tired of jw woman he can always explain nobly that he realizes he isn't good enough for her—and of course there's no argu- The things a woman forgives in a man before marriage are the things she finds it hardest to forget afterward. Ife bachelor 1s a gay dog, » “misunderstood” married man is a lost dog —always ready to follow home any kind voice or caressing hand, ‘The hardest thing about being jilted for either man or woman is to live up to the expectations of one’s romantic friends—all of whom expect the * A lover's sins are of commission; a husband's, of omtsston, “The First Time It Happened” — EW ENGLAND COURANT. The first rebel FIRST “AMERICA’S CUP" RACE, HB first international yacht race to establish title to t American colonies was the New Eng yeurs ago over Club's course, and resulted in tory for the American cutter ninety-seven the fourth newspaper to be vrinted on this continent tropfly was Courant the organ of those already com- menced to falter in their James Franklin was a bold and fearless writer and he very quickly found himself tn Jail and a! occasions calle the schooner America visited England in 1851 to be called son of the victory uft over all the of England in a race around the Isle The America was built in Boston and was of 170 tons “America’s Cup" other country. Courant not only attacked the political ibuses of the day, but it was decidedly free in its treatment of religion, with result that the Mat clergymen who looked after Boston's lays sought suppress the publication gift of the owners of phy was presented to the York Yacht challenge cup for the yachts of all na- Feed The Brute Favorite Recipes By Famous Men. By RICHARD WALTON TULLEY, Playwright. Hawaiian Croquettes a ta * Bird of Paradise.” T WAS about fifteen years ago thit I first visited the Hawaiian Is! ands in search of material for my play, “The Bird of Paradise,’ and during the course of my sojourn made many friends among the no tives, often living weeks at a time with them in out-of-the-way villages. Although their food was radically dif- ferent from ours in many of its con- tents and modes of making, it was always palatable and often strikingly delicious. However, most of the native dishes contained ingredients which we can not obtain here, but I did learn ho: to make what some of my frier have nicknamed Hawaiian Croquet a la “The Bird of Paradise,” the 1 terials for which are easily procure And it is a dish so wonderfully appr tizing that I constantly prepare it 1: guests of epicurean tustes. First grate the meat of half a coanut and add to it a cup of ¢ milk, mixing thoroughly and straining through cloth, Melt two tablespoon fulg of butter over a low flame, rut bing into it with the back ef a spoon five tablespoonfuls gf four, stirri until very smooth, ‘Then add slow1y the strained cocoanut and milk liquid stirring constantly until very thick Season meanwhile with one and « half teaspoonfuls of salt, one of pa prika and one of grated onion, Final ly add two cups of cold, boiled, shred ded mullet or any other firm white fish and two cups of cold, boiled, chopped lobster and after stirring al low to cool Shape into croquettes or balls, al lowing @ rounded tablespoonful to each ball, roll in fine cracker crumbs dip into an egg which has been slightly beaten and to which one quarter of a cup of water has been added; again roll in cracker crumbs. Have a deep pan of fat, hot enoug to fry a piece of bread a golden browr while you count forty, and cook th croquettes therein for about a minut then drain on paper and serve wit) olives. bs Copyright, 1022, by the Bell Syndicate, Inc.